2:42 Horn solo 4:00 C listesso tempo 5:40 allegro agitato assai 6:15 piu mosso 7:15 tempo del andante 7:45 allegro moderato 13:02 allegro deciso 14:39 listesso tempo 15:55 marziale un poco meno allegro 16:27 un poco animato 20:05 allefro animato 20:37 stretto
One of the finest Concertos ever written. Few composers can express such an emotional range in 22 minutes and none can match Liszt's total mastery of thematic transformation. Many thanks for uploading this stunning performance too.
Wonderful upload. I wish the second was played more. The only one that seems to get an outing is the first. This work is very similar to Chopin in some respects I think and you can clearly hear where Tchaikovsky got his first piano concerto from. The dedicatee, Hans Bronsart's piano concerto is also well worth a listen.
Definitely! This is my favourite Liszt concerto! In fact, I like this even more than #1 because it contains a roller coaster of all emotions, serenity, delight, melancholy, drama, what not.
@@CatkhosruShapurrjiFurabji Totentanz has been a long favourite of mine, but this one is so dramatic... It is really the ultimate teenager concerto....
I was so taken with the Liszt 1st for so long. And then I decided to go past it and listen to the 2nd and Totentanz. My life has never been the same since.
Liszt's technique of thematic transformation anticipated many technical developments of Brahms and Schoenberg. Liszt is a composer who has never been given credit for the importance he had in music history. The Faust Symphony, for instance, opens with a theme which is all 12 notes of the chromatic scale whose order is derived from augmented chords; in other words a 12 tone series, a remarkable anticipation of Schoenberg. Remarkable.
@@gouldhatedbachschromaticfa7494 Bach uses all the intervals in the first prelude in C Wohltemperiertes Klavier Buch I. In Fugue 24 in B minor he uses all 12 tones in the theme. There are plenty more examples to be found in Bach's works.
Liszt was a phenomenon, he was built different as an orchestrator literally even since he started with it, from Lelio fantasy until his von der wiege bis zum grabe, etc. He had a god given talent for foward thinking music in all possible ways he could write, really staggering.
This is unquestionably the most outstanding recording of Liszt's magnificent masterpiece. It's hard to believe when this work was composed...so unique, so far in advance of its time, and it remains timeless.
Liszt Ferenc:2.A-dúr Zongoraverseny 1.Adagio sostenuto assai - Allegro agitato assai 00:00 2.Tempo del Andante - Allegro moderato 07:15 3.Allegro deciso - Marziale un poco meno allegro 13:02 4.Un poco meno mosso (tempo rubato) 15:55 5.Allegro animato - Stretto (molto accelerando) 20:05 François-René Duchâble-zongora Londoni Filharmonikus Zenekar Vezényel:James Conlon
Just leaving some timestamps for myself with the most memorable sections in the piece: 3:37 - idk why that dotted rhythm introduced here is soo satisfying, and it underlies the whole movement 4:02 - this is where the fun begins 4:42 - nice ending of a line with a perky rhythm in the piano 5:10 - Mazeppa like texture in the piano - it's so diabolical, 5:39 - cool piano line entering, and orchestra answers 6:15 - cool orchestra section march-like build-up? 6:48 - piano enters again with hard "stubborn" octaves and nice buildup with answering the orchestra 10:37 - one of the sweetest and most melancholic, sincere piano (and also well sincopated) melodies from Liszt imo, that slowly gets accompanied by the orchestra - genius 13:03 - march-like section where Tchaikovsky inspired his first piano concerto opening, 13:30 - sweet flutes melody 13:44 - the march-like section transforms, 13:55 - dramatic strings line with chromatic piano accompaniment 14:11 - the "stubborn" octaves are back. I love the interaction of the piano and the orchestra until the piano closes this section at 15:01 with those hard octaves. Especially love the jumpy texture at 14:24 and the ascending dramatic chords by the orchestra at 14:39-14:56 15:10 - wait, the orchestra continues the octaves? 15:22 - one of the most interesting buildups - goosebumps 15:54 - most obvious climax here - pam pam pa pam, nice bass lines in the brass section 16:04 - I love this ringtone-like motif on the piano 16:28 - cool piano runs with top line melody and the dotted rhythm from before in the strings 20:04 - I guess from here on everything else is pure brilliance
@@mingchilling Tchaikovsky's concertos are an evolution of Liszt's. The second concerto of Tchaikovsky proves it with more phrases adapted from liszts styles.
