The texture of piano and orchestra is delicately transparent throughout. It is as if both parties are spinning a silvery web of sound. And through this tracery emerges the spirit os Mozart himself.
J'écoute très fréquemment ce concerto.. Andrewvonoyen réussit à conduire l'orchestre et a jouer en même temps.Je trouvé cela extraordinaire. J'aime particulièrement l'adagio qui permet d'apprécier selon moi tout son talent .
Eccellente esecuzione di questo concerto mozartiano che considero uno dei più belli ed intensi ( vedi 2 movimento)- ricorda abbastanza la versione Horowitz-Giulini con l'orchestra della scala. Complimenti per il suono e la registrazione ed un emozionato applauso per Andrew von Oeyen e orchestra .
Then the end. [It was shortly after 11 o’clock in the evening, May 18, 1911.] Mahler lay with dazed eyes; one finger was conducting on the quilt. There was a smile on his lips and he said: ‘Mozart!’”
My favorite Mozart Piano Concerto (next to the triumphant D major No 16) and played exquisitely well... not quite the old Horowitz or famous Pollini recording... but still, really great!
Andrew is quite an artist! He recently bragged in an interview about his very large hands - a great attribute for the piano, easy for the orchestra to follow his hands.......anything else, I won’t comment on!
J'adore cette interprétation limpide, à la fois sensible et retenue, sans effets inutiles. La seule à laquelle je pourrais la comparer est celle d'Hélène Grimaud. La prise de son est parfaite.
We share some great-great-great grandparents: Samuel Bailey, born 1795 in Nottingham and Mary Allender Kinnear, born 1800 in Centre County, PA. Samuel & Mary were married in 1819 & lived in Franklin, PA. Their son Samuel Francis (+ Martha Fenton) was my ancestor, and Sam's sister Melissa Jane (+ William M Epley) was yours.
Au fait, je viens de réentendre Hélène Grimaud th-cam.com/video/UuVqBX3StfI/w-d-xo.html et j'ai l'impression d'entendre exactement la même interprétation c'est incompréhensible
Si tratta di un Concerto STUPEFACENTE perché riesce incredibilmente a coniugare invenzione musicale SUBLIME con un rigore formale TOTALE. La terza idea che porta allo sviluppo, contrariamente all'abituale, non è riservata al solo pianoforte, ma ANCHE all'Orchestra!!!! Mai sentita una cosa simile. Si tratta di un Concerto che ADORO. ...e poi il secondo movimento È IL PIÙ BEL SECONDO TEMPO IN ASSOLUTO DI TUTTI I CONCERTI SCRITTI, NON TEME CONFRONTI!!!
I just discovered Andrew! Great pianist. If only tgat blonde on the 2nd row could be edited out. She is in CONSTANT motion, looking left and right, up and down, tilting head left, right, eyes darting left, right, up, down. For God's sake if you can't be still, sit in the BACK OF THE ROOM!
Jajajajajaja la ñora de rojo se ve que está pensando en otras cosas pero en la música nooo.....jajajajaja está esperando a que hora acaba.....por cierto se notaron los cambios que hizo....a muchos les desconcierta la actitud del tipo que toca ..pero la neta es que la música se siente...es fantástica......
Il secondo tempo non è interpretato bene a mio avviso. Troppi staccati, troppo veloce (non tanto), e poi il finale deve vedere TUTTI GLI ARCHI col "pizzicato"
Wunderbar unkonventionell im Detail, stark!
The texture of piano and orchestra is delicately transparent throughout. It is as if both parties are spinning a silvery web of sound. And through this tracery emerges the spirit os Mozart himself.
I love this concerto and performance very much, very clear, a lot of colors, great interpretation. Thank you.
Very clear and full of sound! You interpreted the concert exceptionally!
Very good performance and nice piano sound.
Even sometimes this reminded me of Horowitz's playing in 1987.
Thank you so very much
The most beautiful 2nd movement of all Mozart piano concerto. Bravo
Did you also consider the🎵 2nd movement in 🎼F Major of the 🎹 Elvira Madigan 🎶KV 467?
I. Allegro 0:30
II. Adagio 11:37
III. Allegro assai 18:16
J'écoute très fréquemment ce concerto.. Andrewvonoyen réussit à conduire l'orchestre et a jouer en même temps.Je trouvé cela extraordinaire. J'aime particulièrement l'adagio qui permet d'apprécier selon moi tout son talent .
Excellent performance and virtuosity. Mozart would be proud! 23:06 and so on, what an energy. Well done!
andrew von oeyen is just like daniel barenboim to me and andrew i really like the first movement of this peace it is so exciting and so wonderful
Bravo !! Beautiful playing, Andrew !! Wonderful performance !!
