agreed. the end result is really nice, but i personally found the first firing to be more visually interesting. everyone's got their own tastes, i suppose ^^
The first firing had a wonderful granite look to it or maybe a green ancient marble. The final firing had a nice metallic copper look to it but first is still my favorite
Super interesting to see this journey. I think it's sometimes worth breaking your own normal protocols and processes and seeing if the material has any surprises for you
It looks almost like bronze or copper with a deep, ancient patina. I like it! I've been wondering what happened to the yellow-glazed pot, and it turned out really interesting. Thank you for this fascinating follow-up!
Have you considered doing a set of items where you skip various steps (fettling the glaze, leaving various levels of texture, holding the pots in glaze for too short/too long, etc etc)? I think it would be interesting for all of us to see the effects of the various steps!
You are a Master Potter, I am a novice who hasn't touched clay spinning on a wheel for decades. With that stated, I know what I like and honestly, I found the speckled first-fired version the most attractive. 'Geschmacksache' is a German word for 'a matter of taste' - and that's what this comes down to - individual taste and preferences. TY - a very enjoyable Vlog of how you work and your creative skills while doing so. Best regards.
I find it fascinating how your creative process for experimental processes can take so long. It amazing me how you are able to track the differences over such a long period. Your work is mesmerizing.
Funny thing is I liked each iteration. The last is certainly the most unique of the group. As you mentioned, it is one of a kind that speaks to your experience and creative eye.
I've been waiting to see how this one turned out, it's certainly unique! It almost looks like it was cast from bronze rather than stoneware and iron. The initial result looked like a more extreme version of the Fleck clay that you tested a couple months ago, very over the top and aggressively patterned. Maybe some would like that result, I think it looks a bit too "noisy", almost like TV static.
A smaller amount of iron spangles could be cool. And I’m really not surprised that yellow iron oxide stains everything, since it’s the main colourant of yellow ochre, a well-known paint pigment. The finished pot looks cool.
This was a particularly interesting video with a lot of great information. It’s truly a “in the eye of the beholder” experience as I loved the pot after the first reduction firing. It’s all about your vision, I suppose. Thanks for the detailed info and dedication to following this process from start to finish!
every stage was absolutely stunning in its own right -- seeing what it has become, i definitely understand the disappointment with the first one. it would be interesting to see this idea expanded upon further, there's definitely merit to this experiment!
Family friends of mine were potters for a living. They are what got me into ceramic work. One of the most memorable things were their clever use of pyometric cones. They would sculpt little dragon heads onto the base and after glazing they would look like little dragons. They sold them as "Shelf Dragons". I always thought that it was a clever use of a consumable.
I love the calm way you're talking (especially now, as shorts get more and more popular and seemingly everyone acreams at their audience) :) i also really enjoy you explaining why you're doing certain steps or what they do. For the same reason, i found it increadibly interesting to see how the vase changed witch each glaze and firing :)
Each stage was beautiful. I think I preferred the first firing, but again, they were all wonderful. Your attention to detail is perfection. Another technique I want to maybe try someday!
I'm glad you wound up with something you enjoy, that is worthy of the time and care you put into it! At some points I was worried you might just break it and be done. What a beautiful finish!
It's always a treat and a joy to watch the process, and seeing these stages of experimentation is particularly fascinating. I really like the aged metallic look of the yellow iron oxide finish. The spangles were a bit much in the original pot, but I loved the last firing, even though the clay had started to degrade. Amazing work, as always!
Fire it again, i want to see how far this materials can go together! I really love the very very close shots of whatever pot you make, it seems like a galaxy of some sort, the closer you look the more different it appears!
Wow the first burn looked like a dinosaur egg :O absolutely breathtaking, I was so confused when you started critiquing it, and surprised when you colored over it. It looked like a masterpiece.
I would love to see you attempt a concept you talked about a long time ago, where you leave the distinct, deep grooves from your initial carve with the rounded part of your favorite trimming tool. And then fire the pot like that, just to see how the glazes break and drop over the many sharp edges.
Thank you! That means a lot, this video had more than 2,000 audio attempts/recordings in order to get to the final thing, I wish I was a more naturally talented speaker!
Fantastic production! It was amazing to be able to follow a year of evolution of that vase in the one video. Personally I loved how it came out, reminded me of a well used ancient oxidized bronze piece.
I appreciate your journaling of this pot's full journey. I quite liked the pot after it's first firing. Definitely more spangly than your signature style, but it had a granite-like appearance, and the spots created a lot of drama.
