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My personal top 5: Let The Right One In (Nordic version), Only Lovers Left Alive, Interview With A Vampire, The Lost Boys, Bram Stoker's Dracula.

When someone says they did something "3" times, they're usually lying

Bob Dylan is the ultimate protest singer, like he once said "all that i do is protest", but he is also an artist and not just a protest singer, he did the strongest protest songs ever but that was all what he artistically had to say and could do at that time, he also said that songs make sense at the time and context it were made, that´s why he can´t make another blowing in the wind, cause of course he could copy himself but he as an artist couldn´t make it if it didn´t make sense. The only time i think he actually went back and made protest songs by request were in the 70s with the Joe Jackson and The Hurricane songs, but he felt unconfortable making them, he always said "i don´t pick the songs the songs pick me" and that is a very artist sentence to say, that´s the difference between an artist and a protest singer like Oachs, Seeger, Baez or others, they were not artists

I´m a hardcore fan of Dylan, but since he defends so much his image, it would really be more interesting a Phil Oachs movie, cause his life was openly TRAGIC, and that would be very interesting, the life of a tragic artist is interesting, but of course there is the thing if the family is ok about making a biopic

Somehow i think that the movie "I´m not there" is BETTER, i think "A complete unknown" is a "good" movie, is good on protraiting the "coolness" of the image of Bob Dylan but it is inferior to the Johnny Cash movie cause it doesn´t show personal drama, lots of it is made up, it hints that Dylan had trouble with his family cause he basically runned away from home being a minor, but true fans knows Dylan had lots of darkness in his life, one good movie is for example "Nowhere Boy" about the life of John Lennon, there are hints also in the way Dylan relates to people and also Joan Baez, she was portraited as a selfish narcissist that was obsessed with him just because everybody loved him, and she even took his songs and played before he was known, and it was all in a very shallow and hidden way, you can see what Dylan saw in the leftists and why he rather thought on himself, but you have to be a hardcore fan or really think of it to notice. I´m Not there is a more abstract movie but really focus into his mind and his drama through his life, and that was good, the same happened with the Johnny Cash one, A complete Unknown is too protected by Dylan´s corporation sort of speaking just like No direction home was,

Mescal a juste l'air d'une brute et n'a rien en commun avec Paul Mccartney ! Mescal épais et sans charme...

I finally watched this last night on max. And it rocks.

@ringer movies a bunch of your info is way off and your opinion muddies the truth. Yacht rock comes from OUR R&B. Without the Barry Whites and Rick James and funk WE made, there would never be a yacht rock.

My favorite Rewatchables ep ever. Bravo Bill and Kyle

I think they briefly mention the yacht scene, but that exchange between Leo and the Friday Night Lights guy deserved a LOT more attention. The guest seems like a good guy, but also too wholesome for this movie?

William Muney held that shit down 💯

It was terrible

When Gale was talking about Sarah Conner I sooo ready to write a check for this movie. Lol

Sam Jackson as a 30s gangsta? Hell yeah

48:41 hahahaha excellent form

She broke the ice early... Amazingly i might add

Wow, interesting.

The secret of happiness is the ability to change your mind. I knew before he said it that James is proud of the pivot.

Twilight Saga films were the best vampire movies

I first listened to Bob when I was 13 or 14. Then and today, I say to myself, "where do these words come from?" Bob is the One - the greatest poet, singer, performer, and artist of my days.

The pigeon lady is utterly disgusting

it’s a great doc. get a life, kids

Yay Amy Grant!!!!!❤

Sean's tone while adding movies to the list was very Bob Ross coded. 😂

41:41 that’s my absolute favorite one, I love Chris

I am the only one who thinks the Bram The Stroker's vampire movie is LAUGHABLY BAD?!? Keanu has kind of Bill & Ted with faux British accent vibes...

Call me stupid I like neither kents or lanes hairdos in this trailer. Ones trying too hard to look like a schlub, and the other isn't trying to look like anything

Oasis better than rap or yacht rock

Thank you for an excellent discussion. But what the movie misses, so that you are missing it too and even Pete Seeger apparently missed it at the time, is that Dylan's first album was 60% or more folk rock. Granted he didn't use an electric guitar on that album, but he played folk songs in a way that was completely different from the way any folk singers were singing folk music at that time, because Dylan infused a rock-and-roll element into the traditional folk songs that he sang. Pretty Peggy-0, In My Time of Dyin', See That My Grave Is Kept Clean, You're No Good, Freight Train Blues, and other songs on the first album are all show a rock influence. Now, the first album sold poorly, because it was about four years ahead of what anyone could tolerate. So on Dylan's next album, he produced gentler music that was more like the traditional folk music that other Greenwich Village musicians were singing. And--managed, unlike Joan Baez, by the money-grubbing promoter Albert Grossman--Dylan achieved commercial success with the folk music that he wrote and presented on Freeweelin' and the following albums. So when Dylan went electric in '65 and presented folk rock, no one grasped that in a way it was NOT something new, but rather a return to his original presentations on his first album. By '61 Dylan had already worked out an aesthetic of folk rock. And so the question arises: Was there a sellout, not by Dylan's going electric in '65 as everybody accused him of doing; but a sellout in '62, when Dylan suppressed his desire to create folk rock because his audience wasn't ready for it, and so he gradually played folk music on three albums, until he could carry his audience with him to folk rock in '65? Dylan, on this view, may have sold out because in '62 he suppressed his artistic instincts to create folk rock, and instead gave his audience what it wanted, namely, folk music. (Any accusation of sellout is of course ridiculous, because the songs on Freewheelin and the following albums are so beautiful and compelling. But the question still arises: Was it always in the back of Dylan's mind to return to the folk rock that he had created in '61?) Not just this movie but also many books on Dylan, ignore his first album. As did everyone at the time. And so they were surprised at the Newport Folk Festival by Dylan's producing folk rock. But if they had listened to his first album, they would not have been.

