Brilliant video man! I just came here after seeing your IG post and I'm diggin your channel. It's insane you can execute this stuff... I could see how much practice it was gonna take to get this down after trying for a while and I just wasn't willing to put in the time right now, but I certainly commend you for your efforts. Thanks for the shoutout and keep up the good work!
4 ปีที่แล้ว +4
How funny I see you commented here. I swear, I was just going to post how you made a video saying you simply can't play Virgil's stuff and so weren't even going to attempt it. I scroll down and there you were. Just caught your vid a couple days ago. Too funny. LoL
I asked Virgil in a clinic once if he likes to switch off sometimes from playing drums. He said apart from riding his horse he really only ever rehearses..... sometimes even as much as 16 hours per day
@ Now ask yourself how he comes to 16 hours. Probably not because he's out there living the social life, haha. Start now! Suicidal tendencies are the best thing to motivate you in drumming.
Ben Levin: "think about how your tools affect a listener." Adam Neely: "think about how wide the array of tools actually is." Shawn Crowder: "think about how most complicated tools are within reach once you analyze them concretely." The difference in focus in each guy's videos resonantly increases how useful the other two's content is. It's awesome.
The human brain is not capable of parallel tasks (a number of different tasks performed at the same time). What the human brain is good at is concurrent tasks (taking any number of different tasks, diving each into steps, then executing said steps linearly in alternance). What you hear when you execute those and any independence lines is not the sound of each half separately, but the sound of the two rhythms superimposed, or what's called "composite rhythm". I'm pretty sure Virgil is not focused so much on what each half is playing, but how the combination is supposed to sound. It's the same approach when learning polyrhythmic lines. You can get them much easily once you learn how the pattern sounds. After all, you're just playing a more complicated linear pattern.
I agree. Initially you practice both parts of a rhythm separately until you can blend both together. Then it becomes a composite rather than two independent things.
For polyrythms specifically, you can use a technique Adam Neely describes. Let's say you want to learn 3:4. Write three lines of numbers from 1 to 4, then circle every third number. Now you're gonna use your hands to tap the rhythm and count it. One hand taps every 1 and the other taps the circled numbers.
I agree but I also think if you repeat something enough times it will become automatic. For instance, tying a shoelace while holding a conversation. The process of tying a shoelace is actually quite intricate but we do it so many times it is automatic to the point of unconscious. So the brain can engage in other activities.
His drumming on Alien Hip Hop is so so good. I love how once it comes to the solo he just plays in a normal tight 4/4 groove and it still sounds so bad ass
I went to a Virgil Donati drum clinic during the Moonbabies era (my favorite PX album) and even though I've always been primarily a composer, I signed up for a '1-to-1 drum class' with him. Even though I'm not a drummer, we ended up talking about music theory for an hour, learned so many great things from him
I didn't get to watch Michelangelo sculpt, didn't get watch Chopin compose or play, didn't get to meet or speak with Einstein, but I WAS alive to watch Virgil Donati play this instrument. I wish I could stick around for a few hundred years to see what comes next, what evolves. Kudos to all you guys putting in the hours shedding this stuff. Thank you all for pushing the state of the art. Love to you all!
4/4 over 7/8 was always my favorite pattern and when you get comfortable in jaming its like you hear 2 drummers play,i am doing it for 20 years so it take a while to get to this stuff, great work btw. Cheers.
I've seen Virgil 3 times over a period of 3 yrs. and each time he had improved. After the first time, I thought this guy is phenomenal and a year later he was unbelievable. The last time was at a Percussive Arts Society expo. He played to a prerecorded track and it was frightening. I thought, how can he keep getting better. 16 hours a day is probably the answer.
Yeah but he also says that he's spent many years practicing the same sort of techniques that Virgil uses, so it makes sense that one already partly familiar with the techniques would be able to pick it up quicker than someone fresh who's never done it before.
Those transcriptions you showed at the end - I would be so grateful if you'd ever consider sharing them. Wonderful video, really appreciate your channel and thanks for all your content!