Florian i want to thank you for making me so happy with your in depth amazing tutorials. This one taught me so many new things even though i have been pottjng for 18 years with gas fired functional pottery. Personally i prefer matte glazes, or shinos, so the shiney effect from the yellow iron is less appealing to me then your lovely shiney celadons which i do appreciate. Also i have gone through a tenmoku stage of pottjng but seem to be lettjng go of shiney browns even though your description of the vase in real life sounds very special being deep red. May you be blessed with the willingness and ability to continue to produce such excellent quality tutorials. I give your you tube link to everyone that asks to study with me. I tell them that your explanations, photography skills and potting skills are the best! Wishing you that all your dreams be realized. Thank you.
What I would love to see is a series of multiple maybe even identical vessels that you fire together layering more and more iron each time but taking one of the pots out of the process after each firing so by the end of it, however long it takes, you’d end up with a visuals representation of that progression
It looks really pretty now, I think-- a little coppery, which is very interesting. A pot like this that's been done and redone too feels somehow extra unique to me-- after all, nothing ever goes wrong the exact same way twice, so there's no reproducing that. It makes for a piece with a bit more of a story to it, even if it isn't quite what you hoped for when you started. Really cool vase!!
I find all stages very interesting. The end result looked almost like a vase dressing up as a cauldron; the first firing reminded me of speckled egg shells, like quail eggs, or more similarly: *carrion crow eggs*
First firing was my favorite as your beautiful glaze was still up front and center. I like that you can see the coloring first, then your eyes were pulled in even further with the speckling. The other stages were similar in interest, but my personal taste was deterred by the color. Of course, your minimalist style can't be mistaken, so with the different colors, it's still known to be a work by Florian Gadsby... which is what makes you one of my favorite potters.
i liked the second iteration where it looked like shiny bronze!! I think the big speckles could be really lovely if they were more sparse over the pot. They were a bit intense especially with all the other smaller specks that are already in the clay body after the first firing
Wow do I get the desire to see how far you can go with something - love the final oxblood color. It seems so far from your usual, it feels a little wild on your very clean vase - cool
I quite liked the pot after the first firing. Although at the final firing came with those patches of silver that look very cool. Wonder how far it could go and its results. By the way, saw a fairly large flat plate in one of the firings. It would be interesting to see your insight on fairly flat pots/objects, tricks for avoiding warping and such.
I liked the color of the first glaze. but I also appreciate the uniqueness and depth of color and texture in the 3rd glaze. I'm very fascinated in how this all works and you did a great job explaining your process in each step. it would be interesting as a test to see if a 4th glaze is possible.
I liked it well enough in its original speckled coloration, though it might have looked more striking with a more blue glaze, to really contrast more heavily with the reddish-brown iron staining.
what a journey one pot has completed, in answer to your question, which part did i like. I liked the colour after the first firing. The spotty bottom, I liked that too. thanks for sharing
very unique pot! Would love too see it fired again, just to see how far it can go. it does look oddly good especially inside with the metal in almost a drip like shape.
In addition to the excellent string of useful knowledge you're spinning, I'm loving watching your cinematographic skills evolving! The little touches of seasonal changes to mark the time span of this little pot worked both to do that and to give us watchers a bit of a feeling for your studio world. I was particularly amused when, after rain and snowstorms and processes of re-glazing and refiring, you started to work around to open the kiln for, I think, the third time. I mused: ok, time for another glimpse of Ciro! And my gosh, there he was! Well chosen timing! Oh, and I Iike the pot... Though it would be hard for me to decide on my own sensibilities which iteration I'd have bought (maybe any of them!), your talking through your detailed responses in the process of planning and execution added another educational dimension.
Brilliant and so creative! The design aesthetic is un questionable. The colouration is too subjective to criticize and who cares what some random individual thinks. Love your work!
I tried a similar experiment. I got some of the black material from the edge of the lake at Lake Tahoe. I got rid of as much of the sand that I could. I sprinkled about two tablespoons on my wedging table and wedged the clay a long time. I threw it in to a large bowl. I put a matt beige cone 10 glaze on it and got it fired to cone 10. What I got was a speckled beige finish. All speckles were black. I sold it as it was coming out of the kiln to a corporation but needed to add a bamboo handle ( I am not a professional potter). the only difference was there were a few speckles that left a small hole. I think they were maybe small specks of wood or something. they weren't really noticeable. I'm more of an organic type potter than you in form. The finished glaze worked well for me. I had better luck with less sprinkles and a lighter glaze. But It may not match to your concept of design. I like the yellow Iron oxide use you do.
You do lovely work. My preference is the first reduction-fired version at 20:23, before you paint on the yellow iron and re-fire it. Not to sound negative, but after the yellow iron and re-firings, it just looks like rusty steel instead of ceramic. The metallurgist in me wonders what various other metals would look like when mixed into clay?
