One cool thing about J. S. Bach is that he knew in his lifetime that the compositions he wrote were good, and deserved to be preserved even if his contemporaries did not agree. He saved compositions in the Well-tempered Clavier, pedagogical exercises, etc as well as all the stuff he was commissioned to write. I'm sure glad he did, though a lot has been lost.
Ehh I’m not sure I agree with this. He didn’t save any more than anyone else in his time. He never became famous across Europe like Handel or Vivaldi, so despite working for royalty, I don’t think he ever fully understood his worth and importance for the future of all music. He was a very humble and god-fearing man..
yes the harpsichord solo was my first awakening.. age of 3...to the greatest musician this world has ever... all 6 concertos are mind blowing examples of what you can do with 12 notes.... in the well tempered system... i very much doubt this will ever be bettered by anyone in a billion years...
I can't believe the tremendous amount of work gerubach put in to produce these videos. Thank you so much - you couldn't have chosen better, more profound and enduring music. Bach has never been surpassed in his intimate understanding of music and ability to draw on that knowledge to compose. A pinnacle of humanity.
Oh wow! I had a CD of Walter Carlos Switched on Bach back in 1983 and discovered and memorized that it was at 3:10 till about 4:24 for his Moog Synthesizer version of movement one of the 5th Brandenburg for one of the most beautiful and moving musical passages I had ever heard! Love it! I thought it was so incredible that Bach could have extended and explored and developed it for 2 or 3 more minutes before moving on. Yup! BEST PART!!!
3:40 the way the flute and violin go back and forth in that fashion seems like an almost endless pattern. Flute starts, violin finishes, violin starts, flute finishes. Truly incredible
the entire first moviment and specially the first part of cadenza ("slow part") have the power of makes me just so happy, does matter my mood, i always get better hearing such a amazing piece
On ne commente pas la musique, on échange nos impressions et on essaie de partager des remarques que l'on a sur certains passages / structures. Mais nous sommes malheureusement misérables face au génie de Bach! 😅
I like how in this recording the harspichord solo at 8:34 remains a (mostly) consistent tempo. So many other recordings add too much rubato (which, to be fair, I can understand why). It kinda kills the energy.
Thanks so much for sharing this marveleous composition Gerubach I encourage you to continue this incredible job. By Samuel from Serrinha, Bahia, Brazil.
I played viola . Played this piece so much. Went to audition for all district honor orchestra in High school. They had the piece name covered up. Looked at the music and recognized it right away. Took the sheet music, tossed it and started playing without it. I made second chair.
How wonderful of you to create this video and many others like it! It's just great to be able to read ALL the parts at the same time as it goes. Kudos to you! I can't wait to check out the Art of Fugue and the the Musical Offering!
_Fluffy_ Sponge_ 3 months ago Me:seeing comments from 8 years ago and wondering what those people are doing now (this guy wonder what are you doing now !)
@@frrixz I know right? Only Bach piece I've played that has 64ths is Toccata and Fugue in D minor, but I know that they occur in more than just that piece.
There are so many easter eggs scattered throughout Bach's music, some of which you might only find after listening half a dozen times to any given piece of his. Was anyone else delighted upon noticing the harpsichord-flute duet in 16:45-16:53 of the video?
my teacher analyse that as stretto. I think she was thinking about that the second voice enter before the first voice finish its theme. And the theme is from the subject of the fugue in the very beginning of this movement.
9:25 look at third beat of all measures in the first note of beat. descending notes. start in B.. A.. G... F.. But before this look at the first beat and after look the 3rd
17:42 is SUCH an underrated special little moment where a unique melody (that isnt heard again) is in the ripieno violins while all the concertato instruments play constant quavers :)
Maurice The Guitar Hero so I thought when I first gave it a try, but as any other composition, once you get the "idea" of how it was built it all starts to make more sense and gets easier..
As Bach himself once said, "It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself"
c' est à ce moment que le clavecin prend de l' ampleur, comme pour chercher à s' imposer avant sa partie solo. Bach n' est pas le plus grand pour rien....
Un claro ejemplo de que la humanidad vale la pena, y también una exhortación. Somos herederos de tal material espiritual e intelectual, actuemos conforme a ello.
I am absolutely awestruck every time I listen to the harpsichord cadenza in the first movement and think of the technique and it must be years of practise to play that. Can anyone who can actually play this give me some insight into how the hell you do something like that?
