That moment at 5:30 when Jacob plays dissonant notes to create an uneasy feeling in the audience, only to make them wait an extra second before playing the resolving notes which makes everyone laugh in relief.. so playful, so good.
I can’t wait for him to mature and ripen. He is already so mindblowingly amazing, it is unfathomable what he will be like in 20 30 years. I can hear that he still has some of that young raw and unpolished talent and over the years that will consolidate into something very beautiful. The journey of an artist is outward, first you just want to sing 1 note, then phrases, then songs, then concerts, tour etc. But at some point you reach a level of maturity where you will wonder “why” more and more until you are back at playing 1 note and asking yourself “why? Why make any music at all?” and that is the point where your artistry will really condens. It is amazing that we get to see and hear this. I can totally see him formulating some historic music theory at later ages or maybe be a fundamental pillar that will steer music in a new direction for centuries to come. He is such a unique multi dimensional virtuoso. In each one of the disciplines he would be considered world class. Amazing singer, amazing pianist, amazing hearing, amazing musical knowledge, amazing stage presence, amazing compositional skills, amazing production skills. And he is barely 20 years old. I hope he never loses the passion.
I feel that a part of musical maturity is cyclical. Yes you get more “tasteful” in you’re musical choices, but you also become more and more of child. I think Jacob’s childlikeness is what makes unmistakably him. Never settling, never compromising, ever evolving.
Gorgeous, kinda wish the audience would just shut up every now and then though lol. I understand the hype but know the difference between a ballad and a banger lmao.
If you're lost in Switzerland, I've got a piano and some other instruments... even a trumpet. You're welcome - my piano is your piano. I will do the cooking, don't worry.
Thanks for recording and sharing this! - JC is one of those artists who's live performances are so far from the recorded albums - and vary in the moment - like Corea maybe and the top jazzers - that bootlegs really *are* needed to keep a record - and capture where he's "at".
the real deal! - loved all the participatory whoops and vocal audience reactions (as often found in small jazz club happenings when something special is in process). They were all in the "zone" together.
It's quite simple. In this version there is so much going on that it looses the intimate beauty of the version from Mahagony session. Sometimes less is more.
I hate when audiences scream through the performance. The fact that you enjoy it, doesn't mean you can become part of it by talking or yelling. Shut up and listen. Awesome performance though
awesome indeed and as a performer myself, I agree with you... However, this audience is hanging on every note, they're really hearing it, it's an incredibly informed and well- educated audience, always reacting in the right places, the most magic moments. I generally agree with you Dennisvdt but I would have loved playing for this particular audience, even though no-one, me included, can play as incredibly as this genius, he's conversing with the stars
@@peterwaters4119 Yeah knowing the crowd and DC culture, they aren't theory heads. They're churchgoers and RnB music lovers who know what the "soulful" sounds of music sound like and they chase after that feel. The problem is they anticipate those moments way too much and they always have to let someone know that they hear you. lol. You'd like it at first but it'll get annoying.
No one in the audience wants to hear someone else’s screaming or words or whatever sound that prevents you from staying in this beautiful zone that Jacob gets you in. A gentle sigh would be in it’s place, but no talking during silent ballads!
I would be annoyed that people in the audience feel the need to say something and interrupt the music rather than just listerning. Why does it have to become about them and what they are feeling. FFS
It’s about Jacob, and it’s also about them. That’s art. The idea, is that Jacob can receive useful feedback in real time about what works and what doesn’t. Actually there’s a number of reasons why the audience “interruptions” are good and even necessary for the experience but that, I think, is the most fundamentally practical reason for it.
Being an audience member at a JC concert has always been a little like that. Rapt attention, full engagement, respect for the setting but a playful kind of interaction. He does things knowing they'll elicit a reaction, and sometimes the music just moves you at such a fundamental level you can't help but express it. It's the best kind of jazz.
i find it interesting that jacob's crowd is so.... sensually excited
Because 90% of them are musicians. 😀
Stupid morons and shitty music though
@@beethovensg how dare u
@@beethovensg Imagine being so jealous.. ur literally on his video and scrolling through his comments lol
Its so Strange. He ist kind of over hyped that i dont Like him, even though He might bei a good musician
Whenever he plays a saucy chord the audience is amazed.
I love it.
SleepyCat69 I was there and omg we LOVED it so much
I love that.
Jazzzzzzz, yeah.
“*whispers sensually* awh yes, sing for me..” 2:02
Lmao
2:53 ok for real that gave me chills
Unbelievable performance. Jacob freely improvises with a level of excellence that is astounding
That moment at 5:30 when Jacob plays dissonant notes to create an uneasy feeling in the audience, only to make them wait an extra second before playing the resolving notes which makes everyone laugh in relief.. so playful, so good.
I can’t wait for him to mature and ripen. He is already so mindblowingly amazing, it is unfathomable what he will be like in 20 30 years. I can hear that he still has some of that young raw and unpolished talent and over the years that will consolidate into something very beautiful. The journey of an artist is outward, first you just want to sing 1 note, then phrases, then songs, then concerts, tour etc. But at some point you reach a level of maturity where you will wonder “why” more and more until you are back at playing 1 note and asking yourself “why? Why make any music at all?” and that is the point where your artistry will really condens.
It is amazing that we get to see and hear this. I can totally see him formulating some historic music theory at later ages or maybe be a fundamental pillar that will steer music in a new direction for centuries to come.
