ฝัง
- เผยแพร่เมื่อ 13 มิ.ย. 2024
- Keep in mind that this information is purely speculative and based on unverified rumors. If you're interested in exploring further, I'll share some links below for you to check out...
www.l-rumors.com/
www.sonyalpharumors.com/
Av teamed up with Audiio to get you a 70% discount so you can have the best music and sound FX for your videos...
Link: audiio.com/partner?oid=1&affi...
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Gear I use:
📸 Camera I use to shoot TH-cam videos: amzn.to/3AwdHi1
🔘 Lens For TH-cam videos: amzn.to/422a92H
🔭 Best Tripod: amzn.to/3rpVeSZ
💡 Fav Big Light: amzn.to/3n3s7mF
🔦 Fav Small Light: amzn.to/3LfEkfQ
🔍 Filters we use: amzn.to/3LlvUUy
👓 Best NDs: amzn.to/41ZK8l7
👋 Fav Gimbal: amzn.to/3Hku2tW
🎤️ Best Mic: amzn.to/40FENh3
💾 SD Card: amzn.to/3Hmx3Ki
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If you would like to get in touch please email:
gary.scaife@oliverbrian.co.uk
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00:00 - Start
01:35 - Blackmagic
03:45 - SONY
05:58 - CANON
06:47 - PANASONIC - แนวปฏิบัติและการใช้ชีวิต
Lots of great info! Thanks.
You are doing an excellent job 🙏🏼 thank you!
thanks so much!
By the way, your mic & audio on this one much better than the last video, I watched on your channel. Good luck in getting the numbers up. Sounds like u do have extensive cinema background. Maybe, just get one of your sound buddies to give u a hand in setting up your youtube studio when u have the time. 😎😎
Congrats, you hit the 3K. Good job, thanks.
Yes 🤯🥳! Thank you!
4:50 I think the A9iii sensor is ideal for FX9II which is positioned as a run-and-gun documentary camera and to compete with RED Komodo/X. In contrast, the CineAlta line is targeted for image quality.
Cheers much 😊 I’m waiting for the new Zv E1ii 😊❤
Love your content man I feel like your videos are going to explode in the near future bro 🔥🔥
🤞 Thanks so much
🤞for S1H mark ii
I was the Provision (rental house) Christmas knees up in Leeds, earlier this week. They had lots of new equipment on show. The most eye-catching was a camera / gimbal hybrid from DJI. I didn't catch the specs, I'm afraid, but had a play with it and I must admit I really liked it. Depending on the price and specs, I suspect it could really take off.
Great video, really like it 😊
Thank you!
Nice video…while I’m mostly in the Arri n Red world …would be interested in what you think is coming in 2024 for video support from black magic, Teradek, fsi, LUT boxes, capture n playback, and oled onset grading monitors and maybe some of the off brand monitors trying to make a name for themselves.
I'm actually a dom, but I'll be your sub. Thanks for the videos!! I predict an FX3 mark ii, and S1H mark ii.
Thank for your video. I hope a box camera from Black Magic or Canon
Gary you genuinely have the best videography content on TH-cam rn 🔥🔥
Thank you so much bro! see you next year.
An Ursa mini with an L-mount, that’s a very major redesign of the chassis. Given BM’s conservative approach to camera design and their orientation to broadcast, what would drive them to do that? Not to mention the need to completely rework the mechanical ND system. I tend to think that’s the least likely thing to happen. Maybe a full frame Ursa with PL mount? If they put out an l-mount body with SDI and other pro features, that would be the box design everyone is shouting to have. If I were at BM, that’s what I would do.
Some great points, my thinking comes from the R&D costs for BM to make their own 12K sensors, and the numbers the 12K URSA has sold in, just has me thinking the sensor is going to be in a few more designs in the years to come.
@@OBP_ But redesigning the Ursa, and retooling the manufacturing, and designing a layered mount system similar to the Venice and Burano (PL over E) will be enormously expensive, with very little pay off. I for one may never own l-mount glass. I want the sturdy lock of PL-mount and purchase accordingly. However, l-mount does open the door to building a compact box-ish design (not quite sure how they would handle the screen). Put the 12k sensor in that housing behind an l-mount and you would have a best seller. Where an l-mount Ursa would make me shrug. Just a guess on my part, but fairly plausible I think.
