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Bach-Siloti Sonata #3 in E major BWV 1016 arrangement for Violin and Piano
Movement #1 Adagio (0:00)
Movement #2 Allegro (4:15)
Movement #3 Adagio ma non tanto (7:10)
Movement #4 Allegro (11:59)
Credits
Violinist: Elizabeth Layton
Pianist: Michael Ierace
Arranger: Alexander Siloti
World premier performance at Elder Hall, University of Adelaide on Friday 31 July 2020
Our thanks to University of Adelaide for providing recording.
Our thanks to Stanford University Libraries providing original score.
Special thanks to Elizabeth Layton and Michael Ierace for their tireless work preparing the scores for these performances.
Performers history
Elizabeth Layton is Senior Lecturer in violin and Head of Classical Performance at the Elder Conservatorium of Music. Born in London, she studied at the Yehudi Menuhin School and the Juilliard School, New York. Elizabeth made her UK concerto debut with the Philharmonia, performing with many leading UK orchestras and giving recitals at London’s Wigmore Hall and South Bank Centre. Festival appearances include Gstaad, Valencia, Edinburgh, Bath, Cheltenham and Aspen. Elizabeth was Associate Leader of the Academy of St Martin in the Fields and toured worldwide as a member of the Nash Ensemble. From 1997-2010 she was Concertmaster of the BBC Scottish Symphony Orchestra with whom she also broadcast for the BBC as soloist and director. Elizabeth performs throughout Australia and New Zealand in recitals and chamber music and as concertmaster with orchestras in Adelaide, Sydney, Melbourne, Queensland, Tasmania and New Zealand.
Michael Ierace has been described as a ‘talent to watch’ and his playing as ‘revelatory’. Born and raised in Adelaide, he completed his university education through to Honours level studying with Stefan Ammer and Lucinda Collins. Michael has had much success in local and national Australian competitions including winning The David Galliver Award, The Geoffrey Parsons Award, The MBS Young Performers Award and was a major prize winner in the Australian National Piano Award. In 2009, he made his professional debut with the Adelaide Symphony Orchestra in the presence of the Premier of South Australia and the Polish Ambassador. In 2007, he received the prestigious Elder Overseas Scholarship from the Adelaide University. This enabled him to move to London and study at the Royal College of Music (RCM) with Professor Andrew Ball. He was selected as an RCM Rising Star and was awarded the Hopkinson Silver medal in the RCM’s Chappell Competition. From 2010-12, he was on staff as a Junior Fellow in Piano Accompaniment. In the Royal Over-Seas League Annual Music Competition, he won the Keyboard Final and the Accompanist Prize - the only pianist in the competition's distinguished history to have received both awards. In the International Haverhill Sinfonia Soloists Competition, he took second place plus many specialist awards. Michael has performed extensively throughout London and the UK and twice at the Edinburgh Fringe Festival. Much sort after as an associate artist for national and international guests, Michael is currently a staff pianist at the Elder Conservatorium
มุมมอง: 268

