Excellent help!!! I love how you just get into it without unnecessary bother. lol And you explained it so clearly. This helps me SO much! Def subscribing! Thank you lots! 🙏😁👍
I'm starting ADR and was actually going to get started today using Adobe Premiere Elements but I quickly learned how limiting and time consuming using Premiere Elements would be and after an exhaustive search I discovered Pro Tools was good for ADR and I did a quick google search and found you. The great thing is I convinced the director of the film to postpone the ADR session until next week so I have time to practice using Pro Tools for ADR and you video was immensely helpful. I will definitely watch your other videos. You might be interested if you don't already know that in my search for the perfect ADR software, I came across another software called Revoice Pro 4 which is supposed to do similar functions as Pro Tools however, in the tutorial I watched the gentleman record the ADR vocals on Pro Tools and used Revoice to perfectly sync the new recordings to the video with a couple of clicks of the mouse. It was flawless so I'm hoping to try that method.
The artifacts you were hearing were caused by setting the HW buffer too low (32), 64 or even 128 are enough to get rid of the delay. Also, PT's video engine gets very unstable when looping short segments of video since it doesn't recover fast enough.
Thanks for the upload, in the past I used a ADR program called voiceQ that synced with pro-tools, basically in the booth the actors had onscreen the video and scrolling lines with a marker, there are other options like beeps, line claps, countdown, worked really well especially for DUB.
Glad you found it informative! Are you talking about setting up a 2beep (at the beginning of a film post project, used to line up the video and audio in post), or beeping out curse words, or something else? I have a video on beeping out curse words. It's old, but the info is still there: th-cam.com/video/5OZe5xLdjmQ/w-d-xo.html I'm not sure if I did one on 2beeps yet, but there are a lot online that you can download and use. Or, if you have someone that does video editing create the visual half for you, I believe you can generate the audio component of it by creating a beep that's 1 frame long in the same location as the visual "2" on the screen, using the same techniques that we use for beeping out curse words.
Thank you for this. I found it very helpful. I have been using PT to do narration for my videos and was running into issues where the audio and the video kept getting more off from each other. I had not found where to change the project to have the Timecode Rate match the video at 29.97. Everything I was finding about this issue said to use a different codec, have the video record at a full 30fps. Nobody every showed this. Thank you, thank you! Still running into some issues with the video not running smoothly as it plays but at least it seems to be matching up much better now later in the video. I don't know if I would ever do real ADR. This does help tremendously with the narration stuff I do.
Awesome, I'm glad it helped! Sometimes, if the video isn't running smoothly, I'll get a lower quality render of the video so it doesn't take as much processing power to play back. That might be something to try, since it might help?
@@CatoNoise - I should try that. I don't need HD for doing the narration and voice over stuff. It would be a smaller file and would transfer to the other computer more quickly.
@@arthurschwieger82 Yeah, that's why I do it. And you can always relink your final mix to the high quality video afterwards, if you're the one doing that bit.
@@CatoNoise - The video is just there in PT so I can see what the video is doing and comment on it. Then I bounce the narration audio from the project and copy that back to the video editing software and slide it on in. Play around with the audio level a little so the volume level is close and call it good. :-)
Great. I do commercial voice over but very very frequently I have to synch my voice to a video and will use this technique. Will help a lot and speed up my process Thanks a lot.
I suggest you visit a real ADR stage to see how the pros approach this. Your technical prowess is impressive but the work flow is a bit off. Remember also that in virtually every film and television show, the actors are recorded in stereo. There’s a lav and a boom. The boom is almost always on the left channel. Audio beeps to cue the talent is also imperative to help the actors catch sync. You can IMDB me if you’re doubting my comments. I spent 36 years in post production audio and have recorded thousands of hours of ADR.
Hey, thanks man, I don't doubt you here! I haven't watched this video in a long time, and I think I made it years ago. If I'm remembering right, I think I was just showing the basic idea? I don't think I dug into much detail at all, right? A lot of people dont even know about the concept of looping, and I think a lot of people searching here on yt would want help on what they could potentially do for their independent projects. Anyway, it sounds like you have a lot of experience, and I'm definitely not questioning that. I worked in a post facility in NYC briefly, but I'm definitely not an ADR specialist or anything. So I think the goal here was to keep it short and simple (digestible info) and show the idea for what I've seen, with a focus on what people can do using their own systems (so for example, I didn't dig into multiple mics, and mic placement in a commercial facility because that could be a potential topic for a future video). Anyway, hope that makes sense! I'm sure everyone here would love to hear more details from you are willing to write them out for us!
make video where you have a dubbed a full 2 hr film with multiple characters in every scene .what all did you do? how did you plan ? how did you add markers etc
Excellent help!!! I love how you just get into it without unnecessary bother. lol And you explained it so clearly. This helps me SO much! Def subscribing! Thank you lots! 🙏😁👍
I'm starting ADR and was actually going to get started today using Adobe Premiere Elements but I quickly learned how limiting and time consuming using Premiere Elements would be and after an exhaustive search I discovered Pro Tools was good for ADR and I did a quick google search and found you. The great thing is I convinced the director of the film to postpone the ADR session until next week so I have time to practice using Pro Tools for ADR and you video was immensely helpful. I will definitely watch your other videos.