I mean, they joined the L-Mount Alliance so it’s more a question of when not if. Assuming all future BM bodies are L mount which I’m not sure why they wouldn’t be, it makes perfect senseZ
@@ContraGrain If they keep building the Ursa then they need to keep supporting PL as a primary mount option, and not as an adapter. I will put up with adapters on the BMCC, but I need a more robust mount for bigger cameras. So maybe one of these days they cook up a mount like you find on the Venice and Burano cameras such that PL bolts on top and then you have the option of removing the PL to reveal an L-mount underneath. But between that constraint, and reengineering the ND system for the short flange distance, the Ursa will be very costly to retool. Even if they roll out a full frame version of the Ursa sometime soon, I don’t see them modifying the body for at least a couple more years. I think it’s more likely they will try to build an l-mount camera somewhere between the CC and the Ursa. Customers have been crying for a “box” camera forever. L-mount is the perfect excuse to give people what they say they want. Pure speculation on my part, but from a product development perspective, it would be an easier way for BM to ease their way into the l-mount design world, and then use what they learn there to finally catch up with a modified Ursa. BM is a fairly methodical company and one that supports broadcast standards even more than they do cine. They won’t be in a hurry to rework Ursa because of their installed base.
@@OBP_ Are we certain the Ursa 12K was a financial success and that profited from that camera to invest in further R&D?
Open gate 60p for sure. Currently the S1H gest beat by the S5 line.
Which sensor you'd think the speculated S1x will feature if it is not the Leica 60MP? They'd have to do some very impressive software magic to make this slow Leica sensor to be any good for video. The rolling shutter is insanely bad on this sensor.
For me, S1HII if it has 1) good rolling shutter, 2) good AF, 3) NDs, 4) XLR, 5) waveform scope, 6) record to USB SSD, 7) superb DR and latitude, 8) excellent low light, 9) excellent IBIS, 10) of course great codec options, 11) excellent battery life, 12) open gate
In its expected price range it would be only camera with all those features. Maybe they figured out how to have IBIS and NDs. They patented something recently regarding ND.
Only other camera with nearly all those features under $5500 is Canon C70.
I think global shutter is asking too much and not really a demanded feature.
still waiting for the FF EVA ii with PDAF...
After watching a couple of videos from you, I'd just like to say that for me, that subscription reminder made me subscribe, because I value your content and work a lot, thank you for sharing your thoughts, and for all the videos regarding the S5IIX
Thanks so much for taking the time to comment, means alot 🙏🏼
All I want is Foveon.
Panasonic EVA 2?
Would love this, timing is everything and the timing for something to compete would the FX6 would be great.
I'm so curious to see BMD's upcoming announcements and their strategic moves.
They might phase out ProRes in their advanced cinema cameras, focusing instead on their technologies. My reasoning:
1. Avoiding Apple's licensing fees for ProRes could be a cost-saving measure.
2. More importantly, BRAW provides better control and adaptability. Tim Siddons from BMD indicated ProRes limits their sensor and codec potential, as seen with their Full Frame 6K. This is the same response regarding ProRes missing from the URSA 12K Pro cameras. BRAW allows for more innovation and sensor optimization.
BMD is creating a cohesive ecosystem, combining software, sensors, codecs, and cloud services. Once fully established, this could lead to more groundbreaking cameras integrated into their system.
Totally agree here, I think BM should push more into BRaw as it could be the key for them to have an advantage over competitors.
iPhone apps always really suck because they always, under the hood record in variable framerate - inherent to the mobile phones. They just can NOT do Constant Frame Rate reliably.
I just want a low pass filter.
We need a killer 1000$ camera
Agree!
😮😮 you got black magic right
Hi friend new FW S5ii
Chi compra la Ursa lo fa per fare cinema di alta fascia. Il cinema è "super 35mm", no full frame. L'unica miglioria di cui necessita la Ursa è di natura hardware: passare alle schede CFexpress Type B che sarebbero perfette per utilizzare gli 8k e soprattutto i 12k senza dover aggiungere il fardello del registratore. Speriamo ...
Panasonic has always beaten Sony on features and for value
thanks a lot. My personnal feeling is something like that : I need to keep away XAVC-blablabla, keep far away from sony stuff, especially with global sensor. Just to be honest : i think it's just about japanese cultur pictures, very flat and very neutral, keep many western filmaker at distance from sony. Sony is the full-master technically, since many years. But it's purely a cultural-question, about : what is light, what is capturing light, not on flash memmory, but in human memmory. Don"t car about technical spec, they print nothing on our memmory.
100% you're not going to see apple iPhones on professional sets never. It won't be on the Netflix approved camera list. IPhone isn't matching thr dynamic range of a Ursa mini pro 12k olpf. IPhone is good for social media positing, but nothing beyond that. You approach a client with an Iphone, you're not getting the job.