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IDAGIO
Germany
เข้าร่วมเมื่อ 14 มี.ค. 2018
Chosen by Time as one of the best inventions of 2019, IDAGIO is the world’s leading streaming service for classical music. It offers video and audio streaming to music lovers in over 160 countries worldwide. Its acclaimed audio streaming service is uniquely tailored to the demands of classical music, featuring optimized meta-data and complemented by curation by music-lovers for music-lovers.
IDAGIO’s Global Concert Concert Hall, launched in 2020, offers access to live and pre-recorded concerts from around the world. Artists and ensembles that have appeared in the Global Concert Hall include: Yo-Yo Ma, Emanuel Ax, Julia Bullock, Miloš Karadaglić, Mirga Gražinytė-Tyla, Zubin Mehta, The King’s Singers, Vienna Philharmonic, Orchestra dell’ Accademia Nazionale di Santa Cecilia, Philharmonia Orchestra and many more.
IDAGIO’s Global Concert Concert Hall, launched in 2020, offers access to live and pre-recorded concerts from around the world. Artists and ensembles that have appeared in the Global Concert Hall include: Yo-Yo Ma, Emanuel Ax, Julia Bullock, Miloš Karadaglić, Mirga Gražinytė-Tyla, Zubin Mehta, The King’s Singers, Vienna Philharmonic, Orchestra dell’ Accademia Nazionale di Santa Cecilia, Philharmonia Orchestra and many more.
Fred Plotkin on Fridays: Hannah Ishizaki
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with composer and sound artist Hannah Ishizaki.
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Fred Plotkin on Fridays: Missy Mazzoli
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with composer and pianist Missy Mazzoli.
Fred Plotkin on Fridays: Santiago Ballerini
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Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with tenor Santiago Ballerini.
Fred Plotkin on Fridays: Davóne Tines
มุมมอง 119วันที่ผ่านมา
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with American bass-baritone Davóne Tines.
Fred Plotkin on Fridays: Olga Heikkilä
มุมมอง 15414 วันที่ผ่านมา
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks to soprano Olga Heikkilä.
Fred Plotkin on Fridays: Joshua Sam Miller
มุมมอง 9821 วันที่ผ่านมา
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with Award-Winning Ocean Artivist, Composer, Climate Impact & Wellness Ecopreneur Joshua Sam Miller.
Fred Plotkin on Fridays: Mauricio Martínez
มุมมอง 84หลายเดือนก่อน
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with Emmy-winning Mexican Actor, Singer, Recording Artist and Activist Mauricio Martínez.
Fred Plotkin on Fridays: Merrin Lazyan
มุมมอง 126หลายเดือนก่อน
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with Merrin Lazyan, co-creator and Executive Producer of Aria Code.
Fred Plotkin on Fridays: Julian Rachlin
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with conductor, soloist, chamber musician, teacher and artistic director Julian Rachlin.
Fred Plotkin on Fridays: Nicholas Muni
มุมมอง 147หลายเดือนก่อน
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with Stage and Artistic Director Nicholas Muni.
Fred Plotkin on Fridays: Andreas Meier
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with Andreas Meier, Head of Programme Planning & Dramaturgy at Brucknerhaus Linz.
Fred Plotkin on Fridays: Seth Shelden
มุมมอง 136หลายเดือนก่อน
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with General Counsel and United Nations Liaison for the International Campaign to Abolish Nuclear Weapons (ICAN) and Nobel Peace Prize ...
Fred Plotkin on Fridays: Richard Cordova
มุมมอง 1842 หลายเดือนก่อน
Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with conductor Richard Cordova.
Fred Plotkin on Fridays: Brindley Sherratt
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Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with bass Brindley Sherratt.
Fred Plotkin on Fridays: Erin Morley
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Fred Plotkin, pleasure activist, and passionate opera expert, speaks each Friday with fascinating people in the music world. He is the author of Opera 101 and Classical Music 101 and leads opera symposia for New York Times Journeys. In this episode, Fred speaks with coloratura soprano Erin Morley.