My piano teacher always taught me that you start out slow, and then once you build dexterity, you start pushing yourself to play faster. If you make mistakes and fumble, she would tell me it's okay, but that means that my dexterity isn't there yet. Long answer short, just takes many hours of practicing going fast and getting faster :)
As a harpsichordist I must admit its very difficult part - you need to be fast and precisive, yet make it flow musically . A true challenge to show off fantastic technique of virtuosos
Aunque la historiografía dice que Bach compuso el espectacular solo del clave para poner a prueba las posibilidades de un nuevo instrumento, yo quiero pensar que ese día Bach tomó algo lisérgico y en su viaje se adelantó doscientos años a su tiempo, sentando las bases de la música moderna. Esta interpretación brutal de Trevor Pinnock, con el teclado sonando protagonista sobre la orquesta, hace honor a la maravillosamente desquiciada música de JSB
Back in the '70's, before the thing even flew, the 1st movement made me picture the Space Shuttle leaving orbit to land, especially the harpsichord solo.
compás nº3 del solo se parece mucho a la fuga en G major de WTK I (860) en el compás 65. Son casi idénticos. bars nº3 of the solo closely resembles the leak in G major from WTK I (860) at bar 65. They are almost identical.
Closing my eyes, I can follow the flute and violin quite well, until that blasted harpsichord (as amazing as it is!) kicks in, then I'm analytically lost--but spiritually right on cue.
Dynamics through Density : 0:21 - 0:44 Dynamic Change: 6:20 Solo / Contrast of higher and lower register and tone colour : 8:55 Dynamic Markings - 17:42 - 17:49
Bien vu ! Mis à part la partie solo du clavecin, c est le plus beau passage, de ce 1er mouvement , du moins pour moi, avec la partie qui le précède. et c est une très belle construction, avec la basse qui revient à intervalle régulier, et quand elle ne se fait pas entendre, c' est clavecin qui ressort , avec comme un effet de suspension dans l' air....
Gould loved Bach, but I don't think Bach loved him Bach* (lol) As good as he was as a performer his performances never showed (to me) Bach's true "colors"! Bach had such "purity"! melodically and intellectually, the way he played (Gould) was so arrogant! as if he really believed himself a reincarnation of J.S. Bach himself!...as if he truly believed he completely understood Bach himself...
I am an atheist, but 9:27 is what one might hear should they ever witness the opening of the gates of heaven. There are two kinds of music for me: ones that make your mind shoot bolts of lightning from your scalp and down your spine, and ones that make your heart weep or leap out of your thoracic cavity. Seldom does a piece make me experience both of these things simultaneously and at such intensity. Bach: the deity of music who has constructed many great semblances of a heaven, more so than any book, myth or promise tied along a carrot and dangled in front of its victims, perfectly so as to block their view of... ok I’m getting in offensive territory so I’ll shut up as I can’t be ar*ed with any counter attacks 😊
@DarkimCraft Bajo Continuo, I don't know the english word, perhaps "Continius bass". The number indicates the chord, and the composer only wrote the bass line, the player does the rest. Excuse me poor english.
For people wondering how one would play the Cadenza, well, if you've actually played on a harpsichord you would notice that it is in fact easier to play faster compared to a piano. I don't really know why, maybe it has something to do with the plucking of the string instead of the striking of the string that a piano has.
That's the right idea. The action on a harpsichord can be slightly stiffer on the attack - initial depress - but because there's no dynamic touch, the rest of the action is light. And the return is quick.
When I hear this song all I can think of is the flying books from that one Little Einsteins episode, or was this from the Leaning Tower of Pisa episode? Maybe both?
Can someone explain me why in the harpsichord part, on the fingering, is full of NUMBER SIX? Why number six? Which finger is number six? And why, sometimes like here th-cam.com/video/3vx4Sc_SMsQ/w-d-xo.html is strikethroughed? Ty.
@DarkimCraft Bajo cifrado, también. Cipher Bass, barroque composition rules. Clasic period, like Mozart, He did not use this, he wrote all parts and instruments.
Fantastic work Geru! Will you do Bach's other violin-flute-keyboard concerto (the Triple Concerto, BWV 1044) after you're done with the English and French Suites?
The harpsichord solo is truly mind blowing
Bach was Metal Rocker... that's it!