You might be interested if you don't already know that in my search for the perfect ADR software, I came across another software called Revoice Pro 4 which is supposed to do similar functions as Pro Tools however, in the tutorial I watched the gentleman record the ADR vocals on Pro Tools and used Revoice to perfectly sync the new recordings to the video with a couple of clicks of the mouse. It was flawless so I'm hoping to try that method.
The artifacts you were hearing were caused by setting the HW buffer too low (32), 64 or even 128 are enough to get rid of the delay. Also, PT's video engine gets very unstable when looping short segments of video since it doesn't recover fast enough.
oh, awesome, that's good to know! Thank you so much!
Fantastic video Cato, thanks for taking the time : )
This video is awesome, thank you for this it actually helps out a lot!
Thanks for the upload, in the past I used a ADR program called voiceQ that synced with pro-tools, basically in the booth the actors had onscreen the video and scrolling lines with a marker, there are other options like beeps, line claps, countdown, worked really well especially for DUB.
That's awesome, I'll have to check that out, thanks!
i guess I'm quite off topic but do anyone know a good site to watch new tv shows online ?
@Beau Omari Try flixzone. You can find it on google :)
@Anderson Ayaan Yea, been using Flixzone for since march myself :)
@Anderson Ayaan thank you, I signed up and it seems to work =) I really appreciate it !
Thank you so much this was Easy Quick & Straight to the Point Great Valuable Information !!! 💯👌🏾
Very helpful thank you! For the next lines, do you usually duplicate the track?
This was really helpful! Thank you!
Thanks for this video. Really helpful
Thanks! I'm glad you liked it!
very informative thankyou. Question. say your doing something like Anime. do you know how to set up the three beeps?
Glad you found it informative! Are you talking about setting up a 2beep (at the beginning of a film post project, used to line up the video and audio in post), or beeping out curse words, or something else? I have a video on beeping out curse words. It's old, but the info is still there: th-cam.com/video/5OZe5xLdjmQ/w-d-xo.html
I'm not sure if I did one on 2beeps yet, but there are a lot online that you can download and use. Or, if you have someone that does video editing create the visual half for you, I believe you can generate the audio component of it by creating a beep that's 1 frame long in the same location as the visual "2" on the screen, using the same techniques that we use for beeping out curse words.
Thank you for this. I found it very helpful. I have been using PT to do narration for my videos and was running into issues where the audio and the video kept getting more off from each other. I had not found where to change the project to have the Timecode Rate match the video at 29.97. Everything I was finding about this issue said to use a different codec, have the video record at a full 30fps. Nobody every showed this. Thank you, thank you! Still running into some issues with the video not running smoothly as it plays but at least it seems to be matching up much better now later in the video. I don't know if I would ever do real ADR. This does help tremendously with the narration stuff I do.
Awesome, I'm glad it helped! Sometimes, if the video isn't running smoothly, I'll get a lower quality render of the video so it doesn't take as much processing power to play back. That might be something to try, since it might help?
@@CatoNoise - I should try that. I don't need HD for doing the narration and voice over stuff. It would be a smaller file and would transfer to the other computer more quickly.
@@arthurschwieger82 Yeah, that's why I do it. And you can always relink your final mix to the high quality video afterwards, if you're the one doing that bit.
@@CatoNoise - The video is just there in PT so I can see what the video is doing and comment on it. Then I bounce the narration audio from the project and copy that back to the video editing software and slide it on in. Play around with the audio level a little so the volume level is close and call it good. :-)
Great.
I do commercial voice over but very very frequently I have to synch my voice to a video and will use this technique. Will help a lot and speed up my process
Thanks a lot.
Awesome, I'm glad it was helpful!
Very helpful, thank you!
Awesome, glad it was helpful!
Thank you, this helps a lot !
Awesome, I'm glad to hear that! Thanks for watching!
Thank yoooo!!!
Did pro tools first sapport video
Very helpful.
I suggest you visit a real ADR stage to see how the pros approach this. Your technical prowess is impressive but the work flow is a bit off. Remember also that in virtually every film and television show, the actors are recorded in stereo. There’s a lav and a boom. The boom is almost always on the left channel. Audio beeps to cue the talent is also imperative to help the actors catch sync. You can IMDB me if you’re doubting my comments. I spent 36 years in post production audio and have recorded thousands of hours of ADR.
Hey, thanks man, I don't doubt you here! I haven't watched this video in a long time, and I think I made it years ago. If I'm remembering right, I think I was just showing the basic idea? I don't think I dug into much detail at all, right? A lot of people dont even know about the concept of looping, and I think a lot of people searching here on yt would want help on what they could potentially do for their independent projects. Anyway, it sounds like you have a lot of experience, and I'm definitely not questioning that. I worked in a post facility in NYC briefly, but I'm definitely not an ADR specialist or anything. So I think the goal here was to keep it short and simple (digestible info) and show the idea for what I've seen, with a focus on what people can do using their own systems (so for example, I didn't dig into multiple mics, and mic placement in a commercial facility because that could be a potential topic for a future video). Anyway, hope that makes sense! I'm sure everyone here would love to hear more details from you are willing to write them out for us!
🤘
make video where you have a dubbed a full 2 hr film with multiple characters in every scene .what all did you do? how did you plan ? how did you add markers etc
Protools is always complicated and so hard to do...
This is comping not adr 🤔
Protools is always complicated and so hard to do...
Yeah, it's a complex program, you can definitely spend a loooong time digging into it!