Personally the first firing was my favorite, but the amount of effort you put in at every stage is incredible.
I would agree. I thought the first was gorgeous.
Agreed, I think the first one was great.
I liked the first firing aswell
agreed. the end result is really nice, but i personally found the first firing to be more visually interesting. everyone's got their own tastes, i suppose ^^
I agree. Each stage was impressive however, I really liked the first firing the best.
I actually loved the pot after the first firing. The subsequent results were lovely too but I liked the super speckled one.
The first firing had a wonderful granite look to it or maybe a green ancient marble. The final firing had a nice metallic copper look to it but first is still my favorite
Super interesting to see this journey. I think it's sometimes worth breaking your own normal protocols and processes and seeing if the material has any surprises for you
Hello there Mr. Shrimp
Mike!
It looks almost like bronze or copper with a deep, ancient patina. I like it! I've been wondering what happened to the yellow-glazed pot, and it turned out really interesting. Thank you for this fascinating follow-up!
Have you considered doing a set of items where you skip various steps (fettling the glaze, leaving various levels of texture, holding the pots in glaze for too short/too long, etc etc)? I think it would be interesting for all of us to see the effects of the various steps!
You are a Master Potter, I am a novice who hasn't touched clay spinning on a wheel for decades. With that stated, I know what I like and honestly, I found the speckled first-fired version the most attractive. 'Geschmacksache' is a German word for 'a matter of taste' - and that's what this comes down to - individual taste and preferences. TY - a very enjoyable Vlog of how you work and your creative skills while doing so. Best regards.
Absolutely loved the original glaze
I find it fascinating how your creative process for experimental processes can take so long. It amazing me how you are able to track the differences over such a long period. Your work is mesmerizing.
Funny thing is I liked each iteration. The last is certainly the most unique of the group. As you mentioned, it is one of a kind that speaks to your experience and creative eye.
The narrator was superb in explaining every little detail. Was an informative video shot with a cinematic quality. thank you.
The third firing of that pot looks absolutely gorgeous!
I've been waiting to see how this one turned out, it's certainly unique! It almost looks like it was cast from bronze rather than stoneware and iron. The initial result looked like a more extreme version of the Fleck clay that you tested a couple months ago, very over the top and aggressively patterned. Maybe some would like that result, I think it looks a bit too "noisy", almost like TV static.
A smaller amount of iron spangles could be cool.
And I’m really not surprised that yellow iron oxide stains everything, since it’s the main colourant of yellow ochre, a well-known paint pigment.
The finished pot looks cool.
Florian. A pleasure.
I quite liked how all the phases looked, but I think the las one is definetly the best. lovely video as always!
This was a particularly interesting video with a lot of great information. It’s truly a “in the eye of the beholder” experience as I loved the pot after the first reduction firing. It’s all about your vision, I suppose. Thanks for the detailed info and dedication to following this process from start to finish!
every stage was absolutely stunning in its own right -- seeing what it has become, i definitely understand the disappointment with the first one. it would be interesting to see this idea expanded upon further, there's definitely merit to this experiment!
Family friends of mine were potters for a living. They are what got me into ceramic work. One of the most memorable things were their clever use of pyometric cones. They would sculpt little dragon heads onto the base and after glazing they would look like little dragons. They sold them as "Shelf Dragons". I always thought that it was a clever use of a consumable.
I LOVE the over the top iron specs
I love that it now looks like a very old rusty iron jar, it has so much character.
I love the calm way you're talking (especially now, as shorts get more and more popular and seemingly everyone acreams at their audience) :) i also really enjoy you explaining why you're doing certain steps or what they do. For the same reason, i found it increadibly interesting to see how the vase changed witch each glaze and firing :)
This seriously one of the most gorgeous pots you've ever made.
I absolutely love that metal look after the 3rd firing. Great job sir.
Such an interesting process. It makes me want to experiment more with my glazes.
Your first "iron spangles" video is how I got to know your work! So glad to see the follow up ^^
Each stage was beautiful. I think I preferred the first firing, but again, they were all wonderful. Your attention to detail is perfection. Another technique I want to maybe try someday!
I'm glad you wound up with something you enjoy, that is worthy of the time and care you put into it! At some points I was worried you might just break it and be done. What a beautiful finish!
I like ALL the iterations of this piece.
I loved seeing this pot's long journey! Beautiful at all stages, and particularly in that shot of the interior after the third firing.
It's always a treat and a joy to watch the process, and seeing these stages of experimentation is particularly fascinating.
