Similar to A Great Big Story and Petrolicious. The cinematography is absolutley stunning. It draws me in, and I feel so invested. This was a wonderful little piece of Suzuki, he has always been a man I would study in style and tone. I have always loved his authentic sound. I stopped playing cello in pursuit of D1 athletics, but I really, really want to play cello again thanks to this. This was perfect material to learn. If only I saw this 1 year ago! This channel is great, thank you for reviving a passion I once had!
Thank you for sharing your thoughts with us. Your performance of the 5th suite seems to explore the personality of the instrument, though in this interview you emphasize the responsiveness to intent. Well, one could say by paying attention to one the other is free. So the cello, as the more free, in the end rules. It is inevitable, whether you pay attention to it or the composer. Say you pay attention to the cello. The cello says, pay attention to the composer. For one thing, the cello, especially a good one, as a male personality prefers not to be stared at directly, unless you agree on some higher principle.
This is a fascinating testimonial! Given what is ostensibly a Baroque-style setup, however, I am surprised at where Dr. Hidemi Suzuki grasps the bow. As I understood it, a Baroque bow is grasped a certain distance from the frog, as opposed to directly over the frog. I would be curious to know the artist's rationale for this more "modern" grasping of an older-style bow.
What are the initials and numbers on the side of the cello? And what can you tell us about the bow? Thank you so much for these spectacular recordings and insights. Suzuki Hidemi is amazing.
Not sure, but I play from a facsimile of the original by Anna Magdalena Bach. I find it that it gives me insight into the period. For one thing it takes getting used to understanding the natural flow and imprecision the written hand. Accidental are per note, not per measure - another distinction. There is a shot of this original in this video. The 5th assumes the top string is tuned down a step as shown. This causes a curious challenge for those playing from the manuscript on a conventionally tuned instrument.
I want to thank everybody who made this possible. It is a tremendous source of learnig matterial.
he is truly the best celloist, most soul in his playing, artist timing
everything is perfect here: The setting, the instrument, Hidemi Suzuki, the music, the camera, the atmosphere...Absolutely stunning!
Thanks for sharing these musician's highlights in addition to their performances.
Thank you for fantastic video!!!!!! Hidemi Suzuki is genius!!!
Similar to A Great Big Story and Petrolicious. The cinematography is absolutley stunning. It draws me in, and I feel so invested. This was a wonderful little piece of Suzuki, he has always been a man I would study in style and tone. I have always loved his authentic sound. I stopped playing cello in pursuit of D1 athletics, but I really, really want to play cello again thanks to this. This was perfect material to learn. If only I saw this 1 year ago! This channel is great, thank you for reviving a passion I once had!
Sadly Petrolicious has changed their format. Still a decent watch, but I miss the old videos.
Thank you all so much for such a beautiful documentary 🌹🙏🎵❤🎻
Amazing!! Thank you for posting this. There is a great deal to think about.
what a glorious instrument. imagine what it looked like when it was new!
Actually it looks better now. These great instruments mature.
Thank you for sharing your thoughts with us. Your performance of the 5th suite seems to explore the personality of the instrument, though in this interview you emphasize the responsiveness to intent. Well, one could say by paying attention to one the other is free. So the cello, as the more free, in the end rules. It is inevitable, whether you pay attention to it or the composer. Say you pay attention to the cello. The cello says, pay attention to the composer. For one thing, the cello, especially a good one, as a male personality prefers not to be stared at directly, unless you agree on some higher principle.
I love the 1011
Wonderful
Love that bow
why arent more celli painted, it looks wonderful.
This is a fascinating testimonial! Given what is ostensibly a Baroque-style setup, however, I am surprised at where Dr. Hidemi Suzuki grasps the bow. As I understood it, a Baroque bow is grasped a certain distance from the frog, as opposed to directly over the frog. I would be curious to know the artist's rationale for this more "modern" grasping of an older-style bow.
4:12 sniper!
What are the initials and numbers on the side of the cello? And what can you tell us about the bow?
Thank you so much for these spectacular recordings and insights. Suzuki Hidemi is amazing.
Bach is a servant. A preaching servant.
In which pitch was the instrument tuned. It seems lower than 440 Hz ... maybe 415 Hz?
Yes, 415 Hz indeed
what edition do you recomend for the Bach cello suites?
Not sure, but I play from a facsimile of the original by Anna Magdalena Bach. I find it that it gives me insight into the period. For one thing it takes getting used to understanding the natural flow and imprecision the written hand. Accidental are per note, not per measure - another distinction. There is a shot of this original in this video. The 5th assumes the top string is tuned down a step as shown. This causes a curious challenge for those playing from the manuscript on a conventionally tuned instrument.
I use both the original and the Baronreiter which makes some of the parts that are less legible easier to read.
Crazy, if he's right about the age of the cello, its from the 1500s
SUBARASHII
(すばらしい) Subarashii*
@@trashbagsmiley1999 oh thanks
@@harrisondocarmo7923 you're welcome
Editing in this video is horrible
Trying to not pay attention to the production, but it's not possible because it's in the way