If a few brief minutes of Niladri aren't enough…watch his full 65-minute performance of Raag Bhimpalasi in pristine HD on the Darbar Player, along with dozens of other captivating concerts: www.darbarplayer.com/videos/nildari-kumar-pandit-shubhankar-banerjee-raag-bhimpalasi We'd like to upload everything for free - but filming, editing, and hosting cost money, and we’re a small not-for-profit organisation. Signing up to the Darbar Player costs about the same as a couple of coffees a month ($5), which we hope is an excellent price for such a wealth of unique music.
Absolutely fascinating. I have become interested in Hindustani classical music over the last few months after my son started to play the tabla and the more I learn the more I appreciate the depths of my ignorance. Nevertheless, this was very interesting and I look forward to learning more and more. My son and I are going to some of the concerts at Darbar 2014 and I'm very excited about it.
Darbarfestival (and academy) is such an invaluable resource for those who wish to have a greater relationship with and knowledge of what is the arguably the most profoundly expressive form of music in the world. As someone who has listened for several decades, I so greatly appreciate that this is now available. In the past, there was so little available to even the interested listener outside of select places. And nothing of this caliber. Thank you so much for this.
I've heard the "what is a raga?" lecture probably 100 times but this one by Niladri Kumar was fresh and really easy to understand. Should be required viewing for all students of Hindustani music. Bravo!
In the world of Spotify nd iTunes nowadays it's hard to find such kind of magnificent creation nd dedication to create tracks like these.. which exhibit one's emotional attachment and pure passion towards it.. thanks to this channel to bring Indian music Infront of the whole world..kudos!
hola. me gusto mucho, aunque no hablo el idioma de la india y no mucho inglés. con un amigo de la india me ayudo a entender.felicitaciones Maestro. soy amante de la musica india y del sitar
Hi Aditya ms, Thanks for your message - you are right, this is a wonderful performance that we had to share with you. We are glad this has also been educational to you! ALSO - Kindly support our channel by subscribing and JOINING our channel - for a small monthly subscription you will have access to full raga performances from the finest musicians in the world 😊We are a registered charity and your membership will help us produce further content for all to watch 😊
Hi Abhijeet Holambe, Thanks for your message - you are right, this is a wonderful performance that we had to share with you. ALSO - We would love for you to subscribe and JOIN our channel - for a small monthly subscription you will have access to full raga performances from the finest musicians in the world 😊 The best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Your membership will help us produce further content for all to watch 😊
Its a beautiful elaboration. The only word that comes to my mind when I try to explain what a "raag" is - is "melodic framework". Of course, there are multiple orthogonal concepts - scale, alankars, taals (rhythms), tempo and most importantly ras (mood) converge to finally make "music" - which completes the "swaroop" (personality, for the lack of a better word) of a given instance of rendition of a raag - as the speaker beautifully explains. But I feel the word "framework" probably puts the concept of "raag" most clearly into perspective..
A common misunderstanding a lot of Indian musicians have is that the western concept of scale is different from the Sa-re-ga notation but we refer to the root note or Sa in Indian music using harmonium keys like “kali ek” and the Do Re Mi in western notation is similar to Sa Re Ga.
Hi Rajeev Kalamdani, Thanks for your inouts :-) - it’s nice to know that you enjoy the efforts from our team to share content on our channel. Please support our channel by subscribing and also joining our channel - for a small monthly subscription you will have access to full raga performances from the finest musicians in the world 😊 Please remember to SHARE your favourite content with your friends and family - It all helps us to grow the channel 😊
+ATA1201058 Thank you for your comment, Debasmita is an amazing sarod player, Darbar Festival always try and present the very best Indian classical music to our audiences, I am sure that will also enjoy listening to Roopa Panesar - th-cam.com/video/hJ0jKIiA9t0/w-d-xo.html; Anupama Bhagwat - th-cam.com/video/-BOgoqt2eZ0/w-d-xo.html and also Nina Burmi - th-cam.com/video/zGilSftMcI0/w-d-xo.html Please take a minute to subscribe to our TH-cam channel so that you are the very first to see our latest videos!