This video is full of gold. In terms of concept. So awesome. 1. Find the few key exercises to practice to speed create a new foundation when studying or mastering new material 2. Use ideas as inspiration to do your own creative thing. Seriously awesome nuggets for the community. Such an important thing to remind all of us who are hungry to grow as player. Don't get bogged down chasing other peoples vocabulary and sacrifice your own creative voice. Thanks Shawn.
I was living in Hobart (Tasmania/Australia) in the second half of last year and saw a Virgil Donati clinic come up, hosted by a local music store (Modern Musician). Apparently it only costs 25 AUD (from memory) to see a world class drummer. I'm not even a drummer but I knew it would be a great opportunity to learn. Not only did he absolutely knock it out of the park, we all received some sheet music (still have it) and we followed along with him playing the examples along with the full piece they were featured in. Had an absolute ripsnorter of a time.
I have never seen anyone mention that album Quantum. I spent my teens listening to a LOT of planet X. As soon as you started the groove, I thought AHHH, I KNOW THAT. So happy to see them getting a shout out from you.
And here you have a perfect example of a profession(al) musician. You're getting a peek at what exactly it takes to get those grooves and not just seeing the final glamorous performance. PLUS, it's nice to see used heads and not pristine new ones. Working mans drummer! Well done!
I love that "build up" section in Bird on the Wing. It's sort of frenetic and when the down beat happens I feel like I can do anything. Thanks for the feels!
Really loved the video! I got to see him play back in September and my mind was blown away! I even got his sticks so now i'm playing with them on my electronic drum to not tear them
Dude, you're awesome! I'm a guitar player, and I benefit massively from videos like these, I can only imagine what actual drummers take from this. Gold 👌
Virgil is an absolute hero of mine, a bottomless source if inspiration indeed. Thank you for bringing his music up! [also planet X is indeed breathtakingly amazing thing ever happened to music]
Great video as always. I really appreciated the part where you talk about getting what you wanted our of the exercise and them moving on your own musical ideas. While is possible to give up on practice too early because of difficulties, knowing when to move on to something different is also really important. In the end, it's about your voice on the instrument and you want you want to achieve. Then again, maybe that easy for me to say because I couldn't come even close to level of expertise needed to even start practicing this kind of playing.
I'm from Melbourne Australia I knew Virgil and I quit playing drums after seeing him in a rehearsal studio .now 51 I'm just learning how to just enjoy music rather than try and catch up to brilliance .which he just practiced as a kid instead of playing outside .blew my mind 30 years ago
Not just played accurately but wonderful dynamics shown here too. Actually, once the pattern is finally learned and achievable, the dynamics are still another challenge to overcome as the parts have different volumes. Great demonstration and great drum tutor(musician overall). Great video, great channel
Reminds me of something I learned after I saw Kai Hahto (drummer for Wintersun) play a solo where he used a wood block on a pedal, and kept a specific pattern going with the block while he soloed with his other limbs. I learned that pattern, though now I only use the patter with my hats for polyrhythm masturbation, and eventually came across Horacio “El Negro” Hernandezs’ clave pattern which blew my mind so hard, I spent days sitting there and figuring it out. You learn the pattern until it’s rote, and eventually, you can play essentially anything over it. The more you play the pattern and try different variations, the more hurdles you discover and over come. To me, that discovery of a hurdle, grinding it out, and then being able to play through it with ease, is the allure of drumming. This pattern however, is quite a hurdle indeed.
Saw him play live once with Andre Nieri and Junior Braguinha.. Out of this world :) You gotta see it to believe it. Also got his autograph on the back of his album "In This Life". Great man, devoted!
I totally agree with in understanding the concept and using in your arsenal to create your own personal grove rather than being a "clone". Thanks buddy!
