(I have sent this multiple times before, but it gets automatically deleted for some reason: attaching a link). The only problem with using 5:11 as a reference video is that it's from 2016, when Josh was the guitarist instead of John. Given that Josh has a different rig (as seen in the Premier Guitar Rig Rundowns), the settings in 6:36 could be different from Dave's settings during John's second era. However, Dave's settings during John's second era can be seen in Dave's former blog, Roadies in the Midst, specifically the post "Day 250 - Jan 28 - Tampa" (unfortunately, they are from the Stadium Arcadium World Tour as opposed to the Californication Tour).
Need a link to check it out I can’t find it. I know it’s not John’s settings but I can’t find them so that’s the best I went with. The only one I have watched was the slane castle roadies in the midst episode you can see he was using the same rig including the compressor. You can’t really point out the settings that specific John era show but I was going to bring it up for the Slane Castle tone video. Dave also has a video on how he likes to mix his shows and he brings up the peppers (with Josh) as an example and he only goes between 3:1-4:1 ratios for guitars. The other settings are more to taste how I did it and didn’t want it to color too much.
If you can help me find those settings that’d be great! Always looking for help with these videos!
หลายเดือนก่อน +1
@@MistaMahcosI actually attached the link when previously tried to send this comment, but that's whats making TH-cam automatically delete the comment (it assumes that it's a spam comment). I'll try to attach it in another reply, but if you can't see it, it's probably because it got deleted.
หลายเดือนก่อน +1
Since I couldn't send the link without my comment being deleted, here are the console settings that Dave Rat used during the January 28, 2007 concert in Tampa. If I'm unsure of the settings, I'll put a "(?)." Firstly, the EQ. The control knobs are noted in O'CLOCK. *Midas XL4 ("G ←")* -48V: off -PAD: off -Ø: off -PRE: on -gain: 10 -direct o/p: 1 -freq (treble): 12 -bell (treble): off -treble: 12 -treble (width): (unseen; presumably 12) -freq (hi-mid): 11 -hi-mid: 12 -hi-mid (width): 12 -INS: off -PRE (INS): off -EQ: on -freq (lo-mid): in between 10 and 11 -lo-mid: 12 -lo-mid (width): 12 -bell (bass): off -freq (bass): 1 -bass: 12 -bass (width): 12 -lo-cut: on -freq (lo-cut): 1 *Midas XL4 ("G →")* -48V: off -PAD: off -Ø: off -PRE: on -gain: in between 9 and 10 -direct o/p: 1 -freq (treble): 4/highest -bell (treble): off -treble: 12 -treble (width): (unseen; presumably 12) -freq (hi-mid): in between 11 and 12 -hi-mid: 12 -hi-mid (width): (unseen; presumably 12) -INS: off -PRE (INS): off -EQ: on -freq (lo-mid): 10 -lo-mid: 12 -lo-mid (width): 12 -bell (bass): off -freq (bass): 12 -bass: 12 -bass (width): 12 -lo-cut: on -freq (lo-cut): 2 *Midas XL4 ("G ↑")* -48V: on -PAD: on -Ø: off -PRE: on -gain: 3 -direct o/p: 1 -freq (treble): in between 12 and 1 -bell (treble): off -treble: 12 -treble (width): (unseen; presumably 12) -freq (hi-mid): 1 -hi-mid: 12 -hi-mid (width): (unseen; presumably 12) -INS: off -PRE (INS): off -EQ: on -freq (lo-mid): 12 -lo-mid: 12 -lo-mid (width): (unseen; presumably 12) -bell (bass): off -freq (bass): in between 12 and 1 -bass: 11 -bass (width): 12 -lo-cut: on -freq (lo-cut): 1 *Midas XL4 ("G Jubelee")* -48V: off -PAD: off -Ø: off -PRE: on -gain: 10 -direct o/p: 1 -freq (treble): in between 2 and 3 -bell (treble): on -treble: 12 -treble (width): (unseen; presumably 12) -freq (hi-mid): in between 12 and 1 -hi-mid: 12 -hi-mid (width): (unseen; presumably 12) -INS: off -PRE (INS): off -EQ: on -freq (lo-mid): 12 -lo-mid: 11 -lo-mid (width): 12 (?) -bell (bass): off -freq (bass): in between 12 and 1 -bass: 11 -bass (width): in between 11 and 12 -lo-cut: on -freq (lo-cut): 1 I'm not entirely sure of what Dave Rat's labels for the EQ are, but I speculate that they are: -"G ←" = Shure SM57 of main Marhsall Silver Jubilee; panned to the left -"G →" = Shure SM57 of Marshall Major; panned to the right -"G ↑" = Electro-Voice Raven of Marshall Major; panned to the center -"G Jubelee" = Shure SM57 of secondary Marshall Silver Jubilee, used when John uses his Gibson Les Paul Custom (e.g. Fortune Faded, Readymade) Lastly, for the compression. The control knobs are NOT noted in o'clock. *DPR-404 (IN 1)* -IN: on -FREQ: 10k Hz -DE-ESS: MAX -THRESHOLD: in between -5 and 0 dBu -RATIO: 3:1 -GAIN: 0 -ATTACK: NORM (?) -RELEASE: FAST (?) *DPR-404 (IN 2)* -LINK ←: off (?) -IN: on -FREQ: 10k Hz -DE-ESS: OUT -THRESHOLD: in between -5 and 0 dBu -RATIO: 3:1 -GAIN: 0 -ATTACK: NORM (?) -RELEASE: FAST (?)
