Gnossienne No. 1 (Erik Satie), perf. on grand guitar by Robert Ritchiesse
ฝัง
- เผยแพร่เมื่อ 23 มิ.ย. 2017
- My rendition of this beautiful tune is based on the key g-minor.
That 11-stringed grand guitar is my "main guitar" since almost 20 years. That guitar was made by luthiers on my commission and from my performance requirement.
The tuning system, from "top to bottom" followed by string dimensions: g 0,007, d 0,010, bb 0,013, f 0,018w, C 0,026, G 0,036, D 0,046, G 0,060, Eb 0,074, D 0,074, C 0,074.
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The Master. Who else does this? No one can, other than this deep river of a man. Thank you, Robert.
I COULD LISTEN TO THIS MAN'S PLAYING FOR HOURS.
Only an 11 string guitar would allow this kind of range on a single instrument (other than a piano). Seems that you extract every benefit to create the kind of space in between the background section and melody. Love your setup, how those delays widen and expand the sound, your performance on this Satie tune is like a journey! Great work!
Sooo good to listen and watch. Thank you! What a feeling
In my opinion, very beautiful rendition and worthwhile approach. Played it many times over because it is so beautiful.
Such an incredible piece on its own already. The way you made this piece into the most immersive and profound piece of ART that may have ever graced my unknowing, young ears is just epiphanal. Your custom ax opens up so much to your playing and your heart, and the way you present it just baffles me beyond afterlife. I can't have in words how much this inspires me to gain your wiseness in this highly complex craft. (The way that deeeeep D rings and vibrates during that d minor after that g minor in the theme, for example at 2:33.... extraordinarily vivacious and beautiful, this is :O )
8 minutes you'll never want it to end
WOW!!! Dark and Beautiful!!!
Да! Определенно наинтереснейшее звучание! Wow it's was powerful!
Absolutely beautiful. That guitar tone is sublime. The poise and patience it must take to play a piece like this correctly.....!!!
I was skeptical to begin with but wow. Bravo. You indeed captured a lot with this recording
Simply BEAUTIFUL! I love the sublime dynamics.
Amazing. Heart-wrenching sound
mmmmmmm.... so beautiful! 💖🎶
It was not possible for me to explain how I felt, so I simply say a plain but souldeep thank you.
Thank you.
Beni 70 lerin türk saykodelik müziklerine götürdü
I think it's unbelieveble! So beautiful, amazing
This was really something else... beautiful...
RR you are the man.. Purpose now is everything.. much love
Nice work Rob! Thanks!
I really love to hear you play. This piece is well done. I really like this music. Thank you for sharing your playing. Your instrument's sound reminds me of a song from Pat Metheny's "Watercolors" release (1977) titled "Ice Fire". Take care Robert.
This is unique. Thank you!
mind blowing x
absolutely amazing!
Super awesome. One of a kind.
I found this a while back, can’t really tell you how I feel every time I hear those “deep” notes (sorry, dunno much about music theory to explain it better) but I can tell you they make my soul FLY!
Goosebumps and everything!
Introduced you to some friends and they ALL loved you.
Really love this and I hope you can add it on Spotify … please?
I already downloaded this on MP3 (sorry, I dont have access to youtube often) so I can hear it almost anytime I need your tune. (Which can goes up to 10~15 times a day :D )
Keep up the good job. You are amazing ❤
Hi, Kenny - and thanks for your words, and from your friends as well. Really! Give my regards, will ya?
I will not add ’this’ recordings to Spotify. But I can tell you this: I’m working on material for an classical music-album with my grand-guitar; classical music from the medieval times to present day. Gnossienne no 1 is one hot candidate for that album. Here are few other teasers about other ’candidates’ for that album project:
th-cam.com/users/shorts7Y3OF34AFuE
th-cam.com/video/F48KgMaTzpA/w-d-xo.html
th-cam.com/video/1ZkBM1xdAgg/w-d-xo.html
th-cam.com/video/7Q3k3pyHV2Y/w-d-xo.html
But that classical music album lies 3-4 years ahead. There are two other albums I wanna make first.
