UNWRITTEN RULES OF JAZZ ARTICULATION
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- เผยแพร่เมื่อ 29 เม.ย. 2021
- www.scottpaddocksaxschool.com
Today, we dive back into the unwritten rules of jazz articulation. Just by bringing out the correct notes and making some small articulation changes to each measure, you can completely transform the way everything you play sounds. If you'd like to dive deeper into this topic and perfect your jazz style, check out the Scott Paddock Sax School - Jazz Style Section.
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INSTAGRAM: @scottpaddocksax
www.scottpaddock.com
Scott Plays:
P. Mauriat 67RX Influence alto sax
Barkley Brazil Kustom Pop 7 Blue mouthpiece
Legere American Cut 2.25 reeds
BG Silver Duo ligature - เพลง
Tell you what, I reckon you just nailed some features of jazz articulation that I haven’t heard anyone else say before. Awesome!
Hello Jamie! I hope you do a collab with Scott. You two are good teacher and our inspiration.
@@pauljudemondarte1245 well as it happens there MIGHT be a little something in the pipeline...
A HUGE Thankyou to both you guys for the wealth of fantastic educational videos you've created. They are priceless.
Agreed - thanks a million both !
Subscribed. Thankyou for your wealth of fantastic educational videos. They are priceless.
Thank you Scott for the tips
Thank you! That really makes a huge difference. You explained that super well for beginners.
Excelente explicación. Muy didáctico y creativo.
Great video!
Super👍
Total coincidence that I was second comment! I just sat down and there you were! 😂
I love the way all my favourite youtubers lurk on each other's channels and the great comments you provide.
The gathering of the Sax nerds. Lol
I also hang out with Jamie and Jay. As for Chad, well, I'm a couple years (at least!) from applying his teachings. I buy coffee for Jamie, courses from Jay, and enrolled in Scott's Sax School. To all my fellow sax students out there in TH-cam land, I say SUPPORT YOUR TEACHERS! Anyhow, a BIG thank you to all my teachers, but especially the doctor of "What's up'"!
Same here!
4:33 yes...however articulation alone won't resolve that compositional mis-play; it's a banal cadence