William Byrd Fantasia in a minor, BK13 Olga Pashchenko

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  • เผยแพร่เมื่อ 1 ม.ค. 2025

ความคิดเห็น • 5

  • @BachFlip
    @BachFlip 3 ปีที่แล้ว +2

    Beautiful performance, Olga. I only wish I could see your hands. In the running passages towards the end do you favour historical fingerings (i.e. paired fingers for scales) or do you use a more thumb-oriented modern technique?

    • @olgapashchenko5091
      @olgapashchenko5091  3 ปีที่แล้ว +3

      Thank you! I do trend to use historical fingerings indeed, at least not using the thumb :)

  • @peterquennellnyc
    @peterquennellnyc 6 ปีที่แล้ว +3

    Olga seems too little known outside the Netherlands - perhaps they love
    her too much and try to hide her! I think these static one-camera videos
    which are most of hers with no shots of her hands really sell her
    short. Yet the sound and photography for the Soler Fandango video (the
    one with the trains behind!) are the best I have ever seen for a
    harpsichord. Quite jolting. That one video shows just how remarkable
    she is. Also she talks well in one version. I just saw Tine Thing
    Hesseth at Carnegie Hall and after she was done with 2 concertos she
    took the microphone and explained something, and she apparently does
    that now after all performances. (She also had bare feet! A golden gown
    and bare feet. Audience loved that also.) By the way the most searched
    Scarlatti piece I believe is his Fandango. Might she...?!