Thank you Niladri, you said, you do not know why a tehai is repeated three times. My question is: Do you think the tehai's structure has to do with the fact that it is a cue? It is all about being recognized as a cue. If so, a repetition of three similar figures makes sense, since it will be detectable. If it was twice only, how would the fellow players know ' this is the figure' ? And more than three times is not necessary. So, three times is just right. This is what I think. Does this make sense? All best, Carsten
Good explanation. I think of it as more of a tool to bring in the aesthetic quality of layakaari, rhythm and the related elements into the composition. In places, it is used as a cue, e.g. at the ending of a composition. But it is also used in taans, some alaaps and gamaks.
I keep the G string pressed on the second fret to keep a neutral sound and then go up and down the G string in various modes to make the melody. I reccommend this system to anyone who has a guitar but no sitaar
One comment is not enough. I`ve got the milestone of feeling great to play music at any scene. C,G,D,F,A, and so on. O.K. this guy is really cool, showing you how to play what his music means. Stay clean, H.M.
Yo I got myself the cheapest sitar I could afford about a year ago and so far ive never had a string snap on me yet. there is a lot of give and flex as long as you are careful hope this helps! also I don't have anyone to teach me how to play so just going with what videos I can find on TH-cam and what sounds right to me.
String breakage hasn't been a huge issue for me while playing, it mainly happens while tuning but can be avoided if you're careful. But meends (bends) can really knock your sitar out of tune. On a professional quality instrument like Niladri's, it's probably not an issue at all, but on most of the sitars you're going to find out in the world, tuning is necessary very often.
Hi TAGORE'S NATURE, Thanks for your message - a great video that we had to share with you - please SHARE this video with your networks. ALSO - If you have not already joined our channel, we would love for you to join our community and subscribe to our channel - you can do this by clicking on the subscribe button, you can also press the bell icon to get instant updates on our latest videos. Our team loves to share our music, here are some links that you will enjoy: - Rare Raag Khem Kalyan | Ashwini Bhide-Deshpande | Jaipur-Atrauli - th-cam.com/video/FgnM9CsGrfU/w-d-xo.html - Power of Carnatic Violin | Thillana | Lalgudi GJR Krishnan and Vijayalakshmi - th-cam.com/video/uByEJ9u6bKE/w-d-xo.html - What is Upaj? Interview & Demo | Niladri Kumar & Sukhvinder Singh ‘Pinky’ - th-cam.com/video/T63sdxsGcYQ/w-d-xo.html You can help us by SHARING these videos with your friends and giving us your feedback through your comments :)
This has a major 3rd.Again the flat 9th and flat fifth gives a dark sad feel.substitute major 3rd with a minor 3rd you get another scale. ie substitute F # with F
So if you had a guy playing slide guitar, his drunk mate with a pegleg stomping his heart out and a dog howling in the background, that would be a raga?
Is the majority of the instrument played on just one string? That's what it looks like... I don't see him even touching the mini strings around the main middle one..
He is one of the most brilliant musicians, Sitar players India has produced !!! He is incredibly talented and has an unbelievably crazy command over Sitar. With all due respect, whatever he spoke about Raga or about expanding a Raga is simply nonsense !!! There is no creativity or what so ever involved in it at all. Musicians are simply conditioned to the music they play and depending on your genetical capability you play better or worse. That's all about it !!! But unfortunately, most of them go around saying there is a great creativity involved in playing music. Take my word, there is absolutely none!!! It's simply your genetical capability with the kind of conditioning you go through !!! Would have enjoyed this better had it been more music and less talking !!!
shrikanth s.y Get some knowledge from the masters involve yourself in the music then speak sir. Who are you to say that this is nonsensical. If it were genetical we wouldn’t have masters like Alla Rakha and Ravi Shankar. If it wasn’t creativity people wouldn’t play the same raag for hours. And as a side note the title said What is a Raag . Expect some talking wanna hear music go elsewhere.
If a few brief minutes of Niladri aren't enough…watch his full 65-minute performance of Raag Bhimpalasi in pristine HD on the Darbar Player, along with dozens of other captivating concerts: www.darbarplayer.com/videos/nildari-kumar-pandit-shubhankar-banerjee-raag-bhimpalasi
We'd like to upload everything for free - but filming, editing, and hosting cost money, and we’re a small not-for-profit organisation. Signing up to the Darbar Player costs about the same as a couple of coffees a month ($5), which we hope is an excellent price for such a wealth of unique music.