I really like the aged metallic look of the yellow iron oxide finish. The spangles were a bit much in the original pot, but I loved the last firing, even though the clay had started to degrade.
Amazing work, as always!
Fire it again, i want to see how far this materials can go together! I really love the very very close shots of whatever pot you make, it seems like a galaxy of some sort, the closer you look the more different it appears!
Fascinating! I didn’t realise you could just keep putting different layers on. I’m so grateful for the learning you give so brilliantly ❤
I quite liked the first firing with the complex mix of colours. Looked very luxurious.
The vessel is superb. Glad you stopped with it.
Wow the first burn looked like a dinosaur egg :O absolutely breathtaking, I was so confused when you started critiquing it, and surprised when you colored over it. It looked like a masterpiece.
Your video is pleasantly informative. Thanks for taking the time to do the narration.
Fascinating! Sure you have super high standards for your own work but to me both the 2nd and the 3rd iterations looked absolutely stunning.
Hey, another bedtime upload! I'm guessing you have a schedule for uploading then. Felt down all day, hoping this will calm me down :)
Every Sunday at 1600 British time.
That’s it!
I would love to see you attempt a concept you talked about a long time ago, where you leave the distinct, deep grooves from your initial carve with the rounded part of your favorite trimming tool. And then fire the pot like that, just to see how the glazes break and drop over the many sharp edges.
It looks incredible, well worth the wait!
You made a lot of effort and the result was very beautiful, but the spotted pot stage is the most beautiful
I loved this pot at every stage. Each one had it's own unique look. Great work.
This was very well narrated.
Thank you! That means a lot, this video had more than 2,000 audio attempts/recordings in order to get to the final thing, I wish I was a more naturally talented speaker!
@@floriangadsby 2000? Wow!
@@chick96740 yeah it’s a bit much! I’m not a naturally gifted speaker so they take a bit of time to cobble together.
I’ve loved this pot at every stage!
I for example loved the "ridiculous" stage before applying the yellow ochre coat. Great work!
I love the way this pot turned out! It would be fun to see how more firings turn out. Thanks.
I really liked how it looked like the first time it came out of the kiln. The speckles were nicely contrasting with the green glaze. 20:28
Throughout the throwing part, I was just watching with sheer jealousy that you could center it so damn well.
feels like we've been waiting for the iron ochre video for so long, but like they say, somethings are worth the wait
Fantastic production! It was amazing to be able to follow a year of evolution of that vase in the one video. Personally I loved how it came out, reminded me of a well used ancient oxidized bronze piece.
I love it! I enjoy seeing how you do these so I can implement in my class! tysm
I loved the rich brown of the final firing 😍 gorgeous
I appreciate your journaling of this pot's full journey. I quite liked the pot after it's first firing. Definitely more spangly than your signature style, but it had a granite-like appearance, and the spots created a lot of drama.
Florian i want to thank you for making me so happy with your in depth amazing tutorials. This one taught me so many new things even though i have been pottjng for 18 years with gas fired functional pottery.
Personally i prefer matte glazes, or shinos, so the shiney effect from the yellow iron is less appealing to me then your lovely shiney celadons which i do appreciate.
Also i have gone through a tenmoku stage of pottjng but seem to be lettjng go of shiney browns even though your description of the vase in real life sounds very special being deep red.
May you be blessed with the willingness and ability to continue to produce such excellent quality tutorials. I give your you tube link to everyone that asks to study with me. I tell them that your explanations, photography skills and potting skills are the best!
Wishing you that all your dreams be realized.
Thank you.
I really loved all three versions.
What I would love to see is a series of multiple maybe even identical vessels that you fire together layering more and more iron each time but taking one of the pots out of the process after each firing so by the end of it, however long it takes, you’d end up with a visuals representation of that progression
I loved the first version of it so much 😍 but the 3rd version almost looked like the vase was only made with metal/iron. Beautiful as well!
It looks really pretty now, I think-- a little coppery, which is very interesting. A pot like this that's been done and redone too feels somehow extra unique to me-- after all, nothing ever goes wrong the exact same way twice, so there's no reproducing that. It makes for a piece with a bit more of a story to it, even if it isn't quite what you hoped for when you started. Really cool vase!!
I find all stages very interesting. The end result looked almost like a vase dressing up as a cauldron; the first firing reminded me of speckled egg shells, like quail eggs, or more similarly: *carrion crow eggs*
First firing was my favorite as your beautiful glaze was still up front and center. I like that you can see the coloring first, then your eyes were pulled in even further with the speckling. The other stages were similar in interest, but my personal taste was deterred by the color. Of course, your minimalist style can't be mistaken, so with the different colors, it's still known to be a work by Florian Gadsby... which is what makes you one of my favorite potters.
