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the Voyager has a switch that is called Env Gate that can be in keyboard position or in on/external. In the second case, the keyboard is not triggering the env ( that are triggered by the dark time ), but it gives you the possibility to change the notes. I don't know how it will work with the Vermona, since I never tried it.

@ cheers. I’ve a moog sub 25. Could try it on that. Gd luck 🍀

@@d-rantz443 for example my minimoog model d, is not changing the tonality of the programmed sequence on the dark time. instead, if i use the beatstep pro, i can change the tonality of the programmed sequence, hitting the pads on it

Thank you 😀

@@sergepasquier6727 thanks 😀

@@klasycznychaos 😂😂😂your comment is so ridiculous 😂😂😂. Thank you for making me laugh. Really 😂😂😂

У тебя нет слуха😑

@@smvproducer You're welcome

Thank you very much for your comment. There are some other tracks on my tracks playlist. I think there are some other that it worth to listen to 😀

@@smvproducer обязательно послушаю я , я стал вашим поклонником !

@@Embrayerthank you 🙏

Ciao Sandro. Ma te lo avevo detto che sono in Toscana da ormai quasi 4 anni. Tutto ok?

@smvproducer Si, forse me l'avevi detto...😓 Sono rincoglionito 😂😂😂 Sto bene grazie! Vediamoci un giorno!

@ va benissimo. Scrivimi in mail, cosi ti scrivo il mio contatto telefonico. sermax@icloud.com

@@Zaccyonline thank you 😀

Thanks :). By the way, besides all the technical talking, i realized that a very good sound design, starts when you manage and know so good the theory, that you don't need even to think about it, when you are creating something. I don't know if i explained it correctly... my poor English ;)

Thanks😀

If I remember well, I also tried to do on the Moog One and I was pretty close. I had to try again, because I did not save the patch😀. Anyway the envelopes and the filter response are different. But you can play shaping the decay shape ( exp, lin or log ) on the Moog One

Thanks:)

thank you. I am 99% sure that is in one of my sound banks. I think not in Modern & Classic, but one of the others. By the way, i will check as soon as possible and let you know ;)

Thanks:) Yes, when you understand the basic concepts, you can apply them to other synths. Of course you may have different responses with similar settings. You just have to find the sweet spot you want. About the Quantum, is an incredible synth that sounds great and is the sound designer dream

Hello Rick. Thank you for your comment:) I spent a lot of time studying synths in general;). You can also watch my Waldorf Quantum sound banks, just to see my work.😀😀 Anyway I don't remember if I used these functions in my sound banks ( but I think yes ). As soon I will have a bit of time, I will check it. About the variables and the functions, if I remember correctly, in the manual there is nothing written. It is written in the 1.3 firmware update pdf. By the way, maybe I will make a video about it ( time permitting ).😀

You’re correct, nothing written in the manual. I only found documentation in the 1.3 firmware update PDF. A video about the iterative functions would be awesome! Thanks.

I feel that is an astonishing machine!!! Before to buy, I liked it as an object to desire because of the synth history, and I was a bit undecided if to buy or not. At the end I decided to buy ( considering that I never had the chance to try one ) and.... it completely blew my mind. I am talking about the sound and the ability and the simplicity to create sounds that you would never think to design with such a simple and limited synth. And when you hear them, they have something special, organic. Something that you can appreciate just using it. I suggest you to watch this video : th-cam.com/video/tVsXLwNuZIo/w-d-xo.htmlsi=J-s-BLK8-zmiUJm4 😀

You might be able to attempt something like this on the Moog One. Synth1 for arpeggiator, synth2 for pad, synth3 to create the sounds he created using the miniMoog. It might be a fun exercise!

Thank You very much for your feedback. I don't remember if you are italian or not, and if i already asked you this question;) . By the way, yes. The One is a complex machine that deserves time and respect. There is a comment on my latest sound bank, where one person compared my OBX8 patch directly with his OBX8, and he was amazed how they are similar. This to say that the One doesn't sound cold. It just has to be properly programmed.

