I created a "Before and After" video of the paintings based on your comments. You can watch it here: th-cam.com/video/ZrKJdJyCIAU/w-d-xo.html&ab_channel=IanRoberts
You should switch between before and after a few times after the exposition; this would allow the viewer to more readily see the effects of your changes.
It's fascinating how impactful those few strokes can be, after painting dozens and dozens of them. The illusion of painting is mind blowing. It seems that your previous video on transitional colors, goes hand and hand with this one. Thank you for yet another insightful lesson, Ian.
Well…what can I say! That was so incredibly insightful and helpful. Thank you for taking the time to make these videos and sharing them with the world.
No matter what my problem is in my current painting, no matter how old or new your videos are, it’s always your video that helps me resolve my issue. I thank you for your many many videos. I love them all.
This is a great example of when you know something is "off" about your painting - it just needs tweaked! Your changes are so subtle that I almost need to see the before and after side by side.
You were not alone in that. Side by side made them a bit small, but if I do that again I'll show before and after a couple of times so it is clearer. Thanks and all the best.
Consistently impressed with the higher level education you provide here for free Ian, thank you so much for your generosity! Your videos always make me feel like I've snuck into a college painting class!
Very good lesson! I have your Mastering Composition book and love it. I consider myself a professional (with some awards in juried shows and gallery representation) and I find your lessons beneficial to me! Many thanks!
I have both books and they changed my whole approach to art. Didn't think Creative Authenticity would have as significant an effect as it did but I think I got more insight from it that Mastering Composition . I highly recommend both.
fantastic! I so much miss seeing you every Tuesday, but deeply appreciate the once a month gems. Thank you for your generosity and for sharing your expertise with all of us.
Love your book and your videos. But this particular video is exceptional. The visual examples demonstrate the idea effectively to train the eye to see. Thank you.
This is super helpful. Thank you! I found myself going back & forth several times between the images, so I took several screenshots & compared them side-by-side & that helped my brain to absorb the differences. Others may find that useful also. Perhaps you might consider setting the images side-by-side after you discuss them. Love your videos!
Hi Krista, that was a common comment. I figured it was video. You could rewind it. But I think it would have been better to have them side by side. If I do it again.... All the best.
This was another great lesson from Ian. I pulled some older small pastel works from the cupboard . Thought they would be in the box till I am dead. I applied the techniques as shown in Video. Voila yes the small changes do make a difference I am now in the process of framing them with some store bought frames _____this is becoming. a bit of a nightmare 😂. Pastels seem to come alive once they are behind glass . Now they will more than likely sit in a box framed. Thank you Ian. I am now relating differently to fore ground and background as well as paying attention to soft and hard edges. Cheers Miriam. Sustralia
I'd like to compliment the students' compositions. Even without your suggested changes the paintings are nicely rendered. The topics you addressed are subtle refinements, but certainly valuable considerations. I hope to apply this lesson. Thank you, Ian.
That is why I chose those paintings. Because they had good structure. They already worked. It was because they needed so little that I used them. So yes, I agree with your about their paintings. All the best
Ian, this session was extremely helpful! Edges, values, directing attention to where you want the viewer to go - thank you for these valuable lessons! Your books are a constant resource and must-haves for every painter’s library. Many thanks, Deb
This is one of the most helpful landscaping tip videos I’ve ever seen in my long life. It’s one thing to give students a list of rules, and quite another to demonstrate the rules right before their eyes. Bravo!!
Well, now I see what’s holding me in the foreground of the painting currently on my easel as I’ve already blurred and blued the distant mountains but there is little differentiation between anything in the middle ground and the foreground BECAUSE the edges of receding ridge lines are too distinct and in one area, the value is too dark. I also need to darken my immediate foreground because a strip of it is very light. I stood at my easel this morning and looked at my work and said well this one is going to be over painted, and I’ll scrape the canvas. Thank you so very much for these tips, and allowing my mind to be unblocked as to what the problems were in the composition of this current painting. This is the first panoramic landscape I’ve attempted. Thank you, thank you!
