Could I take this opportunity to thank you for creating and maintaining this channel. I imagine it must take considerable time and effort, done out of love. Please rest assured that you are bringing incredible joy to many people. Myself included. Thank you.
I will never get tired of Caballe’s artistry. She will always be a reference in opera world. And I am grateful for your contribution to my devotion to her. Thank you, L.
I started my journey by instantly loving her, then I read the general idea about her that she was the singer with the perfect singing technique, I would only accept this for her if that term means singing the score the way you can sing it and not the way the composer actually wrote it... so I went into a denial about her... but then I discovered all these live recordings recordings of hers which despite the technical mistakes and flaws, they all carry real Magic so I really loved her... I would rephrase: the singer with the smartest technique into hiding the shortcomings of her voice
She is all over the place musically here. Shocking! But then she still produces Vocal Miracles, in phrase after phrase. An astonishing vocal phenomenon. To me, she is the biggest enigma in 20th century singing. She cancelled many nights then sang perfectly the next. Or she’d sing a perfect, impossibly difficult high phrase and then immediately after crack in the middle voice in the very next phrase. Is there any more “opera” opera diva?
she managed to deliver Magical moments even in her final performances because she always knew to bring out the best of whatever voice she had left even in her final moments (Smth I cannot say about Maria whose post-1970 performances I find unbearable...). In the 60s which was her real Prime she often was Stunning in her singing... and I will have to disagree a bit with Maria about Montsy's voice which Maria described once as Baccarat crystal thus advised her to avoid Abigaile, because I hear a Velvet Steel... her pianisimmi were made by steel.. the cracks you are referring I think were the result of the overuse of pianissimo mode which was her way of reaching top notes which in forte mode sounded like the same flat scream... I think Bumbry describes in her masterclasses that overusing pianissimo or reaching top notes falsetto is a form a vocal abuse which results in labour of the cords and disconnection of the pianissimo register from the rest of the voice...
![[MV] A leap of faith...ความเชื่อใจครั้งสุดท้าย (From "Petrichor the series")](http://i.ytimg.com/vi/U1piZH2CNXA/mqdefault.jpg)
La Regina assoluta dei pianissimi. Bravissima RIP
....che stupenda artista era Monserrat...la sua voce...il canto dell'usignolo. Grazie caro LhoengrinO...Elsa
Could I take this opportunity to thank you for creating and maintaining this channel.
I imagine it must take considerable time and effort, done out of love.
Please rest assured that you are bringing incredible joy to many people.
Myself included.
Thank you.
RIGHTTTTTT ❤🎉🎉❤🎉🎉🎉❤🎉🎉❤🎉❤
When you truly love, there is no time or effort, it flows..
@@LohengrinO❤❤
Another gem from your endless treasure trove Lohengrin
I will never get tired of Caballe’s artistry. She will always be a reference in opera world. And I am grateful for your contribution to my devotion to her. Thank you, L.
I started my journey by instantly loving her, then I read the general idea about her that she was the singer with the perfect singing technique, I would only accept this for her if that term means singing the score the way you can sing it and not the way the composer actually wrote it... so I went into a denial about her... but then I discovered all these live recordings recordings of hers which despite the technical mistakes and flaws, they all carry real Magic so I really loved her... I would rephrase: the singer with the smartest technique into hiding the shortcomings of her voice
She is all over the place musically here. Shocking! But then she still produces Vocal Miracles, in phrase after phrase. An astonishing vocal phenomenon. To me, she is the biggest enigma in 20th century singing. She cancelled many nights then sang perfectly the next. Or she’d sing a perfect, impossibly difficult high phrase and then immediately after crack in the middle voice in the very next phrase. Is there any more “opera” opera diva?
she managed to deliver Magical moments even in her final performances because she always knew to bring out the best of whatever voice she had left even in her final moments (Smth I cannot say about Maria whose post-1970 performances I find unbearable...). In the 60s which was her real Prime she often was Stunning in her singing... and I will have to disagree a bit with Maria about Montsy's voice which Maria described once as Baccarat crystal thus advised her to avoid Abigaile, because I hear a Velvet Steel... her pianisimmi were made by steel.. the cracks you are referring I think were the result of the overuse of pianissimo mode which was her way of reaching top notes which in forte mode sounded like the same flat scream... I think Bumbry describes in her masterclasses that overusing pianissimo or reaching top notes falsetto is a form a vocal abuse which results in labour of the cords and disconnection of the pianissimo register from the rest of the voice...
Du grand art! Merci Lohengrin
Thanks, for yet another precious upload 🥰😍😘🥰😍😘🥰😍😘
That falling candle!!
Grazie Theo❤ Monty famosa per i suoi pianissimi
♥️🌹
Marina Rebeka is better ! 😊
Not even close