11:26 Going up to High F. High F was the highest note on Keyboard instruments in Bach's days which explains why alot of his Keyboard arrangments of concertos for other instruments where transposed down a whole step.
@@thatsEforEveryone Actually Bach didn't write that High Note in Harpsichord Music until this Concerto where they extended the Harpsichord's range to a complete 5 Octave Range (F1-F6)
@@thatsEforEveryone I have a good knowledge and yes all of Bachs Organ pieces can be easily played on the Pedal Harpsichord. All of the Music written for the Violin can easily be played on the 5 String Cello an Octave lower than written.
@@kal_bewe1837 exact. C ' est aune autre dimension. je préfère généralement davantage sa musicale instrumentale que religieuse, contrairement à d' autres. comme les concertos, les oeuvres pour piano dont cette oeuvre géniale : th-cam.com/video/6oyFuepFX_0/w-d-xo.html
Aaah this one is very nice. I am discovering Bach through this channel and I must say it's very interesting and entertaining to see the notes as the music goes :) Thank's Gerubach for your hard work!
Les deux instruments sont à l'unisson, il n'y a donc pas de raison à cet endroit que l'un fasse une blanche et l'autre deux noires d'où le point d'interrogation
Not all that uncommon in Bach scores. The Bärenreiter edition of the Cello suites, for example has note with a flat sign followed by a question mark, because they weren't sure if the note is supposed to be flat or natural
There is no surviving score by Bach. The only source is a copy made by his son in Law the year Bach died. The originals were kept by one of his careless sons and was eventually destroyed@OutbackBoy
The second movement is originally the second movement from BWV 527 Trio sonata no 3 for organ. Of course, here you notice how Bach evolved during the years if you compare the two. Of course I like this version better because it has so much more. But the organ version is also beautiful as it is.
Been getting into classical music recently and these Bach concertos really seem to be sitting well with me. It's like the melodies are more memorable compared to what I knew classical music to be; that being big, grand orchestral pieces that were hard (for me at least) to digest fully.
For me like you, I prefer the smaller orchestras of the renaissance and baroque periods. There is more general focus on musicality with the instruments role having more importance as opposed to the big orchestras with a lot of people doing the same thing. Great that you've gotten into classical music.
The logistics of concertos are less daunting than symphonies. And as somebody pointed out above, they tend to feature individual instrumentalists to a greater degree, so they are as much of a technical exercise as they are a work of art. I enjoyed playing them in school, because we broke into smaller groups, and it felt like I was part of a conversation with my band mates, as opposed to being a small part of a giant entity.
Gerubach's videos are underrated and should be appreciated more. The score is scrolling as the music is going, and the scrolling stops as the music stops. Truly beautiful.
One of the best concertos written by J.S.Bach.Great contrapuntal work,and the arrangement of Brandenburg Concerto no.5 is very similar to this.But i admit that this concerto is greater than BC no.5.It is a concerto for experts of chamber music-we can play this music hardly if we are out of skill and patience and feeling.The widest range of harpsichord (at least the highest note) of Baroque period is used in this piece.And the hardest string notes I have ever seen in Bach's compose,4 notes at once!This is amazing that surprising Bach used Harpsichord cadenza in 3th movement,making it more important.By the way i also thank Gerubach for making this video.It really widen my sight !
ça ressemble en effet au 5eme concerto brandebourgeois que j' adore, par la place prépondérante du clavecin. Disons que dans le 5eme concerto, notamment au 1er mouvement, le clavecin se fond encore plus dans le décor, on l entend moins en solo, sauf bien sûr à la partie seule de fin. ce concerto est en effet incroyable, tellemment créattif , intériorisé, et génialement bien écrit. Dans ce concerto je préfère pour sa beauté le 1er mouvement au 3eme, à choisir. Le 3eme mouvement , il a fait fort aussi , j ' y entends un climat lugubre , presque de la musique contemporaine, mais en plus beau et créatif... et le deuxième mouvement de toute beauté. Je suis le 1er admirateur de Bach , avant tout pour la beauté de sa musique et sa créativité. Dans le piano j' aime particulièrement ses toccatas bwv 910/916 jouées par Glenn Gould.
