ฝัง
- เผยแพร่เมื่อ 29 พ.ค. 2020
- Jean-Guihen Queyras takes us on a journey into the secrets of one of the most famous works for cello solo.
Suite 2, Prélude: What is your Minore?
How did Bach come to conceive the unimaginable: composing an two-and-a-half hour “opera” for a single 4-stringed instrument?
Why did he use dances throughout the Suites? Are these dances meant to be danced? How does one choose a bowing? How free can the interpreter be?
These are only a few of the many questions on which Jean-Guihen will give us his insight as a passionate performer of this Masterwork.
Jean-Guihen will be delighted to answer your questions, which can be sent to live@idagio.com
Listen on IDAGIO:
Listen to Jean-Guihen Queyras’ full discography:
app.idagio.com/profiles/jeang...
J.S. Bach: Complete Cello Suites:
app.idagio.com/albums/j-s-bac... - เพลง
Thank you so much for this wonderful music sharing and inspiring discussion!
FANTASTIQUE!! Finally someone that knows their Bach!! Hope my previous Teachers are watching these lessons... Come back to Scotland Jean-Guihen we loved your Haydn Concerto Performances with SCO..
Thank you soooooo much for posting
Superbe échange entre deux messagers de la musique de Bach...
Serait-il possible d'ajouter des sous-titres anglais (la qualité audio est vraiment moyenne quand Steven Isserlis prend la parole) ?
Merci !
I´m so graceful to you, masters!! That was really inspiring! I want to hear more about Bach cello suites, these talks are so interestng for me as a violist who wants to play them well. Thank you very much. Greetings from Argentina.
sorry to be offtopic but does anyone know a trick to log back into an instagram account?
I stupidly forgot the account password. I love any tips you can offer me
@Cooper Gabriel instablaster =)
@Rodrigo Stetson I really appreciate your reply. I found the site through google and Im in the hacking process atm.
Takes a while so I will reply here later with my results.
@Rodrigo Stetson it worked and I finally got access to my account again. I'm so happy!
Thanks so much you really help me out!
@Cooper Gabriel Happy to help xD
Было интересно, спасибо!
GREAT ! The question though is did Bach go so extensively about this analysis and details that our friend describes here, or did he go with this feelings and leaving the rest to us the platers. He did not specify tempi, and no dynamics markings and giving us lots of opportunities for rubatos. And that is why every player plays all of these suites differently with their own feelings, colors and dynamics and the blessing is we hear different ideas and approaches to the piece from different virtuosos. Papa Bach would not oppose any of them since HE was the one that gave us this freedom. and the blueprints of his Music. Bottom line is to. And believe me Bach CAN touch. AZim is to can make it real music and touch people