Liszt piano concerto 2 was composed in 1861. Tchaikovsky piano concerto 1 was composed in 1875. So the statement should be reversed: Tchaikovsky's first piano concerto was reminiscent of Liszt concerto 2.
This concerto is incredible. I listen to music a LOT, so I naturally leave out a few pieces here and there from my listenings, one of which happened to be this gorgeous concerto. I have heard it twice in total, and I think I’ll leave it at that. I want the experience to be extra adventurous the day I commit to this piece. Let’s see how it goes (I have never tried this with any piece), and maybe I’ll leave a few comments in the future
Wonderful performance, thanks for posting! The entire Duchâble/Conlon Liszt CD (+Concerto No. 1 & Hungarian Fantasy) is very fine, but for me this is the standout interpretation.
Spike Milligan in his fabulous book "Mussonlini his part in my downfall" mentions on his diary entry Monday 20th December 1943 that he was on a hunt to find a piano for the Christmas Concert party. He is serving in Italy and goes into the Teatro Garibaldi with the intention of nicking a piano if he can find one. He hears one being played by a young American sergeant and calls it "a splendid rendering of of the Listz Concerto No.2 in B minor" My already high estimation of this late genius went up a couple of notches. That he could recognise this tune, when his main musical pleasure was from jazz shows what a wide taste in music was.
If this is a crazy, unfair comment, I am willing to be corrected. My intention, however, is noble. First, I do have to say this, and say this emphatically: This performance is more than great, it is all-encompassing and transcendent. This particular Liszt composition both embraces and defies simple logic, in that passion, in many places, is here more appropriate, more revelatory, than mere common sense would duly warrant. What I am getting at is this: in perusing the Wikipedia entry for Rene Duchable, one can see that his viewpoints on the world were rather ... may I say... somewhat skewed and, perhaps, indefensible, albeit thoroughly, perhaps, with a sense of merited honesty. In this performance, he seems to recognize the 'fact' that Liszt did not here write a composition for polite society, but, rather for a person who was to be allowed to be free to express whatever mental ammunition he would deem was needed in order to manifest said performer's unrestricted feelings and obsessions while, perhaps, melding such into the composer's own covert mindset. In fact, was/is Mr Duchable a little 'nuts'? If so, his 'nefarious condition' has added to this artistic performance, a performance which makes no allotment, no amends for anything deemed 'proper' (by the hoi polloi) and, as most lesser mortals would construe, sane and rational. Performances such as this, and compositions such as this, are out of the norm for proper behavior and normative thinking. Mr Duchable did read Liszt well here and took it upon himself to categorize this composition into a realm otherworldly. This is the only way that a mere mortal like David Lyga can dissect this performance of an unusually untenable composition, a composition which cannot be properly held and maintained as being truly viable, in an absolute sense, by most performers. (Another excellent one was done by Thibaudet in Toulouse, France). Both Liszt and Duchable have recreated creation. - David Lyga
The cadenza at 10:40 reminds me of the one in Rachmaninoff’s third in movement I. Edit: The cadenza starts at 10:30, 10:40 is just where I was at in the piece.
Hey guys!!! I'm gonna watch a LIVE performance in Aula Simfonia Jakarta! Yayyy... it is the best orchestra because it is the ONLY classical orchestra I am aware of. oh yeah.. EVERYTHING IS AWESOME!!! I'm having the best day of my life oohhhh i'm gonna be FAMOS
Dios creó que esta es la primera versión que escuche y que conocí de esta obra tan magna por haya en el 2000 creo. Recuerdo que la graba en un casette la amaba tanto.
Not really, Liszt was maybe absolutely crazy when it comes to his solo piano works, but his concerti are extremely easy compared to other composers concerti, like there are harder concerti (extremely hard) like Brahms' 2nd, Tchaikovsky's concerti, Rach 3, Ligeti concerto, Henselt concerto, Kapustin concerto #6, Ginastera concerto etc.
Duchable plays much cleaner than Cziffra and more cerebral. It is just what you prefer. There is much to be said for Duchable's slightly detached almost aloof performance which does great justice to Liszt.
