Your process is so satisfying. I hope to one day have a studio like yours! I love how everything comes out so uniform and clean. I can tell this took years to perfect.
The one flat giant bowl was my personal favourite. I find gas firing interesting because I‘ve never learned it in school. I had a final project in which wood firing was required and also learned something about mixing glazes and wood firing during my summer job, but your channel for me is the only place where I can also learn something about gas firing. Even though I might never need it.
My wife and I finally finished our small basement pottery studio in our townhouse last year and we are currently waiting for our electric kiln to cool off to finish our second cone 6 firing. The anticipation of seeing what is inside is unbearable, so I’ve taken to watching your unloading sessions to pass the time. Thank you for all your incredibly relaxing, helpful, and artistically-filmed videos! Cheers!
That iron glaze you are using to refire is one of the most beautiful things I have ever seen on a pot! I love the depth and spontaneity of the finish, and the way the iron seems to be crystallizing where it's thickest. Very cool.
I just picked up my mail ; I just had to come here and congratulate you on being featured on the cover of the January 2023 issue of ceramics monthly -- well done! As one of your 3 million plus followers, each of whom feels that we have gotten to know you on a personal level from watching all of your wonderful videos, I think it's safe to say that we are all absolutely thrilled to see you have this well deserved recognition; the photos were stunning and the article was great! Congratulations again!
The pride and satisfaction of your creations emerging from the kiln made my day! I cannot imagine how you must feel. Gorgeous work and fantastic glazes. I am jealous…thanks so much❣️
Thanks Florian, I do ask myself if I can call myself a potter after watching. But I still have fun even with my imperfections. Have a good holiday season ❤🌹
these all look beautiful as always. I do like that you show some of the small mistakes and misfires, in many ways this show your expertise more than just the perfect results.
getting an auxiliary air tank would cut down on the duty cycles for your compressor. It would run longer but less frequently and maintain a more consistent pressure.
You don't need to worry about the cost of an entirely different room... you can just get a screw compressor which is much quieter and consistent in operation.
I’ve had a look at them and they still operate at 60 db, mine is currently 68 db but there’s one: www.machinemart.co.uk/p/quiet-run-air-compressor/ which operates at 43 db but only gets to 8 bar annoyingly! I need 10 bar and an 100 litre capacity. The search continues.
@@floriangadsby After some finagling it does look like when a company ups the horsepower from 1 HP to like 5+HP (the requirement to produce your 10 bar) there is either an increase in sound (to about the 58-60 db range like you stated) or an insane increase in cost (over 10x what the one you shared is at). Doesnt matter if its rotary screw or a scroll compressor... its about 60 db) I'm used to ingersoll rand rotary screw air compressors myself. The benefit is they're more of a continual operation sound and 8 db is quite a bit since its pretty close to 10x as quiet. th-cam.com/video/edggp5xGkac/w-d-xo.html Best of luck with the art and the search for better sound options for your setup.
I've learned so much from watching your videos and my pottery has improved so much from the tips I've learned from you! I do have one question though. What are the 3 prongs that are in the kiln that end up bent over after it is fired?
Sorry if this has already been answered elsewhere - how do you dispose of glazed and fired pieces that have failed, such as the fused mug and cup? Thank you!
Great flick. It seems that, along with spent cone packs, you keep every firing notation. Is anything previous to the last successful firing useful? Or are they talismans?
are cone 10 porcelain slip & clay the same strength/makeup after firing or are they drastically different? also where do u source porcelain clay/paint/glaze?? I j wan meissen white and clear glaze. its so hrd to find the clay and proper paint
When you write the firing date and shelf position on the pyrometric cones and then store them on the kiln rim, is that mostly just for your own enjoyment/posterity? Or is there some practical reason for doing so
I actually had a question about glazing... I just wonder how many of your medium sized pieces you can glaze with a 5 gallon bucket of glaze? If your buckets are 5 gallon, otherwise just whatever your regular glaze buckets size are...
Hi Florian, Love your pottery and method of presenting your work especially your still work. Could you please tell me what camera and lenses you use to get that superior sharpness and quality in both your video and stills shots. Thanks in advance. Russ
Your process is so satisfying. I hope to one day have a studio like yours! I love how everything comes out so uniform and clean. I can tell this took years to perfect.
21:43 this white jar with iron blossoms (right term?) is JAW DROPPING. Thrilling to see!
Also always love the dachshund appearances
Very fortunate to have these kilns. But you deserve everything because you are so committed to producing a top quality product.
The one flat giant bowl was my personal favourite. I find gas firing interesting because I‘ve never learned it in school. I had a final project in which wood firing was required and also learned something about mixing glazes and wood firing during my summer job, but your channel for me is the only place where I can also learn something about gas firing. Even though I might never need it.
My wife and I finally finished our small basement pottery studio in our townhouse last year and we are currently waiting for our electric kiln to cool off to finish our second cone 6 firing. The anticipation of seeing what is inside is unbearable, so I’ve taken to watching your unloading sessions to pass the time. Thank you for all your incredibly relaxing, helpful, and artistically-filmed videos! Cheers!
That iron glaze you are using to refire is one of the most beautiful things I have ever seen on a pot! I love the depth and spontaneity of the finish, and the way the iron seems to be crystallizing where it's thickest. Very cool.
I think I like way too much the tinkling the pots make when the door is open 🤩
I just picked up my mail ; I just had to come here and congratulate you on being featured on the cover of the January 2023 issue of ceramics monthly -- well done! As one of your 3 million plus followers, each of whom feels that we have gotten to know you on a personal level from watching all of your wonderful videos, I think it's safe to say that we are all absolutely thrilled to see you have this well deserved recognition; the photos were stunning and the article was great! Congratulations again!