No, sorry. Not Italian. Please tell me where to see and send comments about your Moog One programming. As I learn more, many questions also arise. 🤨

@@rickroberts6596 no reason to be sorry. I was just curious. Anyway if you are talking about feedback, you can write it as a comment for the video of my sound bank, or in Gumroad there is the possibility to leave a comment and give rating. If you have a specific question, you can write also down the comment ( I prefer it because it will move the TH-cam algorithm), or send me an email. I hope I understand well your request

@@rickroberts6596 sorry. Maybe I was not clear. In Gumroad you can leave a feedback about my work, so that other people will read it But it is not possible for me or for other people to reply your message. So, it is only to leave a feedback for my work. In TH-cam instead, you can ask and I can reply 😀

@@Sonia-r8s thank you 😀🙏

Thank you for appreciating my work:). I think most of people think that to replicate a sound of a given synth on another one, you have to select the same waveforms, the same filter cutoff position and so on. Totally wrong. For example on the OBX8, when you switch on saw and square on the same OSC, it will give you a totally different result from a Prophet 5/10 or a Moog One. And yes... to design the OB X8 patch i had to deconstruct it on the OBX8 and slowly recreate on the One. By the way, hear also the 2 OSC Fat Poly ( i think the name is correct ). A 2 OSC patch without any fx that sounds so fat, organic ....And last: what you did not like about the purchase process? The site is not mine:( . So the process is managed by Gumroad. I am sorry. And about the documentation? I ask because i would like to improve what is not going well and make my customers happier 😀

agree with you:)

I completely agree with you😀

Thanks for your comment. But something is not clear. You had both and you sold an 8 voice Muse? And i am not agree with you. Sure the Muse is more for instant gratification and much more easy to program. The One is hard to program, but it can sound very fat. I suggest you to watch at 15:47 2 Osc Fat Poly. Just 2 oscillators, without any effect and no unison was used. I think it sounds fat, warm, organic. By the way, time will tell if the One will be appreciated. Of course the Muse will sell much more ( almost 1/4 of the Moog One 16 price ).😀

@ sorry I sold my 8 voice moog one. I had both for about a month and decided the One was not the moog poly I wished for. The muse is. Yes the one is more expensive way more functionalities, better keybed, better finishes, but what I care is the sound and since taste is subjective I preferred the muse. Very nice patches by the way.

Also maybe better for the type of music I like. If you are into cinematic, evolving landscapes, experimental ambient, the one is great. For synth pop, 80s music the muse ticked the right boxes.

@@adrianmuller4189 yes, i understand your point of view. I own also a Prophet 10 rev 4 and an OBX8. They are instant gratification, with a HUGE sweet spot, that the Moog One misses. And thank you for your comment on my patches 😀

Moog one is a programmer synth. muse a player’s synth. You can dial in great sounds fast. The One needs programming skills. But when you know how to program it, it can sound more diverse than the muse.

@@pupkid8613 thank you. Anyway 2 Osc fat poly is also one of my preferred. There are some mod tricks to make the sound big and warm with just 2 osc and no effects at all😀

@@luisbarrera5740 thank you 😃🙏

@@smvproducer your welcome. Btw, what effects did you use? Because the obx8 doesn't have any. Whatever you used, it was masterly applied

@@luisbarrera5740 i was using the Eventide H90, that even if is digital, it is an amazing sounding FX. Thanks for your feedback🙏

Thanks😀

Thanks😀

Thanks😀 I know about it with Moog Foundation. Finger crossed for you.About the Model D, what can i say.....WOW. The sound is just INSANE.

🙏

Grazie 😀

Thank you 🙏🏼😀

Thank you 🙏. Enjoy your new synth. It is a very superb sounding machine. Congrats 😀

@@williamsoro3210 thank you, Willam 😀

@@grahamtait4915 thank you. No, it is the original Minimoog Model D. I prefer to use original things rather than Behringer clones😉

@@smvproducer Ah. That’ll explain why it sounds so good 👍🏼

@@BullyMaguire4ever I don’t know about the sound. For sure the Muse is more immediate to use for a faster gratification. The One is not so easy to program and there are bad sounds around . But thank you for your comment 😀

The Muse isn’t > One on sound. It just isn’t. But it is true that you can drive the oscillator more so it has that up its sleeve. The one isn’t as immediate for sure. But that’s not what it’s about. It rewards the deep dives. And to use its a dream. The UI and physical design (it’s an Alex Hartmann design like all the best synths) is fantastic and beautiful. The build? Well, it’s an Asheville era synth and that will always be special.

@@final_mile_music9713 I agree with you. I remember the Hartmann Neuron, even if I could not try one, But what an intriguing synth 😍

@@smvproducer I have a Super Gemini coming tomorrow. He designed that and the Super 6 too….;)

@@final_mile_music9713 my best congrats ;) looking at it, it has something like the neuron ( I mean esthetically ). Anyway, please, let me know your impressions about it.

