Let’s try something new, man. Treat this like a podcast, just run it in the back, literally nothing of note is on screen Music (In Order Of Use): #3 - Aphex Twin
@@dsw-2898 noted. I lowkey wanted to make a vid on 10s that i can’t talk about in vids Or just albums i wanna talk about in general, cause i find them interesting
About Twin Fantasy, I agree with both of them being 10/10 and absolutely great. Both of them have their purposes and their ways of presenting the story. It’s exactly how Will envisioned it when the remake was made: MTM is the “now”, rough and harsh, but from a blurry point of view from the pain he still feels at that time. FTF is the “then” a lot more clear and from a mature point of view, now that he can see things the way they actually were before. See how the sound of both versions connect with that? MTM fans will say FTF is so soulless and with no emotion, but it actually really pours Will’s emotion AFTER the pain. It’s how Will actually feels right now about the past. That’s why so many changes were made. Specially the lyrics and the 6 more minutes for Famous Prophets. It would feel wrong to just sing the same thing when Will doesn’t feel that way anymore. Now *that* would actually feel soulless. But he made changes, to represent how his feelings changed, and that’s what I love about the lyrics from this version (even though I prefer the ones in MTM). Also, FTF has very good musical changes, like the loud and epic guitar solo in Cute Thing and of course the Painstar breakdown of Famous Prophets (Stars). FTF fans will say MTM sounds so messy and “horrible” it’s hard to listen. But now this one is obvious after all that I said. The MTM version is more raw and “in the moment”, and that’s what’s so special and great about that version. The lyrics reflect the pain Will felt in that moment. And also does the messy, raw sound. About Twin Fantasy (Those Boys) [the song], some say it has no purpose in the Face to Face version, but I might have an explanation of why was it left unchanged (except for the spoken part, that is also important for what I’m about to say): Twin Fantasy in 2011 was itself a revisit of the events. Will was 21 and wrote this stuff at age 17. “I haven’t looked at the sun for so long/I’d forgotten how much it hurts to” represents of course the past, how now he looked at it again, he remembers how much pain he felt then, and how much he feels now. In FTF it still serves its purpose. FTF is of course also a revisit to the story of him and Wurtz. And of course Will still feels sad about what happened. It takes a whole new meaning, because it *really* has been very long since all that happened. The rest of the song, of course, talks about the Fantasy, and since it was something real, why change it? It doesn’t need to be right now. It’s the past, exactly what he is remembering in the whole remake. And of course, the spoken part tells you that “this is just a song” and even though the very last lyrics are left unchanged, he explains “these are only lyrics now”. Just an echo of the past. The past that was real, that will never really leave nor change, but that Will now can see clearly. He has surpassed that painful breakup. He has now, actually, rejoined society. Thanks if you read this until the end, and sorry for the long ass comment lol. But I really wanted to share my thoughts about this album, and both versions, since they are very special to me.
@@IolZ555oh and I forgot about the Nervous Young Inhumans monologue. Not gonna extend it a lot because I already made a long comment, but the difference between a monologue that is about how he can’t surpass Wurtz and is still in love with her (or his by then?) art to one that starts with “I am a good person. I am a powerful person” is notorious. That change is meant to represent how Will no longer regrets writing the song, nor the whole album. “He no longer regrets his own story”, as the official Matador Records description states.
i do actually think the ghost pop tape remaster is significantly worse, part of the whole appeal of the original was how spacey, messy, and haunted it sounded. I only had just listened to TGPT for a couple weeks when the remake came out and I could tell it was worse. To make sure though I recommended a couple friends to try the remaster first and then the original and they all said the original sounded way better. I don't think the remaster is necessarily bad though I just think it is much more inferior to the original, but music is subjective so if lots of people might like it more.
even though i don’t even like the album I’d have to agree, just listen to the first minute of track one on each version and you’ll see how there’s just a total lack of spaciness and it def detracts from it
ofc ofc, like i said i don’t really have a schedule for these, i just wanna put these out whenever i feel like it. i try to at least have something to say at least, if i don’t then i delete it or cut that part out
@@IolZ555huh? FTF has the Cute Thing solo and the Painstar breakdown. Sober to Death I think so but what’s up with the others. Nervous Young Inhumans sounds better in MTM though.
It doesn’t sound ass 😠 and also it’s got the “book of Aubrey Beardsley art” lyric and it’s one of the best ones I have ever heard. But I absolutely love both versions.
@@Bonnienightmr nahhh, cute thing ftf was always kind of a lowlight, only mtm though it sounds great Here’s what i think: My boy: both are equally amazing Beach life in death: probably FTF just for that chorus Stop smoking: equal Sober to death: MTM Nervous Young Inhumans: I’d say equal, i like the speech at the end of MTM more, but it drags on FTF idk Bodys: FTF, though they’re both close Cute Thing: MTM solos High To Death: equal, probably the worst track on both versions Famous Prophets: drags on FTF, I’ll go MTM title track: probably MTM, idk
![[UNCUT] “อภิสิทธิ์” ครม.อุ๊งอิ๊ง แย่งเก้าอี้กันฝุ่นตลบ “ทักษิณ” บงการเอง Iคนดังนั่งเคลียร์I 21ส.ค.67](http://i.ytimg.com/vi/a_b-kItw2jY/mqdefault.jpg)
Not gonna stop doing tier lists, but i wanna try something new.
Let me cook y’all 😤
You should just talk about some albums you think are underatted
@@dsw-2898 noted. I lowkey wanted to make a vid on 10s that i can’t talk about in vids
Or just albums i wanna talk about in general, cause i find them interesting
@@IolZ555 Oh W
You should do a video on every album you think is a 10/10
I was planning on someday doing that also
@@IolZ555 yeah you should do both of what dsw proposed tbh.