@@bartjebartmans The first production of Shakespeare's King Lear that I saw was the famous one directed by Peter Brook, with Paul Scofield in the title role. Laurence Olivier reportedly hated it, asking: where's the majesty? But Scofield -- sometimes labeled a "cerebral" actor -- gave an indelible and tremendously moving performance (over half a century later, I can still hear him saying "Oh fool, I SHALL go mad"). There are performers whose work exudes great clarity and lucidity, and who reveal the core of the words or music (or movement, in dance) to extraordinary effect in a seemingly simple, direct manner. I feel that's what Duchable and Conlon achieve here. Every note and phrase seems to fall into place with such naturalness as a part of the whole. There are several performances of this great concerto that I cherish, yet here it comes up fresh and complete as never before. Thank you for making it available to us!
I'm trying to wrap my head around the fact that Liszt was not the soloist of the worldpremiere of his own piano concertos. It seems so odd. He was THE best pianist of his time, composers who were also giving public pianon performances usually wrote piano concertos for themselves, like Mozart or Rachmaninoff, yet Liszt was content with conducting the orchestra instead.
+Ben Corbin It is from an Erato CD from the series Les Incontournables du Classique. It might be a bit of a rare recording. Duchable stopped performing in 2003.
Get rid of the ads. One every 5 minutes is ridiculous. It's a shame, I really like the recording, but I am gonna be using a different one for this reason.
I wish this concerto was the go-to for student pianists more often, instead of Grieg or Saint-Saens or even the 3rd Beethoven (which they often overestimate their abilities over).
@@bartjebartmans if i mastered mozart piano concerto 20, beethoven appassionata, rach etude tableaux op.39 no.5, some scherzos by chopin, etc... I have the level to be able to learn this concert?
@@araortega If you can play Chopin Scherzo's, his Studies etc. I would think so. But Mozart and Beethoven are completely different styles which need different techniques and insights.
The number of ads here is absolutely disgusting. To all the advertisers: I have made a careful note of who you are, and I promise NEVER to buy your products!! EVER!
You are watching and listening for free. If I would not allow those ads the video would be taken down and my channel would get a strike. 3 strikes and I am out. Just like my previous channel. So yes this is the best we can do.
Somewhere in a universe, in a galaxy, in solar system, on a planet, in a country, in a city, in a neighborhood, in a house, in a bed, there is someone wondering how the fuck you play a chord on a flute or a clarinet.
2:42 Horn solo
4:00 C listesso tempo
5:40 allegro agitato assai
6:15 piu mosso
7:15 tempo del andante
7:45 allegro moderato
13:02 allegro deciso
14:39 listesso tempo
15:55 marziale un poco meno allegro
16:27 un poco animato
20:05 allefro animato
20:37 stretto
i read it han solo lmao
@@abdelrahman3259 lmao
Ok
@@abdelrahman3259 lmao
@@qalaphyll ok
This piano concerto is terribly underrated. Truly a masterpiece
me think so too...!
As a composition this is way better than Liszt's first concerto, which is more like a show off piece.
I LOVE em both... this one reminds me more of Mezeppa....
Totally agree :-)
True
One of the finest Concertos ever written. Few composers can express such an emotional range in 22 minutes and none can match Liszt's total mastery of thematic transformation. Many thanks for uploading this stunning performance too.
just wanted to say that your channel is great.
Wonderful upload. I wish the second was played more. The only one that seems to get an outing is the first. This work is very similar to Chopin in some respects I think and you can clearly hear where Tchaikovsky got his first piano concerto from. The dedicatee, Hans Bronsart's piano concerto is also well worth a listen.
Definitely! This is my favourite Liszt concerto! In fact, I like this even more than #1 because it contains a roller coaster of all emotions, serenity, delight, melancholy, drama, what not.
@@CatkhosruShapurrjiFurabji Totentanz has been a long favourite of mine, but this one is so dramatic... It is really the ultimate teenager concerto....
@@op-th1yx I love tottentanz as much as I love the Liszt 2! But when it comes to concertos by name, then Liszt 2 is my favourite out of the 3.
I was so taken with the Liszt 1st for so long. And then I decided to go past it and listen to the 2nd and Totentanz. My life has never been the same since.
now try the 3rd lol
@@Liszthesis :-)
Liszt's technique of thematic transformation anticipated many technical developments of Brahms and Schoenberg. Liszt is a composer who has never been given credit for the importance he had in music history. The Faust Symphony, for instance, opens with a theme which is all 12 notes of the chromatic scale whose order is derived from augmented chords; in other words a 12 tone series, a remarkable anticipation of Schoenberg. Remarkable.
