💥My new online guitar course is open! classicalguitar-pro.com Sign-up for lifetime access to this 6-hour course and start playing elegant classical music today!
I love how Zacbe Pichardo ignores the music sheet and watches Brandon play the Baroque guitar while he synchronizes his beats with Brandon. Thank you for sharing another amazing classical piece from the past!
I'm so inspired after watching your videos and your interview with the Theorbo. So now it feels like I opened the doors to a new part in my life I had no idea would come along.
So this is what the wild young kids are listening to these days. Getting into streetfights, becoming sexually promiscuous, and committing manslaughter and whatnot.
Hi everyone, thanks for watching! Please consider becoming a patron to help me continue producing free videos like this one for you all here on TH-cam. www.patreon.com/brandonacker Thank you! ~Brandon
Bella interpretación! Amo todo lo de Santiago pero especialmente este fandango, es increíble como se nota claramente que este es el punto del cual derivan el flamenco en buena medida y los huapangos y sones que escucho en mi país México.
Llegue a tu canal por mera casualidad, y es impresiónate la atmósfera que creas con tu música. Tanto que alucina y haces magia con tus interpretaciones, seduces en el escuchar.
Just found your channel today. What beauty you bring! It was pleasant to hear the amazing rhythmic use of the cajon in something other than cajun music for a change. :)
@@robertcronin6603 It's not easy for me. It take years to be able to play guitar like him. Yes, I'm still playing guitar, but not intensive. I'm in low intermediate level now.
@@nelly7515 That's excellent! I love to hear when someone's inspired and decides to take up an instrument - and with the exception of those who are born virtuoso, it's not an easy thing to do...all the best on your musical journey 🔥☯️🔥
Brandon bravo! I'm in love with this instrument, I'm a composer looking forward to writing for it... Which text books you recommend I read? And, specially, do you know where can I find sheet music for it? Thanks!
Love this...and the sound coming from that cajon! Is that mahogany? And is the face plate only attached at the top (and maybe also the bottom) with those 6 fasteners?
@@brandonacker If you don't mind me asking; I am unfamilliar with this kind of instrument, how much would one consider a reasonable price? fantastic playing btw
@@MasterMeijer An entry level would be $600-$800. Higher quality from a renowned luthier starts around $4000-$6000 depending on the currency and location of the luthier himself.
With all due respect, landó and fandango are not the same thing. The cajón here is clearly playing a landó pattern, and the vihuela is following. While the two rhythms may share a time signature, the emphasis is different. Listen to “El Camotal” by Mono Blanco for an example of fandango rhythmic emphasis.
Thank you for your perspective about the choice of rhythmic patterns. I am very familiar to what you are referring as a "fandango" rhythmic pattern. Throughout America, rhythmic pattern's names change depending on the region. Where you might call a "fandango" rhythm in spain or the baroque tradition, others call Chilenas, de monton, marinera, cueca, etc. It all really depends on who are you talking about. In Mexico there is no such a thing as a fandango rhythmic pattern. Fandango is the party (gathering in the region of sotavento), and the rhythmic patterns changes depending on the "son" that is played. The example you're talking about from Mono Blanco, a very special family friend, is a very common pattern called "de monton" or "cafe con pan" in the sotavento region in Mexico. While rehearsing with Brandon I decided to choose a Lando pattern for this specific work due to its similar rhythmic phrasing. I tried using the "cafe con pan" pattern and it just did not quite fit. I've been playing percussion for over 30 years in a mostly Mexican folkloric setting and I have also had the fortune to be exposed to many other Latin American rhythms including Afro-peruvian's rich tradition. All I can advice you is to not get stuck with labels, because there will always be someone that has a different perspective on the correct terminology of a cultural expression. In folk traditions the only ones that worry about terminology are the outside scientist, everyone else just share art and culture without limitations. Music is an expression and as such it will always be different depending on the interpretation of the performer.