@@Philobach it seems to me a concert ahead of his time; that is why it is "geniale". It seems to me "minimal" because I do not see a lot of " fugato" and a wide responding network of "contrappunto". It changes tone almost like a romanticismo piece, some times. That said, you probably know more than me. Thank you for your comment, I will give it a thought.
@@andreainzaghi7373 ca se complexifie en avançant dans le mouvement et davantage encore au 3eme. mais pas besoin que ça soit fugué pour que l' écriture soit riche. ce concerto est génial déjà parce qu il es très beau, et très créatif mélodiquement justement pas comme des pauvres concertos romantiques...., et riche par la subtilité en écriture notamment du clavier qui densifie tout. et ce n est pas le style fugato en soi qui fait la richesse de l' écriture. obervez déjà la partie clavier qui fait un travail énorme , encore plus dans le 3eme mouvement comme j' ai déjà dit, bien que le 1er mouvement soit plus beau . observez surtout la créativité , l' inspiration mélodique qui sont la bases de toute belles musique.
There's something very ethereal and gentle about the Adagio section that makes me listen to it over and over again. On the other hand, the harpsichord part in the allegro and allabreve sections is hardcore!! I was humming it in the shower and I felt like shredding keys - that's how hardcore it is.
Listening more and more to Bach, I like finding those pieces he uses again. (What's that Switched On Bach thing? -- Symphnia to Cantata 29!..) [edit: Here's a version! : th-cam.com/video/sqdXwd7FEyI/w-d-xo.html ] He re-used that one a few times too.
They should have a Piano Reduction Score for this piece (as well as solo parts for Solo Keyboard, Solo Violin, & Solo Flute (or Violin 2) cause I've wanted to play the Two Solo Treble Clef instrument parts (Flute & Violin) an Octave lower throughout on my 5 String Cello.
je suis d' accord !! je préfère le 1er mouvement au 3ème, niveau beauté. Le deuxième est magnifique aussi. Ce concerto est prodigieux, comme son créateur.
Of course this concerto is a masterpiece, and the performance is flawless. Re video: I'd prefer to see a vertically-aligned score. It's harder to follow all the parts at once with this split screen.
Did anyone else not notice that the second movement is the same as the second movement from his first Organ Trio Sonata? I wonder which was written in first?!
You are almost correct, it is actually the 2nd movement from his 3rd Trio Sonata for organ. Many of these movements were arrangements of previous concertos and other works.
It isn't quite the presto-speed allegro of modern pieces, but it is certainly an allegro nonetheless - keep in mind allegro covers everything from 100-180 crotchet-beats-per-minute, so it can be quite confusing to see a movement which is more moderato or andante (as you said yourself) labelled as "allegro".
Not interesting really considering how many other stately allegros begin with this style of tempo. Notice all of the thirty-second notes and sixteenth triplets. These indicate giving the eight note something of a pulse, and with that frame of mind you can hear how it is indeed an allegro.
@UCNAckPiDYxRWengUlRujs6Q I wish there was a piano reduction score for this, for Flute, Violin, Solo Piano, & 2'nd Piano (Orchestral Reduction) all concertos need an Orchestral reduction score.
This concerto is based off of his BWV 894 Prelude and Fugue. Imo, it's better on just the harpsichord as the flute can become very ear piercing, and the overall tamber of the instruments used isn't crunchy enough to express the counterpoint well enough (except for the cello)
If one had to choose only one piece of Bach chamber music, s/he couldn't go wrong by selecting this example. Beautifully performed, with tempi that are not rushed - which is unusual today. (I believe that Baroque music, in its contrapuntal complexity, *must never be hurried through* -- its multi-linear forward energy / propulsion becomes a confused blur otherwise; and we miss the delightful interplay between the various imitative voices. Bach's music is "conversational" if it is anything - a friendly "dialogue" between intelligent equals.) It's interesting that in the first two movements, the solo flute and violin are given equal prominence along with the harpsichord; while in the third, the harpsichord soloistically shines - to the extent that all the other instruments are but mere accompaniment! Bach must have had top-notch musicians at his disposal to play such demanding music -- but I'm guessing that he probably played the harpsichord part himself! Thank you for giving us this fine performance, with the score. Much appreciated!