That's great. It really helps to know what the problem is. The main problem. Because you can go back in, knowing something is wrong, but not sure exactly what, and just keep making tons of small changes that in the end ruin the whole thing. Glad you found it helpful
All your videos are good but I really loved this one. It seems like in most cases you were creating a definite middle ground where there barely was one. Thanks for your work.
Thank you, this compact lesson was a game-changer. I would love to see more of your insightful advices based on your students works. It makes a huge difference when you can observe corrections on a real work. Thank you again!
Subtle, maybe a little complex, even subjective, but edifying! I agree with the comment about showing before and after. Not just this video - I've had the thought on other videos too. Appreciate the wisdom, thank you.
Excellent video. I'd never thought about slightly reducing the colour of an interesting foreground and heightening it further back to draw the eye in. I need to think a lot more about my edges too. I tend to forget them
Thank you I have known I had a problem in some of my paintings and been stumped as to what was wrong.Thanks to you at least one of those problems has been solved
Ces exemples concrets, avant après, nous sont d'une aide très précieuse. Il n'y a pas mieux pour nous faire comprendre ce dont on n'a pas conscience sans ces explications. Quant on regarde une peinture réussie, on n'a pas conscience de toutes ces subtilités que le peintre à utilisé sciemment, et qui réunies font qu'une peinture devienne captivante, à commencer par la composition, valeurs, couleurs, contours, autres petits détail, etc etc... Merci Ian pour ces explications, des super informations et une super leçon en quelques minutes, Vous êtes un excellent professeur et beau de surcroît. Salutation depuis la France.
Warching the greek scene I watch over and over and could not see what you lightened and what you removed in the forground. But I am loving this lesson!
Thanks, Ian! This video ties so well with your video on "raw edges." I now feel more confident on how to "fix" some edges that are grabbing too much attention in paintings I have completed for the brushwork course. Wish me luck!
This was so helpful. I backed it up over and over to study the before and after. I would never have thought to reduce contrast and edges in the foreground to guide eye movement through to the background.
Hi Heather. I created a before/after video based on all of the comments. I hope you find it helpful. th-cam.com/video/ZrKJdJyCIAU/w-d-xo.html&ab_channel=IanRoberts. All the best.
It's pleasure to watch your video because of your teaching techniques so skillfully that anyone can understand it and easily implement it. You showed us very IMP focal point adjustment in painting by adding small changes . Thankyou very much.
Thanks Ian. Such valuable information and I greatly appreciate you sharing your expertise. I’m learning so much from you, and will buy books after I decide which to get first! Enjoy the rest of summer.
Glad you enjoyed it Herb. I did show before and after. Not sure what you mean. You mean show it the shift two or three times, not just once? All the best
You are a great teacher and I love your videos. This one topped them all though ! It’s such a help to investigate why something is off and then see how it can be changed. That’s what’s always missing when I am alone and look at my piece not knowing what the problem is. Thank you for that magnificent lesson. Actually my husband (who self claims that he doesn’t have a clue about art) would come in and then I ask him, what do you see?where does your eye travel? What Puzzles you? He just tells me what he feels and experiences while looking and very often he brings me one step further that way. 😊
That is interesting about your husband but it doesn't surprise me. When we paint we overlay our idea on top of what we actually see. Your husband just has the image itself and the image will always tell you the solution if you spend the time looking at it. But someone else, it may be staring them in the face.
And I loved the way how you and so we looked at these small changes and how the depth improved. Great input really. Thank you. I will be looking out for next month 😊
Ian, thank you! So helpful. Isn’t procreate a great tool! The before and after examples really bring it to light. I have often struggles with this not knowing what to do. You put it all together, and make it simple to understand.
