Je connaissais la très belle version d'Isaac Stern mais celle-ci, par Oistrakh, m'était complètement inconnue et c'est une véritable merveille. Par ailleurs les cadences de David sont impressionnantes. Un grand merci à Hartmud Plath pour ce partage.
Yes, I saw Isaac Stern play this concerto at Guildford Cathedral in 1966 at the height of his powers and enjoyed his performance immensely. I was at the Royal Albert Hall in the late 60's when Oistrakh played the Beethoven Violin Concerto before the interval and came back after it and played the Tchaikovsky.. Wonderful tone. This recording really does not do justice to it , but as always with Oistrakh his interpretation brings out things in the music that one had not heard before.
Perlman has a recording of many concerti used by teachers for didactic purposes. In the early days of violin performance many of them were included in programs, but as more sophisticated music for violin was composed, many fell out of favor - but still used in teaching. They are rarely recorded, but you can find some if you know the violin repertoire used in study, and do an exhaustive search. You can find Accolay, and others - some Vieuxtemps, etc.
@@robotnik77 I checked out Accolay's concerto and it was mind blowing...Thanks! But I'm rather surprised that even though, these violinists composed such beautiful pieces, they remained rather obscure!
Stupende. Come sempre Oistrach ci sorpresa, anzi ci lasca a bocca apperta con sua incredibile maestria. Nel secondo movimento usa la versione di Joseph Joachim con tutti i bei ornamenti e la cadenza. Nel primo movimento invece usa quella di Ferdinand David.
Can I just say that this recording has changed my life.. my personality.. the way I see everything! It may seem like something that many people just go by and say at every classical piece... But this is by far the most innocent and life-appreciating piece I've ever heard... (Not forgetting the sense of reality which exists within this piece!) I can fail everything... Literally everything ... but this piece would then also not fail to make me smile..
I appreciate your comment very much. I had uploaded this for a curious reason, not to explain here. I was nearly about to remove it, since I'm not just the upload-type on TH-cam. But now it shall stay.
@@johanngottlieb I must say that the discovery of this recording is one of the happiest memories of my life... This piece (especially the Adagio) makes me cherish life every time I listen to it... I have no words to express my gratitude for you, good sir, have, in a way, changed my life! :)
This was actually Brahms' favorite violin concerto, maybe even his favorite piece of music ever written, and he spoke very highly of it. His friend, the violinist Joachim (for whom Brahms wrote his violin concerto) once played it three times in a row for him while he accompanied on piano. Joachim said, "That is why I always called this piece *his* concerto by Viotti."
Великий Ойстрах! Великая советская скрипичная школа! Браво! Спасибо!
2 ปีที่แล้ว +2
Quelle magnifique enregistrement. On joue cela tout enfant, quand il faut une grande maturité pour aborder tant de détails. David survole tout cela avec tant de délicatesse que ça nous amène à un tout autre monde. Merci pour ce partage.
@@larshenrikrn4105that’s very interesting. you know who that usually happens to is women artists. Quite recognized and lauded in their own time, they became forgotten until recently. I have heard 2 interviews where someone (once it was Kreisler) saying this was Brahms’s favourite concerto and then the interviewer snickers derisively. Snobs that follow the fame I guess.
Oistrakh was great and this is a really beautiful recording. Oistrahk was an old friend of my late great father Oscar Shumsky. Oistrakh loved Dad's playing and violinists may be interested to hear another very great rendition by a young Oscar Shumsky which can be heard on TH-cam🎉
Thanks for directing me to your late father's recording. It is exquisite. I thought the cadenza in the first mvt might be his. It was really gorgeous. I was a violin student at the time while he taught. His students adored him. I recall some made mention of his highly imaginative fingerings. Lucky you, to have this great artist as a dad!
Viotti wrote about 30 concertos. An Italian violinvirtuoso recorded all of them (What a feat!). I listened to some of them. No. 24 is very beautiful, whereas no. 23 is more simplistic. Yet I don't want to judge too much. There is certainly o lot of beautiful music.
This is very great concerto of very greatest artistic value, but especially the third movement is not a small challenge even for the performers of the greatest virtuosity, like Ravmaninov,s third concerto for the pianists. May be that's why it's so rare we here this peice in the concerts. It's just my impression but Maestro may have made 3 or 4 takes for the third movement.
@@carlthopebenyar5455 Not so. Perlman did play this as a boy, and on the album cover is a photo of the boy Perlman playing the violin, but the album was recorded tin May 1998 when Perlman was 52. Not to imply anything against Oistrakh.
Oistrakh will always be the genius, second only - or tied with - Heiftez, but the pedestrian intro by Kondrashin is really terrible. The orchestra comes in like the proverbial ton of bricks. I was expecting much better, I mean "leggerezza", this isn't Glazunov (with all respect). Is this recording a Melodya production?