I think it is one of those pieces that gradually seeps into one’s consciousness. I like the imperfections most, in a way.
i liked the second iteration where it looked like shiny bronze!! I think the big speckles could be really lovely if they were more sparse over the pot. They were a bit intense especially with all the other smaller specks that are already in the clay body after the first firing
One day i will make enough money to be able to afford your works. I really hope you're still creating by then
I don't have any valuable pot-making knowledge, but the first firing looked the best in my opinion.
that iron coated pot looks cool. i cant wait to get my first potting wheel next month. im looking forward to learning to make some awesome things
I think I loved it at each stage.
Wow do I get the desire to see how far you can go with something - love the final oxblood color. It seems so far from your usual, it feels a little wild on your very clean vase - cool
I quite liked the pot after the first firing. Although at the final firing came with those patches of silver that look very cool. Wonder how far it could go and its results. By the way, saw a fairly large flat plate in one of the firings. It would be interesting to see your insight on fairly flat pots/objects, tricks for avoiding warping and such.
The first firing looked the best from here
So beautiful in every stage
i was excited to see the end result of this pot when i saw you coating it in yellow glaze a few months back in a video
I liked the color of the first glaze. but I also appreciate the uniqueness and depth of color and texture in the 3rd glaze. I'm very fascinated in how this all works and you did a great job explaining your process in each step. it would be interesting as a test to see if a 4th glaze is possible.
I really liked it after the first firing and felt the large and small speckles were quite balanced
This looks so cool. Project is coming together nicely 😄😄
Wow that was an awesome experiment to watch.
I liked it well enough in its original speckled coloration, though it might have looked more striking with a more blue glaze, to really contrast more heavily with the reddish-brown iron staining.
Really enjoyed this. Thank you Florian 😁
I like it. It's rustic and industrial. I'd definitely buy one
Soooo much precision ❣️
Beautiful🎉
I think your speckled vase look great.
Love the end result
Thank you for sharing with us!
Lovely video!! Always enjoy the glazing stage!!
Lovely work. Well done!
I like the purple certain iron oxides turn when irradiated. Like on the inside of this pot, after the last firing.
what a journey one pot has completed, in answer to your question, which part did i like. I liked the colour after the first firing. The spotty bottom, I liked that too. thanks for sharing
very unique pot! Would love too see it fired again, just to see how far it can go. it does look oddly good especially inside with the metal in almost a drip like shape.
Take a bow ❣️once again
well done ….. i love it too
In addition to the excellent string of useful knowledge you're spinning, I'm loving watching your cinematographic skills evolving! The little touches of seasonal changes to mark the time span of this little pot worked both to do that and to give us watchers a bit of a feeling for your studio world. I was particularly amused when, after rain and snowstorms and processes of re-glazing and refiring, you started to work around to open the kiln for, I think, the third time. I mused: ok, time for another glimpse of Ciro! And my gosh, there he was! Well chosen timing!
Oh, and I Iike the pot... Though it would be hard for me to decide on my own sensibilities which iteration I'd have bought (maybe any of them!), your talking through your detailed responses in the process of planning and execution added another educational dimension.
Amazing
I prfcerred the second version of that pot. At least as it showed in the video. Best wishes from Germany
It's soooo beautiful. ❤
Brilliant and so creative! The design aesthetic is un questionable. The colouration is too subjective to criticize and who cares what some random individual thinks. Love your work!
The first firing was amazing. I don' think you gave it enough time.
I actually liked the vase with the spangles!
I tried a similar experiment. I got some of the black material from the edge of the lake at Lake Tahoe. I got rid of as much of the sand that I could. I sprinkled about two tablespoons on my wedging table and wedged the clay a long time. I threw it in to a large bowl. I put a matt beige cone 10 glaze on it and got it fired to cone 10. What I got was a speckled beige finish. All speckles were black. I sold it as it was coming out of the kiln to a corporation but needed to add a bamboo handle ( I am not a professional potter). the only difference was there were a few speckles that left a small hole. I think they were maybe small specks of wood or something. they weren't really noticeable. I'm more of an organic type potter than you in form. The finished glaze worked well for me. I had better luck with less sprinkles and a lighter glaze. But It may not match to your concept of design. I like the yellow Iron oxide use you do.
You do lovely work. My preference is the first reduction-fired version at 20:23, before you paint on the yellow iron and re-fire it. Not to sound negative, but after the yellow iron and re-firings, it just looks like rusty steel instead of ceramic. The metallurgist in me wonders what various other metals would look like when mixed into clay?
This pot has a lot of character and presence.
I liked all the stages if Im honest:) they all looked so cool!