Would love to see your opinions.
@@dsw-2898 might be a bit far down the line but i thought about doing a vid like when my first vid turns 1. Kinda like a retrospective
About Twin Fantasy, I agree with both of them being 10/10 and absolutely great. Both of them have their purposes and their ways of presenting the story. It’s exactly how Will envisioned it when the remake was made: MTM is the “now”, rough and harsh, but from a blurry point of view from the pain he still feels at that time. FTF is the “then” a lot more clear and from a mature point of view, now that he can see things the way they actually were before. See how the sound of both versions connect with that?
MTM fans will say FTF is so soulless and with no emotion, but it actually really pours Will’s emotion AFTER the pain. It’s how Will actually feels right now about the past. That’s why so many changes were made. Specially the lyrics and the 6 more minutes for Famous Prophets. It would feel wrong to just sing the same thing when Will doesn’t feel that way anymore. Now *that* would actually feel soulless. But he made changes, to represent how his feelings changed, and that’s what I love about the lyrics from this version (even though I prefer the ones in MTM). Also, FTF has very good musical changes, like the loud and epic guitar solo in Cute Thing and of course the Painstar breakdown of Famous Prophets (Stars).
FTF fans will say MTM sounds so messy and “horrible” it’s hard to listen. But now this one is obvious after all that I said. The MTM version is more raw and “in the moment”, and that’s what’s so special and great about that version. The lyrics reflect the pain Will felt in that moment. And also does the messy, raw sound.
About Twin Fantasy (Those Boys) [the song], some say it has no purpose in the Face to Face version, but I might have an explanation of why was it left unchanged (except for the spoken part, that is also important for what I’m about to say): Twin Fantasy in 2011 was itself a revisit of the events. Will was 21 and wrote this stuff at age 17. “I haven’t looked at the sun for so long/I’d forgotten how much it hurts to” represents of course the past, how now he looked at it again, he remembers how much pain he felt then, and how much he feels now.
In FTF it still serves its purpose. FTF is of course also a revisit to the story of him and Wurtz. And of course Will still feels sad about what happened. It takes a whole new meaning, because it *really* has been very long since all that happened. The rest of the song, of course, talks about the Fantasy, and since it was something real, why change it? It doesn’t need to be right now. It’s the past, exactly what he is remembering in the whole remake. And of course, the spoken part tells you that “this is just a song” and even though the very last lyrics are left unchanged, he explains “these are only lyrics now”. Just an echo of the past. The past that was real, that will never really leave nor change, but that Will now can see clearly. He has surpassed that painful breakup. He has now, actually, rejoined society.
Thanks if you read this until the end, and sorry for the long ass comment lol. But I really wanted to share my thoughts about this album, and both versions, since they are very special to me.
That’s very interesting, honestly agree to some degree.
@@IolZ555oh and I forgot about the Nervous Young Inhumans monologue. Not gonna extend it a lot because I already made a long comment, but the difference between a monologue that is about how he can’t surpass Wurtz and is still in love with her (or his by then?) art to one that starts with “I am a good person. I am a powerful person” is notorious. That change is meant to represent how Will no longer regrets writing the song, nor the whole album. “He no longer regrets his own story”, as the official Matador Records description states.
@@Bonnienightmr again, that’s interesting.
@@Bonnienightmr i swear I’m reading your comments i just don’t know how else to reply 😭
@@IolZ555 lmao it’s ok. I think I wouldn’t know how to respond as well.
i do actually think the ghost pop tape remaster is significantly worse, part of the whole appeal of the original was how spacey, messy, and haunted it sounded. I only had just listened to TGPT for a couple weeks when the remake came out and I could tell it was worse. To make sure though I recommended a couple friends to try the remaster first and then the original and they all said the original sounded way better.
I don't think the remaster is necessarily bad though I just think it is much more inferior to the original, but music is subjective so if lots of people might like it more.
even though i don’t even like the album I’d have to agree, just listen to the first minute of track one on each version and you’ll see how
there’s just a total lack of spaciness and it def detracts from it
ngl i see future to these yap session type vid, just dont end up like BlackySpeakz that mf says a whole lot of nothing
ofc ofc, like i said i don’t really have a schedule for these, i just wanna put these out whenever i feel like it. i try to at least have something to say at least, if i don’t then i delete it or cut that part out
the MTM version of Beach life in death sounds ass so automatically FTF wins
but mtm has better versions of cute thing, sober to death, and famous prophets (probably)
@@IolZ555huh? FTF has the Cute Thing solo and the Painstar breakdown. Sober to Death I think so but what’s up with the others.
Nervous Young Inhumans sounds better in MTM though.
It doesn’t sound ass 😠 and also it’s got the “book of Aubrey Beardsley art” lyric and it’s one of the best ones I have ever heard. But I absolutely love both versions.
@@IolZ555Nah the FTF version of Sober to death solos
but yeah CT and FP are better MTM
@@Bonnienightmr nahhh, cute thing ftf was always kind of a lowlight, only mtm though it sounds great
Here’s what i think:
My boy: both are equally amazing
Beach life in death: probably FTF just for that chorus
Stop smoking: equal
Sober to death: MTM
Nervous Young Inhumans: I’d say equal, i like the speech at the end of MTM more, but it drags on FTF idk
Bodys: FTF, though they’re both close
Cute Thing: MTM solos
High To Death: equal, probably the worst track on both versions
Famous Prophets: drags on FTF, I’ll go MTM
title track: probably MTM, idk