Not a Cubendo user (yet), but is there a reason you choose to export rather than just hit record and treat it like a take? Or record it to a new track/channel?
Thank you very much for this video Chris!! I wanted to see your approach on reamping because I use the same methods, and with the first method I get latency on the reamped track. My setup is: Cubase 10.5 / WIN10 - I9 9900K - Z390 Aorus Master MB - 32GB RAM -> Audient Id44 -> Radial X-Amp -> Evh 5150 III head and 2x12 Cab -> Sontronics Orpheus -> Audiet Id44...I have a pretty good setup, maybe I have to check some settings like delay compensation or something to get that sorted! Always very helpful, thank you!!
Didn't get any latency on the recording itself, same results with both methods, but that can depend on the audio interface and plugins already in your session from what I understand. Using the External FX option to reamp will help for sure.
Hi Chris, I bought a reamp box and I'm following the instructions in the video step by step but there is a feedback noise every time I give it some volume. If I use the gain or volume very very low that does not happen. Any idea what the problem could be? Thank so much!
Hi Chris, I've good interface (motu) preamp and DI box (Radial J48), I plan to record my tracks first at home and after to reamp them on the real studio where I record my albums (it got a radial reamp box also), so it will be more about get the sound than focusing in guitar playing. For a DI guitar or bass, do you recommand to be on the "-18/-10" box also? or it also be more like for pick (like low E string metal attack)? Thanks a lot Cheers from France
When you record a dry guitar signal with DI box , the volume drops. Do you still have to rise the input gain on the audio interface? Or just waiting for the reamping to adjust the volume level?
I didn't noticed any on my end, same result as using the External FX plugin. That can depends on your interface and plugins in your session from what I understand.
Nice one Chris! Might try the external effects option when i do this next. I have 2 questions! 1: What brand / model is the computer keyboard you are using, and 2: Is the Faderport 16 a keeper in your studio? Cheers.
i have similar reamp box and the diference between line level and reamped level is very tiny, no change in sound, if some one doesn't have reamp box don't worry try without .
Chris, as always thanks for great video. You're the guy number one when it comes to Cubase, no doubt. I have one question/problem with Cubase, would love to see the video explaining it in depth. Render in place and all the settings. I use hardware outboard EQ and run some of my tracks from audio interface through the analogue gear and back. To print them I use render in place. So far so good. But Im so confused with all those settings, never know which one to choose while rendering. I would love you to explain which settings are the best for this example: I have a vocal track which is bused to VOCAL bus. On this bus I have let's say deeser, then I want to run this vocal track through analogue EQ, I print it (I mostly choose the second last option while rendering) then after printing the new vocal track is bused to the main fader, so I have to bus it again to VOCAL bus. But I have a feeling that while printing and selecting second last option all plugins from the VOCAL bus were included as well. I'm confused. Chris can you please make a video about rendering and explaing every single option with examples. I would greatly appreciate as I use my outboard EQ all the time and I think I make mistakes while printing then busing again ect. Thank you. Lucas
@@mixdownonline thank you. So correct me if I'm wrong. If I'm selecting third option and print the track, the third option also takes all plugins from busses into consideration? So for example if I have vocal bused and deeser on the bus and then want to print that separate vocal.the third option will also print it with the deeser from the bus group (and then the new printed track is routed automatically into mix bus). When working on buses and using backward mixing a lot, which option second or third would you recommend while using external gear and printing separate tracks? Sorry for so many questions but it is confusing for me, and in my opinion you're Cubase expert and I follow you and watch you videos for long time and you're the first person to seek help with. Thanks Chris
I was wondering how I'd be able to mute my prerecorded DI yet still have it send audio out to my passive DI which I'm using to reamp and actively monitor the guitar cabinets with out having to listen to the DI at the same time.
Thanks Chris for this great piece of information. I need to keep this one for future reference for sure :-) do you have note already made on this process? is it in your course outline which I purchased, may need to look back, have not completed the whole course yet. Again as usual - Awesome Job :-) Cheers Bruce
I do not talk about Reamping per say in my course but I do talk about Mixing with Analog Gear by using the External FX option. That is in the course :-)
You can but the impedance will not be the same, so your output signal will probably be louder and you might end up with a bit of noise. Just pay attention to this. If what you hear sounds good to you, just go with it :-)
Don't know about the Radial Reamp but I did test the Reamp Box from Palmer and wasn't really happy. I don't know if it's fair to compare, but I recorded plugged directly on my DAW while playing through my amp to "feel" the sound. And when later I did reamp the same signal through the SAME amp (same settings), and it wasn't similar at all.