CBWAVY
Mainly the fact that is possible
Struggling learning it now😂 beautiful and tricky
So much easier on the action of a harpsichord.
ikr
The CEMBALO SOLO is pure METAL!!!!
@@ignacioclerici5341 all this dude is saying is that the cembalo solo is very similar to modern metal, especially from 8:35
One cool thing about J. S. Bach is that he knew in his lifetime that the compositions he wrote were good, and deserved to be preserved even if his contemporaries did not agree. He saved compositions in the Well-tempered Clavier, pedagogical exercises, etc as well as all the stuff he was commissioned to write. I'm sure glad he did, though a lot has been lost.
Ehh I’m not sure I agree with this. He didn’t save any more than anyone else in his time. He never became famous across Europe like Handel or Vivaldi, so despite working for royalty, I don’t think he ever fully understood his worth and importance for the future of all music. He was a very humble and god-fearing man..
Mine too. That harpsichord part just tips the scale for me.
yes the harpsichord solo was my first awakening.. age of 3...to the greatest musician this world has ever... all 6 concertos are mind blowing examples of what you can do with 12 notes.... in the well tempered system...
i very much doubt this will ever be bettered by anyone in a billion years...
17:59-18:11 Bach is a fucking genius Love that imitations with parallel motion at the lower octave
It’s basically just a canon
no0swear
Understatement of the century
Came for the Bach, stayed for the harpsichord cadenza.
I like your profile picture, how about mine?
that's it!
@@christianparrish6647 it's nice also
@@edupaixao195 Let's see Paul Allen's profile picture.
I can't believe the tremendous amount of work gerubach put in to produce these videos. Thank you so much - you couldn't have chosen better, more profound and enduring music. Bach has never been surpassed in his intimate understanding of music and ability to draw on that knowledge to compose.
A pinnacle of humanity.
3:15-4:29 best part. It's beautiful
Oh wow! I had a CD of Walter Carlos Switched on Bach back in 1983 and discovered and memorized that it was at 3:10 till about 4:24 for his Moog Synthesizer version of movement one of the 5th Brandenburg for one of the most beautiful and moving musical passages I had ever heard! Love it! I thought it was so incredible that Bach could have extended and explored and developed it for 2 or 3 more minutes before moving on. Yup! BEST PART!!!
That's called stretto
3:40 the way the flute and violin go back and forth in that fashion seems like an almost endless pattern. Flute starts, violin finishes, violin starts, flute finishes. Truly incredible
8:18
Absolubtly
the entire first moviment and specially the first part of cadenza ("slow part") have the power of makes me just so happy, does matter my mood, i always get better hearing such a amazing piece
I also LOVE the part right before the cadenza, where the flurry of harpsichord reduces all other instruments to mere whimpers and whistles.
@@vibhavperi983 Yeah, that's just an amazing efect, i love it
The harpsichord solo in the first movement is genius: expertly composed and perfectly performed in this rendition.
THE MUSIC NEEDS NO COMMENTS... IT`S THE GENIUS BACH !!!!! THIS SCROLLING EFFECT IS FANTASTIC. CONGRATULATIONS FOR THE CREATIVE IDEA.
Otto Mol dont be mad my brother. Look to my channel.
On ne commente pas la musique, on échange nos impressions et on essaie de partager des remarques que l'on a sur certains passages / structures. Mais nous sommes malheureusement misérables face au génie de Bach! 😅
I like how in this recording the harspichord solo at 8:34 remains a (mostly) consistent tempo. So many other recordings add too much rubato (which, to be fair, I can understand why). It kinda kills the energy.
THANK YOU, BACH.
Lol, hi Fryderyk :D
Fryderyk Chopin you're welcome
You're welcome
Too many bachs
@@georgekelk9575 too few, alas :).
the most beautiful piece of music ever written? could very well be.
Bien sur ! JSB merite le titre Le mieux musicien @Luis Muñoz
what a cadenza! so many notes and yet so beautifully musical!!
Thanks so much for sharing this marveleous composition Gerubach I encourage you to continue this incredible job. By Samuel from Serrinha, Bahia, Brazil.
The progression at 3:40 is something astonishing.
u cant even spel
Yea! I was impressed by the use of descending 7th chords in the finale of the Schuman piano concerto... but this was jaw dropping
8:185
I think it is a purely spiritual part
@@IvanHernandez-pl5nu c est la force de Bach de faire de la beauté céleste...