He also used a ton of non related diminished sevenths to go to the remotest of keys. Superb orchestrator (sp?) like Ravel.
"opens with a theme which is all 12 notes of the chromatic scale" didn't that already happen with mozart 24th?
@@gouldhatedbachschromaticfa7494 Bach uses all the intervals in the first prelude in C Wohltemperiertes Klavier Buch I. In Fugue 24 in B minor he uses all 12 tones in the theme. There are plenty more examples to be found in Bach's works.
@@bartjebartmans I believe A minor prelude from WTC II is another one. en.wikipedia.org/wiki/Tone_row Thanks for pointing it out.
I agree.
This concerto is one of the reasons why Liszt is in my opinion the best piano composer
More than a piano composer, a great orchestal composer
For me personally, this concerto and the Mazeppa symphonic poem are the two finest display of Liszt's transformation of themes
This carries a million emotions most of them expressed with the same theme, over and over.
That is where LISZT stands.
Liszt was a phenomenon, he was built different as an orchestrator literally even since he started with it, from Lelio fantasy until his von der wiege bis zum grabe, etc. He had a god given talent for foward thinking music in all possible ways he could write, really staggering.
L'une des plus grandes exécutions de cette oeuvre. Merci infiniment. ❤
This work is the beginning of everything. Jazz started here.
The little duets throughout with the other instruments are charming. Never sat and actively listened to this one before.
I think this is some of the best music I have ever heard
This is unquestionably the most outstanding recording of Liszt's magnificent masterpiece. It's hard to believe when this work was composed...so unique, so far in advance of its time, and it remains timeless.
Non esistono parole che possano descrivere la bellezza di questo concerto 💓💓
Liszt Ferenc:2.A-dúr Zongoraverseny
1.Adagio sostenuto assai - Allegro agitato assai 00:00
2.Tempo del Andante - Allegro moderato 07:15
3.Allegro deciso - Marziale un poco meno allegro 13:02
4.Un poco meno mosso (tempo rubato) 15:55
5.Allegro animato - Stretto (molto accelerando) 20:05
François-René Duchâble-zongora
Londoni Filharmonikus Zenekar
Vezényel:James Conlon
@Felis Skalkotris Sorabjitus chord'ish
How is this concerto not one of the most popular. I mean 6:15 leaves me at a loss for words.
This has to be one of the best performances of this concerto I've heard.
Just leaving some timestamps for myself with the most memorable sections in the piece:
3:37 - idk why that dotted rhythm introduced here is soo satisfying, and it underlies the whole movement
4:02 - this is where the fun begins
4:42 - nice ending of a line with a perky rhythm in the piano
5:10 - Mazeppa like texture in the piano - it's so diabolical, 5:39 - cool piano line entering, and orchestra answers
6:15 - cool orchestra section march-like build-up?
6:48 - piano enters again with hard "stubborn" octaves and nice buildup with answering the orchestra
10:37 - one of the sweetest and most melancholic, sincere piano (and also well sincopated) melodies from Liszt imo, that slowly gets accompanied by the orchestra - genius
13:03 - march-like section where Tchaikovsky inspired his first piano concerto opening, 13:30 - sweet flutes melody
13:44 - the march-like section transforms, 13:55 - dramatic strings line with chromatic piano accompaniment
14:11 - the "stubborn" octaves are back. I love the interaction of the piano and the orchestra until the piano closes this section at 15:01 with those hard octaves. Especially love the jumpy texture at 14:24 and the ascending dramatic chords by the orchestra at 14:39-14:56
15:10 - wait, the orchestra continues the octaves?
15:22 - one of the most interesting buildups - goosebumps
15:54 - most obvious climax here - pam pam pa pam, nice bass lines in the brass section
16:04 - I love this ringtone-like motif on the piano
16:28 - cool piano runs with top line melody and the dotted rhythm from before in the strings
20:04 - I guess from here on everything else is pure brilliance
The epic part is at 15:40
Edit: 13:03 Is good too. As someone pointed out, it is reminiscent of Tchaikovski first piano concerto.
Agreed! I love that part!!!
Tchaikovsky's concerto is composed after this concerto i believe?
@@mingchilling Tchaikovsky's concertos are an evolution of Liszt's. The second concerto of Tchaikovsky proves it with more phrases adapted from liszts styles.