Absolutely fascinating. I have become interested in Hindustani classical music over the last few months after my son started to play the tabla and the more I learn the more I appreciate the depths of my ignorance. Nevertheless, this was very interesting and I look forward to learning more and more.
My son and I are going to some of the concerts at Darbar 2014 and I'm very excited about it.
the people from darbar do great justice to the sound of Indian music. the mixing and equalization is top notch.
One of the best and most elegant of elaborations on the mysterious experience called raag...still soaking it in .
Oh my goodness this is perfect. ♡ Thank you for contributing such beautiful art to our world.
Darbarfestival (and academy) is such an invaluable resource for those who wish to have a greater relationship with and knowledge of what is the arguably the most profoundly expressive form of music in the world. As someone who has listened for several decades, I so greatly appreciate that this is now available. In the past, there was so little available to even the interested listener outside of select places. And nothing of this caliber. Thank you so much for this.
I've heard the "what is a raga?" lecture probably 100 times but this one by Niladri Kumar was fresh and really easy to understand. Should be required viewing for all students of Hindustani music. Bravo!
In the world of Spotify nd iTunes nowadays it's hard to find such kind of magnificent creation nd dedication to create tracks like these.. which exhibit one's emotional attachment and pure passion towards it.. thanks to this channel to bring Indian music Infront of the whole world..kudos!
Respect ! a generous and serious explanation.
Thanks, for delivering this secret part of your beautiful soul.
Every once in a long time I come across such videos that make me feel like I have been living in a cave all this while!
One of the most articulate and honest explanations of Raag exploration. I love it. Thanks for sharing. :-)
hola. me gusto mucho, aunque no hablo el idioma de la india y no mucho inglés. con un amigo de la india me ayudo a entender.felicitaciones Maestro. soy amante de la musica india y del sitar
What a MAN!!! What an Approach!!! Mesmerizing !!!
I still learn something new each time I c this video!!
Hi Aditya ms, Thanks for your message - you are right, this is a wonderful performance that we had to share with you. We are glad this has also been educational to you!
ALSO - Kindly support our channel by subscribing and JOINING our channel - for a small monthly subscription you will have access to full raga performances from the finest musicians in the world 😊We are a registered charity and your membership will help us produce further content for all to watch 😊
In bangali, simply asadharon interpretation of music!!!!!!!
Simple yet deep explanation.
This was such a masterclass! Please post more... Looks like he still have more to share 😊🙏
This is so complex yet so beautiful !
Hi Abhijeet Holambe,
Thanks for your message - you are right, this is a wonderful performance that we had to share with you.
ALSO - We would love for you to subscribe and JOIN our channel - for a small monthly subscription you will have access to full raga performances from the finest musicians in the world 😊
The best part of your membership is that you can feel 100% confident that you are supporting Indian classical music and musicians through a registered non-profit organisation. Your membership will help us produce further content for all to watch 😊
Thank you so much for a very detailed description. It is completely fascinating.
Phenomenal explanation of RAAG!!!..
Niladri is an amzing commited musician. I still remember his bangalore concert where people clapped to him continuesly for atleast 15 minutes long
Its a beautiful elaboration. The only word that comes to my mind when I try to explain what a "raag" is - is "melodic framework". Of course, there are multiple orthogonal concepts - scale, alankars, taals (rhythms), tempo and most importantly ras (mood) converge to finally make "music" - which completes the "swaroop" (personality, for the lack of a better word) of a given instance of rendition of a raag - as the speaker beautifully explains. But I feel the word "framework" probably puts the concept of "raag" most clearly into perspective..
Wonderful sitarist...literally explains everything in this 16 min clip. Amazing !
thanks for the video, very good playing and instruction however im going to need to watch this another 20 times before i understand it haha
Me as well
This is best explanation and lesson for raags I've found. Awesome video, super helpful.
