This is the 30th video in the Jazz Tactics series, exploring elements of playing jazz music, especially improvisation, based on my book of the same name and a university course that I’ve taught for over thirty years. Find the other episodes here: th-cam.com/play/PLdkYbUyqvkhSJJ4IJFoNYBtNaxiMZgNlg.html Please make sure to LIKE and leave a comment or question below.
Man this lesson is incredibly useful, crazy that you give it for free, that's amazing and i wish more people would have this mentality in sharing knowledge about diatonic and non diatonic elements.
Sharing what I know and love about jazz music is my primary goal, and I appreciate those like you who take the time to comment. For anyone who wishes to contribute financially toward the continuation of the channel, the THANKS button is a way to leave a small tip. :)
The two solos are probably 80-90% the same, but when you bypass the pivotal tones you dull what I call the 'sharp corners' of the chord progression. The notes used in place in the diatonic version are not wrong in the context of the harmony, but make the overall solo sound less precise, or in your description, 'off'.
Maybe, but the praise is heartfelt and deserved. For those who don't know Mark Eisenman's playing, you can hear him on many of the clips in this playlistl: th-cam.com/play/PLdkYbUyqvkhRsRB075Q5eC_ehx5VCFRKF.html Also at Mark's website: jazzpiano.ca
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This is the 30th video in the Jazz Tactics series, exploring elements of playing jazz music, especially improvisation, based on my book of the same name and a university course that I’ve taught for over thirty years. Find the other episodes here: th-cam.com/play/PLdkYbUyqvkhSJJ4IJFoNYBtNaxiMZgNlg.html Please make sure to LIKE and leave a comment or question below.
Man this lesson is incredibly useful, crazy that you give it for free, that's amazing and i wish more people would have this mentality in sharing knowledge about diatonic and non diatonic elements.
Sharing what I know and love about jazz music is my primary goal, and I appreciate those like you who take the time to comment. For anyone who wishes to contribute financially toward the continuation of the channel, the THANKS button is a way to leave a small tip. :)
You are a great teacher! Thank you for your videos.
And you are generous to a fault, Christine!
Great video, thank you🙏
Glad you enjoyed it!
The solo with pivot tones sounds correct, while the diatonic solo sounds a bit off. Great lesson! Thanks Chase.
The two solos are probably 80-90% the same, but when you bypass the pivotal tones you dull what I call the 'sharp corners' of the chord progression. The notes used in place in the diatonic version are not wrong in the context of the harmony, but make the overall solo sound less precise, or in your description, 'off'.
Excellent rundown of how to learn a tune! I also like using the diatonic first then add in the pivot tones...very cool and useful. Thx Chase!
I'm glad you find it so!
Great stuff Chase👏👍
I stole it all from you. :)
@@chasesanborn Bb
Now you’re just being silly 😜
Maybe, but the praise is heartfelt and deserved. For those who don't know Mark Eisenman's playing, you can hear him on many of the clips in this playlistl: th-cam.com/play/PLdkYbUyqvkhRsRB075Q5eC_ehx5VCFRKF.html Also at Mark's website: jazzpiano.ca
Chase, you reference your Cliffordizing video, which I’ve watched, and is wonderful- but now I can’t find it. Did you take it down?
That one is in the pipeline for a remake.