Yes, that can happen with cheaper passive Reamp boxes. The one I use (Radial Pro-RMP) is passive and might color the sound just a bit. If you want one that is very transparent, look for an Active Reamp Box like the Radial X-AMP or a high-performance passive like the Radial JCR Studio Reamper
Off topic - How do you make all those extra icons appear on your audio channel? I have Pro version as well but beside lanes I don't have any of the extra "buttons"...
Just one last question with rendering / printing (like you showed in second example). Once you exported the track, the original one is greyed out, can you use it again? I mean in your example if you would want to reamp it again in the future (after first reamping using second method) How to use it again? Thanks
I used control room, as a cue send for reamp my guitar. I think that is another option for reamping within Cubase, or is there an issue using control room?
Chris is there a difference between render in place and export in real time like you showed in second example of reamping? Or they all the same thing just different methods?
I use Render in Place to save time when bouncing VST instrument (MIDI to Audio). This is where I use it most. When working with external gear, Cubase will export in Real Time even with Render in Place so in this situation, Render in Place is not my first choice to be honest. I just do like I did in the video.
@@mixdownonline thanks Chris, but what's the difference between both? I don't really understand the difference between both as it seems they both give the same result. I always use external analogue EQ, but always use render in place. Should I use export instead? Thank you
FFS man - why are people so lazy? Took me 20 seconds to find exactly the same amp using a well known search engine and matching the picture with the one in the video. It's a discontinued model.
i guess Im asking randomly but does anyone know of a method to get back into an instagram account?? I stupidly lost the login password. I love any assistance you can give me.
@Joshua Hayden Thanks for your reply. I got to the site on google and Im in the hacking process atm. Looks like it's gonna take quite some time so I will get back to you later when my account password hopefully is recovered.
hello big "chris" Can you tell me if if CUBASE can extract and write midi all chords of an instrumental Audio sound track? or a whole song, as can in a few seconds to translate STUDIO ONE ? :(
@@mixdownonline Thanks mythical, in fact I was losing my mind to try to do this, in CUBASE and also Melodyne, via ARA EXTENSION but none of the 2 manages to perform the operation, I hope this function is implemented soon in CUBASE and it is sad to see it done at great in Studio One! and not in CUBASE, Thank Chris ❤
one more question - if we do not have an iso booth for the amp, is it ok to turn the main (last) volume level on the amp way down or is it going to affect the sound quality negatively? I have a opeavey VYPYR modelling amp and find most of the "healthy" levels are below 1 on a volume scale of 1-13. Wish that thing had a pad switch.
It might should a bit different since the cab speaker will not react the same way in that case. It's for you to judge if it sounds worst or not. The OX Amp Box from UAD might be a good tool for you then :-)
When Reamping I run into an issue in Cubase with the external effects sometimes not reporting the delay compensation ping, have you run into this issue or do you know what may be causing it? Thanks.
You mean that it stays at 0ms delay detection? If so, that depends on the audio interface and plugins in your session from what I understand. My AXR4 gave me 0ms in this session and my URRT4 gave me 3.2 ms.
@@mixdownonline Hi Chris, Thanks for your response. Yes it stays on 0ms delay detection sometimes and other times it reports a delay, but this is on the same gear and i do not use any plugins in my DAW when tracking.
@@cshortlife9179 Yes, I know and I'm not 100% sure on what's happening here to be honest. I know that Cubase has some delay compensation built in and I never noticed a problem remaping whether method I use.
Also when i done this i got a ton of feedback (a very high pitched squeel) how do i stop this? It only happened when i turned the level knob up on the radial
Because you're probably monitoring and tracking in the same room which will only work if the amp and monitors are not very loud and the mic gain is quite low - monitor with headphones.
I was told to always record clean or to at least with as clean of a signal as possible, no more than 3 gain (in order to stack the stages and let the compression shine)
I bought a radial box, but I have honestly never had an issue going straight out of Cubase into an amp, because you can just adjust the volume of the output track. The noise is therefore the same level of noise that would be there if you were coming out of your guitar itself. There is no noise added from digital recording. I don't really understand the need for the radial box.
Yes, if you do this coming out of an interface, you will have to turn down the output to compensate, but you will still have an impedance problem, but it doesn't matter if sonicaly you don't hear the difference much. Here's a good video from my bud Ryan explaining this th-cam.com/video/b1O_5gaX4-s/w-d-xo.html
Just something to consider for anyone who wants to do this. Take the $100 for the Reamp converter and put it towards a used Line 6 POD HD500X which will perform that function. They're bullet proof and cheap now that the Helix is everywhere. You can record both a clean DI and a processed track simultaneously and you may find that the dozens of amp sims and nearly 100 pedal and rack effect sims prompt you to abandon your amp all together like I did.
happy Canada day my friend! if you have time talk about file sharing services for producers. i am currently using Google drive and hitting their 15Gb free limit - I DMed you in the chat on Skype!