Bach's autograph has never been found, but the oldest surviving score comes from a copy Bach's son in law made the same year of Bach's death. It was found in the Royal Library of Frederick the Great. As for when Bach composed it no one will know. The materials used in this concerto may have originated in the early 1700's as solo harpsichord works but some suspect this version dates from the 1740s. I call this concerto, the evil sister of Brandenburng #5
Gerubach, zum Donnerwtter, warum machst Du nicht endlich grundsätzliche Angaben, wer spielt, wo und wann die Aufnahem entstanden sind. Deine Arbeit ist bewundernswert, aber Noten allein sind nun mal nicht alles!!!
@UCNAckPiDYxRWengUlRujs6Q I wish there was a piano reduction score for this, for Flute, Violin, Solo Piano, & 2'nd Piano (Orchestral Reduction) all concertos need an Orchestral reduction score.
![[LIVE] : ONE ลุมพินี 91 | คู่เอก "คมอาวุธ vs อเล็กเซย์"](http://i.ytimg.com/vi/V0RkEfYFsgM/mqdefault.jpg)
16:05 this C major passage makes me calm and cry
so genius. out of this world
Such a beautiful, delicate and virtuoso version of this Bach's masterpiece!
11:26 Going up to High F. High F was the highest note on Keyboard instruments in Bach's days which explains why alot of his Keyboard arrangments of concertos for other instruments where transposed down a whole step.
Isn't that a D?
@@thatsEforEveryone Actually Bach didn't write that High Note in Harpsichord Music until this Concerto where they extended the Harpsichord's range to a complete 5 Octave Range (F1-F6)
@@RockStarOscarStern634 ohh gotcha ,wow can I ask if you major in music theory or anything? You seem to know a lot
@@thatsEforEveryone I have a good knowledge and yes all of Bachs Organ pieces can be easily played on the Pedal Harpsichord. All of the Music written for the Violin can easily be played on the 5 String Cello an Octave lower than written.
@@RockStarOscarStern634 Thank you. I was wondering about the high f too.
La cúspide dorada de la belleza, el equilibrio y la sofisticación, Bach es un genio absoluto de la música.
I don't know how to express how beatuiful this is.
comme tout dans Bach...
@@Philobach Bach c'est la vie
@@kal_bewe1837 exact. C ' est aune autre dimension. je préfère généralement davantage sa musicale instrumentale que religieuse, contrairement à d' autres. comme les concertos, les oeuvres pour piano dont cette oeuvre géniale : th-cam.com/video/6oyFuepFX_0/w-d-xo.html
Good thing Bach did
Fim de tarde de sábado, a noite vem chegando, e me preparo para o repouso. A música de Bach me faz valorizar cada momento. DEUS presente !
Bach's like, fuck Flute and Violin, I'm just making sure everyone knows that the Harpsicord is the alpha and the only one rocking out tonight.
Really this concerto is out of this world!!
c est bien les gens qui apprécient Bach à sa juste valeur. hors du monde en effet !
My apologies for the deletion of the previous video. I had forgotten to raise the ptich to 440hz.
Aww... Why'd you raise it? I like it in it's original tuning.
Quick question: At 18:25, what is the question mark?
If the temperament is left intact it is purposeless to raise pitch even for ear-training purposes as only the A's would remain in place.
for us poor people with absolute pitch, so we don't get comfused and frightened by the discrepancy of what we hear and what we read.
@@wintypes :-)
Aaah this one is very nice. I am discovering Bach through this channel and I must say it's very interesting and entertaining to see the notes as the music goes :)
Thank's Gerubach for your hard work!
18:25
That question mark baffles me.
Noice
c est bizarre en effet. a t il été écrit pas la main de Bach ?