The case is: even if you "learn" how to play what he's playing, no one will ever be able to play like he does. His lightness, intuition of changing techniques whenever he want or even the quantity and relation among notes. He has simply created his way of playing, which sounds very unique and, in my opinion, the next and ultimate concept of rythem.
For some super crazy coordination check out the Polish drummer Miroslav Musicant. He plays 12 different meters with such crazy stuff as using whistles and his head to play on a shaker, using the front and back side of the stick to play 2 different patterns etc. Very avant garde stuff.
Very cool! I'm a fan of Virgil's drumming on Icefish's album "Human Hardware". It has really interesting drum grooves that fit together super well with the rhythm guitar.
Great video! Haha I knew within like a second that pattern was from The Thinking Stone. Maybe because I've listened to the song a million times, but I'd like to think it's because Virgil writes recognisable grooves. As a non drummer there's something that really draws me specifically to his music, especially emotionally. I've never gotten into any of the other clinic drummers, but with Virgils style I always get this feeling of anxiety, like it's quiet and reserved but also sounds like it's about to explode. It's worth pointing out his skill with harmony as well, it's hard to tell exactly how much input he had with the harmony of Planet X but listening to his pre and post Planet X solo stuff and looking at the other members solo stuff, his harmonic approach seems the most distinctly Planet X.
The comment about spending more time developing something that's your own rather than spending all your time copying is great advice for all musicians. It's something I haven't done enough in the last few years. You don't have to be able to do everything. Being competent at many things AND being yourself is where it's at! It's a bit discouraging to find yourself becoming more and more derivative. But stealing from everyone and really making it your own is great.
Welldone sir .if you work 8 hrs a day you cant play like this..this is professional life that you have. The truth above for everything i believe happy new year
A great concept and it takes alot of practice. If you transcribe the limbs to their respective lines, snare/sock cymbal & toms/ bass drum, it's the same concept that Gary Chester taught. You essentially are playing a line with each limb and integrating the four together. Whether you do the rudiment thing like Virgil is doing or take three ostinatos in any three limbs and read lines with the fourth limb as Chester taught...you end up with the same thing. None of this is done on command...it takes practice to get there.
Such interesting timing (ha!). I've been getting back into virgil here lately. You do a great job of breaking down what virgil is doing. You make it seem somewhat more attainable! I caught that Austin video, too.
Learning polyrhythm takes forever to get right but it shows in other areas quickly. Even at the point of barely being able to play them for more than a few seconds, you're generally going to see significant improvements, particularly in ability to improvise.
Kudos giving props to Austin, he was like my first TH-cam vid drum lessons, and he always picks great spots of the best drummers, Benny greb, Coleman,etc and makes them usable for intermediate to beginner and advanced I wouldn't know,but ever since your boy started doing vids,bandmate for perihelion is it? He introduced me to you ,so ...hello thar, gluten tag,choB
Ha, I didn't mean that, but(impression that I did mean it? In that case) actually I forgot no that one I did mean I made that up just a couple minutes ago because I was thinking of a bad joke about Germans who are always cranky in the morning when they reach for the wrong box of cereal--or something like that I'm still working on it but that was my first attempt right off the top of my head just now that's actually true I could probably do a dozen more in the next 3 minutes because my mind just rattles off whatever creative binge I'm on or category of binge, in a gatlin gun howlitzer type fashion,and suppressing it,to the relief of TH-cam observers, would have the same effect of closing all the valves in any steam or gas pressured system,and like the explosion that would occur in an unforeseen location, I would likely nuke a radius within distance of someone I care for or a stranger, both undeserved and why we learn not to take things personally..phew
I found that bouncing the left had can keep it pretty easy to grove like start with doing straight 8th notes. Then move to bouncing either just the left or right both and switching it around then start moving the right around but keep hitting the snare on 2 and 4. it just goes on auto pilot.
It is mind blowing at first, but I wrote the two paradiddles next to each other, once I saw that my mind was able to play it. The other thing I did was to playing it really slow and record it.
