I don't understand why this version has so little views... It is by very far the best interpretation I've heard, because it is rather slow, and honours Rach's writing, how much would I've paid to be there in the concert hall to hear this being played...
Un ami m'a dit de venir écouter ce chef d'œuvre, et je ne regrette en aucuns cas d'avoir clique sur le lien qu'il m'a envoyé. Cette interprétation est émouvante, mélangeant violence et douceur. Et surtout : le pianiste est fabuleux !
@@TomBarrister Of course, but it is rather a great pianist, that I've heard of as much as say Sokolov, for example I don't know, it's the TH-cam algorithm!
I would gently disagree. This interpretation lacks of transparency and clarity among the different parts of the concerto. Which is the main risk of this masterpiece
Да что вы! Интерпретация блестящая. Я услышала все, что сказал Рахманинов этой музыкой: всю историю Руси от древних времен. Такова Рахманинов края ностальгия по родине.
a Russian playing a very famous piece by a Russian composer..how good can that get? Plus Lugansky seems to have very large hands...just like Rachmaninoff.....I loved this performance..of course I love listening to Lugansky play any piece...his live series of Rach preludes is just divine!
Cette interprétation est absolument bouleversante. Le tempo adopté convient parfaitement à cette œuvre. Un grand merci à Emmanuel Krivine et à tous les interprètes.
Je suis souvent agacé par les compliments systématiques que l'on trouve sur les vidéos du musique classique de TH-cam, mais là pour le coup je vous rejoins, magnifique interprétation.
Magistral. Toute la passion, la fougue, la force, l'émotion et la delicatesse de ce chef d'oeuvre sont sublimées. Et ce tempo... parfait ! Je l'ai su dès les quatre premiers accords, émue aux larmes... Pour moi, c'est la meilleure version à ce jour. Bravo à tous ! Et Merci ! Nikolaï Lugansky: je n'ai pas de mots... vous êtes précision, force, passion et tendresse.
@@jeanvoine Vous avez complètement raison , à mon avis ! Très belle interprétation également , j'allais la mentionner ... Délicate, poétique et pleine de lyrisme ...Jouée avec beaucoup d'âme .
The Encore is an arrangement by Rachmaninoff of Tchaikovsky's Romance, Opus 16, no. 1, "Cradle Song," one of six romances Tchaikovsky wrote for that opus. Tchaikovsky originally wrote these in 1872, as songs for soprano and piano; he later wrote arrangements of 1, 4, and 5 for solo piano. Tchaikovsky wrote two versions of the Cradle Song for solo piano, one in A flat minor and the other in the technically-easier A minor. Tchaikovsky's protege and manager, Paul (Pavel) Pabst, corrected some publishing errors in the Cradle Song, and his arrangement is the one in publication today. In 1941 Rachmaninoff wrote his own arrangement of this work, shortly after he revised his 4th Concerto. It is the last-known work that he penned, and it's one of the last recordings he made. This work is in the repertoire of most concert pianists, with those who use Pabst's version saying that Rachmaninoff's version sounds more like Rachmaninoff than it does Tchaikovsky. The performers have a valid point, but that isn't necessarilly a bad thing. Tchaikovsky never intended the Romances to be works for solo piano and only wrote piano arrangements at the behest of his publisher. The arrangment of Cradle Song was so contrived and hacked by publishers that Pabst felt obligated to write an additional version of it. Rachmaninoff wrote his version specifically for piano, and to bring out the melodic capabilities of the instrument. It is Rachmaninoff's arrangment that's used most often by perfomers, and it was the one I played when I performed.
Quelle musique. Douceur, nostalgie, grandeur, sérénité... distillées avec tant de soin et d'à-propos. Les tempos épousent les battements du cœur et quel toucher... C'est une pure merveille.
An absolutely superb performance. Rachmaninov would have approved. C'est absolument magistral. Parmi les meilleures interprétations qui existent de ce concerto.