Les deux instruments sont à l'unisson, il n'y a donc pas de raison à cet endroit que l'un fasse une blanche et l'autre deux noires d'où le point d'interrogation
Not all that uncommon in Bach scores. The Bärenreiter edition of the Cello suites, for example has note with a flat sign followed by a question mark, because they weren't sure if the note is supposed to be flat or natural
There is no surviving score by Bach. The only source is a copy made by his son in Law the year Bach died. The originals were kept by one of his careless sons and was eventually destroyed@OutbackBoy
A delight to the soul, heavenly music
The second movement is originally the second movement from BWV 527 Trio sonata no 3 for organ. Of course, here you notice how Bach evolved during the years if you compare the two. Of course I like this version better because it has so much more. But the organ version is also beautiful as it is.
Been getting into classical music recently and these Bach concertos really seem to be sitting well with me. It's like the melodies are more memorable compared to what I knew classical music to be; that being big, grand orchestral pieces that were hard (for me at least) to digest fully.
For me like you, I prefer the smaller orchestras of the renaissance and baroque periods.
There is more general focus on musicality with the instruments role having more importance as opposed to the big orchestras with a lot of people doing the same thing.
Great that you've gotten into classical music.
Well bachs baroque as opposed to classical. Baroque does tend to have very memorable melodies
@@imacat8476 ^
The logistics of concertos are less daunting than symphonies. And as somebody pointed out above, they tend to feature individual instrumentalists to a greater degree, so they are as much of a technical exercise as they are a work of art. I enjoyed playing them in school, because we broke into smaller groups, and it felt like I was part of a conversation with my band mates, as opposed to being a small part of a giant entity.
@@nomoski1😊😅
This is so cool and amazing!! Thank you for sharing this wonderful work
le génie à l'oeuvre
Gerubach's videos are underrated and should be appreciated more. The score is scrolling as the music is going, and the scrolling stops as the music stops. Truly beautiful.
One of the best concertos written by J.S.Bach.Great contrapuntal work,and the arrangement of Brandenburg Concerto no.5 is very similar to this.But i admit that this concerto is greater than BC no.5.It is a concerto for experts of chamber music-we can play this music hardly if we are out of skill and patience and feeling.The widest range of harpsichord (at least the highest note) of Baroque period is used in this piece.And the hardest string notes I have ever seen in Bach's compose,4 notes at once!This is amazing that surprising Bach used Harpsichord cadenza in 3th movement,making it more important.By the way i also thank Gerubach for making this video.It really widen my sight !
the contrapuntal is very minimal , it is a very strange concert. Some critics think it was doctorated by some Bach's disciples. To me it is a mistery.
ça ressemble en effet au 5eme concerto brandebourgeois que j' adore, par la place prépondérante du clavecin. Disons que dans le 5eme concerto, notamment au 1er mouvement, le clavecin se fond encore plus dans le décor, on l entend moins en solo, sauf bien sûr à la partie seule de fin. ce concerto est en effet incroyable, tellemment créattif , intériorisé, et génialement bien écrit. Dans ce concerto je préfère pour sa beauté le 1er mouvement au 3eme, à choisir. Le 3eme mouvement , il a fait fort aussi , j ' y entends un climat lugubre , presque de la musique contemporaine, mais en plus beau et créatif... et le deuxième mouvement de toute beauté. Je suis le 1er admirateur de Bach , avant tout pour la beauté de sa musique et sa créativité. Dans le piano j' aime particulièrement ses toccatas bwv 910/916 jouées par Glenn Gould.
@@andreainzaghi7373 c' est un concerto génial , très inspiré, digne de son génie. je ne vois rien de minimal dans ce concerto....
@@Philobach it seems to me a concert ahead of his time; that is why it is "geniale". It seems to me "minimal" because I do not see a lot of " fugato" and a wide responding network of "contrappunto". It changes tone almost like a romanticismo piece, some times. That said, you probably know more than me. Thank you for your comment, I will give it a thought.
@@andreainzaghi7373 ca se complexifie en avançant dans le mouvement et davantage encore au 3eme. mais pas besoin que ça soit fugué pour que l' écriture soit riche. ce concerto est génial déjà parce qu il es très beau, et très créatif mélodiquement justement pas comme des pauvres concertos romantiques...., et riche par la subtilité en écriture notamment du clavier qui densifie tout. et ce n est pas le style fugato en soi qui fait la richesse de l' écriture. obervez déjà la partie clavier qui fait un travail énorme , encore plus dans le 3eme mouvement comme j' ai déjà dit, bien que le 1er mouvement soit plus beau . observez surtout la créativité , l' inspiration mélodique qui sont la bases de toute belles musique.