I played viola . Played this piece so much. Went to audition for all district honor orchestra in High school. They had the piece name covered up. Looked at the music and recognized it right away. Took the sheet music, tossed it and started playing without it. I made second chair.
Me:seeing comments from 8 years ago and wondering what those people are doing now
lol
JR Piano omg yes XDXDXD
Listening to bach lol
Tinydoge ePiC
Still trying to learn how to scroll scores on TH-cam?
GRACIAS POR ESTA MUSICA MARAVILLOSA.....POR ESOS TALENTOS QUE NOS DAN ALEGRIA ▌Y FELICIDAD.QUE DIOS LOS BENDIGA!
You are the greatest, Gerubach.
Thank you for your efforts!
Oooh that run on the harpsichord! So ahead of it's time. Be still my heart!
How wonderful of you to create this video and many others like it! It's just great to be able to read ALL the parts at the same time as it goes. Kudos to you! I can't wait to check out the Art of Fugue and the the Musical Offering!
_Fluffy_ Sponge_
3 months ago
Me:seeing comments from 8 years ago and wondering what those people are doing now
(this guy wonder what are you doing now !)
It's really cool how you scroll the music.
I will never complain about playing dotted 16th notes again. Those 32nd notes would murder my poor fingers ;O;
abc zyx Heheheheh, your comment made me laugh, thank you x)
Kiwi~ 키위 if you get the feeling right it shall all come naturally, then your fingers shall be spared!
I complain when I run into his 64th notes. Bach likes to use those.
@@frrixz I know right? Only Bach piece I've played that has 64ths is Toccata and Fugue in D minor, but I know that they occur in more than just that piece.
thanks for this video. I love the harpsichord solo, and Pinnock nails it.
Probably my favourite Brandenburg Concerto, thank you so much !
Bach then proceeded to set the harpsichord on fire and get on his knees before it, raising his arms to the heavens as the sky turned purple.
There are so many easter eggs scattered throughout Bach's music, some of which you might only find after listening half a dozen times to any given piece of his. Was anyone else delighted upon noticing the harpsichord-flute duet in 16:45-16:53 of the video?
17th century metal solo 08:35
Bach isn't "old" music by any means.
Bach IS music! The rest just try, though some come close.
It’s madness. Hard core. Play magic fingers.
Bach is STILL fresh today. Blows your mind doesn't it?
This is from the 18th century
That's some shredding in the keyboard part
Well worth the wait for this. What a treasure - both the music and the animation.
A feeling of happiness since 6:40
Start : 15:17
16:37 - section 2
19:05 - section 3
One of the first true keyboard concertos. My favorite!
17:58 - Canon al' Octtava! (Love that part too)!
18小节八度二重卡农👍
my teacher analyse that as stretto. I think she was thinking about that the second voice enter before the first voice finish its theme. And the theme is from the subject of the fugue in the very beginning of this movement.
gerubach 18:25
ia very good
9:25 look at third beat of all measures in the first note of beat. descending notes. start in B.. A.. G... F.. But before this look at the first beat and after look the 3rd
17:42 is SUCH an underrated special little moment where a unique melody (that isnt heard again) is in the ripieno violins while all the concertato instruments play constant quavers :)
If I tried playing that harpsichord part I think I would've had 0 fingers.
Maurice The Guitar Hero so I thought when I first gave it a try, but as any other composition, once you get the "idea" of how it was built it all starts to make more sense and gets easier..
As Bach himself once said, "It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself"
I never saw the solo while reading the score! Definitely didn't know the rhythms are so complex.
Woah this comment is old
@@sbalogh53 He was talking about keyboard instruments. He was also a violinist and knew how difficult could be this instrument .
Thank you ollebor09. I'm glad you enjoyed it. Next up: BWV 1051.
Love the run starting at 6:04 !
19:45
c' est à ce moment que le clavecin prend de l' ampleur, comme pour chercher à s' imposer avant sa partie solo. Bach n' est pas le plus grand pour rien....
Amazing, thank you so much for sharing!
8:50 starts to sound like the mario brother's cart game!
I've been looking for this piece for ages! I'm glad that I found it
This truly is a rather sick car my brother.