Landó is not from spanish origin. It is afro's, said to be derivated of Lundu, an angolese rythm, according to many afroperuvian and peruvian creole musicology studies, and wich influenced also other afro brazilian dances. Then the patterns changed when it came to Peru, definitly taking some spanish influences like the Fandango. Out of those amalgams came new rythms and dances in Peru like the Zamacueca or the Marinera, wich have many spanish influences but the reachness of those rythms comes from the syncopations, cadences and "jales" wich are typical of the afro groove. Of course when we listen a Cajon Flamenco we can also appreciate similar charateristics in the groove, but that is a different story.
Brandon Acker this is great! As a peruvian and watching a ton of youtube videos on the matter, my understanding in the spanish fandango gave way to the peruvian/chilean marinera. And if you are familiar with both there is no doubt one comes from the other. I havent seen a fandango score or a marinera score but I would guess they trade between 3/4 and 6/8 time very often. Afro peruvians added cajon to this music and in their tradition it became known as Zamacueca, but by in large Marinera is the name that persists in Peru and later beyond the afro peruvian tradition as the prevailing identify for this music was known as Criollo (creole). The afro peruvian Marinera also has a strong poetic/lyrical tradition close to Décima. If you listen to Marinera from Lima it is guitar, cajon, hand clapping, and singing in specific syllabic meters and often mix juxtapose 3/4 and 6/8 ideas. Landó on the other hand is also a afro peruvian genre/rhythm but it is played in 12/8, as the melodic lines are twice as long as in 6/8. Some afro peruvians artists have said that the Landó was rescued/recreated by revivalists in the 70's-80's from fragments of musical ideas or cajon patterns. This performance was a nice way of showing the common thread of the music and really ties in a lot of history without anyone saying a word. One day I would love to hear a fandango played with a marinera cajon rhythm and hand clapping! Also is it known if the fandango originates from the sarabande?
There is a problem with your links in the description, Your bandcamp link goes to /alb because of the ... (also with your Patreon - "forgotteninstruments").
Да хрен с ней, с гитарой. Тут в приоритете - стучалка. Сантьяго, без обид - у вас же тоже были идиоты. Но тебя помнят, любят и играют... Сантьяго де Мурсия - ты славный! Спасибо!.
💥My new online guitar course is open! classicalguitar-pro.com
Sign-up for lifetime access to this 6-hour course and start playing elegant classical music today!
my teacher used to get so mad at me for tapping on my chairs. meanwhile this guy does it professionally
AND HE LEANS BACK ON IT!
It's not a chair
That is a kajon, not a chair :)
@@elizabethretief1228 Cajón* (it's a spanish word) but that's the concept basically
That's the funniest thing I've heard all day. Awesome! ;)
I love how Zacbe Pichardo ignores the music sheet and watches Brandon play the Baroque guitar while he synchronizes his beats with Brandon.
Thank you for sharing another amazing classical piece from the past!
Used this in my class today to talk about cultural syncretism, plus a little history of the guitar and cajón. Cheers to the musicians.
I'm so inspired after watching your videos and your interview with the Theorbo. So now it feels like I opened the doors to a new part in my life I had no idea would come along.
Awesomeness...the magic of music - the universal language of the heart 🔥
So this is what the wild young kids are listening to these days. Getting into streetfights, becoming sexually promiscuous, and committing manslaughter and whatnot.
@@nordoceltic7225 You've watched Princess Bride one time too many I am afraid!
@@nordoceltic7225 that movie is only partly dead
Love the work you're doing for the HIPster community, Brandon. You lift us all up.
Unbelievable performance in such a great venue. The natural reverb just added that extra magic.
Hi everyone, thanks for watching!
Please consider becoming a patron to help me continue producing free videos like this one for you all here on TH-cam. www.patreon.com/brandonacker
Thank you!
~Brandon
Bella interpretación! Amo todo lo de Santiago pero especialmente este fandango, es increíble como se nota claramente que este es el punto del cual derivan el flamenco en buena medida y los huapangos y sones que escucho en mi país México.
Superb dynamics in your performance, accentuated with the Cajin. A real treat.
cajón
Llegue a tu canal por mera casualidad, y es impresiónate la atmósfera que creas con tu música. Tanto que alucina y haces magia con tus interpretaciones, seduces en el escuchar.
The sound of cajon! Beautiful!
Here from your appearance on Rob Scallon's channel! Loving your work.
