Since learning about ADR, and having no idea that almost 90-100% of dialogue in big budget films is ADR, I now can’t watch ANYTHING without thinking about it. I notice it in everything I watch! It’s almost a curse 😂
It's not that much. No where near. Based on my own experience of sound recording on low budget features and with today's current hardware and software tech I'd estimate it's no more than 20%.. If that. We can do clean ups in post now that we couldn't do 10 years ago.
My professor instructed me to watch this video to learn about ADR and your method of teaching is amazing. I am now locked in! Thank you I really enjoyed learning from you
Film makers who fervently resist ADR are in my opinion inexperienced film makers. Having said that though, I think ADR is antiquated. Grabbing wild lines on set is a much better option. I haven't done an ADR session in years.
Hi, I need help. My class has a project we only have 7-9 weeks to do, and it's the shooting of 2 30-40 minute videos, and I was given the unfortunate pleasure of being the director. I want to know if it's possible or okay to do ADR for only certain scenes, and use mics for others, since doing ADR for all is simply not possible with the time we have. I was told not, but I honestly don't want the films to sound as bad as most productions in this country sound, and I was pretty skeptical to the idea that it couldn't be done properly (I know switching ADR and mic between shots is a no, but I mean between scenes. Just making sure that's clear). So can I?
It is possible to do ADR for certain scenes. But it is still a significant time investment in post production so it sounds realistic. I'd first try to get good sound during production. But if that's not totally possible, then make sure the time you will need is added to the production schedule. Remember, you need to get all the on screen talent back to record their lines and then some post work to make it sound like they were actually there. Totally doable and if you have it in mind from the start (like you do) then you can be prepared for the work later.
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Since learning about ADR, and having no idea that almost 90-100% of dialogue in big budget films is ADR, I now can’t watch ANYTHING without thinking about it. I notice it in everything I watch! It’s almost a curse 😂
It's not that much. No where near. Based on my own experience of sound recording on low budget features and with today's current hardware and software tech I'd estimate it's no more than 20%.. If that. We can do clean ups in post now that we couldn't do 10 years ago.
I love this video bro good job and I just subscribe to you now since I will be needing your advice because I'm in Film school doing Audio 2 class now.
I've never even heard of ADR before, thanks guys! I learn something new every video on this channel 😂
Wait till you interview us tomorrow. Oh the things you're going to learn Dylan.
It blew my mind when you said the first part of the scetch/example video was ADR aswell! Great vid man!
My professor instructed me to watch this video to learn about ADR and your method of teaching is amazing. I am now locked in! Thank you I really enjoyed learning from you
Thank you! We try hard to be clear and educational.
Thank you! This video is perfect for teaching my class about ADR!
Great video!
This was a fun lesson to learn.
Great video! Have you tried the automatic speech alignment in Audition? You did a great job on matching, nicely done.
Super!
Film makers who fervently resist ADR are in my opinion inexperienced film makers. Having said that though, I think ADR is antiquated. Grabbing wild lines on set is a much better option. I haven't done an ADR session in years.
Hi, I need help. My class has a project we only have 7-9 weeks to do, and it's the shooting of 2 30-40 minute videos, and I was given the unfortunate pleasure of being the director.
I want to know if it's possible or okay to do ADR for only certain scenes, and use mics for others, since doing ADR for all is simply not possible with the time we have. I was told not, but I honestly don't want the films to sound as bad as most productions in this country sound, and I was pretty skeptical to the idea that it couldn't be done properly (I know switching ADR and mic between shots is a no, but I mean between scenes. Just making sure that's clear).
So can I?
It is possible to do ADR for certain scenes. But it is still a significant time investment in post production so it sounds realistic. I'd first try to get good sound during production. But if that's not totally possible, then make sure the time you will need is added to the production schedule. Remember, you need to get all the on screen talent back to record their lines and then some post work to make it sound like they were actually there. Totally doable and if you have it in mind from the start (like you do) then you can be prepared for the work later.
Pull My Focus Thanks
When to do the ADR? Does record the ADR scene by scene or record the ADR when the film already edited or record it dialogue by dialogue?
As far as I know it is done in post production when all shooting is completed.
@@PullMyFocus So, record the ADR dialogue by dialogue?
Yup. It's a tedious process sometimes.
@@PullMyFocus so record ADR is take a lot of time if the film has a lot of dialogue?
@@william.n4643 Unfortunately yes.
I dare you guys to make an ADR with spanish hahaha just kidding, but people say is very hard to accomplish that ...