Questo concerto è in assoluto il mio preferito..lo ascolto ad ogni ora del giorno e della notte senza mai stancarm...mi commuovo fino alle lacrime.....ringrazio e amo chi me lo ha regalato...❤️❤️❤️❤️❤️❤️❤️❤️💜
For those, looking for a specific movement I Moderato 0:00 II Adagio Sostenuto 11:50 III Allegro Scherzando 23:17 Rachmaninoff Lullaby TN III/14 after Tchaikovsky Op. 16 No. 1 38:17
It is said that it takes a great interpreter to fully realize a great composer's masterwork. That is certainly the case here. Lugansky seems to have an inside track to understanding Rachmaninoff's genius. The slower tempi than Rachmaninoff's own recording of his masterpiece serve to expose the pure poetry buried in the score. I have heard this concerto performed countless times, but never with the interpretive mastery Lugansky gives it. He is a great pianist in every sense of the word.
Magnifique interprétation, d'une grande délicatesse dans la force. Absolument sublime, l'orchestre fait corps avec le piano... Merci à tous, je suis sous le charme, merci aussi de nous ramener à la beauté qui nous manque en ces temps si tristes.
En effet, excellente version, vers 04'20, passage pianissimo qui fait dresser les poils tant l'émotion qui passe est intense. On doit à la fois admirer le talent de l'interprète et surtout le génie du compositeur et on se demande comment ils font pour faire passer autant d'émotion. La magie de la musique sans doute!
Wunderschöne und lyrische Aufführung dieses spätromantischen und perfekt komponierten Konzerts mit anmutigem doch gut artikuliertem Klang des genialen Soloklaviers sowie gut phrasierten doch perfekt vereinigten Tönen anderer Instrumente. Der zweite Satz klingt besonders schön und echt lyrisch. Der intelligente Maestro dirigiert das ausgezeichnete Orchester im relativ langsamen Tempo und mit perfekt kontrollierter Dynamik. Alles ist bewundernswert!
I was surprised also that Lugansky rolled part of the opening chords since he has long fingers, but may be personal choice. The orchestra needs as much appreciation as the virtuoso pianist, and why be bothered by the conductor's flourishes, let him be who he is? I found this performance exhilarating (except for the coughers).
Luganksy is really amongst the greatest of pianists. Superb technique, deep musical understanding. I particularly admire his "no-nonsense" approach (honest if you like) and he is not afraid to "pound" the piano (in a very musical way, of course) when the full orchestra is playing. I believe Rachmaninov's music demands this. Just magnificent. Also wonderful communication between conducter and pianist particularly in those connecting sections where the tempo varies.
At its 1897 premiere, Rachmaninoff's first symphony, though now considered a significant achievement, was derided by contemporary critics.[5] Compounded by problems in his personal life, Rachmaninoff fell into a depression that lasted for several years. His second piano concerto confirmed his recovery from clinical depression and writer's block, cured by courses of hypnotherapy and psychotherapy and helped by support from his family and friends. The concerto was dedicated to Nikolai Dahl, the physician who had done much to restore Rachmaninoff's self-confidence.[5] WIKI
I never knew Eric Carmen (All by Myself) ripped off Rachmaninoff. All these years my favourite part of the song (piano instrumental) wasn't even his. Well the 70's syrup was based on very beautiful original music and I'm glad it opened a door some amazing listening (although 45 years late).
Esta é uma bela interpretação do Rach 2. Logo nas primeiras notas do sino dá para perceber que o pianista e o condutor realmente entenderam a obra. Adoro.
not knowing happiness Not just flowers. was shaking quietly. are you smiling are you crying snowing North Pole The boy's trumpet sound. like winter fruit only bloom on the snow an ice flower are you avoiding are you losing The boy's trumpet sound. sweeping petals over the ice being pushed away Above the fantasy petals candle is burning ..
L'effet de deux âmes slaves... Cela me touche au plus profond. Ce compositeur qui a tant souffert, nous offre ses souffrances dans le sublime. Quel cadeau !