14 string lute? That video got me to Brandon's channel which I subbed immediately.✌😸
Just found your channel today. What beauty you bring! It was pleasant to hear the amazing rhythmic use of the cajon in something other than cajun music for a change. :)
cajon in cajun music? lol
Love the sound of the cajon ❤️ And the Guitar of course. 😊🥰
this masterpiece has just 27k views? i have been listening it for now an hour nonstop it is so peaceful to ears
Just amazing.
Duo magique! A écouter en boucle.
I love de Mucia's music, and used to play several of his pieces (although not this one). This is a marvelous performance.
cajón with Baroque guitar. interesting!
Perfecto!
Brandon , você é fera nas cordas , theorbo , baroque guitar e guitar
What a fantastic setting for that music. It seems acoustically very complimentary.
Maravilloso el compás de la guitarra. Genial el cajón.
Fantastic! I’m a big fan of you and I’m learning guitar now because I’m inspired by you❤️
How has it worked out for you - are you still playing?
@@robertcronin6603 It's not easy for me. It take years to be able to play guitar like him. Yes, I'm still playing guitar, but not intensive. I'm in low intermediate level now.
@@nelly7515 That's excellent! I love to hear when someone's inspired and decides to take up an instrument - and with the exception of those who are born virtuoso, it's not an easy thing to do...all the best on your musical journey 🔥☯️🔥
@@robertcronin6603 thank you😊
Really good nice combination of instruments
Amazing
Love a good Cajon jam session.
Amazing playing, both.
Very nice. Thank you for playing this register
¡MAGISTRAL INTERPRETACIÓN!
*Bethesda needs to hire you for the next TES game.*
YES!
This track would make for a great player home feel.
Someone needs to make a mod for skyrim where Brandon is a bard playing this
A Brandon Acker cover of Ragnar the Red might actually sound really good vs. the original
This is Fandango music from Spain, not shitty rapist viking fantasy drunkard music.
That cajón sound phenomenal and now I want a cajón without snares
Awesome! Classical guitar backed by a Latin beat, tango and sometimes paso doble? No expert here
Brandon bravo! I'm in love with this instrument, I'm a composer looking forward to writing for it... Which text books you recommend I read? And, specially, do you know where can I find sheet music for it? Thanks!
Brilliant piece of music. Very dramatic.
my god that reverb....
So rich!
Love this...and the sound coming from that cajon! Is that mahogany? And is the face plate only attached at the top (and maybe also the bottom) with those 6 fasteners?
you can hear the flamenco in it, thats music history
The real box beating and such.
Great version ¡¡¡
This is so damn cool
❤❤❤❤❤hope to hear Baden Powell
May I ask who made your guitar? Has a beautiful sound to it.
Julio Castaños Soler in Malaga, Spain. A wonderful person who makes fantastic instruments at reasonable prices.
@@brandonacker If you don't mind me asking; I am unfamilliar with this kind of instrument, how much would one consider a reasonable price?
fantastic playing btw
@@brandonacker Thanks!
@@MasterMeijer An entry level would be $600-$800. Higher quality from a renowned luthier starts around $4000-$6000 depending on the currency and location of the luthier himself.
The beautiful sound here is from the guitarist, not from the guitar, trust me.
The cajon groove sounds like a peruvian lando(afroperuvian), is the cajon player peruvian?
I was waiting for him to pick up one of those Panderos Jarochos.
Hello!
Do you live in Sweden
Because the church you are in is very similar to church I saw in Gothenburg
This performance is a tasteful invitation to sensual pleasure. Please continue!
Tf
Baroque Trap 🎶
Now just add the theorbo, and a harpsichord and you have a perfect quartet.
I think it could sound better with castanets instead the harpsichord, or not??👀
Olé
💕💕💕💕💕💕💕💕💕💕
With all due respect, landó and fandango are not the same thing. The cajón here is clearly playing a landó pattern, and the vihuela is following. While the two rhythms may share a time signature, the emphasis is different. Listen to “El Camotal” by Mono Blanco for an example of fandango rhythmic emphasis.
isnerdy interesting! I haven’t heard of landó. I’ll do some research. Cheers!