The first of these two are about to be released in Febr. next year: Gautigoths, a 1 h. 43. solo suite, special composed for my grand-guitar. I wrote that solo suite in the summer of 2020 - in just a few weeks - but it took me two years of painstaking practice to play it good enough. Nine movements in the most various expressions. Here is one short teaser of mov. 9 from Gautigoths ....
th-cam.com/video/2HuP8X8MN7g/w-d-xo.html
Thanks, again. Kenny. I’ll keep up with my work some more years.
Cheers
Robert
Amazing, i never thought this piece could sound so powerful :D
Very enjoyable, thank you for sharing.
Pure art!
I teared up.
awesome!
Amazing!
Awesome.
You sir...are my new role model
amazing arrangement, very beautiful :)
amazing!
very nice I enjoyed it, you could try your take on Gymnopédie no 1. or some Debussy tunes?
incredible
Grew up listening to a very modern (moog infused) album of Satie... Thank you for sharing! Peace, Daniel
I remember that album.. wish I still had it :)
Vilken spännande introduktion! För tankarna långt från Paris. Det instrumentet måste låta enormt bra live där i rummet och jag kan bara tänka mig hur skönt den måste resonera genom kroppen på en... Minns när du demonstrerade gitarren när den var ny för våran klass på musiken. Gick på Unneröd i Uddevalla då. Magisk tolkning. Mvh/Emil.
when i grow up i wanna be like this guy
Nice!!!! actually sounds really good on guitar!
what? I didn't notice this vid when I scanned your vids. I only guessed Satie from listening to that first movement of your 9 movement piece (which I already forgot the name of, dang it). your last string is up there in piano land. an octave above a normal guitar. How do you not go crazy with so many options? hehe Very cool. I don't want to imagine what a guitar like that would cost to build. LOTS. That pickup is like 8 inches long. I guess your amp must need to be set to reproduce nice bass frequencies using clean sounds. anyway, very nice!
Thanks, man =)
Well, after 25 years of playing my grand-guitar (in many different genres) I still like I have only scratched the surface of possibilities.
I got my guitar very cheap - half the price of the wood work, at least. I think my grand-guitar ended up with ... 8000 US $ - half the price. And this was 30 years ago.
I’ using full range speaker (not very good one nowadays but they will do at home, and/but other "stuff" in studio productions.
I no matter what kind of gear I’m using from time to time, don‘t have a mindset of putting ’guitar and bass’ together in the EQ-mix; I’d rather some kind of piano approach to it. This mindset could best be heard on my solo album Gautigoths.
Right now, I’m working on music by the great Arvo Pärt, in grand-guitar renditions, and a quadruple album with symphony orchestra/choir and my grand-guitar. Planned release on that quadruple album: 2027. Planned release on that Arvo Pärt works-album: 2028.
Hey - I have Facebook. If you are on Facebook too, just search for Robert Ritchiesse.
Cheers
Robert
And .... I think this two tracks from my album Defragmentism Project will intrigue you:
(Morgan Ågren on drums
Steve Hunt on keys
Kai Ritchiesse on bass/saxophones
Me on grand-guitar)
open.spotify.com/track/5uKTAiTUDjQXVUzmdhwIi8?si=35acd81e1b094468
open.spotify.com/track/1VZw7ewBMJBsV400rPmLWs?si=d3946b18e0ac4a43
@@robertritchiesse No, not on Farcebook. I'm kind of avoiding most social media places as far as being on them visibly. I'm on YT and that's about it. Just cuz I enjoyed uploading vids of stuff. Guitar, singing, religious opinions... short stories I did up as audios... etc. $8000 sounds like a decent price for that guitar. I mean, machining that vibrato tailpiece probably took someone a little time and just overall longer due to so many strings. It's not for me but I bet it's very fun to play and probably feels like exploring sometimes with even new tunings. How do you remember so many pieces of music???? I guess I'm getting old or just never learned properly to learn music or I just really gravitated toward rock mostly and heavy metal so the Holdsworth stuff... mostly just watch vids of him every year or so to be amazed and kind of like uh... some of it's ok. But I'm not into jazz or jazz fusion really. But if it's just genre-less, so to speak, I can probably get into it. Just chords and notes. I guess that's kind of what Allan was doing but the extended chords and outside notes well... I guess doesn't move me so much. The slow stuff I like probably better.