Emmanuel Krivine (born 7 May 1947, Grenoble) is a French conductor. The son of a Polish mother and a Russian father, Krivine studied the violin as a youth. He was a winner of the Premier Prix at the Paris Conservatoire, at age 16.[1] He later studied at the Queen Elisabeth School in Brussels. He stopped playing the violin after a car accident in 1981.[1] Inspired by a meeting with Karl Böhm, Krivine began to develop an interest in conducting. He was principal guest conductor of the Orchestre Philharmonique de Radio France from 1976 to 1983. From 1987 to 2000, he was music director of the Orchestre National de Lyon. He has also served as music director of the Orchestre Français des Jeunes for 11 years. In 2004, Krivine established the orchestra La Chambre Philharmonique. In 2006, he became music director of the Luxembourg Philharmonic Orchestra (OPL), with an initial contract of 3 years, after becoming the orchestra's principal guest conductor in 2002.[2] In May 2009, Krivine extended his contract with the orchestra through the 2014-2015 season.[3] He concluded his tenure as the OPL's music director at the end of the 2014-2015 season.[4][5] In 2013, he became principal guest conductor of the Barcelona Symphony and Catalonia National Orchestra, with a contract through the 2015-2016 season. In May 2014, Krivine was named the next principal guest conductor of the Scottish Chamber Orchestra, effective September 2015, for an initial period of 4 years.[6][1] In June 2016, the Orchestre National de France (ONF) announced the appointment of Krivine as its next music director, effective with the 2017-2018 season, with an initial contract of 3 years. He held the title of ONF music director-designate (directeur musical désigné) for the 2016-2017 season.[7] In November 2019, the ONF announced the scheduled conclusion of his ONF tenure at the close of the 2020-2021 season.[8] In May 2020, Krivine resigned from his ONF post with immediate effect, one year ahead of his originally scheduled departure.[9] Krivine has conducted recordings for the Deutsche Grammophon, Warner Classics,[10] Timpani, and Naive[11] labels.
I just finished watching the wonderful British movie "Brief Encounter". It is such a wonderful film, and this beautiful music weaves its way through the movie. They could not have picked a better piece of music than this hauntingly beautiful concerto by Rachmaninoff.
They say the best reaction to trauma is sublimation, which is the creation of a work of art inspired by that experience. Goya's paintings are often given as examples, but Rachmaninoff's piano concerto n°2 goes way further.
@@aidan4624 that's a transcription of a song made in a very uncommon musical key with polyrythm the whole piece. It's a real headache to learn it but Lugansky plays it as if he was simply daydreaming on his couch. This pianist is an undeniable master. We could even say that just the way he finishes the last note on his piano in a breathing murmur raised him to Hall of Fame.
@@Vetrarbreytin A Flat Minor isn’t really that uncommon. It’s just usually written as G Sharp Minor. Neither are polyrhythms. Just because it’s difficult to play doesn’t mean it’s a great piece of music. It’s pretty ambitious to say that the transcription, as great as it is, is more “badass” than a 40 minute long, near perfect performance of one of the most influential and beloved pieces of western music ever written. The piece remains one of the biggest landmarks in Romanticism for good reason.
@@Vetrarbreytin Also it’s not like the concerto is simple, it’s surprisingly complicated. It’s riddled with really unique harmony and profound depth. It’s really quite incredible how many different levels you can appreciate the concerto from. Whether you’re someone who doesn’t know what a chord is or you’re a theory teacher at Juilliard, there is something in the piece for you.
@@aidan4624 one can't deny what is factual : A flat minor is amongst the less used keys used in classical music. The whole right hand is polyrythmic with the left hand. The only thing that you can contradict is my opinion about the fact it's the greatest piece of the program and i just wanna say "Ok." to that. That's what you think. And since you say it's not that difficult, I'm opened to any recording from you and would be delighted to listen to it. Be my guest :) Sometimes, it's good to just stick to opinions. Cheers. Ps : oh and g sharp minor has nothing to do with a flat minor. Two universe so what's the point...
@@musictostudy-mts422 kissin, tiene unas pausas y un color de sonido que no le he conocido a casi ningún intérprete, hace poco conozco el trabajo de Lugansky y realmente lo hace muy bien ....
C'est mon grand oncle cousin par alliance de Vincent Scotto, doreur encadreur de son métier qui m'a intéressé à ce grand compositeur ( entre autre) qu 'il en soit remercié. Et même si mes préférences vont vers le Jazz ce sera toujours avec le concerto n 1 de Tchaïkovski, n 2 de Brahms des musiques qui me ramèneront toujours à mon enfance
Interprétation toute en sensibilité et en puissance. Un pianiste qui a su retranscrire toute cette palette d'émotions qui donnent de ces frissons et on se sent subjugué par tant de maestria.
I don't understand why this version has so little views... It is by very far the best interpretation I've heard, because it is rather slow, and honours Rach's writing, how much would I've paid to be there in the concert hall to hear this being played...