Very good performance, very good audio quality.
Very beautiful performance.
Too perfect!!!! Thank you sir!!!!
Great pleasure in listening 🎹 performance and I never grow tired doing this .
Beau, frais, clair, précis, émouvant : mozartfully !
Eccellente esecuzione di questo concerto mozartiano che considero uno dei più belli ed intensi ( vedi 2 movimento)- ricorda abbastanza la versione Horowitz-Giulini con l'orchestra della scala. Complimenti per il suono e la registrazione ed un emozionato applauso per Andrew von Oeyen e orchestra .
excellent performance and conduction! bravo!
Then the end. [It was shortly after 11 o’clock in the evening, May 18, 1911.] Mahler lay with dazed eyes; one finger was conducting on the quilt. There was a smile on his lips and he said: ‘Mozart!’”
Very beautiful playing!
My favorite Mozart Piano Concerto (next to the triumphant D major No 16) and played exquisitely well... not quite the old Horowitz or famous Pollini recording... but still, really great!
Learned about this piece from the novel “Quick Silver “ by Dean Koontz. Page 105.
Bravo , maestro
Greetings from Mexico city
tout simplement superbe
Bravo, Andrew!
Andrew is quite an artist! He recently bragged in an interview about his very large hands - a great attribute for the piano, easy for the orchestra to follow his hands.......anything else, I won’t comment on!
You know what they say...big hands...big feet.
¡Prístino cómo un fino cristal! Maravilloso
Precisamente! Muy bien dicho: como cristál.
Greatness exemplified
J'adore cette interprétation limpide, à la fois sensible et retenue, sans effets inutiles. La seule à laquelle je pourrais la comparer est celle d'Hélène Grimaud. La prise de son est parfaite.
The gentleman with a bow tie is so enjoying it!)
We share some great-great-great grandparents: Samuel Bailey, born 1795 in Nottingham and Mary Allender Kinnear, born 1800 in Centre County, PA. Samuel & Mary were married in 1819 & lived in Franklin, PA. Their son Samuel Francis (+ Martha Fenton) was my ancestor, and Sam's sister Melissa Jane (+ William M Epley) was yours.
I’m pleasantly surprised to see a Yamaha instead of a Steinway!
He plays beautifully , is that man wearing glasses and sitting front raw looks like twin brother ?? Am I wrong ???
18:22 Why press down the volume of the orchestra?
Life!!!
👏👏💐💐🇦🇷... Ejecución bien del S XXI, acorde a los tiempos...
Who’s the lady in red, the devil?
You have to promote yourself more to the World! pretty nice Sr.
🥰👍
Au fait, je viens de réentendre Hélène Grimaud th-cam.com/video/UuVqBX3StfI/w-d-xo.html et j'ai l'impression d'entendre exactement la même interprétation c'est incompréhensible
Let your right hand dance, Andrew . . . the strong, muscular left hand hopes to lift high a lithe, lyrical lover . . .
Si tratta di un Concerto STUPEFACENTE perché riesce incredibilmente a coniugare invenzione musicale SUBLIME con un rigore formale TOTALE.
La terza idea che porta allo sviluppo, contrariamente all'abituale, non è riservata al solo pianoforte, ma ANCHE all'Orchestra!!!!
Mai sentita una cosa simile.
Si tratta di un Concerto che ADORO.
...e poi il secondo movimento È IL PIÙ BEL SECONDO TEMPO IN ASSOLUTO DI TUTTI I CONCERTI SCRITTI, NON TEME CONFRONTI!!!
Interpretazione senza poesia ni respirazione tempi ecessivamente rapidi "l'adagio" è passabile solo per la sua bellezza intrinseca.
I just discovered Andrew! Great pianist. If only tgat blonde on the 2nd row could be edited out. She is in CONSTANT motion, looking left and right, up and down, tilting head left, right, eyes darting left, right, up, down. For God's sake if you can't be still, sit in the BACK OF THE ROOM!
Jajajajajaja la ñora de rojo se ve que está pensando en otras cosas pero en la música nooo.....jajajajaja está esperando a que hora acaba.....por cierto se notaron los cambios que hizo....a muchos les desconcierta la actitud del tipo que toca ..pero la neta es que la música se siente...es fantástica......
Il secondo tempo non è interpretato bene a mio avviso.
Troppi staccati, troppo veloce (non tanto), e poi il finale deve vedere TUTTI GLI ARCHI col "pizzicato"
The orchestra doesn't even look at him, they show him all their contempt.
He have should, at least, shave and wear a tie!
Adagio is so sad
to me the adagio is life being born
great depiction, I'm going to use it!