Thanks for walk through. The gas process is pretty complex, the finish on the forms are worth the wait. Cheers!
Reduction is my favorite. I have not touched my clay in years. This is great inspiration. Great video. Florian is my middle name. Best of health
The pride and satisfaction of your creations emerging from the kiln made my day! I cannot imagine how you must feel. Gorgeous work and fantastic glazes. I am jealous…thanks so much❣️
Don't even know how many times I've re-watched your videos, and it seems each time I learn something new. It's amazing to watch and listen to you work
Thanks Florian,
I do ask myself if I can call myself a potter after watching. But I still have fun even with my imperfections.
Have a good holiday season
❤🌹
Imperfections are what makes your work worth noticing. If it was flawless, it would be soulless and boring.
Liked your article in Ceramics Monthly.
This is SO informative. Saving it for when I have my own kiln next year. Thank you!
these all look beautiful as always. I do like that you show some of the small mistakes and misfires, in many ways this show your expertise more than just the perfect results.
Most interesting - and what a huge investment of time.
All in all the result is gorgeous and well worth the effort.
getting an auxiliary air tank would cut down on the duty cycles for your compressor. It would run longer but less frequently and maintain a more consistent pressure.
no matter how many times i watch you do this, i still love it
24:20 those waddings. Do you reuse them somehow?
You don't need to worry about the cost of an entirely different room... you can just get a screw compressor which is much quieter and consistent in operation.
I’ve had a look at them and they still operate at 60 db, mine is currently 68 db but there’s one: www.machinemart.co.uk/p/quiet-run-air-compressor/ which operates at 43 db but only gets to 8 bar annoyingly! I need 10 bar and an 100 litre capacity. The search continues.
@@floriangadsby
After some finagling it does look like when a company ups the horsepower from 1 HP to like 5+HP (the requirement to produce your 10 bar) there is either an increase in sound (to about the 58-60 db range like you stated) or an insane increase in cost (over 10x what the one you shared is at). Doesnt matter if its rotary screw or a scroll compressor... its about 60 db)
I'm used to ingersoll rand rotary screw air compressors myself. The benefit is they're more of a continual operation sound and 8 db is quite a bit since its pretty close to 10x as quiet.
th-cam.com/video/edggp5xGkac/w-d-xo.html
Best of luck with the art and the search for better sound options for your setup.
I've learned so much from watching your videos and my pottery has improved so much from the tips I've learned from you! I do have one question though. What are the 3 prongs that are in the kiln that end up bent over after it is fired?
So pleased to hear this! Those prongs are pyrometric cones that measure heatwork, more info here: en.wikipedia.org/wiki/Pyrometric_cone
Beautiful. Thanks for sharing!
Beautiful
Also, does cold weather like we're having lately affect the firing times and results?
Sorry if this has already been answered elsewhere - how do you dispose of glazed and fired pieces that have failed, such as the fused mug and cup? Thank you!
Good place good your ceramic.
[so cute your dog]
most satisfying jigsaw puzzle
I was the 420th like, but sadly the edible will have to wait for this afternoon, thanks as always!
Commenting for the algorithm
Great flick. It seems that, along with spent cone packs, you keep every firing notation. Is anything previous to the last successful firing useful? Or are they talismans?
are cone 10 porcelain slip & clay the same strength/makeup after firing or are they drastically different?
also where do u source porcelain clay/paint/glaze?? I j wan meissen white and clear glaze. its so hrd to find the clay and proper paint
What do you do with the bowl full of waddings?
Milk, spoon, breakfast.
@@floriangadsby 🤣
Would it be possible to fire the lidded jars without the waddings? Or would the clay stick together from the high temperatures?
The glaze would melt together, yeah.
@@meanwhile_0 what if the glazes from the seperate pieces wouldn`t touch?
Hey florian. 👋. Is there a situation where you might purposefully fuse two items together during a firing?
How would the ochre glaze look on the clay alone?
When you write the firing date and shelf position on the pyrometric cones and then store them on the kiln rim, is that mostly just for your own enjoyment/posterity? Or is there some practical reason for doing so
I actually had a question about glazing... I just wonder how many of your medium sized pieces you can glaze with a 5 gallon bucket of glaze? If your buckets are 5 gallon, otherwise just whatever your regular glaze buckets size are...
Hello. I have a question: why don't you use the gas kiln to the first fire (bisque)?
The electric kiln is automatic, so he can just set it to fire overnight instead of having to spend his working time managing the firing.
@@ragnkja (mind blowing)
Exactly!
Awe, pottery pupper!
I have a question, why do you not use an automatic gas kiln?
I'd love to have one, one day! They're very expensive though, about £30-40k.
Hi Florian, Love your pottery and method of presenting your work especially your still work. Could you please tell me what camera and lenses you use to get that superior sharpness and quality in both your video and stills shots. Thanks in advance. Russ
가스가마 넘 멎져요.~~~도자기도 정말예뻐요~~
כזו חמודה הכלבה שלך. הלוואי ויכלתי לעסוק באומנות כדי להתפרנס... לצערי, זה לא ככה. מקווה שלשלוח לך משהו שהכנתי, עוד כמה שנים.
How are your
1
Shoot. 2nd!!😂
What is ochre slip? Does it have other ingredient other then iron oxide?
@@johnnyzhu5601
Yes, water, but that evaporates before the piece is fired.