Thank you so much for this lesson, Ian! So helpful for me. I realise that, in trying to make my paintings interesting, I'm actually creating distractions for my viewer. I'll press on now, with renewed purpose! Thanks again for sharing with us. 🎨💕
Thank you Ian! the before after pics really explain the concepts so well (and it feel like a helpful crit to attend so that add to my experience as an artist). Also thanks for including portraiture because that's where I struggle most with composition elements
Thank you for this instructional video. I am amazed at how such minor details can impact the total composition. I always learn so much from your lessons.
Yes, it's helpful, I'm thankful.. it feed my sense to write a poem.. or to paint a poem with words,,, see you after August Mr. Ian have a wonderful weekend
Thank you Ian. A very timely lesson for me as I am in the middle of painting two summer landscapes full of summer greens and struggling with introducing depth into them. I have a roadmap now. 😅
ian...thank you, thank you for this lesson. It's wonderful! It's great and just what I needed. I now have your book Mastering Composition, so I can continue to learn from your .lessons!! Thank you again!
I would be rubbish at critiquing. Actually liked all of the student pieces, thought they were really good. Do have a better understanding of where pics should be going. Thanks to the students who allowed their pieces to be shown and to you for your comments. Blessings.
Thanks Ian, this information is really helpful in understanding how to lead the viewers eye. I have your book Mastering Composition, it’s one of my favorite books. I’m going to get the other book.
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I created a "Before and After" video of the paintings based on your comments. You can watch it here: th-cam.com/video/ZrKJdJyCIAU/w-d-xo.html&ab_channel=IanRoberts
Thanks so much Sandy. I am glad so many people like my videos. Thanks for the kind comment. @sandyedwards2681
thanks so much for the kind comment Sandy. Best wishes.@sandyedwards2681
You should switch between before and after a few times after the exposition; this would allow the viewer to more readily see the effects of your changes.
Or show the images side by side. This is very subtle but I can see it has great affect. Thanks.
@@roccoliuzzi8394Yes, side-by-side comparisons are extremely useful.
Next time I will. Side by side they are a bit small but back and forth would be helpful. Thanks. All the best.
Side by side they were a bit small, but back and forth a couple of times would have been a good idea. Next time. All the best.
I did it to scroling back to compare. I find this video very helpfull. Thank you for showing this type of small tricks, that have a big impact.
It's fascinating how impactful those few strokes can be, after painting dozens and dozens of them. The illusion of painting is mind blowing. It seems that your previous video on transitional colors, goes hand and hand with this one. Thank you for yet another insightful lesson, Ian.
Thank you Dennis. Yes, my videos all relate. Glad you are finding they can help you as a group. All the best.
Wow! A masterclass in 10 minutes! Amazing! I need to watch this one several more times to absorb all the nuances - thanks so much Ian!
Glad you enjoyed it Rebecca. Thank you so much
Well…what can I say! That was so incredibly insightful and helpful. Thank you for taking the time to make these videos and sharing them with the world.
Glad you enjoyed it. Thanks so much for watching
Small changes…huge differences! Fascinating!
Small changes, big results. Thank you for watching and glad you liked it
No matter what my problem is in my current painting, no matter how old or new your videos are, it’s always your video that helps me resolve my issue. I thank you for your many many videos. I love them all.
I am delighted that you find them helpful!
This is a great example of when you know something is "off" about your painting - it just needs tweaked! Your changes are so subtle that I almost need to see the before and after side by side.
You were not alone in that. Side by side made them a bit small, but if I do that again I'll show before and after a couple of times so it is clearer. Thanks and all the best.
Enjoyed your video, very helpful
Great tips that would go unnoticed had you not brought to our attentions!! Looking forward to next month.
Thanks so much Marianne. Glad you enjoyed it
Excellent. I agree with previous comment that more back and forth on changes would be helpful.
If I do it again I'll do that. I think it would help. Thanks and all the best.
Consistently impressed with the higher level education you provide here for free Ian, thank you so much for your generosity! Your videos always make me feel like I've snuck into a college painting class!
That is kind of you to say Christiana. Thanks so much.
This completely changed my understanding of the next thing I'm painting. Really opened my eyes, thank you!
Excellent. I am so glad it is changing how you see things. All the best.