วีดีโอ

Bach-Siloti Sonata #2 in A major BWV 1015 arrangement for Violin and Piano
มุมมอง 1323 ปีที่แล้ว
Movement #1 Andantino grazioso (0:00) Movement #2 Allegro assai (3:37) Movement #3 Andante un poco (6:23) Movement #4 Presto (9:15) Credits Violinist: Elizabeth Layton Pianist: Michael Ierace Arranger: Alexander Siloti World premier performance at Elder Hall, University of Adelaide on Friday 31 July 2020 Our thanks to University of Adelaide for providing recording. Our thanks to Stanford Univer...
Bach-Siloti Sonata #1 in b minor BWV 1014 arrangement for Violin and Piano
มุมมอง 2203 ปีที่แล้ว
Movement #1 Adagio (0:00) Movement #2 Allegro (3:23) Movement #3 Andante (6:20) Movement #4 Allegro (9:28) Credits Violinist: Elizabeth Layton Pianist: Michael Ierace Arranger: Alexander Siloti World premier performance at Elder Hall, University of Adelaide on Friday 31 July 2020 Our thanks to University of Adelaide for providing recording. Our thanks to Stanford University Libraries providing ...
Mystery recording of pianist Alexander Siloti
มุมมอง 3.5K9 ปีที่แล้ว
These are the only audio recordings of Alexander Siloti. The quality is very poor because they were recorded on a home record cutter around 1940. The records subsequently deteriorated when the Smithsonian attempted to recover the recordings. These recordings were made directly from the Smithsonian recordings where others on TH-cam were from an audio cassette. They are informal recordings of him...
Audio recordings of pianist Alexander Siloti
มุมมอง 10K9 ปีที่แล้ว
These are the only audio recordings of Alexander Siloti. The quality is very poor because they were recorded on a home record cutter around 1940. The records subsequently deteriorated when the Smithsonian attempted to recover the recordings. These recordings were made directly from the Smithsonian recordings where others on TH-cam were from an audio cassette. They are informal recordings of him...
Ilmari Hannikainen Ilta (Evening) Op 4 No 2 Pianist Mary Alberta Siloti
มุมมอง 4K10 ปีที่แล้ว
This version of this wonderful piece is a hand written manuscript given to my parents by Ilmari Hannikainen in the 1940's. It has considerable differences with the version that is available in publication (available on the internet). A recording of the version in publication is available at "th-cam.com/video/h8pbNCNw9P4/w-d-xo.html". If you compare the melody in the above performance starting a...
Bach-Siloti Toccata and Fugue in d minor (James Barbagallo Pianist)
มุมมอง 11K11 ปีที่แล้ว
These wonderful recordings are part of a project to produce an album of Bach-Siloti transcriptions. Tragically, the Pianist James Barbagallo died unexpectedly before the project was completed. Recorded in December of 1995. The Toccata and Fugue is one of Bach's most famous pieces written for Organ and transcribed here for piano. Some scholars question for technical and stylistic reasons whether...
Bach-Siloti Andante from Violin Sonata No. 2 (James Barbagallo Pianist)
มุมมอง 2K11 ปีที่แล้ว
These wonderful recordings are part of a project to produce an album of Bach-Siloti transcriptions. Tragically, the Pianist James Barbagallo died unexpectedly before the project was completed. Recorded in December of 1995. This transcription is derived from the Andante of Bach's Violin Sonata No. 2 in a minor (BWV 1003).
Bach-Siloti Organ Prelude in g minor (James Barbagallo Pianist)
มุมมอง 2.3K11 ปีที่แล้ว
These wonderful recordings are part of a project to produce an album of Bach-Siloti transcriptions. Tragically, the Pianist James Barbagallo died unexpectedly before the project was completed. Recorded in December of 1995. This transcription is derived from Theodor (Tivadar) Szántó's piano transcription of Bach's Organ Prelude and Fugue in g minor (BWV 535). It should probably technically be "B...
Bach-Siloti Air from Suite No. 3 for String Orchestra (James Barbagallo Pianist)
มุมมอง 3.5K11 ปีที่แล้ว
These wonderful recordings are part of a project to produce an album of Bach-Siloti transcriptions. Tragically, the Pianist James Barbagallo died unexpectedly before the project was completed. Recorded in December of 1995. This transcription is derived from Bach's Orchestral Suite No. 3 in D Major (BWV 1068).
Bach-Siloti Adagio from Sonata for Violin and Harpsichord (James Barbagallo Pianist)
มุมมอง 4.1K11 ปีที่แล้ว
These wonderful recordings are part of a project to produce an album of Bach-Siloti transcriptions. Tragically, the Pianist James Barbagallo died unexpectedly before the project was completed. Recorded in December of 1995. This Bach-Siloti transcription is one of my favorites. It is derived from Bach's Sonata No. 5 in f minor for Violin and Harpsichord (BWV 1018). The tempo used here is signifi...
Bach-Siloti Prelude from Cantata No. 35 (James Barbagallo Pianist)
มุมมอง 3.2K11 ปีที่แล้ว
These wonderful recordings are part of a project to produce an album of Bach-Siloti transcriptions. Tragically, the Pianist James Barbagallo died unexpectedly before the project was completed. Recorded in December of 1995. This transcription is derived from Bach's "Sinfonia" (5th movement which is start of part 2) of Cantata No. 35 (BWV 35.5)
Bach-Siloti Organ Prelude in e minor (James Barbagallo Pianist)
มุมมอง 10K11 ปีที่แล้ว
These wonderful recordings are part of a project to produce an album of Bach-Siloti transcriptions. Tragically, the Pianist James Barbagallo died unexpectedly before the project was completed. Recorded in December of 1995. This transcription is derived from Bach's Organ Prelude and Fugue in e minor (BWV 555).
Bach-Siloti Prelude in b minor (James Barbagallo Pianist)
มุมมอง 95911 ปีที่แล้ว
These wonderful recordings are part of a project to produce an album of Bach-Siloti transcriptions. Tragically, the Pianist James Barbagallo died unexpectedly before the project was completed. Recorded in December of 1995. This transcription is of Bach's Prelude in e minor BWV 855a from his Klavierbuchlein fur Wilhelm Friedemann Bach book. It is the most widely known of Siloti-Bach transcriptio...
Bach-Busoni-Siloti Chaconne from Violin Partita No. 2 (James Barbagallo Pianist)
มุมมอง 3.4K11 ปีที่แล้ว
These wonderful recordings are part of a project to produce an album of Bach-Siloti transcriptions. Tragically, the Pianist James Barbagallo died unexpectedly before the project was completed. Recorded in December of 1995. This piece is derived from Bach's Chaconne from Partita No. 2 in d minor (BWV 1004). I credited this piece to "Bach-Busoni-Siloti" because Siloti indicates in his score that ...
Bach-Siloti Siciliano from Sonata for Flute and Clavier (James Barbagallo Pianist)
มุมมอง 1.6K11 ปีที่แล้ว
Bach-Siloti Siciliano from Sonata for Flute and Clavier (James Barbagallo Pianist)
Bach-Siloti exerpts from unaccompanied Cello Suites (James Barbagallo Pianist)
มุมมอง 2.4K11 ปีที่แล้ว
Bach-Siloti exerpts from unaccompanied Cello Suites (James Barbagallo Pianist)
Rubinstein-Siloti Barcarolle in g minor Op 50 No 3, Pianist Mary Alberta Siloti
มุมมอง 1.1K11 ปีที่แล้ว
Rubinstein-Siloti Barcarolle in g minor Op 50 No 3, Pianist Mary Alberta Siloti
Gluck-Sgambati "Melody" from Orfeo e Euridice (Robert Preston, pianist)
มุมมอง 1.7K11 ปีที่แล้ว
Gluck-Sgambati "Melody" from Orfeo e Euridice (Robert Preston, pianist)
Blumenfeld Prelude in D flat Major Opus 17, No. 15 (Mary Alberta Siloti pianist)
มุมมอง 1.2K11 ปีที่แล้ว
Blumenfeld Prelude in D flat Major Opus 17, No. 15 (Mary Alberta Siloti pianist)
Rachmaninoff-Siloti Vocalise arrangement for Piano solo in b flat minor
มุมมอง 3.1K12 ปีที่แล้ว
Rachmaninoff-Siloti Vocalise arrangement for Piano solo in b flat minor
Robert Preston plays Bach-Busoni Organ Prelude & Fugue in D-Major
มุมมอง 1.9K12 ปีที่แล้ว
Robert Preston plays Bach-Busoni Organ Prelude & Fugue in D-Major
Robert Preston plays Bach-Busoni "Nun komm', der Heiden Heiland"
มุมมอง 68712 ปีที่แล้ว
Robert Preston plays Bach-Busoni "Nun komm', der Heiden Heiland"
Robert Preston plays Bach-Hess "Jesu Joy of Man's Desiring"
มุมมอง 52512 ปีที่แล้ว
Robert Preston plays Bach-Hess "Jesu Joy of Man's Desiring"
Robert Preston plays Bach-Siloti Prelude in b minor
มุมมอง 12K12 ปีที่แล้ว
Robert Preston plays Bach-Siloti Prelude in b minor
Robert Preston plays Bach-Busoni Prelude and Fugue in E-flat Major
มุมมอง 2.3K12 ปีที่แล้ว
Robert Preston plays Bach-Busoni Prelude and Fugue in E-flat Major

