I just downloaded the app on my 14 Promax. I’ll be playing with it later today and then rewatching this tutorial. Was anyone expecting this app? I wasn’t following WWDC coverage closely, so maybe Apple had announced it there and I didn’t know.
The essential features here should really be a tab in the “other” native camera app. As a part of a multi-cam setup with FCP2 for iPad it makes some sense, but I wonder how many others like me own one phone and one iPad? I wonder if Apple’s time would have been better spent on bringing FCP2 up to the capabilities of other iPad video editors before catering to the limited number of people trying to run a 4 camera studio setup? BTW - have you tried the new KINO camera app from the makers of Halide? It is a very clever app!
Hello Simon, thank you for your review. Question: I like the features of the native Cinematic Mode, and now we have the FC Camera app, and I would like to use both in the same movie; so, which settings should I set on each of the two apps which would help with minimal color grading. I shoot in 1080, 30P?
Thanks Simon, that was helpful. Also, I recorded several clips of a color checker chart, shooting in the three different Apple video apps, then reviewed them in FCPx, using the vector scopes and parade RGB. All three apps seem to deliver the same output, with respect to color channels and luminosity. Therefore, I concluded I can mix the three apps (Cinematic Mode, Native Video Mode, and Final Cut Camera app), and achieve the same output, without color correcting, or grading. Thus, the best of all worlds for me anyway. Also, I must shoot in 1080, 30P, HEVC, SDR, because I am limited to storage space; and I am only viewing video on my iPhone or iPad. Someday, after more practice, I may invest in the hardware to produce 4K resolution. Thank you for continuing your educational tutorials (I am a recent Patreon member).
got a question sir..when using blackmagic or or dji mimo app, cam needs nd filter on a bright sunny day but when using iphones native app video or cinematic you wouldnt need any filter..wonder how i phone compensate that.I mean it cant change aperture, cant increase shutter speed cause its locked 60 fps..and lowering iso wont make much difference imo..just curious what extra phone does..
its the same as any other app. Go to the gallery and use the share button. But you'll find them in your photos app anyway, so you can share them from there
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Very helpful! Thank you for sharing.
Very helpful, thanks
I just downloaded the app on my 14 Promax. I’ll be playing with it later today and then rewatching this tutorial.
Was anyone expecting this app? I wasn’t following WWDC coverage closely, so maybe Apple had announced it there and I didn’t know.
Hi 👋🏽
Would it be possible to have a comparison between the Apple Log and the Log of Mc24fps on Android ?
🙏🏽
The essential features here should really be a tab in the “other” native camera app. As a part of a multi-cam setup with FCP2 for iPad it makes some sense, but I wonder how many others like me own one phone and one iPad? I wonder if Apple’s time would have been better spent on bringing FCP2 up to the capabilities of other iPad video editors before catering to the limited number of people trying to run a 4 camera studio setup?
BTW - have you tried the new KINO camera app from the makers of Halide? It is a very clever app!
Well done - as usual!
I was wondering if the files are 8 or 10 bit. I suppose that Prores will be 10 bit, but what about the Rec709 SDR files?
Just like the native app. SDR is always 8-bit. HDR and ProRes are 10-bit
How to record vertigo dolly zoom video in this Final Cut pro please sir make one tutorial
the best way to do a dolly zoom in any app is move forward or backwards. Then when editing zoom in the opposite direction
Hello Simon, thank you for your review. Question: I like the features of the native Cinematic Mode, and now we have the FC Camera app, and I would like to use both in the same movie; so, which settings should I set on each of the two apps which would help with minimal color grading. I shoot in 1080, 30P?
I always shoot 4K. 30fps or 60fps for slow mo
Thanks Simon, that was helpful. Also, I recorded several clips of a color checker chart, shooting in the three different Apple video apps, then reviewed them in FCPx, using the vector scopes and parade RGB. All three apps seem to deliver the same output, with respect to color channels and luminosity. Therefore, I concluded I can mix the three apps (Cinematic Mode, Native Video Mode, and Final Cut Camera app), and achieve the same output, without color correcting, or grading. Thus, the best of all worlds for me anyway. Also, I must shoot in 1080, 30P, HEVC, SDR, because I am limited to storage space; and I am only viewing video on my iPhone or iPad. Someday, after more practice, I may invest in the hardware to produce 4K resolution. Thank you for continuing your educational tutorials (I am a recent Patreon member).
Could. U use it with iMovie. Also that’s the ?
got a question sir..when using blackmagic or or dji mimo app, cam needs nd filter on a bright sunny day but when using iphones native app video or cinematic you wouldnt need any filter..wonder how i phone compensate that.I mean it cant change aperture, cant increase shutter speed cause its locked 60 fps..and lowering iso wont make much difference imo..just curious what extra phone does..
you still need an ND filter if you want a slow shutter speed look using the native iPhone app. Cinematic mode just blurs the background.
is there something for aperture?
iPhones have a fixed aperture (like 99% of smartphones)
@@HorrocksoniPhone i understand that ,,, but the iphone camera does the cinematic part (blurred background) this ap needs that
He showed us everything except for how to export the videos you take lmao.
its the same as any other app. Go to the gallery and use the share button. But you'll find them in your photos app anyway, so you can share them from there
worst than native iphone camera so