Thank you😀.I have nothing against the Muse. My provocation was just because the Moog One has been " attacked " for the last period, mostly by people that even never tried it. This is incredibly silly. Anyway i also own an OBX8, a Prophet 10 rev 4 and lately i finally bought a Model D reissue. These synth are raw analog goodness without any compromise. The Moog One has to be accurately programmed otherwise can sound bad, whereas the OBX8, the Prophet 5/10 and the Model D, no matter how you move the knobs, they always sound incredibly well. At the end, i love my synths as you love yours. And this is great 😀

@@smvproducer Oh, I can even make my OB-X8 sound really weak and bad, same for my Muse, my Subsequent37, my Udo SuperGemini and even my overrated (not by me) Jupiter 8. With my P5/10, my Voyager, my Omega8 or my Matriarch it's actually not that easy. Anyways: You are so right, I cannot hear that endless bashing of the Moog One anymore. It has been present from day 1, and I really can't explain it. I mean, anyone who would take your headphones and play your sequence "Gram Bite" as an example will be blown away by the well balanced, almost mastered sound that comes out of this machine. There is NO other synth that can do this. Only the 3rd Wave has the same magic to it, but the FX are not on par with the ONE. Did I say FX? Oh, this will raise a s***storm again 🤪

@@MFASonic yes... social media are made for s*** storms 😂. It seems that people are more interested to blame something or someone, rather than improve themselves. About the synth you mentioned, i also have the OBX8, the Prophet 10, the Voyager, the Quantum ( that for me is an incredible machine) and lastly i finally bought a Minimoog Model D reissue, that trust me, is impossible to make sound bad. Anyway these synths are more for a fast gratification. The Moog One needs to be programmed properly and wisely. By the way, why do you think that the Jupiter 8 is overrated? Since you own one, i would like to know your opinion, because i never heard one in real. Just youtube videos. And thanks for your comment 😀

@@smvproducer Sorry for the late reply. The Jupiter 8 is cool for what it does, and it's a go-to synth for production sounds in pop music for sure. It is also not to blame for all the noise and maintenance headache it produces, since it is almost as old as me. But it has not nearly the fun factor, the possibilities nor the features of the MoogOne, the 3rd Wave or the Quantum (which is interestingly not my favorite in terms of sound). The Jupiter is very limited. It should sell for 5k, but not for 20+k in my opinion. And it will, sooner or later. Admittedly, I would not sell it, but that's only because I was lucky and got one for 2000 EUR back in 2002. A price that it's definitely worth 😂

@@MFASonic no problem. It is ok :) Yes, i understand your thoughts about the Jupiter 8, and i would buy it too for 2000 euros or dollars ;)

Thank you 😀🙏🏼

Thank you 🙏🏼😀

@@sofiko343 thank you 😀

@@sofiko343 thank you 😀🙏

My title was a provocation, as i already said in another reply. I think that the Muse is a good synth, but i never had the chance to try one. And by the way, i agree with your comment 100%. What it makes me mad, is that many people are telling that the One is sounding bad and stupidities like this. And it comes to my mind an Esopo's fairytale where a fox was trying to catch some grape, but since it was too high and she could not catch it, she said the famous statement ^ nondum matura est" . So, in general i am talking about the bad habit that people have, to despise what they cannot have.

@@smvproducer yes I totally agree. I never understood that mentality. Just because I cannot afford anything does not mean that I think its bad. It is fun to look forward to things. Now I can buy things I could only dream of when I was younger including the One. I also do not understand why so many complain about Moog. They do incredible instruments from what I can see.

The Muse seems nice and has a nice sound to it. But the One has so many features, it is really quite incredible. The way you can modulate the data is extremely powerful. It also has a large array of fx that are really quite useful.

I agree with you. The title was just a provocation, especially for people that say the One sounds bad. I will never sell mine too. Thank you for the comment 🙏😃

@@smvproducer I never understood why people say that Moog One sounds bad. I do not even think its hard to make good sounds with it from Init. It has a quite unique sound though.

@@icasraf Grazie per il commento. Il mio titolo era solo provocatorio. C’è molta gente che dice che il One suona sterile. Credo che sia una macchina molto potente ma con uno sweet spot piccolo e quindi bisogna programmarlo in maniera davvero accurata. Io sono fortunato possessore anche di un OBX8, Prophet 10 rev4 e Model D reissue. Questi ultimi hanno uno sweet spot gigante. Suonano sempre bene. E grazie per i complimenti 😀🙏

@@pedrogomis yes. Agree 100%. The title was a provocation for people that say the Moog One sounds bad 😀

@@smvproducer the "ones" that say that is because they cannot afford it

@@pedrogomis indeed. Totally agree.

Muse seems to have a bit different sound that the One. It seems to have a bit deeper more overdriven base? Or what do you think? I think the biggest benefit with Muse is that its a third of the price.

@@andreasoberg2021 I never had the chance to try it. Anyway I think it is far less complex and more immediate than the One. And it costs less than 1/3 and this is very appealing ;)