Thank you for your perspective about the choice of rhythmic patterns. I am very familiar to what you are referring as a "fandango" rhythmic pattern. Throughout America, rhythmic pattern's names change depending on the region. Where you might call a "fandango" rhythm in spain or the baroque tradition, others call Chilenas, de monton, marinera, cueca, etc. It all really depends on who are you talking about. In Mexico there is no such a thing as a fandango rhythmic pattern. Fandango is the party (gathering in the region of sotavento), and the rhythmic patterns changes depending on the "son" that is played. The example you're talking about from Mono Blanco, a very special family friend, is a very common pattern called "de monton" or "cafe con pan" in the sotavento region in Mexico. While rehearsing with Brandon I decided to choose a Lando pattern for this specific work due to its similar rhythmic phrasing. I tried using the "cafe con pan" pattern and it just did not quite fit. I've been playing percussion for over 30 years in a mostly Mexican folkloric setting and I have also had the fortune to be exposed to many other Latin American rhythms including Afro-peruvian's rich tradition. All I can advice you is to not get stuck with labels, because there will always be someone that has a different perspective on the correct terminology of a cultural expression. In folk traditions the only ones that worry about terminology are the outside scientist, everyone else just share art and culture without limitations. Music is an expression and as such it will always be different depending on the interpretation of the performer.
Remember that landó spanish origen. You can see the pattern th-cam.com/video/tKQ1nzvr5m4/w-d-xo.html
Landó is not from spanish origin. It is afro's, said to be derivated of Lundu, an angolese rythm, according to many afroperuvian and peruvian creole musicology studies, and wich influenced also other afro brazilian dances. Then the patterns changed when it came to Peru, definitly taking some spanish influences like the Fandango. Out of those amalgams came new rythms and dances in Peru like the Zamacueca or the Marinera, wich have many spanish influences but the reachness of those rythms comes from the syncopations, cadences and "jales" wich are typical of the afro groove. Of course when we listen a Cajon Flamenco we can also appreciate similar charateristics in the groove, but that is a different story.
Brandon Acker this is great! As a peruvian and watching a ton of youtube videos on the matter, my understanding in the spanish fandango gave way to the peruvian/chilean marinera. And if you are familiar with both there is no doubt one comes from the other. I havent seen a fandango score or a marinera score but I would guess they trade between 3/4 and 6/8 time very often. Afro peruvians added cajon to this music and in their tradition it became known as Zamacueca, but by in large Marinera is the name that persists in Peru and later beyond the afro peruvian tradition as the prevailing identify for this music was known as Criollo (creole). The afro peruvian Marinera also has a strong poetic/lyrical tradition close to Décima. If you listen to Marinera from Lima it is guitar, cajon, hand clapping, and singing in specific syllabic meters and often mix juxtapose 3/4 and 6/8 ideas. Landó on the other hand is also a afro peruvian genre/rhythm but it is played in 12/8, as the melodic lines are twice as long as in 6/8. Some afro peruvians artists have said that the Landó was rescued/recreated by revivalists in the 70's-80's from fragments of musical ideas or cajon patterns. This performance was a nice way of showing the common thread of the music and really ties in a lot of history without anyone saying a word. One day I would love to hear a fandango played with a marinera cajon rhythm and hand clapping! Also is it known if the fandango originates from the sarabande?
What a nice song to die of "calenturas"
I swear I read it Fandago by Murica!
shubert, der leiermann
please
;) th-cam.com/video/O_uoiXRrwo0/w-d-xo.html
tantarela ? please
There is a problem with your links in the description, Your bandcamp link goes to /alb because of the ... (also with your Patreon - "forgotteninstruments").
What is this urge to KICK SOME ASS?!
U good at playing someone else music! Would love to hear some of your very own composition music?
Peruvian Cajon
This type of music actually caused street fights? Why?
its pretty risque for baroque, i think that was the joke, a little too exciting
Да хрен с ней, с гитарой. Тут в приоритете - стучалка.
Сантьяго, без обид - у вас же тоже были идиоты. Но тебя помнят, любят и играют...
Сантьяго де Мурсия - ты славный! Спасибо!.
too much base over there with the boom box chair. its hard to hear your awesome guitar
Where's Lolita in a red dress and heels? (Tap dancing)