Holy crap how does this account have only 600 subscribers?!? Videos of this quality should at least have 50k subs
หลายเดือนก่อน +1
11:21 This original Off the Map tone recreation may have more treble and sound more aggressive than the final tone, but this tone still funks and rocks (maybe this can work for another album, whether studio or live)!
Great video - love the attention to detail. On the pickups, isn’t the code number 016730 just Fender’s part number for the bobbin? I don’t think it directly relates to the wire, number of turns, or type of pole pieces used. My Player Strat pickups have that part number on the bottom.
@@Callisto1969 might be but I found a lot of USA strats from 1998-1999 with Texas specials with no stamp and the stamped ones these were the only other pickups I could find in the American standards. There is a run of MIM strats from that era that claimed to have USA made pickups and those had the same stamp. So if Dave Lee says that they were American standard pickups from that time period during the CALIFORICATION tour I would have to guess these are the ones They sound great I had originally had Texas specials that came with my strat they sound too twangy to be John’s tone, the SSL-1 pickups sound good but I think from at the very least btw threw stadium John had these in his strat. Not sure if the newer stamped ones are the same as the ones 20+ yrs ago I’ve never tried them.
@@MistaMahcosmy MIM Strat is a 2020 model I bought from new, and has the same code number on the pickup bobbins. I will say however that the way the number is moulded in to them looks a bit different on mine - a bit ‘cheaper’ looking.
@@Callisto1969 I see, maybe it is just the same product I’d number for just that part idk 🤷♂️ but it was the one constant I. The strays that didn’t have Texas specials in them for the most part.
Hey Marco, awesome job. So you mentioned an issue that I've run into as I begin to record my work: you noted that the recorded tone is different from the tone in the room, and you attributed it to the fact that you are wearing ear protection. I also wear ear protection when I play, as my deluxe reverb with a 200w JBL cranked up is quite loud for my attic. When I mic it/run DI, I do notice quite a difference in tone, it's much more crunchy and trebly in the recording. Is this a common problem guitarists run into when dealing with hearing protection? Thx
@@ondrablahos4601 that’s the plan move threw each of the best shows from the different tours! Chorzow is my favorite show! But slane will be next and it will be more pedal centric
@@ondrablahos4601 I was thinking of doing a big pedalboard showdown between those two shows. I almost have multiples of the same pedals just need a few to have both full functioning rigs. Other than that im not sure if it will be cool or not. 🤷
So how the ds1 works in the pedalboard? John used it in californication all song or just solo? and he used the fender amp just for cali and otherside songs with the ds1? Help me :(
How do you get this kihda clean but not actually clean sound (02:11 - 02:20) Is it just guitar amp and the CE-1 or there is else? And what exact model strat is that? What pickups is it loaded with? Thanks.in.advance
@@Lukas-ug1ke thanks! I am trash at guitar but I am a humble student I also lost the tip of my left middle finger 3years ago so I’ll never be as fast or accruate again but that’s a terrible excuse.
@MistaMahcos bro some people swear. You sound great and have a great ear and touch. Garcia lost half is middle finger (picking hand and affected his ability to finger pick)
(I have sent this multiple times before, but it gets automatically deleted for some reason: attaching a link).
The only problem with using 5:11 as a reference video is that it's from 2016, when Josh was the guitarist instead of John. Given that Josh has a different rig (as seen in the Premier Guitar Rig Rundowns), the settings in 6:36 could be different from Dave's settings during John's second era.
However, Dave's settings during John's second era can be seen in Dave's former blog, Roadies in the Midst, specifically the post "Day 250 - Jan 28 - Tampa" (unfortunately, they are from the Stadium Arcadium World Tour as opposed to the Californication Tour).
Need a link to check it out I can’t find it. I know it’s not John’s settings but I can’t find them so that’s the best I went with.
The only one I have watched was the slane castle roadies in the midst episode you can see he was using the same rig including the compressor. You can’t really point out the settings that specific John era show but I was going to bring it up for the Slane Castle tone video.