Albéric Seydoux i absolutely agree...
Un ami m'a dit de venir écouter ce chef d'œuvre, et je ne regrette en aucuns cas d'avoir clique sur le lien qu'il m'a envoyé. Cette interprétation est émouvante, mélangeant violence et douceur. Et surtout : le pianiste est fabuleux !
Vous avez 100 fois raison, quelle clarté, et l'orchestre est fantastique aussi. Une des belles versions, peut-être juste en dessous de Richter.
Lugansky isn't a household name such as Kissin, Lang, Lisista, or those with large TH-cam fan clubs.
@@TomBarrister Of course, but it is rather a great pianist, that I've heard of as much as say Sokolov, for example
I don't know, it's the TH-cam algorithm!
Selon moi meilleur interprétation qu’on peut trouver sur TH-cam, très étonnant qu’il n’y ai pas plus de vue
I would gently disagree. This interpretation lacks of transparency and clarity among the different parts of the concerto. Which is the main risk of this masterpiece
tres moyen je trouv
É que os idiotas tomaram conta do mundo. É por isso.
Да что вы! Интерпретация блестящая. Я услышала все, что сказал Рахманинов этой музыкой: всю историю Руси от древних времен. Такова Рахманинов края ностальгия по родине.
Le caviar et la musique classique ne sont pas accessibles à tout le monde… C’est pour cela…
Chair de poule et larmes …..interprétation magnifique du compositeur génial ♥️
Merci pour votre commentaire.
Quel orchestre fantastique et quel pianiste incroyable...bravo c'est magnifique !!
a Russian playing a very famous piece by a Russian composer..how good can that get? Plus Lugansky seems to have very large hands...just like Rachmaninoff.....I loved this performance..of course I love listening to Lugansky play any piece...his live series of Rach preludes is just divine!
He does have gigantic hands! look at this performance you can see that: th-cam.com/video/3obXu3YcVng/w-d-xo.html
But he still split the left hand of the opening chords
7:00 So Epic. Can't even describe what I'm feeling.
Yea headbanging for me lol
His rendition is my favorite. He knows this piece as a whole. Piercingly and achingly beautiful.
This is probably one of the most emotional and richly detailed Rach 2s which I had ever heard. Thank you very much for sharing.
Cette interprétation est absolument bouleversante. Le tempo adopté convient parfaitement à cette œuvre. Un grand merci à Emmanuel Krivine et à tous les interprètes.
Formidable et fantastique cela n'a pas de non un orchestre symphonique sublime.
Je suis souvent agacé par les compliments systématiques que l'on trouve sur les vidéos du musique classique de TH-cam, mais là pour le coup je vous rejoins, magnifique interprétation.
@@anniefraisse9794 p😀
Orchestre traîne derrière le pianiste. Il est décidément n'arrive pas à le suivre. Le maestro Lugansky est parfait comme toujours !
th-cam.com/video/sFf0u2VZ4xw/w-d-xo.html
He is the best in playing Rachmaninov
Yes I agree and he is my favorite!
I agree and I've heard them all
Not only Rachmaninov
I agree
I agree! I saw him in São Paulo at least twice and I think he is one of the best pianists around today.
Comme toujours les larmes me viennent aux yeux….qu’elles mains magnifiques !!
Magistral. Toute la passion, la fougue, la force, l'émotion et la delicatesse de ce chef d'oeuvre sont sublimées.
Et ce tempo... parfait ! Je l'ai su dès les quatre premiers accords, émue aux larmes...
Pour moi, c'est la meilleure version à ce jour.
Bravo à tous !
Et Merci !
Nikolaï Lugansky: je n'ai pas de mots... vous êtes précision, force, passion et tendresse.
Si je puis me permettre....Par Hélène Grimaud ( Chef Claudio Abbado) c'est sublime egalement....
@@jeanvoine tout à fait ! 💙
Moi aussi je n' ai pas les mots
E eu acordo todos os dias pela manhã pensando: tenho que ouvir o Lug tocando o Rach 2 para que o resto do meu dia seja lindo. Obrigada 🍂🍁💖🇧🇷
@@jeanvoine Vous avez complètement raison , à mon avis ! Très belle interprétation également , j'allais la mentionner ...