@@GIROSSINI58 Rispetto la Sua opinione e mi spiego meglio. L'intro è terribilmente datata per gli standard odierni: aggettivi come "classicismo" e "Russian school" non c'entrano nulla con Viotti, che è di epoca anteriore. Provi ad ascoltare i Brandenburghesi con i Berliner diretti da Von Karajan (Deutsch Grammophon. of course). Eleganza e classicismo, ma inascoltabili con l'orecchio d'oggi.
I agree. At that time Oistrach was - with Menhuin and Stern - the best of the best.But in URSS there where not so good conductors. Stalin had done his job.
@@carlonordio4668 Kondrashin was actually a good conductor... and idk why but I prefer this intro... I mean.. I keep shifting between Grumiaux recording and this one...
Maravillosa ejecución del Prestigioso Maestro y Excepcional Violinista David Oistrakh.
BRAVO.
Somehow it's so satisfying listening to Oistrakh's trills. Thanks for sharing. I really like this rendition.
Fantastic peace and performance!! Bravo!
Unübertroffen bleibt diese herrliche Interpretation von Oistrakh, besonders den zweiten Satz.
This Viotti concerto is certainly a Divine inspiration... Enchanting !!!
Je connaissais la très belle version d'Isaac Stern mais celle-ci, par Oistrakh, m'était complètement inconnue et c'est une véritable merveille. Par ailleurs les cadences de David sont impressionnantes. Un grand merci à Hartmud Plath pour ce partage.
Yes, I saw Isaac Stern play this concerto at Guildford Cathedral in 1966 at the height of his powers and enjoyed his performance immensely. I was at the Royal Albert Hall in the late 60's when Oistrakh played the Beethoven Violin Concerto before the interval and came back after it and played the Tchaikovsky.. Wonderful tone. This recording really does not do justice to it , but as always with Oistrakh his interpretation brings out things in the music that one had not heard before.
Wunderschön, atemberaubend gespielt, und ein gottvolles Adagio.
Merci beaucoup de nous faire découvrir ce concerto trop peu connu!
Mon plaisir!
!!!!!!!!!+++ Блестящее исполнение !!! НЕПОВТОРИМЫЙ СКРИПАЧ !!!
This is the best recording I've ever heard..
Perlman has a recording of many concerti used by teachers for didactic purposes. In the early days of violin performance many of them were included in programs, but as more sophisticated music for violin was composed, many fell out of favor - but still used in teaching. They are rarely recorded, but you can find some if you know the violin repertoire used in study, and do an exhaustive search. You can find Accolay, and others - some Vieuxtemps, etc.
@@robotnik77 I checked out Accolay's concerto and it was mind blowing...Thanks! But I'm rather surprised that even though, these violinists composed such beautiful pieces, they remained rather obscure!
Just fantastic.
Of course D.Oistrakh was very great musician, real genius, nevertheless try this th-cam.com/video/BrxaUqVH4lE/w-d-xo.html
Have you listened GRUMIAUX performance?....!!!
Stupende. Come sempre Oistrach ci sorpresa, anzi ci lasca a bocca apperta con sua incredibile maestria. Nel secondo movimento usa la versione di Joseph Joachim con tutti i bei ornamenti e la cadenza. Nel primo movimento invece usa quella di Ferdinand David.
Can I just say that this recording has changed my life.. my personality.. the way I see everything! It may seem like something that many people just go by and say at every classical piece... But this is by far the most innocent and life-appreciating piece I've ever heard... (Not forgetting the sense of reality which exists within this piece!)
I can fail everything... Literally everything ... but this piece would then also not fail to make me smile..
I appreciate your comment very much. I had uploaded this for a curious reason, not to explain here. I was nearly about to remove it, since I'm not just the upload-type on TH-cam. But now it shall stay.
@@johanngottlieb I must say that the discovery of this recording is one of the happiest memories of my life... This piece (especially the Adagio) makes me cherish life every time I listen to it... I have no words to express my gratitude for you, good sir, have, in a way, changed my life! :)
@@saumiasinghal94662 I just came over another, I think, quite charming rendition by Fritz Kreisler: th-cam.com/video/l3NR7Rkj3GY/w-d-xo.html
This was actually Brahms' favorite violin concerto, maybe even his favorite piece of music ever written, and he spoke very highly of it. His friend, the violinist Joachim (for whom Brahms wrote his violin concerto) once played it three times in a row for him while he accompanied on piano. Joachim said, "That is why I always called this piece *his* concerto by Viotti."
@@johanngottliebyes i need it please
Великий Ойстрах!
Великая советская скрипичная школа!
Браво! Спасибо!
Quelle magnifique enregistrement. On joue cela tout enfant, quand il faut une grande maturité pour aborder tant de détails. David survole tout cela avec tant de délicatesse que ça nous amène à un tout autre monde.
Merci pour ce partage.
J’apprends le premier movement a 47 ans. Je vais prendre confiance que je suis assez âgée selon vous 😘
now I ask myself, how comes that a composer of such concerto, compared to others of his time, remained so largely unknown...?
He was not. Until the 1920 this concerto was regarded on par with Beethoven and Brahms
@@larshenrikrn4105that’s very interesting. you know who that usually happens to is women artists. Quite recognized and lauded in their own time, they became forgotten until recently.