Dave also has a video on how he likes to mix his shows and he brings up the peppers (with Josh) as an example and he only goes between 3:1-4:1 ratios for guitars. The other settings are more to taste how I did it and didn’t want it to color too much.
If you can help me find those settings that’d be great! Always looking for help with these videos!
@@MistaMahcosI actually attached the link when previously tried to send this comment, but that's whats making TH-cam automatically delete the comment (it assumes that it's a spam comment).
I'll try to attach it in another reply, but if you can't see it, it's probably because it got deleted.
Since I couldn't send the link without my comment being deleted, here are the console settings that Dave Rat used during the January 28, 2007 concert in Tampa. If I'm unsure of the settings, I'll put a "(?)."
Firstly, the EQ. The control knobs are noted in O'CLOCK.
*Midas XL4 ("G ←")*
-48V: off
-PAD: off
-Ø: off
-PRE: on
-gain: 10
-direct o/p: 1
-freq (treble): 12
-bell (treble): off
-treble: 12
-treble (width): (unseen; presumably 12)
-freq (hi-mid): 11
-hi-mid: 12
-hi-mid (width): 12
-INS: off
-PRE (INS): off
-EQ: on
-freq (lo-mid): in between 10 and 11
-lo-mid: 12
-lo-mid (width): 12
-bell (bass): off
-freq (bass): 1
-bass: 12
-bass (width): 12
-lo-cut: on
-freq (lo-cut): 1
*Midas XL4 ("G →")*
-48V: off
-PAD: off
-Ø: off
-PRE: on
-gain: in between 9 and 10
-direct o/p: 1
-freq (treble): 4/highest
-bell (treble): off
-treble: 12
-treble (width): (unseen; presumably 12)
-freq (hi-mid): in between 11 and 12
-hi-mid: 12
-hi-mid (width): (unseen; presumably 12)
-INS: off
-PRE (INS): off
-EQ: on
-freq (lo-mid): 10
-lo-mid: 12
-lo-mid (width): 12
-bell (bass): off
-freq (bass): 12
-bass: 12
-bass (width): 12
-lo-cut: on
-freq (lo-cut): 2
*Midas XL4 ("G ↑")*
-48V: on
-PAD: on
-Ø: off
-PRE: on
-gain: 3
-direct o/p: 1
-freq (treble): in between 12 and 1
-bell (treble): off
-treble: 12
-treble (width): (unseen; presumably 12)
-freq (hi-mid): 1
-hi-mid: 12
-hi-mid (width): (unseen; presumably 12)
-INS: off
-PRE (INS): off
-EQ: on
-freq (lo-mid): 12
-lo-mid: 12
-lo-mid (width): (unseen; presumably 12)
-bell (bass): off
-freq (bass): in between 12 and 1
-bass: 11
-bass (width): 12
-lo-cut: on
-freq (lo-cut): 1
*Midas XL4 ("G Jubelee")*
-48V: off
-PAD: off
-Ø: off
-PRE: on
-gain: 10
-direct o/p: 1
-freq (treble): in between 2 and 3
-bell (treble): on
-treble: 12
-treble (width): (unseen; presumably 12)
-freq (hi-mid): in between 12 and 1
-hi-mid: 12
-hi-mid (width): (unseen; presumably 12)
-INS: off
-PRE (INS): off
-EQ: on
-freq (lo-mid): 12
-lo-mid: 11
-lo-mid (width): 12 (?)
-bell (bass): off
-freq (bass): in between 12 and 1
-bass: 11
-bass (width): in between 11 and 12
-lo-cut: on
-freq (lo-cut): 1
I'm not entirely sure of what Dave Rat's labels for the EQ are, but I speculate that they are:
-"G ←" = Shure SM57 of main Marhsall Silver Jubilee; panned to the left
-"G →" = Shure SM57 of Marshall Major; panned to the right
-"G ↑" = Electro-Voice Raven of Marshall Major; panned to the center
-"G Jubelee" = Shure SM57 of secondary Marshall Silver Jubilee, used when John uses his Gibson Les Paul Custom (e.g. Fortune Faded, Readymade)
Lastly, for the compression. The control knobs are NOT noted in o'clock.
*DPR-404 (IN 1)*
-IN: on
-FREQ: 10k Hz
-DE-ESS: MAX
-THRESHOLD: in between -5 and 0 dBu
-RATIO: 3:1
-GAIN: 0
-ATTACK: NORM (?)
-RELEASE: FAST (?)
*DPR-404 (IN 2)*
-LINK ←: off (?)
-IN: on
-FREQ: 10k Hz
-DE-ESS: OUT
-THRESHOLD: in between -5 and 0 dBu
-RATIO: 3:1
-GAIN: 0
-ATTACK: NORM (?)