Délicate, poétique et pleine de lyrisme ...Jouée avec beaucoup d'âme .
The Encore is an arrangement by Rachmaninoff of Tchaikovsky's Romance, Opus 16, no. 1, "Cradle Song," one of six romances Tchaikovsky wrote for that opus. Tchaikovsky originally wrote these in 1872, as songs for soprano and piano; he later wrote arrangements of 1, 4, and 5 for solo piano. Tchaikovsky wrote two versions of the Cradle Song for solo piano, one in A flat minor and the other in the technically-easier A minor. Tchaikovsky's protege and manager, Paul (Pavel) Pabst, corrected some publishing errors in the Cradle Song, and his arrangement is the one in publication today.
In 1941 Rachmaninoff wrote his own arrangement of this work, shortly after he revised his 4th Concerto. It is the last-known work that he penned, and it's one of the last recordings he made.
This work is in the repertoire of most concert pianists, with those who use Pabst's version saying that Rachmaninoff's version sounds more like Rachmaninoff than it does Tchaikovsky. The performers have a valid point, but that isn't necessarilly a bad thing. Tchaikovsky never intended the Romances to be works for solo piano and only wrote piano arrangements at the behest of his publisher. The arrangment of Cradle Song was so contrived and hacked by publishers that Pabst felt obligated to write an additional version of it. Rachmaninoff wrote his version specifically for piano, and to bring out the melodic capabilities of the instrument. It is Rachmaninoff's arrangment that's used most often by perfomers, and it was the one I played when I performed.
Thank you for this information!
C, EST ADMIRABLE , On devrait faire ecouter ce chef d,oeuvre plus souve’t aux jeunes ❤❤❤❤
Quelle musique. Douceur, nostalgie, grandeur, sérénité... distillées avec tant de soin et d'à-propos. Les tempos épousent les battements du cœur et quel toucher... C'est une pure merveille.
An absolutely superb performance. Rachmaninov would have approved.
C'est absolument magistral. Parmi les meilleures interprétations qui existent de ce concerto.
45 minutes flew like 5 ....
Questo concerto è in assoluto il mio preferito..lo ascolto ad ogni ora del giorno e della notte senza mai stancarm...mi commuovo fino alle lacrime.....ringrazio e amo chi me lo ha regalato...❤️❤️❤️❤️❤️❤️❤️❤️💜
Magnifique et quelle émotion ce virtuose peut déclencher en soi!
For those, looking for a specific movement
I Moderato 0:00
II Adagio Sostenuto 11:50
III Allegro Scherzando 23:17
Rachmaninoff Lullaby TN III/14 after Tchaikovsky Op. 16 No. 1
38:17
Thank you, JustLtotheM!
Wonderful. I'm so grateful I could listen without ads interrupting.
The famous part starts at 0:00 to 34:55
It is said that it takes a great interpreter to fully realize a great composer's masterwork. That is certainly the case here. Lugansky seems to have an inside track to understanding Rachmaninoff's genius. The slower tempi than Rachmaninoff's own recording of his masterpiece serve to expose the pure poetry buried in the score. I have heard this concerto performed countless times, but never with the interpretive mastery Lugansky gives it. He is a great pianist in every sense of the word.
i agree that Lugansky is briliant, but i think that Rachmaninov himself would be dissapointed with this interpretation. sadly, isnt it -(
sure, by Lugansky could be even slower in some parts, for example at time 10:11 - 11:00
@@peterectasy2957 we never know how rachmaninof would feel about this interpretation that is the truth.
There is nothing to be sad about
Never thought I would get similar emotions from someone other then Richter, but...
I love this performance. It's a beautiful rendition of Rachmanioff's Piano Concerto no. 2 and it stands out as one of the best!
Luansky is so freaking amazing
Magnifique interprétation, d'une grande délicatesse dans la force.
Absolument sublime, l'orchestre fait corps avec le piano...
Merci à tous, je suis sous le charme,
merci aussi de nous ramener à la beauté qui nous manque en ces temps si tristes.
4:25 , un aperçu du paradis.
En effet
He is the best pianist for Rachmaninoff !
Yes, with S. Richter and Guilels.
you need to hear the best by a mile...
th-cam.com/video/Ex9F-nfg2wE/w-d-xo.html&ab_channel=DenisMatsuev
Exceptionnel, il est habité par la musique 👍❤👍
Plus beau morceau de tout les temps. Un cadeau de Dieu.
