Top 2 notes moves - Barry Harris style

[@JazzSkills]

Here are my other Barry Harris videos
th-cam.com/play/PL2GT-F7_oAbkEGy3Sm5jjoowPJLGs6Zzd.html

[@garyspencer9154]

I play a flu, and from watching your videos and loving Barry Harris it has given me a whole new expression that's only comes out of me. Thank you from within.

[@JazzSkills]

Wow, thank you!

[@k0csisgab0r]

Shan, your Barry Harris serie is one of the best things youtube ever had.

[@mariapalacios2195]

Best teacher ever.🌹

[@JazzSkills]

Bless you

[@Stewartaj2010]

This!!! This is the sound I've been searching for this whole time in my own playing. Wonderful video sir.

[@JamesRuga]

You are doing a great job passing on Barry Harris' knowledge down to us. You are part of great historic writing!

[@theophilusboakye6100]

This is pot of gold right here! Thanks for sharing

[@JazzSkills]

My pleasure!

[@mybiggrin]

Took me a little while to get into your approach, but I LOVE this little lessons now man.

[@mahlonstrachan8075]

Amazing lessons...appreciate you sharing

[@JazzSkills]

Thank you and I hope you are enjoying playing.

[@RockBoBsteRMusic]

Yeah, once I sat down and just started playing nothing but triads, experimenting with every combination of inversions and basic triad progressions, then I really started to learn and train my ear.
I took about 2 years just exploring as many possible combinations. And afterwards I could see there actually isn't very many.... There's a lot, but not as many as you would think.
Now I've been doing 7ths for a few years. Advanced theory and harmony.

[@davidgerber9317]

Really great content. You deserve 100K subscribers.

[@brendaboykin3281]

Thanx, Sean🌹🌹🌹🌹

[@charlesbecker214]

This is another great lesson. I've been looking for movement concepts and your explanations and demonstrations of Barry Harris ' major 6th diminished scale approach are really clear. Thanks!

[@gavinlangmuir6580]

Excellent explanation

[@sandalero]

for Dm to G7 is sometimes play DF(spread)GBbC#E to DF FACD. the Edim over Dmin gives you kind the Dmharm vibe instead of Dmmelodic. i like it too

[@hakeemfayomi7776]

Very useful information

[@carlopanesi5269]

Very very beautiful and interesting

[@seanonel]

Thanks for this Sean. Really enjoying your channel!

[@JazzSkills]

Glad you enjoy it and welcome aboard!

[@rgraham9792]

Thank you for sharing this!

[@JazzSkills]

My pleasure!

[@chordkeys]

another TH-camr I can really learn from... yaayyyy

[@hakeemfayomi7776]

Really really enjoyed it

[@ArgoBeats]

Nice concept, thank you Shan!

[@JazzSkills]

Glad you liked it!

[@ArgoBeats]

@@JazzSkills I loved it!

[@alecaird2966]

Fantastic! Please continue sharing the knowledge🎼

[@mikeluisipiano]

GENIOUS!!!!!!!!!

[@samueldesouzamalaquias]

Your sound is very good. Great video

[@michael-solomon]

Love this!

[@grocheo1]

Thanks!

[@JordanEvansMusic]

Sweet lesson! Really enjoy this stuff

[@JazzSkills]

Thanks Jordan! Glad you have you on board.

[@corradolentinello6297]

Ciaooooooo
Fantastica lezione.

[@JazzSkills]

Ciao!

[@hangerlanetheearthman9421]

cheers,, well liked, @ 'no 22 and in 2020 plus 2,, =ing 2022,, great lesson ,,one love

[@LA-cy1zj]

Firstly, thank you very much. Your channel is one of my favourites as well as some others on this subject.
What I enjoyed about this video is at 4:00 when you mentioned that you sometimes like to start with some tension.
i know there are no 'rules; in music but I often ask myself if it is ok to begin with tension and I am glad you mentioned it.
On that note I think some videos on original composition would be great.
For example, when do you switch to minor6diminished / dom7diminished / dom7b5 diminished scales and whats your thought process in your left and right hand selections
Also perhaps looking at a player like Robert Glasper and looking to achieve that ;sound; by applyng Barry;s techniques!
A big ask but I think this sort of lesson with some explanations on our choices would benefit those of us who don't read sheet music but fully understand the theory and come from a composition standpoint rather than playing already existing songs

[@DanDanDan-c2w]

can barry's principles be somehow usefully applied to non jazz contexts? for example, to more pop oriented progressions like Gm-F-Dm-Eb or something like that?

[@wowomndau6152]

So alternatively, we can say its an augmented Maj 7 chord that resolves to its Major 6 and on minor we can also call it a Minor with it Major 7/9th chord then resolve to minor 6th.
Great teaching Sir, Big Ups👍🏾

[@JazzSkills]

We could only say that if the C6 is in root position so I prefer to use the scale as it has more possibilities.
Thanks for watching and big ups :)

[@aleksandarstojceski3139]

So basically Wham! - Last Christmas

[@ajohn6104]

5:40 "won't do anything special on these chords"..proceeds to add b9 13 on G7. Which are actually in the scale.

[@JazzSkills]

Should probably have said, "won't *teach* anything special on these chords".

[@ajohn6104]

@@JazzSkills thanks, Shan! I generally leave comments to remember things I might miss. I did not know the dim6 scale was so central to jazz. Watching your videos has been mind expanding. I might buy the membership in a month or two.

[@maloneycraig]

The more I hear this stuff the more vanilla 13b9 in the Dominant sounds. It used to sound exotic to me before I really started listening and practicing.

[@ajohn6104]

At 10:17 there's a B+ over G which is just Eb borrowed from the dim6 scale. 9b13 chord.