Caterina Lichtenberg talks with Mandolin Luthier Alfred Woll
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- เผยแพร่เมื่อ 30 พ.ย. 2016
- ArtistWorks classical mandolin teacher Caterina Lichtenberg (bit.ly/catmandolin) talks with renowned Mandolin luthier Alfred Woll - the maker of her primary bowl back and baroque mandolins used in her online lessons at ArtistWorks. In a 6 part interview recorded at her home studio in Germany, Alfred and Caterina showcase, discuss and compare many mandolin styles and models dating back to 1752. This is just the first part, sign up for her online school at ArtistWorks to see the rest. Click the link for more info and free sample lessons: bit.ly/catmandolin
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Mandolins are instruments that represents freedom of choice. Not only there are many types of models; you could also play them according to your own cultural style.
That's a really nice thought. I myself have played Celtic, Greek, Middle Eastern and other types of music on different types of mandolin, and loved them all.
I really like your sentiment! That's true. I play mostly baroque music and for me the only mandolin is the bowl back, but I've owned flat backs, too. I don't care for the sound as much.
Such a beautiful instrument...I want one!
Great video, thank you. What is the color of the stain on the bowl and the back of the neck? Thanks for reading this.
Very interesting. Thank you!
hello, and thanks for a good video.
what would be the price of such a mandolin as the bowlback one?
I wish you could do a video about the differences between bowlback, a- and f-style mandolins. you seem to have a very nice way of explaining things properly without having to show us that you are the best player around. most of the videos are people with more skills when it comes to showing off than to properly explain so that we understand.
greetings from norway.
nice mandolin, here in Brazil we used brands jacob (Jacob do Bandolim, brazilian musician) but these models are so beatiful .
great info , thanks for sharing !!!
THANK YOU VERY MUCH !!! WHERE CAN I BY A GOOD SOUND MANDOLIN? AS THE ITALIAN? OR DEUCH ? WITH BOWL.....? Thanks many...!
Seems like it depends on what type of music you're playing and what kind of feelings you wish to express. Also your own personal style of playing.
Nice video, good to learn. Thank you for sharing.
Is the back of some mandolins fluted to help stop the rolling? I find the sound of flat back mandolins rather dull in sound. They don't ring as well. Bowl backs siund so much better.
This was a great vid, and quite a difference when hearing them a/b comparison. I've worked on all three common styles, but for my personal taste I really believe any music sounds better on a quality solid carved top F-style. They just project notes & chords the way my ear EXPECTS to hear a mandolin. They have just enough warmth, without too much bass, just airy enough without that banjo-like softness the tops of many of the A-styles have, and plenty of the mids (more prevalent in neapolitans), enough to project firm melodic notation for classical and baroque music--like Bach violin sonatas and cello suites. I totally get why so many bluegrass players dig the F-style the best. There's just enough "hardness" to the picking attack when you get a decent one. Really cheap F-styles can sound like a bad A-style, but some very cheap A-styles are a little better sounding. I think it's the flatter top ro the overall shape that allows the cheaper A's to sound better in their element than the cheaper F's. Or it's likely due to the fact that a cheaper A is easier to make sound "decent" than a cheaper F. You need to start getting closer to the $1000 range to start getting a truly respectable F-style, but it's worth it, especially when they break-in and warm up a bit. I'd say the price range is at least there, or more, to have a respectable full-range transient quality neapolitan bowl-back.
I hear the "air" more when I play an A-style. I hear the "construction" more when I play an F-style, and I hear the "wood" more when I play a bowl-back. Don't know if that makes any sense LOL but that's what impression I get from these different styles.
Lichtenberg is fantastic too, what a great player with such impressive expression to her playing.
~JSV
wonderful
Does the classical mandolin use different type of strings than bluegrass mandolins?
Yes, lighter strings.
Amazing
Sir please tell me how can i buy that?
I will give you my unsolicited opinion. First, you must find him(he probably does not receive YT messages, so he cannot answer to you). Next thing is pony up the gedis. (money). One month of time for a master luthier, plus high quality material and components. My guess is 5000 euros. Maybe more, certainly not less.
First of all, nice english. Even I, a beginner in eglish, could understand almost every word you said. I'm love with this Napolitan Mandolin Sound. It's very cool. I have a portuguese style mandolin and your it's better. Thank you by this so nice interview.
I also appreciate the mandolin and Caterina, and the work of Herr Woll.. particularly the "Seiffert" model. Also, Jose, my compliments for your excellent use of the English language.
Interesting discussion Caterina. Is it my imagination or do you also have a second mandolin with a darker wood on the body? Appears to be Rosewood? Really enjoy your videos and playing.
Thank you, Quigley. Yes, I have a second mandolin made with Rosewood.
Would you be so kind to describe the differences you hear between the two types of woods? They are both wonderful in sound, using good headphones. But I feel the rosewood has a bit less "bite" in the trebles if that makes any sense. More warmth I guess. Do you still perform with the rosewood model?
For my taste the rosewood projects more direct in a concert hall. The maple is warmer. Yes, I do perform with my rosewood model as well. Love them both and its a question of taste which one to play. For 20 years I was a rosewood lover and three years ago I was surprised that I loved the maple model as well...
Just had to come back for another listen Caterina. Interesting sound difference when you changed picks on the Northfield mandolin. I've also come to really appreciate maple, and how it changes over time. We are starting to see more classical guitars now being make with maple back and sides. My favourite top wood is Engelmann spruce which gives a warmer tone. I would love to see Alfred build a mandolin using those two woods. I enjoy all your videos Caterina. Thank you.
@@caterinalichtenberg7742 Hi Caterina, excuse me, but where can i see/hear the rosewood one? cause i'm planning on build one with rosewood. thanks
Great back design !
well done
I️ like it how much does it cost
Geht das auch in deutscher Sprache?
I like them, but I don't care what genre they were made for, I want to hear them Singing Darkly. I must have one.
nice instrument
Danke fuer der ausgezeichnet englisch !
"Cantered".Maybe "cambered" It is a good word, very specific and accurate..wtf is that word? This is beautiful craftsmanship, and much better sound than I expected from a bowl back. Germans are known for superior quality, and precision instruments etc. I cannot often afford such luxuries. BTW, I hate my own avatar.
Ramon Navarro “Canted” or to put it another way, angled
Orvil Gibson improved the Mandolin by making it harder to play. I am building my mandolin to make it easier to play. Instead of having average string tension of between twenty and twenty five pounds, my mandolin has string tension between ten and fifteen pounds. More like a guitar or banjo than a mandolin. Both of the mandolins you are showing have very high tension.