Hey Axel, I use PCloud, it's a paid service a bit like Dropbox and it works very well. For mix and mastering revisions, I work with Filepass that is AMAZING! I'll make a video on this!
Not a Cubendo user (yet), but is there a reason you choose to export rather than just hit record and treat it like a take? Or record it to a new track/channel?
Thank you very much for this video Chris!! I wanted to see your approach on reamping because I use the same methods, and with the first method I get latency on the reamped track. My setup is: Cubase 10.5 / WIN10 - I9 9900K - Z390 Aorus Master MB - 32GB RAM -> Audient Id44 -> Radial X-Amp -> Evh 5150 III head and 2x12 Cab -> Sontronics Orpheus -> Audiet Id44...I have a pretty good setup, maybe I have to check some settings like delay compensation or something to get that sorted! Always very helpful, thank you!!
i havr latency as well. have you try the insert way?
Didn't get any latency on the recording itself, same results with both methods, but that can depend on the audio interface and plugins already in your session from what I understand. Using the External FX option to reamp will help for sure.
I appreciate you mentioning the necessity of the Reamp box because I almost went straight into my amp and that probably would've sucked.
I'm a big fan on using a reamp box for this
Hi Chris, thanks for your video! Do I need a DI- and Reamping-Box if I have a Quad Cortex? Is there any difference in sound for the DI-Tracks?
Hi Chris, I bought a reamp box and I'm following the instructions in the video step by step but there is a feedback noise every time I give it some volume. If I use the gain or volume very very low that does not happen. Any idea what the problem could be? Thank so much!
If you only have monitor outputs can you use those? Can you use the headphones out?
Hi Chris,
I've good interface (motu) preamp and DI box (Radial J48), I plan to record my tracks first at home and after to reamp them on the real studio where I record my albums (it got a radial reamp box also), so it will be more about get the sound than focusing in guitar playing.
For a DI guitar or bass, do you recommand to be on the "-18/-10" box also? or it also be more like for pick (like low E string metal attack)?
Thanks a lot
Cheers from France
When you record a dry guitar signal with DI box , the volume drops. Do you still have to rise the input gain on the audio interface? Or just waiting for the reamping to adjust the volume level?
Great video Chris!
Was it Jimi Hendrix? :D haha! great video Chris, you are an awesome teacher!
Hi Chris! Thanks for this two option for reamping. One question, is There some latency with the fist option ?(the one with the output in Cubase)
I didn't noticed any on my end, same result as using the External FX plugin. That can depends on your interface and plugins in your session from what I understand.
Very informative for a guitarist like me Thanks
You're welcome!
Nice one Chris! Might try the external effects option when i do this next.
I have 2 questions! 1: What brand / model is the computer keyboard you are using, and 2: Is the Faderport 16 a keeper in your studio? Cheers.
Hey Rexx! 1. Logickeyboard th-cam.com/video/XqZxpocoDPY/w-d-xo.html 2. It is for sure, can't work without it now :-)
Ever use the EXTC by radial ?
Happy Canada Day! Excellent and very "meaty" and helpful video! Thanks!
Thanks! Glad it was helpful!
i have similar reamp box and the diference between line level and reamped level is very tiny, no change in sound, if some one doesn't have reamp box don't worry try without .
Chris, as always thanks for great video. You're the guy number one when it comes to Cubase, no doubt. I have one question/problem with Cubase, would love to see the video explaining it in depth. Render in place and all the settings. I use hardware outboard EQ and run some of my tracks from audio interface through the analogue gear and back. To print them I use render in place. So far so good. But Im so confused with all those settings, never know which one to choose while rendering. I would love you to explain which settings are the best for this example: I have a vocal track which is bused to VOCAL bus. On this bus I have let's say deeser, then I want to run this vocal track through analogue EQ, I print it (I mostly choose the second last option while rendering) then after printing the new vocal track is bused to the main fader, so I have to bus it again to VOCAL bus. But I have a feeling that while printing and selecting second last option all plugins from the VOCAL bus were included as well. I'm confused. Chris can you please make a video about rendering and explaing every single option with examples. I would greatly appreciate as I use my outboard EQ all the time and I think I make mistakes while printing then busing again ect. Thank you. Lucas
The second option won't include the Group where your vocal track is routed.