Great stuff! All of the drummers Allan Holdsworth played with were brilliant, including Dave Carpenter, former Zappa drummer Chad Wackerman, Gary Husband, and the one and only Vinnie Colaiuta. If you could do some Colaiuta stuff that would be awesome!
I'll never be like Virgil but the secret to getting better is loving playing 1st, then repetition and discipline to stick with a practice routine or even just a drum beat until it is 2nd nature. Have fun, laugh when you screw up and keep moving forward. Make it musical most of all.
It's so interesting to see him play such complex music yet I can't help but keep remembering his sloppy audition for dream theater every time I see his face.
Firstly thank you for what you do, and the introduction to both a band I've heard of (but never looked into) and an amazing drummer I've never heard of. Secondly, I felt immediately inspired by this video to ask about your thoughts on Jojo Mayer and his take on multi-layered, polyrhythmic playing across several different limbs. I've seen some videos where he's spoken about how he achieves and perceives each element of his playing (both in practice and practical usage) but I've never heard anyone really discuss it outside of himself (though admittedly that could be due to my own lack of research on the matter). As someone who plays drums but is not, for all intents and purposes, a drummer, guys like Virgil and Jojo (and, subsequently, yourself) are kind of like wizards with octopus limbs; each with a mind of their own but control of those "minds," that is both otherworldly and magical.
Brilliant video man! I just came here after seeing your IG post and I'm diggin your channel. It's insane you can execute this stuff... I could see how much practice it was gonna take to get this down after trying for a while and I just wasn't willing to put in the time right now, but I certainly commend you for your efforts. Thanks for the shoutout and keep up the good work!
How funny I see you commented here. I swear, I was just going to post how you made a video saying you simply can't play Virgil's stuff and so weren't even going to attempt it. I scroll down and there you were. Just caught your vid a couple days ago. Too funny. LoL
you are the man !! thanks
instablaster...
I thought I knew how to count, but after touring with Virgil for a few years, I finally begin to understand how to actually count like a pro...LOL.
Any tips to share?
❤
That must have been quite the experience
@@alexkoefmanpractice...alot!
I saw you with Virgil Donati. Your playing was beautiful!
I asked Virgil in a clinic once if he likes to switch off sometimes from playing drums. He said apart from riding his horse he really only ever rehearses..... sometimes even as much as 16 hours per day
He also plays keyboards better than most people you will ever meet
His poor horse must get really confused when he forgets and both hands do different things on the reigns :)
@ Now ask yourself how he comes to 16 hours. Probably not because he's out there living the social life, haha. Start now! Suicidal tendencies are the best thing to motivate you in drumming.
@@mumblbeebee6546
Virgil: Right/Left Left/Right Right/Left Right/Right Left/Left Right/Left Left/Right Left/Left.....
Horse: 🤨🤯🤷♂️
Sounds awful
That paradiddle against double paradiddle sounded really great.
Ben Levin: "think about how your tools affect a listener."
Adam Neely: "think about how wide the array of tools actually is."
Shawn Crowder: "think about how most complicated tools are within reach once you analyze them concretely."
The difference in focus in each guy's videos resonantly increases how useful the other two's content is. It's awesome.
Guitar bass and drum... huh go figure.
@@fatguy338 I'd love to see a trio gig of them
12:34 and 12:58
@@StompL7 There's some old footage of Shawn and Ben playing together, funnily enough Quantum Factor, by Virgil Donati's band Planet X
Adam: What
Shawn: How
Ben: Why
The human brain is not capable of parallel tasks (a number of different tasks performed at the same time). What the human brain is good at is concurrent tasks (taking any number of different tasks, diving each into steps, then executing said steps linearly in alternance). What you hear when you execute those and any independence lines is not the sound of each half separately, but the sound of the two rhythms superimposed, or what's called "composite rhythm". I'm pretty sure Virgil is not focused so much on what each half is playing, but how the combination is supposed to sound. It's the same approach when learning polyrhythmic lines. You can get them much easily once you learn how the pattern sounds. After all, you're just playing a more complicated linear pattern.