YASSS THANK YOU I LOVE THIS PIECE
You cant watch this on phone
There's something very ethereal and gentle about the Adagio section that makes me listen to it over and over again.
On the other hand, the harpsichord part in the allegro and allabreve sections is hardcore!! I was humming it in the shower and I felt like shredding keys - that's how hardcore it is.
精巧な建築物を見ているようだ。素晴らしい。
福島出身ですか
Thanks for uploading!
harpsichord is crazy ever!!!
Incredible Music!
vous pensez comme moi alors
Triple Concerto = TRIPLE THE JOY!
Восхитительно!
The darker version of the Brandenburg Concerto 5
?????
Listening more and more to Bach, I like finding those pieces he uses again.
(What's that Switched On Bach thing? -- Symphnia to Cantata 29!..)
[edit: Here's a version! : th-cam.com/video/sqdXwd7FEyI/w-d-xo.html ]
He re-used that one a few times too.
Trying to follow the music notation adds greatly to the enjoyment of Bach's music. Well, for me. I can only follow one 'solo' of course.
They should have a Piano Reduction Score for this piece (as well as solo parts for Solo Keyboard, Solo Violin, & Solo Flute (or Violin 2) cause I've wanted to play the Two Solo Treble Clef instrument parts (Flute & Violin) an Octave lower throughout on my 5 String Cello.
Awesome work! Could you possibly make a tutorial video on how to create moving score? thx
Obras maestras!!!
je suis d' accord !! je préfère le 1er mouvement au 3ème, niveau beauté. Le deuxième est magnifique aussi. Ce concerto est prodigieux, comme son créateur.
15:26 I can't get over this beat drop!
Everything’s good but the beginning tho is sheeeeeeeesh
Of course this concerto is a masterpiece, and the performance is flawless.
Re video: I'd prefer to see a vertically-aligned score. It's harder to follow all the parts at once with this split screen.
Did anyone else not notice that the second movement is the same as the second movement from his first Organ Trio Sonata? I wonder which was written in first?!
Why do you say is the same? Not even the theme
There are many borrowes themes in this concerto. For example the first theme in the first movement is taken from the prelude in BWV 543.
You are almost correct, it is actually the 2nd movement from his 3rd Trio Sonata for organ. Many of these movements were arrangements of previous concertos and other works.
O segundo movimento foi feito um arranjo em forma de trio sonata para órgão. Acho que BWV 527 II
Nada como pegar a flauta e pode tocar junto!!! Obrigado!!
Why this video is not available on mobile (youtube app)? :(
It is, maybe it was not available but now it is.
I will transcribe it for Flute Violin and Piano as a sonata
The concerto is very good. It is interesting how the allegro does not sound allegro at all. It sounds more of an andante or moderato.
Wow oh my lord, it's the real Handel. Will you sign my autograph?
Yo tengo dos autografos de el, te lo cambio por uno de Telemann :-V
It isn't quite the presto-speed allegro of modern pieces, but it is certainly an allegro nonetheless - keep in mind allegro covers everything from 100-180 crotchet-beats-per-minute, so it can be quite confusing to see a movement which is more moderato or andante (as you said yourself) labelled as "allegro".
Not interesting really considering how many other stately allegros begin with this style of tempo. Notice all of the thirty-second notes and sixteenth triplets. These indicate giving the eight note something of a pulse, and with that frame of mind you can hear how it is indeed an allegro.
@rubach
@UCNAckPiDYxRWengUlRujs6Q
I wish there was a piano reduction score for this, for Flute, Violin, Solo Piano, & 2'nd Piano (Orchestral Reduction) all concertos need an Orchestral reduction score.
WHAT a BEAUIFUL MU§ic!