Wow sirji HATS OFF.... GOD BLESS YOU ALWAYS... son of माँ सरस्वती (Goddes mother Saraswati)
A common misunderstanding a lot of Indian musicians have is that the western concept of scale is different from the Sa-re-ga notation but we refer to the root note or Sa in Indian music using harmonium keys like “kali ek” and the Do Re Mi in western notation is similar to Sa Re Ga.
Hi Rajeev Kalamdani,
Thanks for your inouts :-) - it’s nice to know that you enjoy the efforts from our team to share content on our channel.
Please support our channel by subscribing and also joining our channel - for a small monthly subscription you will have access to full raga performances from the finest musicians in the world 😊
Please remember to SHARE your favourite content with your friends and family - It all helps us to grow the channel 😊
Whoa this is some deep, complicated stuff!
+ATA1201058 Thank you for your comment, Debasmita is an amazing sarod player, Darbar Festival always try and present the very best Indian classical music to our audiences, I am sure that will also enjoy listening to Roopa Panesar - th-cam.com/video/hJ0jKIiA9t0/w-d-xo.html; Anupama Bhagwat - th-cam.com/video/-BOgoqt2eZ0/w-d-xo.html and also Nina Burmi - th-cam.com/video/zGilSftMcI0/w-d-xo.html
Please take a minute to subscribe to our TH-cam channel so that you are the very first to see our latest videos!
Beautiful music. Thank you for the in depth explanation!
Awesome explanation Thanks.
PS:
Steve Gorn, this wonderful bansuri player explained to me what 'raga' means as:
'coloring the mind'.
I like that.
wonderful, so free and so demanding , what skill and study, devotion . perfect meend work.
I am enlightened..Thanks a ton..!!!
Amazing learned so much. Thank you for sharing.
Thank you Niladri,
you said, you do not know why a tehai is repeated three times.
My question is:
Do you think the tehai's structure has to do with the fact that it is a cue?
It is all about being recognized as a cue.
If so, a repetition of three similar figures makes sense, since it will be detectable.
If it was twice only, how would the fellow players know ' this is the figure' ?
And more than three times is not necessary.
So, three times is just right. This is what I think.
Does this make sense?
All best,
Carsten
Good explanation. I think of it as more of a tool to bring in the aesthetic quality of layakaari, rhythm and the related elements into the composition. In places, it is used as a cue, e.g. at the ending of a composition. But it is also used in taans, some alaaps and gamaks.
Following along in DADGAD tuning on a guitar. Very interesting stuff thank you, sir.
I keep the G string pressed on the second fret to keep a neutral sound and then go up and down the G string in various modes to make the melody. I reccommend this system to anyone who has a guitar but no sitaar
brilliantly explained...
VERY BEAUTIFULLY DONE.
Very well explained....🙏🙏🙏🙏
One comment is not enough.
I`ve got the milestone of feeling great
to play music at any scene. C,G,D,F,A, and so on.
O.K. this guy is really cool, showing you how to play
what his music means.
Stay clean,
H.M.
Its quite insightful...thank you for sharing...
Great.... 🙏🙏🙏🙏
beautiful! i must say those strings can bend along way.
Beautifully explained. Though i didn't understand everything but understood somethinhg
Thanks for liking
What a gorgeous sitar! Seems to be quite old isn't it? Also beautifully played!
awesome video.. great explanation..
Very nicely explained...🙏
Woow, sick bends. 5 note bend, I haven't tried sitar yet, but I guess the string breaks oftenly
You should try to learn it! Im sure there are teachers around wherever you live
Yo I got myself the cheapest sitar I could afford about a year ago and so far ive never had a string snap on me yet. there is a lot of give and flex as long as you are careful hope this helps! also I don't have anyone to teach me how to play so just going with what videos I can find on TH-cam and what sounds right to me.
String breakage hasn't been a huge issue for me while playing, it mainly happens while tuning but can be avoided if you're careful. But meends (bends) can really knock your sitar out of tune. On a professional quality instrument like Niladri's, it's probably not an issue at all, but on most of the sitars you're going to find out in the world, tuning is necessary very often.
Very nice dynamics (obviously, n00b guitar player speaking)!
Dada ❤ Darbar ❤
Fantastic playing.Sweet to hear.
Excellent explanation !!
Love how he keeps stroking while talking
8:32 is epic
ikrrrr!! o..o
Amazing video !