I agree. Initially you practice both parts of a rhythm separately until you can blend both together. Then it becomes a composite rather than two independent things.
I always tell my student this, i learned it from a classical piano Player
Its not about independence but about in interdependence as Marco Minnemann would say I guess.
For polyrythms specifically, you can use a technique Adam Neely describes. Let's say you want to learn 3:4. Write three lines of numbers from 1 to 4, then circle every third number. Now you're gonna use your hands to tap the rhythm and count it. One hand taps every 1 and the other taps the circled numbers.
I agree but I also think if you repeat something enough times it will become automatic. For instance, tying a shoelace while holding a conversation. The process of tying a shoelace is actually quite intricate but we do it so many times it is automatic to the point of unconscious. So the brain can engage in other activities.
His drumming on Alien Hip Hop is so so good. I love how once it comes to the solo he just plays in a normal tight 4/4 groove and it still sounds so bad ass
I went to a Virgil Donati drum clinic during the Moonbabies era (my favorite PX album) and even though I've always been primarily a composer, I signed up for a '1-to-1 drum class' with him. Even though I'm not a drummer, we ended up talking about music theory for an hour, learned so many great things from him
I didn't get to watch Michelangelo sculpt, didn't get watch Chopin compose or play, didn't get to meet or speak with Einstein, but I WAS alive to watch Virgil Donati play this instrument. I wish I could stick around for a few hundred years to see what comes next, what evolves. Kudos to all you guys putting in the hours shedding this stuff. Thank you all for pushing the state of the art. Love to you all!
So well done! Mind = 💣
Thank you for doing a video talking about Virgil Donati! 🙏
More people need to know about the absolute master that he is.
lasse genius who makes it musical at the same time
4/4 over 7/8 was always my favorite pattern and when you get comfortable in jaming its like you hear 2 drummers play,i am doing it for 20 years so it take a while to get to this stuff, great work btw.
Cheers.
I've seen Virgil 3 times over a period of 3 yrs. and each time he had improved. After the first time, I thought this guy is phenomenal and a year later he was unbelievable. The last time was at a Percussive Arts Society expo. He played to a prerecorded track and it was frightening. I thought, how can he keep getting better. 16 hours a day is probably the answer.
12:34 is that a Ben Levin spotted in the wild???
yup!
i saw and thought "oh that guy looks like ben levin!" and checked the original video. lo and behold!
Haha I just wanted to post the same thing! That is so awesome that they have played together before.
I was about to comment this!!
This gives me a whole new perspective on Vrigil Donati as a drummer. Dude is on a whole another level. good video man \m/
"don't feel bad if this takes more than 2 weeks to learn anyway i spent 3 days on it and i'm gonna do my own thing now" relatable as heck
Yeah but he also says that he's spent many years practicing the same sort of techniques that Virgil uses, so it makes sense that one already partly familiar with the techniques would be able to pick it up quicker than someone fresh who's never done it before.
😆
I really dig the thing you say at 11:28 Virgil is so advanced, but so are you. I bow to you both
Quantum is beautiful. Glad to see someone else love it as much as I do. It takes incredible skill to learn and perform Virgil's parts. Amazing job!
Those transcriptions you showed at the end - I would be so grateful if you'd ever consider sharing them. Wonderful video, really appreciate your channel and thanks for all your content!
I really miss Planet X. What a great band...
This video is full of gold. In terms of concept. So awesome. 1. Find the few key exercises to practice to speed create a new foundation when studying or mastering new material 2. Use ideas as inspiration to do your own creative thing. Seriously awesome nuggets for the community. Such an important thing to remind all of us who are hungry to grow as player. Don't get bogged down chasing other peoples vocabulary and sacrifice your own creative voice.
Thanks Shawn.