-RELEASE: FAST (?)
Holy crap how does this account have only 600 subscribers?!? Videos of this quality should at least have 50k subs
11:21 This original Off the Map tone recreation may have more treble and sound more aggressive than the final tone, but this tone still funks and rocks (maybe this can work for another album, whether studio or live)!
Great video and well played, keep going! Cheers from Argentina
Great video - love the attention to detail.
On the pickups, isn’t the code number 016730 just Fender’s part number for the bobbin? I don’t think it directly relates to the wire, number of turns, or type of pole pieces used. My Player Strat pickups have that part number on the bottom.
@@Callisto1969 might be but I found a lot of USA strats from 1998-1999 with Texas specials with no stamp and the stamped ones these were the only other pickups I could find in the American standards. There is a run of MIM strats from that era that claimed to have USA made pickups and those had the same stamp.
So if Dave Lee says that they were American standard pickups from that time period during the CALIFORICATION tour I would have to guess these are the ones
They sound great I had originally had Texas specials that came with my strat they sound too twangy to be John’s tone, the SSL-1 pickups sound good but I think from at the very least btw threw stadium John had these in his strat.
Not sure if the newer stamped ones are the same as the ones 20+ yrs ago I’ve never tried them.
Mine were pulled from a 1999 strat
@@MistaMahcosmy MIM Strat is a 2020 model I bought from new, and has the same code number on the pickup bobbins. I will say however that the way the number is moulded in to them looks a bit different on mine - a bit ‘cheaper’ looking.
@@Callisto1969 I see, maybe it is just the same product I’d number for just that part idk 🤷♂️ but it was the one constant I. The strays that didn’t have Texas specials in them for the most part.
Hey Marco, awesome job. So you mentioned an issue that I've run into as I begin to record my work: you noted that the recorded tone is different from the tone in the room, and you attributed it to the fact that you are wearing ear protection. I also wear ear protection when I play, as my deluxe reverb with a 200w JBL cranked up is quite loud for my attic. When I mic it/run DI, I do notice quite a difference in tone, it's much more crunchy and trebly in the recording. Is this a common problem guitarists run into when dealing with hearing protection? Thx
Are you asking why DI tone sounds diffrent from a mic’d speaker?
nice work may i ask if you made the pickguard or had it made somewhere?
@@NaughtyGamer47 the whole guitar including the pick guard was a custom build from Nick Oswald of Oswald guitars
fuck yes. Sir psycho during the californication tour was so fucking good. you killed it bro
@@christopherarellano8428 hell yea it’s my favorite version of that song!
Excellent playing and your telecaster is soooo beautiful. What model is it ?
@@izzey0729 it’s an Oswald Custom OT
I'd love to see a tone breakdown for Slane or Chorzow. This was amazing!
@@ondrablahos4601 that’s the plan move threw each of the best shows from the different tours! Chorzow is my favorite show! But slane will be next and it will be more pedal centric
@@MistaMahcos that's great to hear. Chorzow is my favourite too
@@ondrablahos4601 I was thinking of doing a big pedalboard showdown between those two shows. I almost have multiples of the same pedals just need a few to have both full functioning rigs. Other than that im not sure if it will be cool or not. 🤷
@@MistaMahcos I think it would definitely be cool
bro got the same strap and everything
So how the ds1 works in the pedalboard? John used it in californication all song or just solo? and he used the fender amp just for cali and otherside songs with the ds1? Help me :(
@@bengaminpavezgalvez7082 ds-2 when using the falcon for solos which is plugged to a dual silver face showman
Great dvd but I always cringe when he dribbles on himself during if you have to ask
Lmao come on that’s how you know he’s really into it. A true musician
@@athefirst2.03 you're absolutely right!
How do you get this kihda clean but not actually clean sound (02:11 - 02:20) Is it just guitar amp and the CE-1 or there is else?
And what exact model strat is that? What pickups is it loaded with?
Thanks.in.advance
Dat Tele sounds and looks bad ass with the kinda strat neck :D
@@FarmerSlideJoeBob it was a custom order and idk why it came with a strat neck 🤦♂️
@@MistaMahcos Anyways it sounds damn good😃😃
PERO PONLE VOLLUNTAD
Love the tone and the video, it would be even better with good playing though!
@@Lukas-ug1ke thanks! I am trash at guitar but I am a humble student I also lost the tip of my left middle finger 3years ago so I’ll never be as fast or accruate again but that’s a terrible excuse.
The fck you're on ? He played well, if you can do it better make your own video and don't be A hole
Wtf ? He played very well, don't be an A hole
@MistaMahcos bro some people swear. You sound great and have a great ear and touch. Garcia lost half is middle finger (picking hand and affected his ability to finger pick)