Great teacher!!
oh my god...............nice voice nice lesson thanks
Just amazing....wow
🙏🏻🙏🏻🙏🏻 fantastic
Awesome!
I think creating melodic patterns using the set notes is raga???
Awesome!!!!!
Wow, all this should take 20 years to develop
please guide me what is raag ? their mean !what is mean sare.gama. pa da. ni sa?
que buen instrumento! no se desafina con esos bends tan bestiales
A good lesson
S.C.Bose
I think I watched this like 5 times already
Same. But still can't understand. Lol
Raga HEART
Hi TAGORE'S NATURE,
Thanks for your message - a great video that we had to share with you - please SHARE this video with your networks.
ALSO - If you have not already joined our channel, we would love for you to join our community and subscribe to our channel - you can do this by clicking on the subscribe button, you can also press the bell icon to get instant updates on our latest videos.
Our team loves to share our music, here are some links that you will enjoy:
- Rare Raag Khem Kalyan | Ashwini Bhide-Deshpande | Jaipur-Atrauli - th-cam.com/video/FgnM9CsGrfU/w-d-xo.html
- Power of Carnatic Violin | Thillana | Lalgudi GJR Krishnan and Vijayalakshmi - th-cam.com/video/uByEJ9u6bKE/w-d-xo.html
- What is Upaj? Interview & Demo | Niladri Kumar & Sukhvinder Singh ‘Pinky’ - th-cam.com/video/T63sdxsGcYQ/w-d-xo.html
You can help us by SHARING these videos with your friends and giving us your feedback through your comments :)
When did you come to Germany???!!!
I don't believe in God. I believe in living legends. Niladri
Please tell me..
If anyone can teach me to play sitar
In Pune
I like him!
a great maestro. ...
which rec studio is this ????
Śruti are your pigments; the sitar, your brush. Now, paint me a colorful picture.
Raja is what you want, what you dream, what you love, Raja something inside you does not explain in words, Raja is the hero who dwells in you, man
This has a major 3rd.Again the flat 9th and flat fifth gives a dark sad feel.substitute major 3rd with a minor 3rd you get another scale. ie substitute F # with F
wow, wow, wow
Momma, let your son put a whammy bar on his sitar, and be a *rock star!*
😇
🙏
Muito bom!
Can we have something more about this. can you bring him back again to say something
more.
its actually fairly simple, he is just complicating things
So if you had a guy playing slide guitar, his drunk mate with a pegleg stomping his heart out and a dog howling in the background, that would be a raga?
Thumper kinda, you just need a name for it
Live Indian classical music
Is the majority of the instrument played on just one string? That's what it looks like... I don't see him even touching the mini strings around the main middle one..
Some of them are sympathetic strings to create resonance.
Hello my name is sahana the meaning of my word is a raga
hiiii
❤❤❤❤❤❤❤❤❤❤🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
Come on why don't earthlings enjoy indian classical ragas such as SHREE, POORVi, MAARVA. Must be because only a few are blessed to .
vendarfull
Bekar kiyu ro rhe ho
He is one of the most brilliant musicians, Sitar players India has produced !!! He is incredibly talented and has an unbelievably crazy command over Sitar. With all due respect, whatever he spoke about Raga or about expanding a Raga is simply nonsense !!! There is no creativity or what so ever involved in it at all. Musicians are simply conditioned to the music they play and depending on your genetical capability you play better or worse. That's all about it !!! But unfortunately, most of them go around saying there is a great creativity involved in playing music. Take my word, there is absolutely none!!! It's simply your genetical capability with the kind of conditioning you go through !!! Would have enjoyed this better had it been more music and less talking !!!
shrikanth s.y Get some knowledge from the masters involve yourself in the music then speak sir. Who are you to say that this is nonsensical. If it were genetical we wouldn’t have masters like Alla Rakha and Ravi Shankar. If it wasn’t creativity people wouldn’t play the same raag for hours. And as a side note the title said What is a Raag . Expect some talking wanna hear music go elsewhere.
Absolute nonsense on your part!
Fact - creativity is a phenomenon that to this day can't be explained scientifically.
please guide me what is raag ? their mean !what is mean sare.gama. pa da. ni sa?