I was living in Hobart (Tasmania/Australia) in the second half of last year and saw a Virgil Donati clinic come up, hosted by a local music store (Modern Musician). Apparently it only costs 25 AUD (from memory) to see a world class drummer. I'm not even a drummer but I knew it would be a great opportunity to learn. Not only did he absolutely knock it out of the park, we all received some sheet music (still have it) and we followed along with him playing the examples along with the full piece they were featured in. Had an absolute ripsnorter of a time.
I have never seen anyone mention that album Quantum. I spent my teens listening to a LOT of planet X. As soon as you started the groove, I thought AHHH, I KNOW THAT. So happy to see them getting a shout out from you.
And here you have a perfect example of a profession(al) musician. You're getting a peek at what exactly it takes to get those grooves and not just seeing the final glamorous performance. PLUS, it's nice to see used heads and not pristine new ones. Working mans drummer! Well done!
Shit man, that was fantastic, I have so much respect for your incredible discipline and positivity to learn these crazy pieces. Great stuff
I love that "build up" section in Bird on the Wing. It's sort of frenetic and when the down beat happens I feel like I can do anything. Thanks for the feels!
Really loved the video! I got to see him play back in September and my mind was blown away! I even got his sticks so now i'm playing with them on my electronic drum to not tear them
Dude, you're awesome! I'm a guitar player, and I benefit massively from videos like these, I can only imagine what actual drummers take from this. Gold 👌
Amazing concept, awesome explanation! Subbed 🤙🏻
Virgil is an absolute hero of mine, a bottomless source if inspiration indeed. Thank you for bringing his music up! [also planet X is indeed breathtakingly amazing thing ever happened to music]
Great video as always. I really appreciated the part where you talk about getting what you wanted our of the exercise and them moving on your own musical ideas. While is possible to give up on practice too early because of difficulties, knowing when to move on to something different is also really important. In the end, it's about your voice on the instrument and you want you want to achieve. Then again, maybe that easy for me to say because I couldn't come even close to level of expertise needed to even start practicing this kind of playing.
incredible coordination, thanks for introducing me to this amazing music
I'm a guitarist and a fan of Virgil Donati and this video made me want to buy a drums and learn.
This is why youTube is so good , where we could see this great stuff , thanks Shawn , Austin
I'm from Melbourne Australia I knew Virgil and I quit playing drums after seeing him in a rehearsal studio .now 51 I'm just learning how to just enjoy music rather than try and catch up to brilliance .which he just practiced as a kid instead of playing outside .blew my mind 30 years ago
Not just played accurately but wonderful dynamics shown here too. Actually, once the pattern is finally learned and achievable, the dynamics are still another challenge to overcome as the parts have different volumes. Great demonstration and great drum tutor(musician overall). Great video, great channel
Reminds me of something I learned after I saw Kai Hahto (drummer for Wintersun) play a solo where he used a wood block on a pedal, and kept a specific pattern going with the block while he soloed with his other limbs. I learned that pattern, though now I only use the patter with my hats for polyrhythm masturbation, and eventually came across Horacio “El Negro” Hernandezs’ clave pattern which blew my mind so hard, I spent days sitting there and figuring it out.
You learn the pattern until it’s rote, and eventually, you can play essentially anything over it. The more you play the pattern and try different variations, the more hurdles you discover and over come.
To me, that discovery of a hurdle, grinding it out, and then being able to play through it with ease, is the allure of drumming. This pattern however, is quite a hurdle indeed.
It was awesome seeing Virgil in Pittsburgh! Thanks bringing me back memory lane. And good job btw, you really have a handle on this material.
WOW...didn't know anyone could pull off the intro to Thinking Stone...didn't even know if Lang could pull it off...well done man...GOALS
Amazing.....both playing and perspectives!
So glad Virgil is getting props, Aussie Aussie Aussie
Love your playing dude.
So concise, so on time, so clean.
And ... Not just technically good ...
it Percolates - it Grooves!
LUV IT.
Saw him play live once with Andre Nieri and Junior Braguinha.. Out of this world :) You gotta see it to believe it. Also got his autograph on the back of his album "In This Life". Great man, devoted!
