absolutely exhaustive explanation (hope autotranslator give me a correct result of this phrase)! amazing! have watched this video several times and in every pass understand more and more.
If I sang like this in the school choir, either the conductor or another student (who lacks knowledge of proper singing technique), usually tell me to sing softer and «in tune». Singing out of tune happens when we try to soften the voice or when we don't just release the sound properly… I wish people could just learn singing technique before conducting choirs and teaching people wrong. Now days, choir is toxic for the voice
This has always been an issue though. I had the same problem 25 years ago. My teacher then warned me that opera singers will have a hard time "blending in" with choirs because our techniques and ultimate output is different. If anything, we can fulfill lead positions but being a regular chorister, singing operatically, won't do.
@@St.Garoosh I now sing in an amateur opera choir, with a veeeery different ideal sound-picture. We are all (amateur, yet trained) operatic singers, at least the most of us, and we mostly sing opera-choruses, but we also sing musical and even oratorio
There's more than one way to sing, you airhead. Keep deluding yourself that your choir director is less knowledgeable than you because they don't want a 5th voice consisting only of you.
I’ve never done well in a choir. Most people put out no sound, so they tell the trained singers to shut up. It’s really not worth it if you’re an actual soloist to sing in a choir. I can’t sing low enough to not cover up the others, and singing constant piano which is still too loud in comparison isn’t healthy for my voice.
We have to also remember that tenors voice opens more as going up like the letter "V" while lower male voices are shaped like ∆ (their voice goes smaller and smaller in upper notes) and they have to use "covered" chest voice or more like "head voice".
Oh dear...no. Those kind of visualizations are completely pointless - a human voice has the same registers, regardless of the voice type. A tenor may not have the same lower extension as a bass or baritone, nor will a bass or baritone likely have the upper extension, but the technique used to approach the notes must be the same for opera. In the high notes, if it's a piano or pianissimo passage, you may perhaps use more head voice with the falsetto engagement, but all that triangle nonsense is a waste of time.
Thanks a lot for all the effort you´ve put into this.
absolutely exhaustive explanation (hope autotranslator give me a correct result of this phrase)! amazing! have watched this video several times and in every pass understand more and more.
Amazing explanation
If I sang like this in the school choir, either the conductor or another student (who lacks knowledge of proper singing technique), usually tell me to sing softer and «in tune». Singing out of tune happens when we try to soften the voice or when we don't just release the sound properly…
I wish people could just learn singing technique before conducting choirs and teaching people wrong. Now days, choir is toxic for the voice
This has always been an issue though. I had the same problem 25 years ago. My teacher then warned me that opera singers will have a hard time "blending in" with choirs because our techniques and ultimate output is different. If anything, we can fulfill lead positions but being a regular chorister, singing operatically, won't do.
@@St.Garoosh I now sing in an amateur opera choir, with a veeeery different ideal sound-picture. We are all (amateur, yet trained) operatic singers, at least the most of us, and we mostly sing opera-choruses, but we also sing musical and even oratorio
@@St.Garoosh th-cam.com/video/SYBkEEiC4mQ/w-d-xo.html
There's more than one way to sing, you airhead. Keep deluding yourself that your choir director is less knowledgeable than you because they don't want a 5th voice consisting only of you.
I’ve never done well in a choir. Most people put out no sound, so they tell the trained singers to shut up. It’s really not worth it if you’re an actual soloist to sing in a choir. I can’t sing low enough to not cover up the others, and singing constant piano which is still too loud in comparison isn’t healthy for my voice.
Perché fine 'tirare in dentro?'
We have to also remember that tenors voice opens more as going up like the letter "V" while lower male voices are shaped like ∆ (their voice goes smaller and smaller in upper notes) and they have to use "covered" chest voice or more like "head voice".
not true.
lol everybody knows that all singers use Z letter!
Oh dear...no. Those kind of visualizations are completely pointless - a human voice has the same registers, regardless of the voice type. A tenor may not have the same lower extension as a bass or baritone, nor will a bass or baritone likely have the upper extension, but the technique used to approach the notes must be the same for opera. In the high notes, if it's a piano or pianissimo passage, you may perhaps use more head voice with the falsetto engagement, but all that triangle nonsense is a waste of time.
Mazini's covering is not perfect - even I can hear several OO singed as O )))
Not all amazing singers or good performances. Of the three, Leo emoted the role. The others - try again.
This is about technique.
Nothing else.
I hope you can read.
(We know you’re insane already)