I think I can use this lesson in my digital art!! Thank you Sir Ian!! :DD
Absolutely. This can be used in digital art, or any medium. All the best.
Very good lesson! I have your Mastering Composition book and love it. I consider myself a professional (with some awards in juried shows and gallery representation) and I find your lessons beneficial to me! Many thanks!
That makes me happy to hear. Thank you very much. All the best.
Noted Ian 🫡👍 soft edges, cooler and blueish in the background. Happy Summer to you too ❤
Thanks so much. Happy summer!
I appreciate how you guide student painters to develop better self critique skills.
That is one of the best ways to master composition.
I have both books and they changed my whole approach to art. Didn't think Creative Authenticity would have as significant an effect as it did but I think I got more insight from it that Mastering Composition . I highly recommend both.
Thanks so much for letting me know Heather. All the best.
fantastic! I so much miss seeing you every Tuesday, but deeply appreciate the once a month gems. Thank you for your generosity and for sharing your expertise with all of us.
You're very welcome Molly. I appreciate your kind words.
Love your book and your videos. But this particular video is exceptional. The visual examples demonstrate the idea effectively to train the eye to see. Thank you.
That makes me very happy to hear. I've been wanting to do a video on this for a while. All the best.
I audibly went "HOLY SH*T" at the sixth example. Such a strong shift with such few changes, it's actual magic!
Thank you. I am delighted that you saw what I meant. How small changes can yield such big results.
This is super helpful. Thank you! I found myself going back & forth several times between the images, so I took several screenshots & compared them side-by-side & that helped my brain to absorb the differences. Others may find that useful also. Perhaps you might consider setting the images side-by-side after you discuss them. Love your videos!
Hi Krista, that was a common comment. I figured it was video. You could rewind it. But I think it would have been better to have them side by side. If I do it again.... All the best.
Excellent demonstration. I could easily see what you meant. Who knew that could make so much difference? Thanks, Ian.
Glad it helped Martha. Small changes can make a big difference
Great informative lesson, Ian. Thanks
You're very welcome. Thanks for watching
This was another great lesson from Ian. I pulled some older small pastel works from the cupboard . Thought they would be in the box till I am dead. I applied the techniques as shown in Video. Voila yes the small changes do make a difference I am now in the process of framing them with some store bought frames _____this is becoming. a bit of a nightmare 😂. Pastels seem to come alive once they are behind glass . Now they will more than likely sit in a box framed. Thank you Ian. I am now relating differently to fore ground and background as well as paying attention to soft and hard edges. Cheers Miriam. Sustralia
Hi Miriam, Gotta get you and outlet for all those framed paintings now. Glad you found the video helpful. All the best to you.
A fantastic lesson! Thank you for sharing your expertise.
You're very welcome. Thank you so much
I'd like to compliment the students' compositions. Even without your suggested changes the paintings are nicely rendered. The topics you addressed are subtle refinements, but certainly valuable considerations. I hope to apply this lesson. Thank you, Ian.
That is why I chose those paintings. Because they had good structure. They already worked. It was because they needed so little that I used them. So yes, I agree with your about their paintings. All the best
Ian, this session was extremely helpful! Edges, values, directing attention to where you want the viewer to go - thank you for these valuable lessons! Your books are a constant resource and must-haves for every painter’s library. Many thanks, Deb
HI Deb, so nice to hear from you. Hope all is going well. Delighted you enjoyed the video. My very best wishes, Ian
This is one of the most helpful landscaping tip videos I’ve ever seen in my long life. It’s one thing to give students a list of rules, and quite another to demonstrate the rules right before their eyes. Bravo!!
Thank you for the several lessons on painting depth into paintings. I will keep your tips in mind as I paint.
You are so welcome. Thank you for watching
Well, now I see what’s holding me in the foreground of the painting currently on my easel as I’ve already blurred and blued the distant mountains but there is little differentiation between anything in the middle ground and the foreground BECAUSE the edges of receding ridge lines are too distinct and in one area, the value is too dark. I also need to darken my immediate foreground because a strip of it is very light.
