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why are you not editing in Davinci as well? You don´t need Premiere for anything anymore :)

Good focus pull from the shrine. Ive been experimenting with similar. BaxterF 21.8.24

Excellent video! ❤❤❤

What if you had complex transitions and effects in Adobe, how would that XML import process be ? Your example is with a simple most basic type of timeline. Thanks

Excellent mate !

how is it going?!Thank you. that's interesting done. Side!

Awesome effort..

23 mins for what

hey man. My RAW footage from my canon r5c is very noisy (grainy), do you know why that is? Doesn't look very good to be honest.

good info. i had no idea. will need to check this on my own MB adapter.

Thanks - very helpful!

Just curious-why do some of the editing in Premiere and some in Resolve? Why not do all of it in Resolve?

Doh! Great tip!!

Awesome, mate.

H264 performance being better than ProRes? That is hard to believe, any idea why? But thank you for the tutorial

Awesome video ! thank you so much ! Would Hypersmooth also be the reason that I see the black fish-eye frame coming in when I go around corners in the car? Thanks again

Hello Brett and team, I wanted to commend you on your excellent work. We've featured your TH-cam video on our website. Just so you know, we're a newly established accommodation lodge located on the island of 'Eua. Best regards, Toafa Lodge team.

What storage do you use for the c200 and when do you use 8-bit vs RAW?

When I was at Arapiles in 2018 climbing with Malcolm Matheson he relayed that one day he was walking by this crag and was stopped dead in his tracks to behold Peter Croft free soloing Paladin which he later discovered was onsight!

I've climbed Arapiles since the 90s. It's a beautiful place, with progreively harder climbing. It's magical 😍

I'm curious how this translates to the R5c 8k RAW. Premiere is absolutely chunking along on my beefed out m1 max. I made prores proxies and that is working pretty good. However I'm curious how you do noise reduction with neat video since RAW has no NR. The noise reduction besically crashed my computer when I dragged it on. I feel like I need to apple the NR and render out a new prores file just so it is baked in and I'm not working on RAW footage but I'm trying to figure out the order of operations for that. Do I just edit all the clips raw info first like WB and Exposure then add the LUT on the clips then export a Prores 4444 or 422 option then make proxies off of those? only issue is once you transcode you lose all the raw editing capability.

Was that an attempt at a simplified tutorial? Confusing ..

I really like the way you did the comparison. Excellent!

What a champ. Super persistent.

Great information and examples. One thing Im trying to sort, is shutter speed. I want natural motion blur and also will be mixing and matching footage from mirrorless 4k/24 1/50 shutter. I dont think you're using any ND filters to get motion blur closer to what "we're used to". Why or why not?

🌟🌟🌟🌟🌟

The camera displays canon log 3 but raw footage is always recorded as Conor log 2.

Good information. Thx

Thank you sooo much ❤

Great workflow, thanks for taking the time to post this video! When I rendered out of DaVinci back to PPro, my video was letterboxed both from the sides and top/bottom. The PPro frame was 4096x2160 but the video itself was ~3610 x 1900. I set the DaVinci render settings to "Render at source resolution" which was 3840 x 2160. Any hints of how I ended with the letterboxed video?

Incredible skill

Superb effort

Thanks a lot! Would it be possible to get a link with a small 1 minute Canon Cinema Raw light file to download, and see how much it takes on my Macbook Pro M1 to transcode? I'm a bit scared with the time it might take. Any help welcome!

Best video in this topic. Thanks for the clear excurse. I use the C200 up to now only in 4K 8bit. It is really good, but now I think that I should switch to raw with proxies. Instead of a big CF Card I bought an CF adapter with a small SSD (60 Min. raw rec.). In the past I was a little scared about the workflow in post, but now I will try it :-)

How would film through the windshield and avoid glare and reflections? The polarized filter is great but does not allow to use anamorphic lens.

I was using shot markers with Sony in 2008/9 worked great directly in PP, switched to Canon C300 and was so disappointed markers were not recognized. Your video reminded me how useful they are. We should all put pressure on Adobe to get this integrated so you don’t have to do it manually.

How's your battery life? Mine sucks...like 2 hrs max when recording.....anything im doing wrong?

Just bought this go pro I Intend to use it as a dash cam. Any recommendations for night time drives etc?

very well explained with reasons and the demonstration was extremely clear. Thnaks much.

Was this shot in Raw?

But you do not reduce grain in any way in this workflow?

Cheers mate.. very helpful. I just wondered about voice control of hero ten when in a protective case and when high ambient noise.. ie i have in race boat loud engine etc. Cheers

Amazingly helpful video😁

Thanks guys. Hope you spread the good news around the world about "THE ROCK" ('E UA) A small island with huge capabilities. Full of memories.

I think i may have found another bug. My preset didn't save to the destination i chose, so i had to search finder and found that it saved it in the default media encoder preset folder. But this was VERY helpful! thank you so much!

Thaks for the video. Question: How log can you record inside a car? It overheat at some time? Gracias!

I had the opportunity to go and see the route in the flesh and its really insane. It got me looking for videos of people trying to do it and this is awesome to see

Just what I was looking for!! Thanks!

I'm actually having the opposite issue. On my FX3 I don't want my display luts to be baked into the proxies that I create in-camera and then import into Premiere. Any solutions for that?

Thank you for this! I had no idea my c200 did this and it will save me hours on my next project!!!!!