@@mixdownonline thank you. So correct me if I'm wrong. If I'm selecting third option and print the track, the third option also takes all plugins from busses into consideration? So for example if I have vocal bused and deeser on the bus and then want to print that separate vocal.the third option will also print it with the deeser from the bus group (and then the new printed track is routed automatically into mix bus). When working on buses and using backward mixing a lot, which option second or third would you recommend while using external gear and printing separate tracks? Sorry for so many questions but it is confusing for me, and in my opinion you're Cubase expert and I follow you and watch you videos for long time and you're the first person to seek help with. Thanks Chris
Thanks Chris, I found this to be helpful!
Glad it was helpful!
Fantastic !!
I was wondering how I'd be able to mute my prerecorded DI yet still have it send audio out to my passive DI which I'm using to reamp and actively monitor the guitar cabinets with out having to listen to the DI at the same time.
Thanks so much!
You're welcome!
Thanks Chris for this great piece of information. I need to keep this one for future reference for sure :-) do you have note already made on this process? is it in your course outline which I purchased, may need to look back, have not completed the whole course yet. Again as usual - Awesome Job :-) Cheers Bruce
I do not talk about Reamping per say in my course but I do talk about Mixing with Analog Gear by using the External FX option. That is in the course :-)
Great video
Glad you enjoyed it
can I use the Jack output directly from the remote control or sound card ?
You can but the impedance will not be the same, so your output signal will probably be louder and you might end up with a bit of noise. Just pay attention to this. If what you hear sounds good to you, just go with it :-)
Nice one again ! 👍
Thank you! Cheers!
Don't know about the Radial Reamp but I did test the Reamp Box from Palmer and wasn't really happy. I don't know if it's fair to compare, but I recorded plugged directly on my DAW while playing through my amp to "feel" the sound. And when later I did reamp the same signal through the SAME amp (same settings), and it wasn't similar at all.
Yes, that can happen with cheaper passive Reamp boxes. The one I use (Radial Pro-RMP) is passive and might color the sound just a bit. If you want one that is very transparent, look for an Active Reamp Box like the Radial X-AMP or a high-performance passive like the Radial JCR Studio Reamper
@@mixdownonline Yeah definitely,I think the Radial worth the trial, Cheers from France Chris. Congrats for your work :)
Off topic - How do you make all those extra icons appear on your audio channel?
I have Pro version as well but beside lanes I don't have any of the extra "buttons"...
Look for "Open Track Control Settings" at the bottom right of the channels from the Project window.
Just one last question with rendering / printing (like you showed in second example). Once you exported the track, the original one is greyed out, can you use it again? I mean in your example if you would want to reamp it again in the future (after first reamping using second method) How to use it again? Thanks
Yes, you can use it, the audio event(s) is only muted
@@mixdownonline thanks Chris. How do you unmute it so I can use it again? Standard mute 'M' option doesn't work. Thank you for the answer.
I used control room, as a cue send for reamp my guitar. I think that is another option for reamping within Cubase, or is there an issue using control room?
That can work as well, as far as you're getting your signal out to the amp and back in, you're good :-)
Chris is there a difference between render in place and export in real time like you showed in second example of reamping? Or they all the same thing just different methods?
I use Render in Place to save time when bouncing VST instrument (MIDI to Audio). This is where I use it most. When working with external gear, Cubase will export in Real Time even with Render in Place so in this situation, Render in Place is not my first choice to be honest. I just do like I did in the video.
@@mixdownonline thanks Chris, but what's the difference between both? I don't really understand the difference between both as it seems they both give the same result. I always use external analogue EQ, but always use render in place. Should I use export instead? Thank you
@@LucasMichalski Did you ever arrive at any further conclusions regarding this? Wondering this myself, but not a Cubendo user (yet).
Thank you
You're welcome
Great video!
Thanks!
What amp is this? i love the tone.
FFS man - why are people so lazy? Took me 20 seconds to find exactly the same amp using a well known search engine and matching the picture with the one in the video. It's a discontinued model.
@@LondonSteveLee i couldn't find it. But now i have. It is a AD30
how hard are you hiting the d/a converters? -2dB? -18dB? (in the way out)
Same as when I record an instrument, between -18/-12dbfs
hi did i miss your interface, pretty vital, thanks
That's the main interface I use th-cam.com/video/1qCbOJQIfTg/w-d-xo.html and have other smaller interfaces as well
Happy Canada Day! :) Special thank you for fine tutorials and that mixing template is neat , useful stuff
You are so welcome!
i guess Im asking randomly but does anyone know of a method to get back into an instagram account??