I stood at my easel this morning and looked at my work and said well this one is going to be over painted, and I’ll scrape the canvas. Thank you so very much for these tips, and allowing my mind to be unblocked as to what the problems were in the composition of this current painting. This is the first panoramic landscape I’ve attempted. Thank you, thank you!
That's great. It really helps to know what the problem is. The main problem. Because you can go back in, knowing something is wrong, but not sure exactly what, and just keep making tons of small changes that in the end ruin the whole thing. Glad you found it helpful
All your videos are good but I really loved this one. It seems like in most cases you were creating a definite middle ground where there barely was one. Thanks for your work.
Thank you Susan. Exactly. Glad you found the video helpful
Thank you, this compact lesson was a game-changer. I would love to see more of your insightful advices based on your students works. It makes a huge difference when you can observe corrections on a real work. Thank you again!
thank u soo much for ur valuable insight...btw u just resemble my dad...haha
Funny. Thank you for watching.
Wonderful lesson, Ian!!
❤
Thanks so much Julie
Love your book but watching how you edit real paint is even better. Thank you.
Thanks so much Susan. All the best.
Subtle, maybe a little complex, even subjective, but edifying! I agree with the comment about showing before and after. Not just this video - I've had the thought on other videos too. Appreciate the wisdom, thank you.
This is a great lesson indeed, a very practical and very interesting!! Please have a few more like this, very very helpful! Thank you !
Thank you. I am delighted you enjoyed it.
This session just blew my mind
Thank you. Delighted you enjoyed it.
wow, it looks like you cast a magic on every pictures. thank you for showing the technique.
You are so welcome!
Another great masterclass - I find them so helpful, thank you!
Glad you like them. Thank you Jane.
Excellent video. I'd never thought about slightly reducing the colour of an interesting foreground and heightening it further back to draw the eye in. I need to think a lot more about my edges too. I tend to forget them
Glad it was helpful. Thanks so much
Спасибо! Это очень полезный урок, раскрывающий секреты хорошей композиции. Успехов вам!
I'm glad you enjoyed it
Just what I needed to push me in the right direction....wonderful Ian, thanks!
Perfect. Thank you and all the best.
@@IanRobertsMasteringComposition Thank you!
Thank you I have known I had a problem in some of my paintings and been stumped as to what was wrong.Thanks to you at least one of those problems has been solved
That makes me happy to hear. Thank you
So good, Ian, so helpful. Thank you!
Thank you again Ian, so good!!
Thanks so much. All the best.
Love this I am going to think about this as I paint I will have to watch this a couple of times it’s a small change with a lot of power
Small changes do have a lot of power. Thank you and glad you enjoyed it
Really good quality tips, thank you.
Glad it was helpful Jonathan
Ian, thank you for this lesson. It came at a good time, when I am wondering how to create depth in my watercolor landscapes.
Love it when the timing works out. All the best.
Ces exemples concrets, avant après, nous sont d'une aide très précieuse. Il n'y a pas mieux pour nous faire comprendre ce dont on n'a pas conscience sans ces explications.
Quant on regarde une peinture réussie, on n'a pas conscience de toutes ces subtilités que le peintre à utilisé sciemment, et qui réunies font qu'une peinture devienne captivante, à commencer par la composition, valeurs, couleurs, contours, autres petits détail, etc etc...
Merci Ian pour ces explications, des super informations et une super leçon en quelques minutes, Vous êtes un excellent professeur et beau de surcroît.
Salutation depuis la France.
Well said. Glad you found it helpful. Thank you for the kind comment. All the best, Ian.
Wonderful illustrated instruction on how edges attract the eye. I learned something! Thank you. Have a wonderful summer. Ralph
Thanks Ralph. Glad you enjoyed it and hope you are having a wonderful summer as well.
You have my attention here. So much to learn, but it keeps the game of oil painting lively and ever curious-making. Thank you,👍
I'm glad you enjoyed the video
Warching the greek scene I watch over and over and could not see what you lightened and what you removed in the forground.