NgocMinh Le Obviously, Tchaikovsky was born almost 30 years after Liszt.
Liszt piano concerto 2 was composed in 1861. Tchaikovsky piano concerto 1 was composed in 1875.
So the statement should be reversed: Tchaikovsky's first piano concerto was reminiscent of Liszt concerto 2.
One of the greatest concerti ever written!
The beginning of Allegro deciso gets me every time
Saw a local concert last night including this concerto. Man, the soloist made this look easy.
As an orchestral musician who needs to prepare this, thank you so much for uploading!
This concerto is incredible. I listen to music a LOT, so I naturally leave out a few pieces here and there from my listenings, one of which happened to be this gorgeous concerto. I have heard it twice in total, and I think I’ll leave it at that. I want the experience to be extra adventurous the day I commit to this piece. Let’s see how it goes (I have never tried this with any piece), and maybe I’ll leave a few comments in the future
you haven't left any comments here
One of my favorites piano concertos since 1993. I LOVE IT VERY VERY MUCH!!!!
Breathtaking masterpiece.
One word: BRILLIANT
15:22 on is amazing.
Edit: 13:00 on
the opening to the third movement is unbridled chaos and i actually love it
Wonderful performance, thanks for posting! The entire Duchâble/Conlon Liszt CD (+Concerto No. 1 & Hungarian Fantasy) is very fine, but for me this is the standout interpretation.
Great, for fans of List and Murakami.
Spike Milligan in his fabulous book "Mussonlini his part in my downfall" mentions on his diary entry Monday 20th December 1943 that he was on a hunt to find a piano for the Christmas Concert party. He is serving in Italy and goes into the Teatro Garibaldi with the intention of nicking a piano if he can find one. He hears one being played by a young American sergeant and calls it "a splendid rendering of of the Listz Concerto No.2 in B minor" My already high estimation of this late genius went up a couple of notches. That he could recognise this tune, when his main musical pleasure was from jazz shows what a wide taste in music was.
Absolutely love this piece!!
Hartelijk dank voor deze upload. Werkelijk fantastisch!
If this is a crazy, unfair comment, I am willing to be corrected. My intention, however, is noble.
First, I do have to say this, and say this emphatically: This performance is more than great, it is all-encompassing and transcendent. This particular Liszt composition both embraces and defies simple logic, in that passion, in many places, is here more appropriate, more revelatory, than mere common sense would duly warrant.
What I am getting at is this: in perusing the Wikipedia entry for Rene Duchable, one can see that his viewpoints on the world were rather ... may I say... somewhat skewed and, perhaps, indefensible, albeit thoroughly, perhaps, with a sense of merited honesty. In this performance, he seems to recognize the 'fact' that Liszt did not here write a composition for polite society, but, rather for a person who was to be allowed to be free to express whatever mental ammunition he would deem was needed in order to manifest said performer's unrestricted feelings and obsessions while, perhaps, melding such into the composer's own covert mindset. In fact, was/is Mr Duchable a little 'nuts'? If so, his 'nefarious condition' has added to this artistic performance, a performance which makes no allotment, no amends for anything deemed 'proper' (by the hoi polloi) and, as most lesser mortals would construe, sane and rational.
Performances such as this, and compositions such as this, are out of the norm for proper behavior and normative thinking. Mr Duchable did read Liszt well here and took it upon himself to categorize this composition into a realm otherworldly. This is the only way that a mere mortal like David Lyga can dissect this performance of an unusually untenable composition, a composition which cannot be properly held and maintained as being truly viable, in an absolute sense, by most performers. (Another excellent one was done by Thibaudet in Toulouse, France).
Both Liszt and Duchable have recreated creation. - David Lyga
This comment is pure gold. We need more people who can give out their opinions in a correct manner like this!
Se escucha increible.
Gracias.
One of the very best! I love this piece! It's part of the greatest musical repertoire of all time. Thanks for sharing. God bless you Amen!
Only Franz Liszt can save us
What about Jesus?
@simon heresy
@@graeme011 Liszt actually existed
gumach Jesus too. Duh.
@@patricknyman727 yes...but was he really possessing supernatural power is the controversial part.
14:11 four augmentation dots!!!
Wow, I hadn't even seen three before.
it’s kinda common
@@fredericchopin6445 how
@@Relatively_Irrelevant at least it’s not rare
@@fredericchopin6445 that doesn't mean it's common 😂
I'm in love.