I stupidly lost the login password. I love any assistance you can give me.
@Boston Archie Instablaster ;)
@Joshua Hayden Thanks for your reply. I got to the site on google and Im in the hacking process atm.
Looks like it's gonna take quite some time so I will get back to you later when my account password hopefully is recovered.
@Joshua Hayden It worked and I now got access to my account again. I am so happy!
Thanks so much you saved my ass !
hello big "chris" Can you tell me if if CUBASE can extract and write midi all chords of an instrumental Audio sound track? or a whole song, as can in a few seconds to translate STUDIO ONE ? :(
You can convert audio to midi of a monophonic instrument like a vocal for example, using Vari Audio but not a full chord instrument
@@mixdownonline Thanks mythical, in fact I was losing my mind to try to do this, in CUBASE and also Melodyne, via ARA EXTENSION but none of the 2 manages to perform the operation, I hope this function is implemented soon in CUBASE and it is sad to see it done at great in Studio One! and not in CUBASE, Thank Chris ❤
So I've done this and I'm still getting feedback. What am I missing beyond this video?
one more question - if we do not have an iso booth for the amp, is it ok to turn the main (last) volume level on the amp way down or is it going to affect the sound quality negatively?
I have a opeavey VYPYR modelling amp and find most of the "healthy" levels are below 1 on a volume scale of 1-13. Wish that thing had a pad switch.
It might should a bit different since the cab speaker will not react the same way in that case. It's for you to judge if it sounds worst or not. The OX Amp Box from UAD might be a good tool for you then :-)
When Reamping I run into an issue in Cubase with the external effects sometimes not reporting the delay compensation ping, have you run into this issue or do you know what may be causing it? Thanks.
You mean that it stays at 0ms delay detection? If so, that depends on the audio interface and plugins in your session from what I understand. My AXR4 gave me 0ms in this session and my URRT4 gave me 3.2 ms.
@@mixdownonline Hi Chris, Thanks for your response. Yes it stays on 0ms delay detection sometimes and other times it reports a delay, but this is on the same gear and i do not use any plugins in my DAW when tracking.
@@cshortlife9179 Yes, I know and I'm not 100% sure on what's happening here to be honest. I know that Cubase has some delay compensation built in and I never noticed a problem remaping whether method I use.
Also when i done this i got a ton of feedback (a very high pitched squeel) how do i stop this? It only happened when i turned the level knob up on the radial
Because you're probably monitoring and tracking in the same room which will only work if the amp and monitors are not very loud and the mic gain is quite low - monitor with headphones.
@@LondonSteveLee yeah headphones fixed it!
I was told to always record clean or to at least with as clean of a signal as possible, no more than 3 gain (in order to stack the stages and let the compression shine)
Yes, better to record a clean signal (no noise)
I bought a radial box, but I have honestly never had an issue going straight out of Cubase into an amp, because you can just adjust the volume of the output track. The noise is therefore the same level of noise that would be there if you were coming out of your guitar itself. There is no noise added from digital recording. I don't really understand the need for the radial box.
Yes, if you do this coming out of an interface, you will have to turn down the output to compensate, but you will still have an impedance problem, but it doesn't matter if sonicaly you don't hear the difference much. Here's a good video from my bud Ryan explaining this th-cam.com/video/b1O_5gaX4-s/w-d-xo.html
@@mixdownonline thanks for the link Chris. I'll check it.
How to commit my amp sim to audio in cubase ?
Just something to consider for anyone who wants to do this. Take the $100 for the Reamp converter and put it towards a used Line 6 POD HD500X which will perform that function. They're bullet proof and cheap now that the Helix is everywhere. You can record both a clean DI and a processed track simultaneously and you may find that the dozens of amp sims and nearly 100 pedal and rack effect sims prompt you to abandon your amp all together like I did.
That's always an option
Canadian? I thought you were an American.
I love Canada and Rush!~
Yeah man! French Canadian :-) Rush was a great band!
Chris don't forget to bill the client!
ALWAYS!
happy Canada day my friend! if you have time talk about file sharing services for producers. i am currently using Google drive and hitting their 15Gb free limit - I DMed you in the chat on Skype!
Hey Axel, I use PCloud, it's a paid service a bit like Dropbox and it works very well. For mix and mastering revisions, I work with Filepass that is AMAZING! I'll make a video on this!
@@mixdownonline Cool thanks. I will look into it and am looking forward to your video.
Have you lost weight?
I wish! I actually gained a bit of weight in the past few months ...Lol! But thanks! :-)