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The movement is probably more similar to SM64 than anything. It's one of the best games I've played in a very long time, and it's extremely cheap on Steam if you want to play it yourself. I would highly recommend it.

@@goatprince1 ah, I see. Yes, I shall check it out sometime, very speedrun worthy.

It's relentlessly iconic

Not to my knowledge, unless that's some sort of early, unrealized concept that I've never heard of. The ending videos obviously show Metal in Stardust Speedway, and I would assume those animations were completed long in advance of the game's release, so if Metal had ever been planned as the Wacky Workbench boss, then that idea must have been canned very early on.

Not to mention ther is an easier way to go to the past on act 2

Wacky Workbench and Metallic Madness never gave me a lot of trouble beyond my first few playthroughs of the game. Stardust Speedway tends to be the one that I have trouble with, mostly because every part of it looks the same to me, so I barely know where I'm going half the time.

I've never cared enough about the holograms to go out of my way for them or even memorize where they are. I probably would if there were an actual reward for doing so, but there isn't, so that's just how it is.

​@@goatprince1animals appear running around the zones, also you get a secret thank you screen at the end of the 93' version of the game

As much as I love Sonic CD, the level design is more than just a little bit questionable at times. There are all kinds of stupid, counterintuitive things of that sort throughout the game.

@@goatprince1 its the sort of thing you bought sega power magazine for the NES was the same with cryptic shit.

lol

litearlly one of the easiest levels in the game,then again i owned this back in the early 90s,you can tell whos a poor cause they only got this game on mobile in the modern era lol and got absolutely filtered.

Sick burn, bruh!

​@@random_an0nyappin

It's very beneficial to have a solid grasp of the game's physics, stage layouts, and time travel routes. I've been playing Sonic CD for eleven years, so for me it's practically just a matter of muscle memory at this point. The version of the game I play here is the 2011 Taxman version, which to my knowledge is the same as the version in Origins.

​@@goatprince1 (the fact is, in origins you can't time travel using the pipes, i hate that tbh)

@@kiriloka Typical Sonic Team porting ineptitude making their own games worse in some capacity, as usual. I would recommend downloading the decompiled version of the 2011 release, which is what I'm playing in the video.

Correct.

Yes, they're the same vultures. Those were the only two in the ride.

I wouldn't say the old ride was necessarily "darker" (although I definitely see where you're coming from with the lack of music), but the complete absence of soundproofing and the resulting effect of being able to hear sound effects from other scenes bleeding through the walls certainly added an extra layer of chaos that wasn't quite replicated in the 1983 version. That constant cacophony of sirens, whistles, and bells heightened the feeling of pursuit and rowdiness, and made it seem like there was a lot of commotion being stirred in the background. There were actually so few sound effects in the ride prior to 1983 that it would have been awkwardly quiet if guests hadn't been able to hear so much noise seeping in through the set walls.

@@goatprince1 Yeah, it seems like the audio bleeding was both an advantage and disadvantage to these rides. I can say the same for Snow White, where the witches bleeding laughter also helps the experience in an unexpected way. I guess what I meant by “darker tone” is that the overall vibe is more anxiety inducing in pre ‘83, while it’s more whimsical and Disney-ish post ‘83. Although you gotta admit that tree ambience at the end is pretty creepy. Nevertheless, I’m grateful that these recordings have been archived and uploaded. I’ll try to check out some of your other vids.

@@BaxterSquee I see what you mean with the "added anxiety" factor; the lack of music and the very blunt, loud quality of the sound effects made the cacophony of noise more "realistic," so to speak; more in line with what you might actually hear if you were an anthropomorphic amphibian recklessly careening about the English countryside in a 1900s-era automobile. As far as audio is concerned, there wasn't any embellishment to make the experience more stylish or cinematic as there has been since 1983. Aside from The Merrily Song playing in Toad Hall, it was all very crude, cold, and a bit impersonal; barely a step above a 1930s pretzel dark ride. I've always seen it that the lack of soundproofing prior to 1983 added extra chaos to Toad, more looming villainy to Snow White, and an additional layer of surrealism to Alice - unintentionally contributing to the respective theme of each ride. The one exception is Peter Pan, where the constant bleed-through of the Hook/Smee dialogue didn't amount to much more than being slightly distracting. Thank you for watching some of my other videos, by the way. I really just use this channel to upload whatever I feel like at the moment, but I hope you find something else you like as well.