Fred Plotkin on Fridays: Justin Austin
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Fred Plotkin on Fridays: Justin Austin
Fred Plotkin on Fridays: Daniela Candillari
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Fred Plotkin on Fridays: Daniela Candillari
Fred Plotkin on Fridays: Tobias Picker
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Fred Plotkin on Fridays: Tobias Picker
Fred Plotkin on Fridays: Daniel Okulitch
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Fred Plotkin on Fridays: Daniel Okulitch
Fred Plotkin on Fridays: Rosetta Cucchi
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Fred Plotkin on Fridays: Rosetta Cucchi
Fred Plotkin on Fridays: Jean Kellogg
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Fred Plotkin on Fridays: Jean Kellogg
Fred Plotkin on Fridays: Bonita Hyman
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Fred Plotkin on Fridays: Bonita Hyman
Fred Plotkin on Fridays: Zachary James
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Fred Plotkin on Fridays: Zachary James
Fred Plotkin on Fridays: Courtney Ann Mills
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Fred Plotkin on Fridays: Courtney Ann Mills
Fred Plotkin on Fridays: Kate Aldrich
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Fred Plotkin on Fridays: Kate Aldrich
Fred Plotkin on Fridays: Laura Claycomb
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Fred Plotkin on Fridays: Laura Claycomb
Fred Plotkin on Fridays: Michael Capasso
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Fred Plotkin on Fridays: Michael Capasso
Fred Plotkin on Fridays: Stephen Lord
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Fred Plotkin on Fridays: Stephen Lord
Fred Plotkin on Fridays: Charles Busch
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Fred Plotkin on Fridays: Charles Busch
The Adagietto feels, to me, to be insulated from the vagaries of tempo. Time is pretty much, somehow, suspended during the playing of the movement, anyway.
I've always been curious... how and why did Idagio fund this series? As a cellist, I of course find it incredibly helpful :) but surely it cost an enormous amount to hire a well known soloist to record essentially dozens of masterclasses??
Thank you opera expert Fred Plotkin for your introduction of one new great Tenor Santiago Ballerini🎉🎉🎉 I already watched some of his videos, I must say his singing is fantastic!
Two of my favorites.
Bravo Santiago saludos argentina
I agree, the host talked too much.
Wow. I loved it. Clear coloratures
Really want to hear you to play the whole 6th by piano.
Wonderful!
How about his collaborations with Tim McIntire
Wonderfully educational!
Minor key is sinister, horrific and depressing. Major key us pacific, optimistic and melancholic.
❤️🇱🇨!!!
And he wakes the dog at 11:15----
And the dog lays its head down again at 12:39. I admire someone who has a dog!--and obviously loves it, as here, with Mr. Fischer.
Wow. I've always loved Mahler 7, and hearing Maestro Fischer talk about it brings the understanding to a new level. Thank you!
You very badly need a microphone.
The structural and emotional qualities of the composition and the performance were so impressive that while listening I had to hold back my tears. This is music of such high order! And I certainly appreciated the performer's informative comments. Thank you and all best wishes!
good talk! but Ivan fischer's recording about this music was normal~
Yoel are you still there? Many years have passed and I only discovered you in Milan on May 5, 2024 (not even 2 weeks ago) when you directed a concert entitled "Dipingere con le note" (Painting with notes) I loved your style of directing so I looked you up and found this series When I Feel, which I find very beautiful. How I wish I had known about it during the pandemic. Thank you! Really beautiful and I appreciate your suggestions for music listening.
I remember seeing her on that Metropolitan Opera virtual gala during Covid……she was brilliant.
How VERY odd that only 7 'likes' so far! An EXTREMELY fine tenor + as we hear - a great linguist! Thank you for having posted!
Callas would have been great in Steven Sondheims A Little Night Music. Can you imagine her as Desiree Armfeldt singing Send in the Clowns? She would have brought down the house with that gorgeous song.
Thank you for a Very interesting video. Mr. Plotkin, have you written your autobiography? If not when? I think you’ve lived a very interesting life and should be shared in the form of a book. Benjamin Brittens opera Owen Wingrave had its American premiere at the Santa Fe Opera in 1973. And The Mother Of Us All was also presented at the Santa Fe Opera in 1976 with a star studded cast including Mignon Dunn. .
I saw a double bill of Pygmalion and Gianni Schicchi at St Louis Opera too many years ago.
Maestro Fischer, thank you so much from Italy! For you precious lesson about this incredible masterpiece!