Night nurses from jersey

Nah the Fricker storyline is heartwarming and ties up well with old man dynamic from the 1st movie and Duncan's turtle doves, bad take, you need to understand this is a kids movie..

Leaving Vampire Hunter D: Bloodlust off the list is criminal

I wanted to watch the whole video before posting anything. As a whole, I agree with you that the film is a rollercoaster, and watching it was a fun and unique experience. However, the themes of the film are much broader and universal. Everyone has difficult relationships with themselves, especially as one ages; this is suggested in the film by the fact that a male nurse gives the substance to Elisabeth Sparkle. The film did a great job exploring self-hatred, self-sabotage, and disassociation through both characters: Elisabeth's hatred towards herself is externally manifested in the character of Sue. I love the way the film constantly reiterates that both Sue and Elizabeth are one, but that one inhabits two different bodies and ages at the same time. We, as humans, evolve and change over time; we are fortunate to experience these personas at different stages of our lives so that we cannot do something stupid to ourselves. The way the film presents the bitterness and jealousy the older self feels towards the younger is realistic and persuasive. I love this movie, and I hope it gets nominations for Demi Moore, Margaret Qualley, and Coralie Fargeat.

I have to say, both this review and, more important, the Eggers interview really dampened my expectations going into this movie now. I now have the distinct impression that Chris Columbus ghost directed this movie. The mention of jump scares and the fact that Eggers says in the interview that Columbus was basically looking over his shoulder the whole time are both major red flags. I was ready for a Nosferatu movie from the director of The Northman. The same movie from the guy who did Home Alone? Not so much. And here's my top 5, ordered by year of release: 5) The Last Man on Earth - Just for the fact it's still the most faithful adaptation of the Matheson novel after two more subsequent attempts - one of the great vampire novels. 4) The Night Stalker - Greatest TV movie ever and pioneered the "supernatural procedural", which later become popularized by The X Files. 3) The Lost Boys - Agree with CR: This movie is infinitely rewatchable. 2) Bram Stoker's Dracula - Still the best Bram Stoker adaptation. 1) Blade - Still the best Marvel movie. The opening club scene is still one of the best intros to a main character ever made.

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When you added Cabinet of Dr Caligari, The Innocents, Hagazussa, and Crimson Peak…you made a subscriber, man

Dunkirk was amazing. Clearly one of his best.

The female commentator's quip "We never did too much talking anyway" justifies the price of admission.

Loved the Nosferatu. Such a technical masterpiece. Gotta say the real master here is Sean. Robert Eggers always tries to be as uninteresting and difficult as possible to the point that it felt like he was getting a tooth canal but props to Sean for keeping him engaged and getting us a great interview and making it look easy

Love this! Please make more

Robert entering 🐐 territory if he keeps cranking out heaters.

Speeding away on his motorcycle was the perfect final shot for this film. Pete, the old generation folk curator remains behind picking up the chairs at the festival, a caretaker....Dylan rides away....Foreshadowing his motorcycle crash a year later, but more importantly, it is symbolic of Dylan as an artist never wanting to stand still.

My fave of this series. CR and Bill are so aligned; it's clear they both love this one. (I think Bill only loves Boogie Nights more.) I laughed out loud near the end when CR mentions that the Superbowl that "Chris" got cleared out on was the 49ers-Chargers matchup. Chris really is a loser. Chargers? Really?😆

Obsessed with Chris putting Twilight on his list

Tired of Quentin’s opinions/criticisms on other Directors, Politics, basically anything. Just STFU

Thank you for including “ Let the Right One In”. Not only one of the best vampire movies, also one of the best movies, period. Not one bad frame. Flawless acting. And sequences that would make DePalma blush.

Sorry, Kyle, apex pizza scene in film is when Spicoli orders one to Mr. Hand's class in Fast Times. (01:17:53)

Props to Sean for giving Fright Night some love. Roddy McDowall and Chris Sarandon are amazing in it.

No consideration to Yoga Hosers?

what a disgusting ignorance of the meaning what music is!... very offensive to artists! Pfui!