I totally agree with in understanding the concept and using in your arsenal to create your own personal grove rather than being a "clone". Thanks buddy!
Really cool that you even attempted it, let alone got very close.
The case is: even if you "learn" how to play what he's playing, no one will ever be able to play like he does. His lightness, intuition of changing techniques whenever he want or even the quantity and relation among notes. He has simply created his way of playing, which sounds very unique and, in my opinion, the next and ultimate concept of rythem.
Your passion for music is really inspiring. You make me want to work on my own thing.
I discovered your channel few days back and oh man it's awesome 🔥
That's some mind boggling independence and control!
For some super crazy coordination check out the Polish drummer Miroslav Musicant. He plays 12 different meters with such crazy stuff as using whistles and his head to play on a shaker, using the front and back side of the stick to play 2 different patterns etc. Very avant garde stuff.
Quantum Factor ....that song is a drummers killer....
I’m 15 seconds into this video and my god, man, you’re an incredible drummer.
Very cool! I'm a fan of Virgil's drumming on Icefish's album "Human Hardware". It has really interesting drum grooves that fit together super well with the rhythm guitar.
Great video! Haha I knew within like a second that pattern was from The Thinking Stone. Maybe because I've listened to the song a million times, but I'd like to think it's because Virgil writes recognisable grooves. As a non drummer there's something that really draws me specifically to his music, especially emotionally. I've never gotten into any of the other clinic drummers, but with Virgils style I always get this feeling of anxiety, like it's quiet and reserved but also sounds like it's about to explode.
It's worth pointing out his skill with harmony as well, it's hard to tell exactly how much input he had with the harmony of Planet X but listening to his pre and post Planet X solo stuff and looking at the other members solo stuff, his harmonic approach seems the most distinctly Planet X.
The comment about spending more time developing something that's your own rather than spending all your time copying is great advice for all musicians. It's something I haven't done enough in the last few years. You don't have to be able to do everything. Being competent at many things AND being yourself is where it's at! It's a bit discouraging to find yourself becoming more and more derivative. But stealing from everyone and really making it your own is great.
Thanks a lot for explaining and playing these amazing grooves. Well done and inspiring video!!!!
that is just mind boggling how Virgil pulls that off
Lol, the first person who introduced me to poly-rhythmic ostinatos was Terry Bozzio. Blew my mind. He taught me some of his secrets, great video!
That paradiddle switching was next level
Shawn Crowder... Thanks for inspiring me! I'm going to work on this!
I love the way you explain this stuff, I feel so inspired to try it now.
Welldone sir .if you work 8 hrs a day you cant play like this..this is professional life that you have. The truth above for everything i believe happy new year
glorious instructional video and great drumming, kudos
thanks man for all your video!
awesome work man ! hands up!
9:38 at 1,5x speed sounds pretty accurate 😁
Killer content! As a non-drummer I probably wouldn't even have understood that that's the kind of stuff he's up to. Damn! Keep up the good work :)
Holdsworth the GOAT
A great concept and it takes alot of practice. If you transcribe the limbs to their respective lines, snare/sock cymbal & toms/ bass drum, it's the same concept that Gary Chester taught. You essentially are playing a line with each limb and integrating the four together. Whether you do the rudiment thing like Virgil is doing or take three ostinatos in any three limbs and read lines with the fourth limb as Chester taught...you end up with the same thing. None of this is done on command...it takes practice to get there.
Well done!!! Well explaned!!! Thx for sharing!!!! Greetings from germany 👍👍👍👍👍
I’m pretty sure Virgil is from Planet X and he is communicating with his people through advanced rhythms. Translated, it says “G’Day, mates.”
Amazing job! Great playing
man. you're even MORE of a beast than I thought!
Awesome video man
Such interesting timing (ha!). I've been getting back into virgil here lately. You do a great job of breaking down what virgil is doing. You make it seem somewhat more attainable! I caught that Austin video, too.