He is such a unique multi dimensional virtuoso. In each one of the disciplines he would be considered world class. Amazing singer, amazing pianist, amazing hearing, amazing musical knowledge, amazing stage presence, amazing compositional skills, amazing production skills. And he is barely 20 years old. I hope he never loses the passion.
He was 26 at the time of your comment. That's not really "barely 20", but overall I agree with you.
I feel that a part of musical maturity is cyclical. Yes you get more “tasteful” in you’re musical choices, but you also become more and more of child. I think Jacob’s childlikeness is what makes unmistakably him. Never settling, never compromising, ever evolving.
He presses one key. Audience: Whoaaaaa.
He FED off the audience whether you know it or not and that may have been the most brilliant thing I ever heard musically
beautifull said Cindy, a revelation of love and spirit
Im pretty sure Jacob is the only guy that can play 3 chords, say mmm, and make the whole crowd be like:😲😲😲
Im pretty sure Jacob is the only guy that hasnt played 3 chords only
Did the dude say “yes God” on the chord at 4:04"
He gave every single drop of musical soul he had in this performance...i have no words
This is the loveliest crowd ever ☺️
This is the craziest performance ever! Jacob is legendary!
It's the Keith Jarret' child!
Thanks Mr Collier
Love from France ❤️❤️❤️
the audience says it all.
the girl moaning at 0:12 is a mooooood
Damn ninjas cutting onions here
Not again
🖤🖤🖤
So awesome. Was there, this was just unbelievable.
7:03 "She wasn't reeaaadyy" - Kevin Hart
Gorgeous, kinda wish the audience would just shut up every now and then though lol. I understand the hype but know the difference between a ballad and a banger lmao.
really missing his live performance. Jacob on piano is always my fav part. wishing he would come to Asia area as well ..
I don’t know what going on but this is ... great
If you're lost in Switzerland, I've got a piano and some other instruments... even a trumpet. You're welcome - my piano is your piano. I will do the cooking, don't worry.
Genius.
The last whisper I heard was an astounded, "Jeesuz chri-"
Thanks for recording and sharing this! - JC is one of those artists who's live performances are so far from the recorded albums - and vary in the moment - like Corea maybe and the top jazzers - that bootlegs really *are* needed to keep a record - and capture where he's "at".
Completely committed. Incredible.
I am.so.in awe of Jacob truly a master class
the real deal! - loved all the participatory whoops and vocal audience reactions (as often found in small jazz club happenings when something special is in process). They were all in the "zone" together.
i cant even put into words th-.. i ca-.. wha- i don...- wow.....
How could anyone possibly dislike this
It's quite simple. In this version there is so much going on that it looses the intimate beauty of the version from Mahagony session. Sometimes less is more.
I felt like i was there listen to this
His understanding of harmony blows me away every time. For example, I would never even think of playing a freaking minor 11 chord at 5:14.
00:11 - musigasm
11:29 Love how someone just said "Jesus" in spite of amazement ahahaha
the worst the posture, the better the player lol bill evans vibes
@5:21 - Bon Iver moment 💛
If so I’m laughing so hard cuz I understand lol
I don't know why I feel aroused by this beautiful music.
Eu querendo ouvir a música e a platéia atrapalhando. Povo barulhento. Se eu estivesse no show com certeza estaria fazendo muito mais barulho, hahaha.
This reminds me of the dicknanigans key and peele episode with the crowd reactions.
Dicknanigans
did jacob grow moustache?
As a classical musician I got triggered by the cheering mid performance
Felt that. In jazz tho, it’s part of the culture and expected.
it sounds like the successor of Keith Emerson
I hate when audiences scream through the performance. The fact that you enjoy it, doesn't mean you can become part of it by talking or yelling. Shut up and listen.
Awesome performance though
awesome indeed and as a performer myself, I agree with you... However, this audience is hanging on every note, they're really hearing it, it's an incredibly informed and well- educated audience, always reacting in the right places, the most magic moments. I generally agree with you Dennisvdt but I would have loved playing for this particular audience, even though no-one, me included, can play as incredibly as this genius, he's conversing with the stars
@@peterwaters4119 Yeah knowing the crowd and DC culture, they aren't theory heads. They're churchgoers and RnB music lovers who know what the "soulful" sounds of music sound like and they chase after that feel. The problem is they anticipate those moments way too much and they always have to let someone know that they hear you. lol. You'd like it at first but it'll get annoying.
It’s called interacting. And they do it in an adequate language: sound.
As a performer, as have to disagree. That’s exactly how we can tell what really works and what doesn’t.
No one in the audience wants to hear someone else’s screaming or words or whatever sound that prevents you from staying in this beautiful zone that Jacob gets you in. A gentle sigh would be in it’s place, but no talking during silent ballads!
I would be annoyed that people in the audience feel the need to say something and interrupt the music rather than just listerning. Why does it have to become about them and what they are feeling. FFS
It’s about Jacob, and it’s also about them. That’s art. The idea, is that Jacob can receive useful feedback in real time about what works and what doesn’t. Actually there’s a number of reasons why the audience “interruptions” are good and even necessary for the experience but that, I think, is the most fundamentally practical reason for it.
Being an audience member at a JC concert has always been a little like that. Rapt attention, full engagement, respect for the setting but a playful kind of interaction. He does things knowing they'll elicit a reaction, and sometimes the music just moves you at such a fundamental level you can't help but express it. It's the best kind of jazz.
what is impressive pls ?