@@goatprince1 no problem, that ralsei pixel art is cool. I suck at pixel art. Maybe one day I should found a small amusement park and recreate this ride without the toad IP, but keeping the crudeness. Probably just a Dream. (Also crazy Mario cart skills gosh.

@@goatprince1 I also make random “dumb videos” so seems like we have something in common lol

Very good ear. With these vintage dark ride recordings, I've always been slightly obsessed with deciphering sound effects from other scenes bleeding through the walls, not only because it's fascinating to hear bits and pieces of other ride-throughs happening concurrently with the one being recorded, but also because I find the primitive lack of soundproofing in the old rides to be aesthetically discordant in a weird way. The flower garden in particular had a central location within the show building, so you would have been able to hear sounds from all over the ride bleeding into that room. In this recording, in addition to the White Rabbit's horn (or squealing tea kettle; whatever it was), I can make out the Cheshire Cat laughing during the pause in the Golden Afternoon song, the accordion owl at 0:53 and 0:55, and Alice's narration for the Oversized Room. If you were actually on the ride, it's likely that you would have been able to hear the sounds from the crash room in there as well.

You can very easily change the audio in Undertale and Deltarune by replacing a given file in the music folder with a file of the same name, as long as the new file is in .wav format. I replaced Rude Buster with Bonetrousle by copying "mus_papyrusboss.wav" (Bonetrousle) from Undertale's music folder, pasting it into Deltarune's music folder, and renaming the file to "battle.wav" (the filename for Rude Buster), which resulted in Rude Buster being replaced.

This is a "fake" video in that I actually just replaced the Moonview music with silence and synced the 8DX music with the footage in editing. As far as I'm concerned, there's no way to implement dynamic, location-dependent music into MKW, so there aren't any BRSTM files involved here except for the silent one that I actually used in the game.

@@goatprince1 Huh, didn't know about that.

Because the Tour developers were feeling a bit silly and goofy (quite possibly even slightly wacky) when they came up with the course lineup, I would suppose.

agreeable goat proponent

It's already too late 💀

A lot of my videos sort of unintentionally fit that bill just on the grounds of being barely edited recordings of fuzzy composite/component gameplay of old video games.

I've always preferred the Tour version of the music. I don't dislike the 8DX version by any means, but the original is practically unbeatable IMO. I do wish 8DX had kept the synced clapping in the hockey arena, however.

The next Mario Kart will probably have antigravity too. If it doesn't, what will happen with the MK8 tracks in the next Mario Kart? Or they just gonna choose tracks with no antigravity on them

I have a lot of trouble consistently doing that on 150cc for some reason, but if I keep improving, I might make a follow-up video specifically for my 150cc attempts.

An utterly iconic shortcut; the course simply wouldn't be complete without it.

The Acorn Cup was actually meant to have only one Wii track when the original prefix order was created, as Moonview Highway was a replacement for either Piranha Plant Pipeline or some Tour nitro course that was scrapped altogether - whichever one had been planned for the third slot of the Acorn Cup.

The BCP team usually made a point to include every single road in the city course routes, sometimes even implementing roads that weren't even used in Tour. It does seem very odd that this one alleyway was left out of Rome when the most blatantly obvious route arrangements for the track entailed its usage. It's possible that the alleyway somehow didn't prove conducive to good gameplay, similarly to how Amsterdam 2R was a better choice for MK8DX than 2N, which led to the split path in the canal being eliminated. I'm not sure how exactly that logic would actually apply to the Rome alleyway, but that may be the case regardless.

“Wii Daisy Circuit” probably replaced “GCN Mushroom City” instead. I’m assuming Nintendo went with “DK Mountain” once they found out that the implementation of half pipes from “Mario Kart Tour” was successful, via recreating “Wii Maple Treeway.”