Well, best of luck to you in these future endeavors! Do you live near Sweden or somewhere in north Europe? Just curious. thx
@@robertritchiesse wouldn't let me listen w/o signing up. :( I don't like having to sign up for anything! haha But they gotta pay their bills and earn a living. Can you just send one like with some other link like dropbox or similar? thx
Very expansive and expressive arrangement!!....working on it right now and I know how obsessive it can become!!...very slow tempo is as hard to play as a very fast one!!...great stuff!!...
Beautiful. The life as seen by humane creatures allows me to wonder the reason for why we are even here. Astonishing.
very cool. pretty and haunting melody. Would be a great soundtrack for an Ingmar Bergman film!
This is awesome. I imagined this is what it's like if Portishead samples this song.
great main
Hi, beautiful performance and sound! I wonder what the scale lengths are of all the strings, in particular the baritone strings? They sound so clear despite being tuned so low!
The darkness and sorrowfulness of my brother before he passed away.
❤
The low notes make it sound more evil than it already is.
Wow, amazing! Could be the soundtrack for a dark and gloomy movie.
As we approach the Ninth Gate.
I think one of those books behind him wakes the dead.
I love everything except the last note choice. What about hitting the leading tone and letting that hang? Might be spookier.
Reminds me King Crimson
Would you remember who made the instrument you are playing
Of course I do, hence it took appr. 7 years to build it, in the 90s, 1991-1997 (a lot of details to go through on the blueprint stage):
Ådin & Ekvall Instrument (Grebbestad, in Sweden). :)
You change f minor to g minor , don’t you?
I guess I did. G-minor "suits" the tuning system ’better’ on the grand guitar. :)
hi dear! how can we contact:}
I want this cover to be on Spotify please dude
Well, thanks ... I guess. =) Not a bad idea you brought up .... but if so, there would be plus a few other classical music tunes then, as a grand guitar solo album. I’ll think about it. Who knows. Time tell. ... BUT! My next solo album will actually be - pretty much - in this kind of sound and expression - some kind of Bill Frisell/Arvo Pärt, Rachamninoff, Hans Zimmer, John Williams-mix in that concert music.. I have composed a whole grand guitar solo concert in eight movements. The recording of that concert - namned Gautigoths - will take place in the beginning of 2002, and hopefully released later on, a few months later.
Cheers, Mr. waffle =)
Robert
@@robertritchiesse Oh this is awsome! Cant wait for ur next solo album. Really love this sound and expression. Im looking forward to it! :D
take care dude! :)
Mr. Waffle
@@mr.waffle6993 Thanks. Oh, I almost forgot: at 3th of January, I’ll release my new solo album, Defragmentism Project. The line up on that album: Steve Hunt (piano and keyboard), Morgan Ågren (drums), Mattias IA Eklundh (guitar) and Kai Ritchiesse (bass & saxophones).
Oh man this is great!!!!
@@mr.waffle6993 There will be a release on the Defragmentism Project-album here on You-tube as well - just as the Fragmentism Project-album + info about releases on several digital platforms. Saturday, if everything goes as planned.
Cheers, Mr. waffle =)
Scary interpretation lol
Always nice to have this on throughout the house, along with your Ellington tune.