Bach is the g.o.a.t and the godfather of all hardcore music lmao
This concerto is based off of his BWV 894 Prelude and Fugue. Imo, it's better on just the harpsichord as the flute can become very ear piercing, and the overall tamber of the instruments used isn't crunchy enough to express the counterpoint well enough (except for the cello)
STRAORDINARIA ARMONIA UNIVERSALE...
If one had to choose only one piece of Bach chamber music, s/he couldn't go wrong by selecting this example. Beautifully performed, with tempi that are not rushed - which is unusual today. (I believe that Baroque music, in its contrapuntal complexity, *must never be hurried through* -- its multi-linear forward energy / propulsion becomes a confused blur otherwise; and we miss the delightful interplay between the various imitative voices. Bach's music is "conversational" if it is anything - a friendly "dialogue" between intelligent equals.)
It's interesting that in the first two movements, the solo flute and violin are given equal prominence along with the harpsichord; while in the third, the harpsichord soloistically shines - to the extent that all the other instruments are but mere accompaniment! Bach must have had top-notch musicians at his disposal to play such demanding music -- but I'm guessing that he probably played the harpsichord part himself!
Thank you for giving us this fine performance, with the score. Much appreciated!
I agree wholly about the tempi.
18:25 ?
I wonder how to create this work
Bach already has answered this my friend.
Does anybody know what the form of this concerto is called?
Why are your vids never availible on mobile devices?
Copyright terms…
rip
i read it was based on BWV 527/2
i will listen to check it
yes, its pretty much the same piece of music
are the triplets of the theme a metaphor for the triple concerto itself?
Bach's autograph has never been found, but the oldest surviving score comes from a copy Bach's son in law made the same year of Bach's death. It was found in the Royal Library of Frederick the Great. As for when Bach composed it no one will know. The materials used in this concerto may have originated in the early 1700's as solo harpsichord works but some suspect this version dates from the 1740s. I call this concerto, the evil sister of Brandenburng #5
haha, check Alla breve: Flute : 17:54 - 17.56 : b-a-c-h :)
Thanks!
I'm trying to watch here in Brazil, by smartphone...and it says "this video is not available"
Copyright terms…
2:47 - 3:27
''The video is not available''
BWV 894 in 3rd Mvt?
Yo creo que en toda la obra.
I and III movement are an arrangement of 894, the II movement is an arrangement of 527
@@derromans6507 That's right movements 1 and 3 are basically an orchestral version of BWV 894
Is an orchestral version about BWV 894 XD
Tuning: 0c: A4 = 440Hz
is this based off of BWV 894?
I highly doubt this was written by Bach. Maybe a transcription of a one of his pupil's pieces?
Look at BWV 894.
@@denizozaydin_ Yeah that one’s definitely an early Bach piece. BWV1044 could be a pupil‘s transcription of Bach‘s original
This piece was written by Bach.
@@hugoclarke3284 Agreed. There's absolutely no doubt about this.
20:39 21:10
0:23
17:19
This sounds a bit like Corelli to me.
What copyright???? Bach's been dead for around for nearly 400 years!!!
Bronk Tug it goes to germany
Performers get to make a claim for their interpretation.
More like 300 but ok
258 at the time of writing
moins que 300 ans. ne vieillissez ce grand jeune homme dans la fleur de l' age, quoique son génie soit stupéfiant.
119th
Gerubach, zum Donnerwtter, warum machst Du nicht endlich grundsätzliche Angaben, wer spielt, wo und wann die Aufnahem entstanden sind. Deine Arbeit ist bewundernswert, aber Noten allein sind nun mal nicht alles!!!
Yeah mate, why even bother reading the first(!) line of the description: "Performer & Album Info - 22:02"
Why haven't you acknowledged the musicians in these recordings? That's not cool at all.
you can see at the end of the video 22:02
Yes, but better to have it up front in the info section.
@@Rascalndear1 an actual case would be if it were missing
Soy flautista, estoy harta que en toda la pieza siempre se luzca el clavecin, dislike
17:53 in fluato his name: B. A. C. H
@rubach
@UCNAckPiDYxRWengUlRujs6Q
I wish there was a piano reduction score for this, for Flute, Violin, Solo Piano, & 2'nd Piano (Orchestral Reduction) all concertos need an Orchestral reduction score.