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Did you ever find an answer to the Cue Point ID numbers being off? If not, you could probably just take the Cue Point ID and subtract 1 from the Int result before printing.

Excellent tutorial! Thanks for putting these together as a series passing along all this great info :)

What are key differences between this and using something like the Quartz system and it's clocks? I'm trying to create a "singing monsters" like system so I imagine quartz is better for the ability to subscribe to individual beat events and such, but as far as prototyping sounds and how they blend are there any downsides to this? I guess I'm struggling to see what this does differently from quartz and if quarts should even be used at all? Can I not use this in blueprints as well?

Hey thanks so much for this tutorial! Super helpful. However -- and I'm somewhat new to wwise and unreal -- when I try to follow these steps, I don't see any plugin folder in my Unreal project and instead of seeing that my soundbanks folder is empty, it says that my Root Output Path in Wwise integration is empty. What am I doing wrong?

Golden video ! Thank you my man. Subbed for more

Cheers for this info Brian, saved me loads of time. Do you have any info or a tutorial on adding object attenuation, as in balance and pan of an omitter? I know how to do this in WWise but syncing the Unreal part is a where I get stuck. Thanks again..

Nice video, thank you. How did you import your midi files, please?

Nice =]

Would this not be simpler to just use Quartz to queue the section changes?

do you know how to make that for example: metasound, that is shot sound, that ensures only one shot sound is playing at a given time, when other is shot sound is triggered it would make smooth continuous transition from previous shot to new shot sound which would make concurrently running single shot sound on metasound?

This is an awesome tutorial, fixed the issue about the root folder that got me for 2 days. However, i still can't hear anything, i do not know why :(. The fun thing is that by looking at the profiler in Wwise, every sound is triggered correctly and they are playing, maybe i need to set up audio I/O in Unreal?

Is saying "fire!" too easy for this?

Useful content for us gamedev musicians ! I've been wishing for a daw transport in unreal in order to visualize music events in bpm instead of seconds like in the sequencer, do you know of any feature or plugin doing that ?

Thanks

This open so much possibilites, thanks for sharing that!, I love the moment when you press play and the whole thing works, sparkling!

Really good as alwawys, I'm waiting for part 3. Thanks for this videos.

I laughed so hard when you said “you can hear the ceiling fan.. cause i’m a tool”. Awesome tutorial and this is really inspiring me to make some custom instruments!

Great content as always! Can't wait for part 3. I think the patch setup of unreal isn't super intuitive (especially if you want to add more samples later on), but your approach makes it quite a bit easier.

I need to know how i can make it so that if like A5 plays then a trigger can be sent to a blueprint. Im trying to make a self playing piano that reaacts as the midi is played.

This is what I call a proper explanation!!! Thanks for this one!! Looking forward for more of them

Thank you so much Brian, this soundpack has literally been a godsend for my school project.

hi, i'm using an array to select between a few different sounds and rand selecting it based on weights. Is there a way to debug print what sound is currently being played/selected? Thank you in advance.

amazing- any chance of a tutorial?

I look forward to finding out how it deals with Type 1 MIDI files.

Nice! Is it async? No need for setting up Quartz?

love your videos dude thank you!

Great, keep with the series. Very helpful. Wondering how it works with chords and multiple tracks of instruments?

Can't wait to see the following videos. It's very interesting !

I was trying to figure out how to sync user input with a music beat, and the simple idea you shared about having an attack+body+release sound to cover the gap between beats for the weapon is just brilliant! Thank you!

u are the best man !

Amazing video, can't wait to see more

the fast array populating has just changed my life

A lot of great tips in this one! Also random question, what camera/phone are you using to film yourself? Quality is awesome!

I want to more debugging skill

woah that play from here tip was awesome

Hm, I followed the steps, but manual send doesn't seem to do anything. I added it to a sound class and then added the submix in Default Submix and it went completely silent. I wonder if I'm mixing something. Great video otherwise.

Thanks. The song is really a good vibe one and really nice to listen to :)

Hi Brian, thanks for making videos. looking forward to a structured course from you that covers basics of audio theory and complete procedural/normal sound production pipeline inside unreal engine.

7:41 how do I do this? This is exactly what I need to do

is it possible to do the ducking with sound cues?(

That was useful ! I was a bit disturbed by the the low/sub frequency rumble during the whole video tho, maybe you can high-pass your voice :)

Once i find that noise synth thingy id be able to make realistic footstep sounds just through metasounds

great guide! thank you

I don't think it's able to match the Animusic demos from 16 years ago. Those were not real-time but they had perfect sync.

Can’t wait for them to add something to avoid manually importing every single asset in an array - that will be the day I’ll finally love Metasounds at its fullest

It looks funny

awesome. thx...

Fuck yeah man. Much potential.

❤