This standard has such a strong melody and great changes to play over! Let me know if you have any questions, comments or feedback on this lesson. Andy
Thank you very much for your lessons ! add: I would like to see some Improvisation ideas on confirmation of Charlie Parker, really need some input for more vertical jazz songs
Very good Andy, really very good. A question, pls... why don't you keep the Gm penta over the A7b9? Both Em7b5 and A7b9 are Dm harm scale, isn't it? Is due to the C#?
I follow you now. It’s the same kind of principle though. Either using a Bbm arpeggio or Bbm pentatonic gives you an A altered sound. It’s all about how the intervals of Bbm give you outside sound over an A. Bbm pent over A = Bb=b9 Db= maj 3rd Eb = b5 F= #5 Ab= 7
xerxes For me the logic of learning jazz is like learning a language. It takes time to absorb phrases, to start with it’s helpful to know some of the tools, but to truly speak it you have to immerse yourself in it and then learn to say your own thing with it. I’m always interested in takes in trying to teach this wonderful music. Your comment is appreciated but come on, explain yourself fully man!
![โฮ่ง! (SUGOI) - LYKN [ OFFICIAL MV ]](http://i.ytimg.com/vi/nFp4zjAARFs/mqdefault.jpg)
This standard has such a strong melody and great changes to play over! Let me know if you have any questions, comments or feedback on this lesson. Andy
Since I discovered your channel, my guitar life hasn't been the same!
That's awesome Joshua, glad to be of help! Out of interest are there any particular topics you'd like to see me cover?
As always Andy, most interesting & informative ! Many thanks
Cheers Mark.
Found this extremely helpful!
Glad to hear it!
Really handy content my friend, also for a horn player like me! Subscribed 8)
Cheers for the sub
Greater video!
Thank you James
Amazing!! Just...AMAZING
Thank you :)
Thank you very much for your lessons ! add: I would like to see some Improvisation ideas on confirmation of Charlie Parker, really need some input for more vertical jazz songs
Thanks for the feedback Noah. I'm currently planning my videos till the end of the year so will try and factor that in.
Very good Andy, really very good. A question, pls... why don't you keep the Gm penta over the A7b9? Both Em7b5 and A7b9 are Dm harm scale, isn't it? Is due to the C#?
It's already commented below... sorry to question again.
No problem - you're very welcome :)
Cool video lesson. Have a good day
You too Deedee Files.
Nice Stochelo quote at 9:50 Andy 👍👏
Love a bit of Stochelo!
Thanks from Brazil!!! I needed this class, man
No worries Kelvin. Thanks for checking out my video!
Great
Why are you using Bbm over A7b9? How does it work?
A7b9= A C# E G Bb
Bbm = Bb Db/C# F = A7b9#5 sound
Even better is Bbm6 which gives you the G too.
@@jazzguitarwithandy i was thinking how A7b9 relate to Bbm pentatonic. It's not in this scale
I follow you now. It’s the same kind of principle though. Either using a Bbm arpeggio or Bbm pentatonic gives you an A altered sound. It’s all about how the intervals of Bbm give you outside sound over an A.
Bbm pent over A =
Bb=b9
Db= maj 3rd
Eb = b5
F= #5
Ab= 7
@@jazzguitarwithandy thank you so much, i never knew about it
@@jazzguitarwithandy maybe you'll do video about it? How to choose scales to play above chords, how they relate with each other. Is there some rules?
Any chance of sharing that backing track? Thanks!
Sure Josh, drop me an email and I can send it to you
A little bit to fast spoken 😂.
Sorry! You can always change the speed in the settings...
logic is not the strength of white jazz musicians..
xerxes For me the logic of learning jazz is like learning a language. It takes time to absorb phrases, to start with it’s helpful to know some of the tools, but to truly speak it you have to immerse yourself in it and then learn to say your own thing with it. I’m always interested in takes in trying to teach this wonderful music. Your comment is appreciated but come on, explain yourself fully man!
Bro you are a white jazz musician