I discovered Klaus when he came to Edinburgh international festival. I’m not a musician but I’m a Mahler fan and his Mahler touches me deeply. I now travel to cities in Europe just to catch his live concerts! What a pleasure!
Thank you for posting! I was in a concert in Hamburg featuring Thomas - a great voice but the acoustic of the hall (wonderful to look at & sit in) could have been better! This extended interview provided some great insights into the marvellous KM’s path to glory. Very interesting! Much appreciated! PS: I agree with some of the comments - Thomas could have allowed his guest more time…
It sounds like you care 😊
Be a voice ! You have that talent
I finally see this 3 years later 2024! This Kid Conductor will be CSO soon. I watch Mr Klaus Makela conducting and playing cello on TH-cam. Good Luck to Both of You!
I just got the Otto Klemperer/Fritz Wunderlich/Christa Ludwig recording of Das Lied. Astounding account if you're searching.
I always wonder about the climax of the last movement. This culminates in a loud clash on the cymbas, after which the rest of the orchestra dies down. Only the high strings remain, crying out passionately in a breathless rythm. This rythm is an elongated version of the 'irregular heartbeat' motive with which the 1st movement had started. I have never heard a pergformance in which this return is made audible. Could this be because this is impossible in its present orchestration? Afterall Mahler never heard his 9th symphony in performance. And he usually made extensive changes after hearing the 1st performance of his works. Could it be that he would have made the relationship of this moment in the finale and tat fateful motive from the first movement more clear than it is now? Or do you think there is a way for a conductor to perform the passage in a way that makes the motive recognizable for the listener? Pieter van Boetzelaer.
hello. I'm not sure this passage is meant to represent a heartbeat, as in the first movement. You've said it well, the music is simply gasping for air.
Hampson can resist the temptation of listening to himself. Even if his guest is a genius like Mo Makela he has to talk as much as possible. Great singer with a very pedantic attitude.
I generally like magical thinking..but not this
Thomas is a glorious singer and a terrible interviewer. He begins to ask an interesting question to his guest, but before he finishes the question he interrupts himself by stating his own (brilliant?) conclusion. And then he takes the conversation somewhere else, so we never get an answer from the guest. I would guess that Thomas's remarks in this interview are approaching 50%. Should be about 25%. Ask a direct question and shut up. Get someone else to interview Thomas.
This here was awesome. Absolutely awesome!!! Mr. Plotkin you did your thing and Lord knows we LOVE Twinkie Clark. She is ONE OF A KIND!!!
Wonderful interview.
I think he should be a Sir. It's only one little step more and a K in front of the CBE.
Great to see Kate here - I don't know how I missed this one "live." Mention of the Troyanos Santuzza . . . she was nuts the way she flung herself down those stairs, then grabbed her stomach/baby. The story of the day she died is one of the most moving "departures" from the earth I've ever read of. Handel, Monteverdi, Mozart, Verdi, Wagner, Bellini, Strauss . . . Kate is that same kind of singer! Then Christa Ludwig. Sigh. I'm in mezzo heaven!
ADAGIO???
Ja, diese Arie war für drammatische Koloratursopranen geschrieben, wie Königin der Nacht oder Konstanze. Sie ist sehr gefährlich für solche extra-leichten Stimmen. Ich habe selber diese Arie gesungen, und trotz einer sicheren G-Note brach meine Stimme manchmal von der Dramatik dieser Arie.
Always interesting
Very interesting, I learned a lot. Thank you.
That’s a very tiny cello! Is it 7/8ths?
The only thing I will question is your saying she was running out of breath in Pace, pace, Mio Dio.
Thank you for posting a very interesting interview with conductor Vasili Petrenko 😊 I got particularly interested on listening after attending to a concert last week. The introductory explanation he gave about the musical pieces, made (for me) the whole experience more enjoyable! I think he is a very good orator! Looking forward to a new chance in a future.
I love Bomsori and her playing already for some years now. She is simply a great artist and a wonderful, lovely person 🥰🥰🥰
To me, he is a fantastic composer. I hope a lot of his works will be performed in Europe.
Love it! Thank you, Ivan!!
Thank you for this wonderful conversation!❤
Amazing musicians thanks a lot for both of you.