Thank you Music Appreciation for introducing me to this masterpiece.
Un claro ejemplo de que la humanidad vale la pena, y también una exhortación. Somos herederos de tal material espiritual e intelectual, actuemos conforme a ello.
Karl Richter nails it, his keyboard solo is mind blowing
oh my God
TrumpPence3 yes OMFG
TrumpPence3 8:34
Eew
Eternally magnifique.
"Uh.... Mr. Bach?" "Quiet guys, I'm in the zone.." "But..." "Shh.. let me finish this..."
every1 is just talking about the cadenza but the Affetuoso gets me everytime and hits me deep down
This truly is a rather sick car, my brother
I have transcribed this piece for Rehearsal resources. Your version is Brilliant! Thank you!!RobC
SHIT GOES HARD AT 6:03 MMMHM FUCKING HEADBANG TO THIS SHIT
Weirdo yeah babe 😎
18th century guitar solo.
Brian Amador who said learning scales wasn't important????
it's ok you don't have yo talk like that
This one was difficult at first. But we got it... Beau-ti-ful!💓🔥💥🔥
I am amazed by your work guys
I am absolutely awestruck every time I listen to the harpsichord cadenza in the first movement and think of the technique and it must be years of practise to play that. Can anyone who can actually play this give me some insight into how the hell you do something like that?
My piano teacher always taught me that you start out slow, and then once you build dexterity, you start pushing yourself to play faster. If you make mistakes and fumble, she would tell me it's okay, but that means that my dexterity isn't there yet. Long answer short, just takes many hours of practicing going fast and getting faster :)
Control and calm is key.
practice
Its scales. Not that complicated. Practice.
As a harpsichordist I must admit its very difficult part - you need to be fast and precisive, yet make it flow musically . A true challenge to show off fantastic technique of virtuosos
Harpishchord cadenza its pretty galactical
If we mortal and imperfect people can conceive such music masterpieces then the question is.... What are they listening to in Heaven? 😮
The cembalo keyboards!
It sounds beautiful and mysterious!
beautiful music
THANK YOU
This was very helpful for one of my classes, thank you!
Any harpsichordist who would willingly attempt to play this has got to be slightly crazy…
A MUSICA NÃO NECESSITA COMENTÁRIOS..... TRATA-SE DO GÊNIO BACH !!!!! ESSE EFEITO DE DESLISAR A PARTITURA EH FANTÁSTICO. PARABÉNS PELA IDEIA CRIATIVA.
Otto Mol calma cara '-' da uma ouvida nas minhas musicas no meu canal se quiser, tambem componho.
@@Tizohip BELEZA SEU TRABALHO. MUSICA DE QUALIDADE EH SEMPRE BEM-VINDA. CONTINUE SEU TRABALHO !
Aunque la historiografía dice que Bach compuso el espectacular solo del clave para poner a prueba las posibilidades de un nuevo instrumento, yo quiero pensar que ese día Bach tomó algo lisérgico y en su viaje se adelantó doscientos años a su tiempo, sentando las bases de la música moderna. Esta interpretación brutal de Trevor Pinnock, con el teclado sonando protagonista sobre la orquesta, hace honor a la maravillosamente desquiciada música de JSB
La descente entre 03:40 et 04:11 est magnifique
300 YEARS OF BRANDENBURG CONCERTS
Back in the '70's, before the thing even flew, the 1st movement made me picture the Space Shuttle leaving orbit to land, especially the harpsichord solo.
Thanks for uploading!
compás nº3 del solo se parece mucho a la fuga en G major de WTK I (860) en el compás 65. Son casi idénticos.
bars nº3 of the solo closely resembles the leak in G major from WTK I (860) at bar 65. They are almost identical.
Closing my eyes, I can follow the flute and violin quite well, until that blasted harpsichord (as amazing as it is!) kicks in, then I'm analytically lost--but spiritually right on cue.
God, that harpsicord solo !
Dynamics through Density : 0:21 - 0:44
Dynamic Change: 6:20
Solo / Contrast of higher and lower register and tone colour : 8:55
Dynamic Markings - 17:42 - 17:49
3:41 i wish this part went on forever
Bien vu ! Mis à part la partie solo du clavecin, c est le plus beau passage, de ce 1er mouvement , du moins pour moi, avec la partie qui le précède. et c est une très belle construction, avec la basse qui revient à intervalle régulier, et quand elle ne se fait pas entendre, c' est clavecin qui ressort , avec comme un effet de suspension dans l' air....