C est un merveille cette interpretation ,,. Cest un de mes concerts preferes un grand merci ❤
That crescendo by Lugansky at the start...
En effet, excellente version, vers 04'20, passage pianissimo qui fait dresser les poils tant l'émotion qui passe est intense. On doit à la fois admirer le talent de l'interprète et surtout le génie du compositeur et on se demande comment ils font pour faire passer autant d'émotion. La magie de la musique sans doute!
It’s heart taking , thank you so much ❤️
AKA: Rachmaninoff Cough Concerto No. 2!!!
Underrated reference
WTF does "underrated reference" mean?!?!?! EXPLAIN YOURSELF!
You must listen to his Paganino Rhapsody(Rachmaninov) too! you can find it on TH-cam. The live performance at Tchaikovsky Hall(26. december. 2017)
Merci je vais l'écouter...
6:13 jusqu’à 7:30 je ne sais pas comment rachmaninov a crée un truc aussi incroyable
@Epik Lizard t’inquiète je connais quasiment tout le répertoire de rachma, chopin liszt et beethov 😂
Wunderschöne und lyrische Aufführung dieses spätromantischen und perfekt komponierten Konzerts mit anmutigem doch gut artikuliertem Klang des genialen Soloklaviers sowie gut phrasierten doch perfekt vereinigten Tönen anderer Instrumente. Der zweite Satz klingt besonders schön und echt lyrisch. Der intelligente Maestro dirigiert das ausgezeichnete Orchester im relativ langsamen Tempo und mit perfekt kontrollierter Dynamik. Alles ist bewundernswert!
Absolument en accord avec vous, tout l'ensemble fait corps, c'est sublime ! Un enchantement.
Gute Analyse ! Ein hervorragender Pianist , zweifellos .
FANTASTIC. The best performance of this piano concerto!!
02:43
i miss you all, dear mom and dad... until we meet again..
❤
What happened please .
This theme is a goodbye to anyone we loved and that left us, deliberately or not...
I miss you so much, darling ❤
Great played. The Conducter 👍🏼 and the orchestra played so homogeneously that all fits together and well interpreted
I was surprised also that Lugansky rolled part of the opening chords since he has long fingers, but may be personal choice. The orchestra needs as much appreciation as the virtuoso pianist, and why be bothered by the conductor's flourishes, let him be who he is? I found this performance exhilarating (except for the coughers).
Rachmaninoff himself does it with opening chords on his records.
C est magnifique ! Que d émotions !
Luganksy is really amongst the greatest of pianists. Superb technique, deep musical understanding. I particularly admire his "no-nonsense" approach (honest if you like) and he is not afraid to "pound" the piano (in a very musical way, of course) when the full orchestra is playing. I believe Rachmaninov's music demands this. Just magnificent. Also wonderful communication between conducter and pianist particularly in those connecting sections where the tempo varies.
Très belle interprétation. Merci pour ce moment de Beauté et de bonheur
Merci à vous
c'est sublime......... c'est le meilleur jeu que j'écoutais jusqu'a maintenant
great composer and great pianist
Magnifique très bonne interprétation ça donne le frisson ce concerto est une pure merveille bravo messieurs et merci 🙏
At its 1897 premiere, Rachmaninoff's first symphony, though now considered a significant achievement, was derided by contemporary critics.[5] Compounded by problems in his personal life, Rachmaninoff fell into a depression that lasted for several years. His second piano concerto confirmed his recovery from clinical depression and writer's block, cured by courses of hypnotherapy and psychotherapy and helped by support from his family and friends. The concerto was dedicated to Nikolai Dahl, the physician who had done much to restore Rachmaninoff's self-confidence.[5]
WIKI
Quoi dire à part : merci . Un moment exceptionnel, un partage qui nous honore. Alors vraiment, simplement mais sincèrement : merci
Une merveille
So graceful touch, absolutely awesome
Magnifique, Nickolai. браво!!
I never knew Eric Carmen (All by Myself) ripped off Rachmaninoff. All these years my favourite part of the song (piano instrumental) wasn't even his. Well the 70's syrup was based on very beautiful original music and I'm glad it opened a door some amazing listening (although 45 years late).
