Arnold Schoenberg - Verklärte Nacht (for string orchestra), Op. 4
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- เผยแพร่เมื่อ 23 มิ.ย. 2020
- Arnold Schoenberg - Verklärte Nacht (Transfigured Night), arranged for string orchestra, Op. 4 (1899)
Performed by the Academy of St. Martin-in-the-Fields
Conducted by Sir Neville Marriner
Source of Audio - • Arnold Schoenberg : Ve... - เพลง
Its great when Schoenberg really leans in yo alien and shocking harmonic structures like triads
4:05 i saw that flash
Interesting: An early enough piece by Schoenberg, that it has a Key Signature.
Actually, there are pieces "with a key signature" throughout his life; most of those rarities are occasional works.
@@burkhardstackelberg1203 Ya..........the rest are just a dodecaphonic mess.
@@burkhardstackelberg1203 Yeah, only because it saved him having to pen so many 'accidentals' in the long run, haha
@@_rstcm I guess by your username that your appreciation of what is 'classical music' is extremely narrow then. A'ight.
@@sunnyjim1355 True ig.....I'm just not such a big fan of the 12 tone music as much as others.....and I'm saying it bcoz I listened to a lot of it.
28:06 a truly magical coda
07:12 enchantingly brilliant
21:30 orchestra audition
merci énormément d'avoir posté une partition claire et d'avoir pris un enregistrement pour orchestre à cordes et d'aussi bonne qualité; c'est l'un de mes morceaux préférés, mon modèle même
24:48 is wonderful
This is the peak . Where do we go beyond this ?
Thank you for posting this with the score!! Immensely helpful.
Thank you for posting the score!!
This is supernatural.
Fascinating.
Exquisite!
One of the most brilliant things ever done.......What happened afterwards will be complete mystery.....................
Schönberg wrote many tonal works even later in his career, which you would know if you'd ever bothered to listen to his music instead of parroting 'serialism bad' anti-intellectual takes. Also many of his twelve-tone works are very good and I pity that you'll never hear them because of your closedmindedness.
One of the most incompetent things ever. He never was a master.
@@korhonenmikkonot close mindedness, it's called being non-religious.
@@Whatismusic123 What? Just because you think Schoenberg was never a master, does not mean he was not a master, and it certainly does not mean that anyone who thinks he is a master is "religious".
@@themobiusfunction I know he is not a master, because the least a master could do, is understand tonality, time, harmony, form. Which he doesn't. His entire magnus opus, is a thing which exists only due to his blindness of reality, and his peers' belief that he knew what he was doing. Atonality doesn't exist.
19:15
There's the inverted ninth chord! Was wondering whether you were gonna post it eventually :D
Where exactly?
first appearance of it is at 4:04
i guess it is pretty off topic but does anybody know of a good website to watch newly released movies online ?
@Alfred Ernesto I use Flixzone. Just search on google for it =)
@Lorenzo Israel Yea, I've been using flixzone for since march myself =)
20:23 Disney Into :D
Love the channel name
100小節目で、私は神々しい光を見ます。
それは、古典派的で非常に明晰な光です。
Checking in after watching The West Wing S2E9 22:19
I can actuakly enjoy this, or the Kammersymphonie, or the Gurre-Lieder. It's a shame Schönberg left tonality behind later on.
It's strange that you mention Kammersymphonie op. 9. Kammersymphonie is pretty wild, highly chromatic music, with many passages on the verge of atonality. If you can enjoy that, I think you will be able to enjoy stuff he wrote after that.
Yeah, for me his Op 8 is him standing on the edge looking into the abyss, Op 9 he takes the plunge.
24:46
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⭐️⭐️⭐️
mes 182 et 394 ;)
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20c 초반 음악
쇤베르크 - [정화된 밤]
(현악 6중주) - 초기버전 (바2 비2 첼2)
★제 1기 [후기 낭만주의] (조성적 창작 시기)
쇤베르크는 - 19c마지막 해인 1899년에 작곡된 현악 6중주곡 [정화된 밤]은 후기 낭만주의 사조를 보여주었으나, 이후 낭만주의 음악 어법의 한계를 느끼고
점차 [무조성 = 표현주의]으로 향했다.
21:30
Wow, this is like, someone composed what anxiety and mental pain feels like
I mean, it depicts a guy finding out his wife's pregnant and that the child isn't his.
Anxiety and Pain is not inaccurate. And yet the piece is beautiful too.
@@klop4228 clearly you have never felt heartbreak as painful as the man who composed this. anxiety and pain may not be ALL of what this is related to, but to say its not at all accurate, is very flawed. This entire composition vehemently cries out in pain and anguish and anxiety no matter the cause, even if you know exactly the cause.
@@ashleyy6329 I said 'not inaccurate', i.e. 'accurate'. I admit I may have come across slightly defensively (from hearing a lot of ignorant people insult Schoenberg's music as 'just stressful to listen to'), but based on your reply I do agree with you.
(And, I mean, no, I haven't experienced a lover of mine bearing someone else's child, but please don't just assume my experiences.)
@@klop4228 Not exactly. She tells him that she became pregnant with a stranger's child because she had a strong desire of motherhood and didn't believe she would have any other chance of happiness - but, alas, then she met the man who would become her lover.
@@WhereisPerry What a lame story. It kinda ruined the piece for me, sadly.
15:16 4th
Bar 54, vla I, 2nd note of 3rd beat is incorrect in the score here, should be A natural as in vn I part.
With this music you can just imagine Beethoven spinning in his grave thinking: 'Wait, what!? When I wrote my Grosse Fugue I was virtually deaf - it was just a prank, brud! Nooooooooooooo'.
Verklärte Nacht is much less dissonant and much easier to listen to than Grosse Fuge. Idk what your comment is supposed to mean.
dirty move by placing ads for 1 frame during the song.
it's not an advertisement! the chord that is being heard at 4:05 is an inverted ninth chord. the video editor is just paying homage to the channel's namesake.
@@DodecatoneI really do not understand this infatuation with the inverted ninth chord. It's not difficult to compose an inverted ninth chord, in fact, it has been done multiple times by hundreds of composers.
@@Whatismusic123 It's not an infatuation, only a reasonable tribute to what was (at the time) quite revolutionary. Fun fact: when it was finished, officials refused to register this piece as a legitimate composition, because compositions were made of notes and chords and they didn't identity the inverted ninth as a real chord at all.
@@Dodecatone it wasn't revolutionary at all, people were just poorly educated, inverted ninth chords have been used for centuries, people have just been analysing them wrong. Any competent composer would spit in these officials' faces.
They're so easy to come by, that there is one in my most recent composition, by complete coincidence. One shouldn't deem something revolutionary, when said thing, first of all, wasn't even actually understood by schoenberg at all, and second, just because said thing wasn't recognized by some random officials.
@@Whatismusic123 I invite you to give me examples of inverted ninth chords originating from centuries before Schoenberg.
Not the best recording by any means, but useful to have to score, I suppose.
Better than HvK's!
What recording would you recommend? (Including one for the sextet version)
@@Dodecatone Let me think about that. This particular one is rather cloggy, the tempi not really accurate at all, and I'm not convinced all the instructions in the score were rerspected (perhaps they were playinig from a different edition?).
After listening to a few versions of the sextet edition, Emerson's recording seems to accomplish it well
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