7:42 is just amazing
well actually tho whole concerto is
13:03 Tchaikovsky first piano concerto in b flat minor op.23 first movement
Tchaikovsky comes after liszt
No there's a lot of difference. What makes it sound similar is the same chord used in both cases.
Hey up Aesklapius
cello at 8:55 is breathtaking
what a piece!!!
The cadenza at 10:40 reminds me of the one in Rachmaninoff’s third in movement I.
Edit: The cadenza starts at 10:30, 10:40 is just where I was at in the piece.
I wish Liszt wrote a late era piano concerto with no key center - imagine how that would have upset his critics! haha
The part from 11:08 is my favorite. So intense and deep...
Si' un capolavoro davvero! Fr. Arturo Catholic priest
Браво грандиозно люблю этот концерт очень
Very majestic piece
Fantástico !
I like the part at 4:02
same tho, it's so epic
The openning is '' Heaven''
I fully agree!
indeed!
Beyond that
yes
Beautyful. And Maximun piano difficulty.
Epic ending.
Hey guys!!! I'm gonna watch a LIVE performance in Aula Simfonia Jakarta! Yayyy... it is the best orchestra because it is the ONLY classical orchestra I am aware of. oh yeah.. EVERYTHING IS AWESOME!!!
I'm having the best day of my life oohhhh i'm gonna be FAMOS
Photo Club What problem do you have? xd
Sakit nih
Photo Club 8
What
@@ValzainLumivix ok
11:01 I found where Sciabin 1st piano sonata 2nd theme comes from.
This catch was impressive!
Have not found a better interpretation out there lmao
Hi, th-cam.com/video/41nQOhfpQQk/w-d-xo.html this is really good too.
Agreed, I have listened to every recording of this concerto within my reach, and NONE compare to this one. Pure Brilliance.
Kocsis
Dios creó que esta es la primera versión que escuche y que conocí de esta obra tan magna por haya en el 2000 creo. Recuerdo que la graba en un casette la amaba tanto.
When you see "Liszt" and "Piano Concerto" in the same sentence, you KNOW it's gonna be insanely difficult. XD
How about "Not a Liszt Piano Concerto" :)
Like "Rachmaninoff" and "Piano Concerto"!
His Grosses Konzertsolo though... oof
Not really, Liszt was maybe absolutely crazy when it comes to his solo piano works, but his concerti are extremely easy compared to other composers concerti, like there are harder concerti (extremely hard) like Brahms' 2nd, Tchaikovsky's concerti, Rach 3, Ligeti concerto, Henselt concerto, Kapustin concerto #6, Ginastera concerto etc.
@@CatkhosruShapurrjiFurabji It was mainly a comment in jest, and I know those concerti you listed are much more difficult lol.
Thanks for uploading!
So thrilling to follow the score and music at the same time. James Conlon did a great job...but I had hoped for a more tumultuous last chord.
oh well :(
Listen to Andre Watts playing this concerto. He cries often when he is playing. Superb. And with the last tumultuous chord as well!!!
Earlier great Pianist of Liszt: Gyorgy Cziffra. Wow. Only thing is, his is mono recording. Superb none the less.
Duchable plays much cleaner than Cziffra and more cerebral. It is just what you prefer. There is much to be said for Duchable's slightly detached almost aloof performance which does great justice to Liszt.
@@bartjebartmans The first production of Shakespeare's King Lear that I saw was the famous one directed by Peter Brook, with Paul Scofield in the title role. Laurence Olivier reportedly hated it, asking: where's the majesty? But Scofield -- sometimes labeled a "cerebral" actor -- gave an indelible and tremendously moving performance (over half a century later, I can still hear him saying "Oh fool, I SHALL go mad"). There are performers whose work exudes great clarity and lucidity, and who reveal the core of the words or music (or movement, in dance) to extraordinary effect in a seemingly simple, direct manner. I feel that's what Duchable and Conlon achieve here. Every note and phrase seems to fall into place with such naturalness as a part of the whole. There are several performances of this great concerto that I cherish, yet here it comes up fresh and complete as never before. Thank you for making it available to us!
Thanks for the sheet music.
Awesome!
