Carl Reinecke - Piano Concerto No. 2, Op. 120 (1872)
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- เผยแพร่เมื่อ 25 มิ.ย. 2024
- Carl Reinecke (23 June 1824 - 10 March 1910) was a German composer, conductor, educator and pianist.
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Piano Concerto No. 2 in E minor, Op. 120 (1872)
Dedication: Joseph Kirkman in London
1. Allegro (0:00)
2. Andantino quasi Allegretto (G major) (13:34)
3. Finale. Allegro (brillante) (E major) (19:36)
Klaus Hellwig., piano and the Nordwestdeutsche Philharmonie conducted by Alun Francis
At the age of 19, he undertook his first concert tour in 1843, through Denmark and Sweden. After a stay in Leipzig, where he studied under Felix Mendelssohn, Robert Schumann and Franz Liszt, Reinecke went on tour with Königslöw and Wilhelm Joseph von Wasielewski (later Schumann's biographer), in North Germany and Denmark. In 1846, Reinecke was appointed Court Pianist for Christian VIII in Copenhagen. There he remained until 1848, when he resigned and went to Paris. Overall he wrote four concertos for his instrument (and many cadenzas for others' works, including a large set published as his Opus 87), as well as concertos for violin, cello, harp and flute. In the winter of 1850/51, Carl Schurz reports attending weekly “musical evenings” in Paris where Reinecke was in attendance.
In 1851, Reinecke became a professor at the Cologne Conservatory. In ensuing years he was appointed musical director at Barmen, and became the academic, musical director and conductor of the Singakademie at Breslau.
In 1860, Reinecke was appointed director of the Gewandhaus Orchestra concerts in Leipzig, and professor of composition and piano at the Conservatorium. He led the orchestra for more than three decades, until 1895. He conducted premieres such as the full seven-movement version of Brahms's A German Requiem (1869). In 1865 the Gewandhaus-Quartett premiered Brahms' piano quintet, and in 1892 his D major string quartet.
Reinecke is best known for his flute sonata "Undine", but he is also remembered as one of the most influential and versatile musicians of his time. He served as a teacher for 35 years, until his retirement in 1902. His students included Edvard Grieg, Basil Harwood, Charles Villiers Stanford, Christian Sinding, Leoš Janáček, Constanta Erbiceanu, Isaac Albéniz, August Max Fiedler, Walter Niemann, Johan Svendsen, Richard Franck, Felix Weingartner, Max Bruch, Mikalojus Konstantinas Čiurlionis, Ernest Hutcheson, Felix Fox, August Winding and many others. See: List of music students by teacher: R to S#Carl Reinecke.
After retirement from the conservatory, Reinecke devoted his time to composition, resulting in almost three hundred published works. He wrote several operas (none of which are performed today) including König Manfred. During this time, he frequently made concert tours to England and elsewhere. His piano playing belonged to a school in which grace and neatness were characteristic, and at one time he was probably unrivalled as a Mozart player and an accompanist. In 1904 at the age of 80, he made recordings of seven works playing on piano roll for the Welte-Mignon company, making him the earliest-born pianist to have his playing preserved in any format. He subsequently made a further 14 for the Aeolian Company's "Autograph Metrostyle" piano roll visual marking system and an additional 20 for the Hupfeld DEA reproducing piano roll system. He died at 85 in Leipzig. - เพลง
That second movement is heartwarming and lyrical. Amazing concerto!
Le second concerto de piano de K Reneike fait parti de mes concerti post romantiques préférés ! Quelle musicalité, que de mélodies si brillamment enchaînées et quelle interprétation !
Gracias nuevamente!! Ud. me ofrece y hace conocer autores que me resultaban desconocidos.
J’écoute par les hasards de TH-cam. Que c’est beau et bellement interprété. C’est méconnu, pourquoi ?
Bien trop méconnu…
This second piano concerto follows the traditional form of exposition by the tutti then by the soloist, with the exception of a brillant short prelude by the piano.The second movement begins by a paino theme ornamented by woodwinds cords with flutes emerging. This is not only charming, but coherent with what follows. It gives the colour of the wholemovement. The thrird movement opens with epic calls of brasses, while the piano plays schumanian episodes. THe solidity of the construction, the quality of the ideas, the leading of harmonies amke this concerto a succsessful work in the series of the four piano concertos that Reinecke wrote down.
Another composer neglected by the two local classical music radio stations. Thank you for uploading this work.
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Très beau concerto, très mélodieux, j'ai particulièrement aimé l'Andantino, et la joliesse du final 🎶💓🎶✨
Magnificent!
I just 💜 - it!
Un ottimo concerto, ben bilanciato, sapientemente orchestrato,uno dei migliori del periodo.Affascinante.Non possiede però la qualità e il virtuosismo di Tchaikowsky , Brahms,Moszkowski,Scharwenka,che lo seguiranno.
L'inserimento con lo spartito è molto riuscito.Complimenti, Bartje.
Mvm.2 13:34
Mvm.3 19:36
This is sublime.
The ending oftentimes resembles Schumann's Concerto
wow
Bravo
New fallower 👌
12:46 great octave passage
E' incredibile la somiglianz del finale di questo concerto con l'omologo Concerto Op.54 di Schumann
Yes, like the last movement of Schumann!
nice Star Wars at 3:52
11:39 Chopin e minor Concerto, sounds like - same key even. 😊
13:34 I can't listen to this in the same way having heard "It's Just a Burning Memory" from Everywhere at the End of Time. It doesn't help that the motif is so similar but not identical, so as to form an uncanny valley, playing right into the whole theme of the album.
The passage at 3'10 is very similar to another passage of the Hahn Concerto...
Rachmaninoff, Scharwenka and Reinecke wrote 4 PC's apiece. Rachmaninoff may be way more popular, Scharwenka's may vary more from each other, but Reinecke win my vote for pure music in the abstract with equal balance of form, structure, development, melody, coherence, balance and taste.
How can anyone choose among those giants? Nor dare we forget the 2 Moszkowski “monsterworks” ! And Rimsky Korsakov’s slow movement is a marvel. And on, and on…I think it’s mostly the instrument itself, one of Mankind’s greatest accomplishments ! Endless possibilities…
Is there something about 4 piano concerti you have a litmus test? How about St. Saens? Or Medtner? they are indeed in the same league. Or Mozkowski..wrote only two, but absolutely brilliant.
@@andrewpetersen5272 Andrew, All 3 composers you mention wrote great PC's. The composer who's 5 PC's that I feel, overrated, is, ironically, the, supposedly, "great" Beethoven. rg. The Emperor's new clothes!
@@rogernortman9219 ..that's a bit harsh. Ludwig has many brilliant moments (I personally like #4 , which I acquired at age 19 and played to death). At this point, I'm even liking Hummel and the late 18th-early 19th century guys. So many geniuses, so little time...
26:34
4:25 9:00 12:50
16:56 u don't expect that. Very nice.
Ah, no. My bad, Mendelssohn. No, Chopin . . . Mendelssohn?