Oui, elle est fabuleuse, quand elle advient le temps n'existe plus.
Amazing! How could Pinnock play 6:03 without destroying his fingers?
He is the ultime bach keyboard player right next to Gould
or 8:42
Pinnock is old school. Nowadays harpsichord players just either slow down or even stop completely and start up; it's bizarre and not musical.
Gould loved Bach, but I don't think Bach loved him Bach* (lol) As good as he was as a performer his performances never showed (to me) Bach's true "colors"! Bach had such "purity"! melodically and intellectually, the way he played (Gould) was so arrogant! as if he really believed himself a reincarnation of J.S. Bach himself!...as if he truly believed he completely understood Bach himself...
Pinnock and Koopman > Gould
Brandenburg Concerto No. 5 is a banger and I will fight anyone that tells me otherwise.
I am an atheist, but 9:27 is what one might hear should they ever witness the opening of the gates of heaven. There are two kinds of music for me: ones that make your mind shoot bolts of lightning from your scalp and down your spine, and ones that make your heart weep or leap out of your thoracic cavity. Seldom does a piece make me experience both of these things simultaneously and at such intensity. Bach: the deity of music who has constructed many great semblances of a heaven, more so than any book, myth or promise tied along a carrot and dangled in front of its victims, perfectly so as to block their view of... ok I’m getting in offensive territory so I’ll shut up as I can’t be ar*ed with any counter attacks 😊
played this last year. it was hell
One must travel through Hell in order to get to Heaven.
at 20:12 , is the second quaver (eighth note) of bar 301 in the left hand of the harpsichord played wrong? It sounds like a C to me instead of a B.
The GCSE bit starts here 15:17
Kyle Parkins thanks kyle you’re the best
Aye cheers mate good luck on your exam
9:25 to after is beautyful
7:57 sounds like the Violin and Viola Passacaglia Duet
You have misspelt 'Affettuoso' in the description.
@DarkimCraft Bajo Continuo, I don't know the english word, perhaps "Continius bass". The number indicates the chord, and the composer only wrote the bass line, the player does the rest. Excuse me poor english.
Sieze the (best) day Matthew~! Sieze it!
素晴らしい！wandaful!
For people wondering how one would play the Cadenza, well, if you've actually played on a harpsichord you would notice that it is in fact easier to play faster compared to a piano. I don't really know why, maybe it has something to do with the plucking of the string instead of the striking of the string that a piano has.
That's the right idea. The action on a harpsichord can be slightly stiffer on the attack - initial depress - but because there's no dynamic touch, the rest of the action is light. And the return is quick.
Y ademas el tamaño de las teclas es diferente.
I’m learning the keyboard soon and the cembalo solo is something that I want to master before I finish high school in 2028 ❤❤
Omg yas 👏 14 years
Amazing!
This is my Orange wing Amazon's favorite concerto.
When I hear this song all I can think of is the flying books from that one Little Einsteins episode, or was this from the Leaning Tower of Pisa episode? Maybe both?
The Birthday Machine
What I'd give to hear the great man himself play the harpsichord part ...
Can someone explain me why in the harpsichord part, on the fingering, is full of NUMBER SIX? Why number six? Which finger is number six? And why, sometimes like here th-cam.com/video/3vx4Sc_SMsQ/w-d-xo.html is strikethroughed? Ty.
Those are not fingerings, they are what's called the figured bass. en.wikipedia.org/wiki/Figured_bass
Ty, sir.
@DarkimCraft Bajo cifrado, también. Cipher Bass, barroque composition rules. Clasic period, like Mozart, He did not use this, he wrote all parts and instruments.
There is a mistake in the description: is not "Affeituoso" but "Affettuoso".
In Thomas and Friends Mavis’ Season 3 theme is based on this piece.
im just reading the comments being confused about what the heck people are talking about. the only reason im here is for grade 7 music homework
same:(
the 6!!!!!
im waiting for the Brandenburg Concerto No.6 :D
my favorite.
Fantastic work Geru! Will you do Bach's other violin-flute-keyboard concerto (the Triple Concerto, BWV 1044) after you're done with the English and French Suites?
The harpsichordist better have been paid extra for that last movement...