Bellísimo!! Muchas gracias por compartirlo!
Muito emocionada com a magnífica interpretação de. Lugansky Bravissimi
Русская классика во все времена! Душевное исполнение. Спасибо!
Russian classical music is the best 😌
Maravillosa interpretación!!
I want this played at my funeral
ピアノがオーケストラと融合して、浮いたり独り歩きしたりしていない
録音が良いからなのか
これまでの聞き比べではダントツです
昇華した感じで素晴らしい
Superbe merci 💞
Esta é uma bela interpretação do Rach 2. Logo nas primeiras notas do sino dá para perceber que o pianista e o condutor realmente entenderam a obra. Adoro.
Si è veramente puro godimento ascoltarlo
not knowing happiness
Not just flowers.
was shaking quietly.
are you smiling
are you crying
snowing
North Pole
The boy's trumpet sound.
like winter fruit
only
bloom on the snow
an ice flower
are you avoiding
are you losing
The boy's trumpet sound.
sweeping petals over the ice
being pushed away
Above the fantasy petals
candle is burning
..
Absolument sublime ! Le transport émotionnel grandiose !
L'effet de deux âmes slaves... Cela me touche au plus profond. Ce compositeur qui a tant souffert,
nous offre ses souffrances dans le sublime. Quel cadeau !
Une merveille, un pur bonheur MERCI
j'en ai des frissons
Magnifique interprétation
@@daniellechauland-lottet6856 mais de ouf je sais la refaire en piano c sa le pire
Et les larmes aux yeux comme chaque fois que j écoute cette magnifique œuvre interprétée par ce pianiste talentueux.
Cette interprétation est magistrale. Je la partage 🥰
Emmanuel Krivine (born 7 May 1947, Grenoble) is a French conductor.
The son of a Polish mother and a Russian father, Krivine studied the violin as a youth. He was a winner of the Premier Prix at the Paris Conservatoire, at age 16.[1] He later studied at the Queen Elisabeth School in Brussels. He stopped playing the violin after a car accident in 1981.[1]
Inspired by a meeting with Karl Böhm, Krivine began to develop an interest in conducting. He was principal guest conductor of the Orchestre Philharmonique de Radio France from 1976 to 1983. From 1987 to 2000, he was music director of the Orchestre National de Lyon. He has also served as music director of the Orchestre Français des Jeunes for 11 years.
In 2004, Krivine established the orchestra La Chambre Philharmonique. In 2006, he became music director of the Luxembourg Philharmonic Orchestra (OPL), with an initial contract of 3 years, after becoming the orchestra's principal guest conductor in 2002.[2] In May 2009, Krivine extended his contract with the orchestra through the 2014-2015 season.[3] He concluded his tenure as the OPL's music director at the end of the 2014-2015 season.[4][5] In 2013, he became principal guest conductor of the Barcelona Symphony and Catalonia National Orchestra, with a contract through the 2015-2016 season. In May 2014, Krivine was named the next principal guest conductor of the Scottish Chamber Orchestra, effective September 2015, for an initial period of 4 years.[6][1]
In June 2016, the Orchestre National de France (ONF) announced the appointment of Krivine as its next music director, effective with the 2017-2018 season, with an initial contract of 3 years. He held the title of ONF music director-designate (directeur musical désigné) for the 2016-2017 season.[7] In November 2019, the ONF announced the scheduled conclusion of his ONF tenure at the close of the 2020-2021 season.[8] In May 2020, Krivine resigned from his ONF post with immediate effect, one year ahead of his originally scheduled departure.[9]
Krivine has conducted recordings for the Deutsche Grammophon, Warner Classics,[10] Timpani, and Naive[11] labels.
Total!! Verdadero! fue como si nunca antes lo hubiera oído, que completo y maravilloso, gracias
I just finished watching the wonderful British movie "Brief Encounter". It is such a wonderful film, and this beautiful music weaves its way through the movie. They could not have picked a better piece of music than this hauntingly beautiful concerto by Rachmaninoff.
Fantastique émotion très forte depuis weissenberg et karàjan pas mieux
The best interpretation from Rachmaninoff Concert in this time!
Je l'ai découvert à la Roque d'Antheron... Il y a longtemps maintenant.
C'est un prince de la musique...