But I am loving this lesson!
Thanks, Ian! This video ties so well with your video on "raw edges." I now feel more confident on how to "fix" some edges that are grabbing too much attention in paintings I have completed for the brushwork course. Wish me luck!
Glad it was helpful and good luck!
This is very helpful! Subtle changes make such a difference!
They certainly do. Thank you for watching
This was so helpful. I backed it up over and over to study the before and after. I would never have thought to reduce contrast and edges in the foreground to guide eye movement through to the background.
Hi Heather. I created a before/after video based on all of the comments. I hope you find it helpful. th-cam.com/video/ZrKJdJyCIAU/w-d-xo.html&ab_channel=IanRoberts. All the best.
It's pleasure to watch your video because of your teaching techniques so skillfully that anyone can understand it and easily implement it. You showed us very IMP focal point adjustment in painting by adding small changes . Thankyou very much.
It's my pleasure. I am glad you enjoyed it. All the best.
Thanks Ian. Such valuable information and I greatly appreciate you sharing your expertise. I’m learning so much from you, and will buy books after I decide which to get first! Enjoy the rest of summer.
You can't go wrong either way. Thank you for the kind comment. Enjoy your summer Norma
That was very helpful.
Glad you think so Beatrice. Thank you
Thank you, Ian. This is a good one; slight changes, but what a difference.
Thank you. Glad you enjoyed it.
Wow! This taught me sooooo much in just a few short minutes! I get it!! Now, I get it!!
Wonderful. Makes me very happy to hear
The best part of Tuesdays, as usual; but it might have had
even more impact if we were shown befores and afters.
Glad you enjoyed it Herb. I did show before and after. Not sure what you mean. You mean show it the shift two or three times, not just once? All the best
Oops. That sentence should have ended: at the same time.
@@nevertooldtolearnmore I see. I will do that for next time. All the best.
You are a great teacher and I love your videos. This one topped them all though ! It’s such a help to investigate why something is off and then see how it can be changed. That’s what’s always missing when I am alone and look at my piece not knowing what the problem is. Thank you for that magnificent lesson.
Actually my husband (who self claims that he doesn’t have a clue about art) would come in and then I ask him, what do you see?where does your eye travel? What Puzzles you? He just tells me what he feels and experiences while looking
and very often he brings me one step further that way. 😊
That is interesting about your husband but it doesn't surprise me. When we paint we overlay our idea on top of what we actually see. Your husband just has the image itself and the image will always tell you the solution if you spend the time looking at it. But someone else, it may be staring them in the face.
And I loved the way how you and so we looked at these small changes and how the depth improved. Great input really. Thank you. I will be looking out for next month 😊
This information is so subtle, SO helpful, and so good! Thank you!
I loved this demo, very helpful!!
Wonderful. Thank you and glad you think so
Ian, thank you! So helpful. Isn’t procreate a great tool! The before and after examples really bring it to light. I have often struggles with this not knowing what to do. You put it all together, and make it simple to understand.
Thank you so much. All the best.
I love your work! I understand how I can improve my older work. Have a great summer!
Exactly. Have fun with it. All the best.
This is fantastic. Just some few lines placed and the paintings turns into masterpieces. I will keep this in my favorite library.:o)
Excellent. Thanks so much and glad you enjoyed it.
Very helpful reminder. I do have your door on composition .
Thank you. I hope you enjoyed the book. All the best.
Thanks Ian for this great lesson. Have a great summer!
Glad you enjoyed it. You too Kamlesh
Never seen this explained before. Superb.
Makes me happy to hear. Thank you Mark
Fabulous video! Hi Ian, I really appreciate seeing how small changes can be used to make compositions better. 👏
Absolutely. Thank you for watching Anne. All the best.