3:02
11:07
13:01 y todo ese movimiento, especialmente 15:52
17:38 y 18:32
20:00 y hasta el final, jaja
I'm trying to wrap my head around the fact that Liszt was not the soloist of the worldpremiere of his own piano concertos. It seems so odd. He was THE best pianist of his time, composers who were also giving public pianon performances usually wrote piano concertos for themselves, like Mozart or Rachmaninoff, yet Liszt was content with conducting the orchestra instead.
00:00
5:40
7:45
13:03
15:55
20:05
Gorgeous and exciting!!
Amazing!! what recording is that from?
+Ben Corbin It is from an Erato CD from the series Les Incontournables du Classique. It might be a bit of a rare recording. Duchable stopped performing in 2003.
The first 3 1/2 minutes us the most amazing part of this piece...
Superbe!!
Get rid of the ads. One every 5 minutes is ridiculous. It's a shame, I really like the recording, but I am gonna be using a different one for this reason.
TH-cam ads them. I don't own the copyright. You are watching for free. You have no grounds for complaining.
Merci pour la pub...
Who played this?
HIs name is on the video title, and in the info under the video. Rene Duchable. How can you possibly miss that?
I wish this concerto was the go-to for student pianists more often, instead of Grieg or Saint-Saens or even the 3rd Beethoven (which they often overestimate their abilities over).
Are you kidding? This is far more difficult than Grieg or Beethoven 3. Absolutely out of reach for many.
@@bartjebartmans I've been working over this for months to perfection. Grieg concerto is a *concertino* when you compare this
@@bartjebartmans if i mastered mozart piano concerto 20, beethoven appassionata, rach etude tableaux op.39 no.5, some scherzos by chopin, etc... I have the level to be able to learn this concert?
@@araortega If you can play Chopin Scherzo's, his Studies etc. I would think so. But Mozart and Beethoven are completely different styles which need different techniques and insights.
@@araortegano
The number of ads here is absolutely disgusting. To all the advertisers: I have made a careful note of who you are, and I promise NEVER to buy your products!! EVER!
You are watching and listening for free. If I would not allow those ads the video would be taken down and my channel would get a strike. 3 strikes and I am out. Just like my previous channel. So yes this is the best we can do.
Is this concert more difficult than prokofiev 1?
First time I’ve heard this
LE MEILLEUR PIANISTE FRANCAIS
3:37
Even Franz Liszt's major key work sound sad :P
Seems misleading to call this A major (typically a major key sounds happy).
Putting ads in middle of a Piano Concerto is one of the greatest sins of humanity.
No. Complaining when something is for free is a sin. Get yourself TH-cam Premium or ad blocker and you won't see an ad anymore.
Kid
20:38
1:51
Im so screwed for rehearsal tomorrow…
00:00
20:05
Does anyone have the score?
Ángel Murillo search in IMSLP
Interesting this score doesn't give the ossia chords to replace the glissandi
It did but because of better readability I ommitted it
@@bartjebartmans a feat beyond my understanding
2:15 !!!!!!!))))))))))))
16:52
Somewhere in a universe, in a galaxy, in solar system, on a planet, in a country, in a city, in a neighborhood, in a house, in a bed, there is someone wondering how the fuck you play a chord on a flute or a clarinet.
5:40
The melodies remind me of Grieg
SIU MAN LI crab?
6:15
Concerto di indubbio merito.
Il grande piano di Liszt però poco si adatta con l'orchestra.
Not true.
This song is so weird and unique, I didn't like it first but I think it gets better every time you listen =) So in the end it's great!
This is not a "song." It is a piano concerto.
Tell me "I mainly listen to pop music" without telling me "I mainly listen to pop music":
Call any piece, regardless of what it really is, a "song".
This Friday 31 July is my birthday, I will be 14. Franz died in the same day.
I don't now why did I write this.
@@liam5075 now almost a year is gone
@@dacoconutnut9503 wow, yeah, I'm going to do 15 soon. uau uau uau
@@liam5075 still listening to romantic music, my friend?
@@dacoconutnut9503 Yes! All the time. I have discored a lot of classical musics since then.
👊👊👊👊👊👊👊
i don't know if it's a masterpiece, but it's certainly better than his First.
The theme develop is just out of this world, too much ahead of the time, literally a new way of writing a concerto, beatiful in any way.
No, it is _certainly_ a masterpiece.
I like this concerto okay. But the ending is not satisfying to me. His first in E-flat is much more exhilarating.