You sir have just broken my brain
Bravo!! Right words at the right time!! 👏🎶🥁
amazing record of the drums
My brain just fell out onto the floor. Bugger!
love this album
Very cool video! Can you upload the transcriptions?
Learning polyrhythm takes forever to get right but it shows in other areas quickly. Even at the point of barely being able to play them for more than a few seconds, you're generally going to see significant improvements, particularly in ability to improvise.
Afterearth:
Aliens:
-what they did?
-hit stuff with stick's
-why?
-this:
You have my subscription, my respect and my deep admiration man!!
You are amazing!
Awesome content as always!
Kudos giving props to Austin, he was like my first TH-cam vid drum lessons, and he always picks great spots of the best drummers, Benny greb, Coleman,etc and makes them usable for intermediate to beginner and advanced I wouldn't know,but ever since your boy started doing vids,bandmate for perihelion is it? He introduced me to you ,so ...hello thar, gluten tag,choB
Ha, I didn't mean that, but(impression that I did mean it? In that case) actually I forgot no that one I did mean I made that up just a couple minutes ago because I was thinking of a bad joke about Germans who are always cranky in the morning when they reach for the wrong box of cereal--or something like that I'm still working on it but that was my first attempt right off the top of my head just now that's actually true I could probably do a dozen more in the next 3 minutes because my mind just rattles off whatever creative binge I'm on or category of binge, in a gatlin gun howlitzer type fashion,and suppressing it,to the relief of TH-cam observers, would have the same effect of closing all the valves in any steam or gas pressured system,and like the explosion that would occur in an unforeseen location, I would likely nuke a radius within distance of someone I care for or a stranger, both undeserved and why we learn not to take things personally..phew
That mus be one of the best drum intros (thinking stone)
Great video!! Solid content.
I found that bouncing the left had can keep it pretty easy to grove like start with doing straight 8th notes. Then move to bouncing either just the left or right both and switching it around then start moving the right around but keep hitting the snare on 2 and 4. it just goes on auto pilot.
It is mind blowing at first, but I wrote the two paradiddles next to each other, once I saw that my mind was able to play it. The other thing I did was to playing it really slow and record it.
Great stuff! All of the drummers Allan Holdsworth played with were brilliant, including Dave Carpenter, former Zappa drummer Chad Wackerman, Gary Husband, and the one and only Vinnie Colaiuta. If you could do some Colaiuta stuff that would be awesome!
Dave Carpenter (RIP) was the bass player for 16 Men of Tain, Gary Novak was the drummer.
I'll never be like Virgil but the secret to getting better is loving playing 1st, then repetition and discipline to stick with a practice routine or even just a drum beat until it is 2nd nature. Have fun, laugh when you screw up and keep moving forward. Make it musical most of all.
Nice job man !
It's so interesting to see him play such complex music yet I can't help but keep remembering his sloppy audition for dream theater every time I see his face.
TH-cam has turned my notifications off for you Shawn! Might wanna check other people aren’t in the same boat. Love your videos 🤘🏼
Great stuff!
Firstly thank you for what you do, and the introduction to both a band I've heard of (but never looked into) and an amazing drummer I've never heard of.
Secondly, I felt immediately inspired by this video to ask about your thoughts on Jojo Mayer and his take on multi-layered, polyrhythmic playing across several different limbs. I've seen some videos where he's spoken about how he achieves and perceives each element of his playing (both in practice and practical usage) but I've never heard anyone really discuss it outside of himself (though admittedly that could be due to my own lack of research on the matter).
As someone who plays drums but is not, for all intents and purposes, a drummer, guys like Virgil and Jojo (and, subsequently, yourself) are kind of like wizards with octopus limbs; each with a mind of their own but control of those "minds," that is both otherworldly and magical.
Fantastic job ! That is definitely brain breaking.
He is insane. I only wish he'd embrace a hybrid kit, so his orchestrations would make his madness easier for the audience to discern.