Thank you so much for this lesson, Ian! So helpful for me. I realise that, in trying to make my paintings interesting, I'm actually creating distractions for my viewer. I'll press on now, with renewed purpose! Thanks again for sharing with us. 🎨💕
You're very welcome Dianne. Glad you found it useful
Thank you Ian! the before after pics really explain the concepts so well (and it feel like a helpful crit to attend so that add to my experience as an artist). Also thanks for including portraiture because that's where I struggle most with composition elements
You're welcome. I am delighted you found it helpful for multiple reasons. All the best.
Very useful !
Thanks so much
Thanks again M.Roberts. Everything makes sens.
Very welcome Sylvain. All the best.
Thank you for this instructional video. I am amazed at how such minor details can impact the total composition. I always learn so much from your lessons.
Small changes really do yield big results when it comes to art. Thank you. Glad you found it enjoyable.
I really appreciate your teaching! It helps a lot as I do my own painting!
I'm so glad. Thank you so much
What a revelation! It is so helpful to see the before and after. Let’s have more of these sessions! Thank you.
Thank you Patricia. I plan on it
This was honestly eye-opening, thank you so much for this!
I'm so glad. Thanks for watching
Great video! Thank you!
Thanks so much
Very good tutorial to make us open-minded , thank you.
You're very welcome. Thanks so much
Wondering if you could possibly show the before and after paintings side by side, once you're done adjusting them. Super helpful, thank you, Ian!
A lot of people have suggested that. If I do it again do it. The two images side by side are a bit small when they are shrunk to fit. all the best
oh great! Thank you Ian! @@IanRobertsMasteringComposition
Really well done, Thank you. Subtle tips that can solve big problems and make big differences.
Glad it was helpful Patrick. All the best.
Thanks Ian! I love your book and all your tips! ❤
Thank you so much. Glad you like my books and videos.
Your insights are always invaluable. Thank you!
My pleasure Monica. Thank you so much for watching
Thank you Ian!! All the Best!
Same to you. Thanks so much
Yes, it's helpful, I'm thankful.. it feed my sense to write a poem.. or to paint a poem with words,,, see you after August Mr. Ian have a wonderful weekend
Thanks so much. All the best.
Thank you Ian Roberts
you're welcome Nick
Thank you Ian. A very timely lesson for me as I am in the middle of painting two summer landscapes full of summer greens and struggling with introducing depth into them. I have a roadmap now. 😅
Excellent. Have fun with it. I am glad this video will help you
I really learned a lot from this! Grazie and ciao from Italy
Great to hear that. Thanks so much for watching.
just an idea because this a new approach of you: how to get the details/depth/tonality… right. So,valuable 🙏
Thanks you Wolfgang. I am glad you think so.
Ian really great video, these before and after breakdowns you do are so educational. Thank you
Glad you like them!
Another great lesson! You're the best and we all thank you, Ian!
Thanks so much. All the best Dianne
ian...thank you, thank you for this lesson. It's wonderful! It's great and just what I needed. I now have your book Mastering Composition, so I can continue to learn from your .lessons!! Thank you again!
Wonderful. Very glad to hear you have my books also. All the best.
So helpfull - inspirational/encouraging!
I would be rubbish at critiquing. Actually liked all of the student pieces, thought they were really good. Do have a better understanding of where pics should be going. Thanks to the students who allowed their pieces to be shown and to you for your comments. Blessings.
Yes, their paintings were good. I wanted to choose ones that were good and only a small change was needed. All the best
@@IanRobertsMasteringComposition Like I said, I would be rubbish...haha.
Thank you...a a great lesson! I had to laugh as I had Mastering Composition right beside me as I am currently reading through it.
That is great. I hope you are enjoying the book Cindy. All the best.
excellent tips . The best I've ever had explained. Thank You.
Thank you Lucinda. Delighted you think so.
Great insight, thank you, looking forward to next month
Thanks so much Mark. All the best.
Thanks Ian, this information is really helpful in understanding how to lead the viewers eye. I have your book Mastering Composition, it’s one of my favorite books. I’m going to get the other book.
So glad that you liked it Robin. Thank you for the kind comment. Best wishes.