Beautiful performance ♫♪
They say the best reaction to trauma is sublimation, which is the creation of a work of art inspired by that experience. Goya's paintings are often given as examples, but Rachmaninoff's piano concerto n°2 goes way further.
Merveilleuse interprétation de Lugansky. Merci.
38:17 Lugansky or the story of a musician that offers an "encore" which is more badass than the whole concert program !
idk bout that one
@@aidan4624 that's a transcription of a song made in a very uncommon musical key with polyrythm the whole piece. It's a real headache to learn it but Lugansky plays it as if he was simply daydreaming on his couch. This pianist is an undeniable master. We could even say that just the way he finishes the last note on his piano in a breathing murmur raised him to Hall of Fame.
@@Vetrarbreytin A Flat Minor isn’t really that uncommon. It’s just usually written as G Sharp Minor. Neither are polyrhythms. Just because it’s difficult to play doesn’t mean it’s a great piece of music. It’s pretty ambitious to say that the transcription, as great as it is, is more “badass” than a 40 minute long, near perfect performance of one of the most influential and beloved pieces of western music ever written. The piece remains one of the biggest landmarks in Romanticism for good reason.
@@Vetrarbreytin Also it’s not like the concerto is simple, it’s surprisingly complicated. It’s riddled with really unique harmony and profound depth. It’s really quite incredible how many different levels you can appreciate the concerto from. Whether you’re someone who doesn’t know what a chord is or you’re a theory teacher at Juilliard, there is something in the piece for you.
@@aidan4624 one can't deny what is factual : A flat minor is amongst the less used keys used in classical music. The whole right hand is polyrythmic with the left hand. The only thing that you can contradict is my opinion about the fact it's the greatest piece of the program and i just wanna say "Ok." to that. That's what you think. And since you say it's not that difficult, I'm opened to any recording from you and would be delighted to listen to it. Be my guest :)
Sometimes, it's good to just stick to opinions. Cheers.
Ps : oh and g sharp minor has nothing to do with a flat minor. Two universe so what's the point...
Sublime 💖
Absolutely beautiful
In the end, I'm back here. Lachganinoff, to see him.. Beautiful beyond words! Merci my dear.
My favorite rendition ❤️
Wow es magnífico ver las interpretaciones de lugansky cuando toca las piezas de Rachmaninoff!! Simplemente perfecto y magnífico!!
Cuál te gusta más Nikolai o kissin?
Prefiero a lugansky cuando son obras de Rachmaninoff pero cuando es Chopin a Kissin y tu?
@@musictostudy-mts422 kissin, tiene unas pausas y un color de sonido que no le he conocido a casi ningún intérprete, hace poco conozco el trabajo de Lugansky y realmente lo hace muy bien ....
C'est mon grand oncle cousin par alliance de Vincent Scotto, doreur encadreur de son métier qui m'a intéressé à ce grand compositeur ( entre autre) qu 'il en soit remercié. Et même si mes préférences vont vers le Jazz ce sera toujours avec le concerto n 1 de Tchaïkovski, n 2 de Brahms des musiques qui me ramèneront toujours à mon enfance
o tempo de Lugansky e´ perfeito nesta obra , principalmente no adagio .
SUBLIME
Un pur moment de bonheur. Merci pour cette merveilleuse interprétation.
Великолепно! До слёз! Спасибо!
Bravo c'est super et beau, chapeau à l'orchestre.
Love it! But at times (e.g. 07:00) I'd prefer to see the pianist, not the orchestra. Nothing against Timpani, but c'mon, we're here for the Piano!
Здорово! Очень красиво и нежно. Спасибо, что поделился.))
I adore him ❤❤❤
Remarquable, merci pour la qualité de l’interprétation et de l’enregistrement
Magnifique !
Indah, penuh kelembutan, dan mendalam. Ini sangat menolong.
Terima kasih, atas pembawaan yang sangat baik.
Interprétation toute en sensibilité et en puissance. Un pianiste qui a su retranscrire toute cette palette d'émotions qui donnent de ces frissons et on se sent subjugué par tant de maestria.
La meilleure version. La reference
Wow je crois bien que c'est la meilleure interprétation du 3eme mouvement que j'ai entendu!
7:45 my Favorite part
Wirklich grossartig! Glückwunsch!