I have heard 2 interviews where someone (once it was Kreisler) saying this was Brahms’s favourite concerto and then the interviewer snickers derisively. Snobs that follow the fame I guess.
for years, I had bought this recording. Now I enjoy it with an unchanged delight, how would Joshua Bell appreciate Oistrakh !s playing ?????
Oistrakh was great and this is a really beautiful recording. Oistrahk was an old friend of my late great father Oscar Shumsky. Oistrakh loved Dad's playing and violinists may be interested to hear another very great rendition by a young Oscar Shumsky which can be heard on TH-cam🎉
Your grandfather was a much greater artist than Oistrakh
I will check it out
Thanks for directing me to your late father's recording. It is exquisite. I thought the cadenza in the first mvt might be his. It was really gorgeous. I was a violin student at the time while he taught. His students adored him. I recall some made mention of his highly imaginative fingerings. Lucky you, to have this great artist as a dad!
What an incredible piece. As teenager I played probably #23. But 22, much more beautiful. Thanks so much
the cd jacket of a brahms vc recording brought me here
I wonder what the other 21 Viotti Concertos are like - are they extant, or lost? The only ones I played while a student were 22 & 23.
Viotti wrote about 30 concertos. An Italian violinvirtuoso recorded all of them (What a feat!). I listened to some of them. No. 24 is very beautiful, whereas no. 23 is more simplistic. Yet I don't want to judge too much. There is certainly o lot of beautiful music.
th-cam.com/video/K2csdfVKTF8/w-d-xo.html
@@geigenatelierbrusch469 Danke sehr!
If I remember right, there are 2 concertos for 2 violins, too.
@@norbertflorianschuck9300oooh
Brahms' favorite violin concerto
❤❤❤❤❤❤
This is very great concerto of very greatest artistic value, but especially the third movement is not a small challenge even for the performers of the greatest virtuosity, like Ravmaninov,s third concerto for the pianists.
May be that's why it's so rare we here this peice in the concerts.
It's just my impression but Maestro may have made 3 or 4 takes for the third movement.
Idk about any of that. It’s considered a student piece isn’t it?
@@M_SC i believe so as i am currently learning to play it
Does anyone know whose cadenzas these are?
Вауу
2:52
3:56
What cadenza is he playing?
The cadenza is by Ferdinand David.
@@johanngottlieb Itzhak Perlman also plays this one, right?
@@anabelcher3813 Haven't heard Perlman yet.
@@anabelcher3813 But that recording has young Itzhak Perlman playing....This, on the other hand, is the best recording I've ever heard!
@@carlthopebenyar5455 Not so. Perlman did play this as a boy, and on the album cover is a photo of the boy Perlman playing the violin, but the album was recorded tin May 1998 when Perlman was 52. Not to imply anything against Oistrakh.
14:37
can you read my mind?
@@planetaflop8378 did you come from the Hilary Hahn playing at age 10 video too?
@@ILikeBirds omg yes
@@planetaflop8378 lol
I love hearing children playing this piece. Oistrakh may be a great violinist, but he doesn't have the simplicity and innocence children have.
Oistrakh will always be the genius, second only - or tied with - Heiftez, but the pedestrian intro by Kondrashin is really terrible. The orchestra comes in like the proverbial ton of bricks. I was expecting much better, I mean "leggerezza", this isn't Glazunov (with all respect). Is this recording a Melodya production?
It is, indeed, a Melodya production.
J' adore" KK. Trasforma il virtuosismo in emozione mantenendo l eleganza del classicismo. Russian school. E l intro non è pedestre, ma AULICA.
@@GIROSSINI58 Rispetto la Sua opinione e mi spiego meglio. L'intro è terribilmente datata per gli standard odierni: aggettivi come "classicismo" e "Russian school" non c'entrano nulla con Viotti, che è di epoca anteriore. Provi ad ascoltare i Brandenburghesi con i Berliner diretti da Von Karajan (Deutsch Grammophon. of course). Eleganza e classicismo, ma inascoltabili con l'orecchio d'oggi.
I agree. At that time Oistrach was - with Menhuin and Stern - the best of the best.But in URSS there where not so good conductors. Stalin had done his job.
@@carlonordio4668 Kondrashin was actually a good conductor... and idk why but I prefer this intro... I mean.. I keep shifting between Grumiaux recording and this one...
이렇게 아름다운 곡을 이토록 끔찍할만큼 듣기싫게 연주하는 사람 처음 본다. 박자는 주체를 못하고 빨라지기만 하고 아무 감정 이입없이 손가락만 빠르게 돌린다.
이 연주자는 카덴짜만 잘했다.
처음부터 끝까지 카덴짜처럼 연주해서 당황스럽다.
최악의 연주다!!!!!
Это великий Ойстрах
오이스트라흐 의 트릴 연주가 신의 경지인데.. 요즘 연주자들은 저런 트릴 연주 절대 못함.. 그만큼 연습을 꾸준히 안하는거지.. 어릴때만 연습함
Brahms' favorite violin concerto.