ความคิดเห็น

  • @jgrab1
    @jgrab1 22 วันที่ผ่านมา

    Somehow the digitally filtered version is more distracting.

  • @kunikpiano
    @kunikpiano 22 วันที่ผ่านมา

    Divine!

  • @flonzaley6092
    @flonzaley6092 5 หลายเดือนก่อน

    I don't think that anyone has mentioned the melody from Gounod's Faust that comes into this miraculous, beautifully played 'medley' from another era.

  • @gywhue99
    @gywhue99 7 หลายเดือนก่อน

    Jim Barbagallo was a dazzling musician, teacher, and person. Unforgettable.

  • @stephenbertino8373
    @stephenbertino8373 7 หลายเดือนก่อน

    Unfortunately, James reproduced an error in the score at circa 0:35 That clunker he plays at m.42 is exactly what's written: an Em7 in the left hand. It should be a G7 instead. However, James did correct two other typos I see, in mm. 29 and 59.

  • @danlds17
    @danlds17 7 หลายเดือนก่อน

    I've never heard this piece played with such control and beauty. James you are truly missed.

  • @guywalker29
    @guywalker29 ปีที่แล้ว

    Any tone is comparable. With an experienced ear for this kind of recording the tone is evident . Breathtaking.

  • @andrewjankowski7137
    @andrewjankowski7137 ปีที่แล้ว

    sublimely beautiful, profoundly sad

  • @Yerkoivanovic
    @Yerkoivanovic ปีที่แล้ว

    Thank you very much for the recording and the score, it’s great, and a huge contribution since IMSLP only provides the manuscript.

  • @aliceko4695
    @aliceko4695 ปีที่แล้ว

    Beautiful recording!

  • @aliceko4695
    @aliceko4695 ปีที่แล้ว

    What a wonderful recording! Thank you

  • @markgarufi
    @markgarufi 2 ปีที่แล้ว

    Beautiful performance thank you for sharing this!

  • @iianneill6013
    @iianneill6013 2 ปีที่แล้ว

    I could definitely imagine Nyiregyhazi playing this work ...

  • @iianneill6013
    @iianneill6013 2 ปีที่แล้ว

    Alexander Siloti studied with Nikolai Rubinstein, Anton's brother, and after Nikolai died unexpectedly he studied briefly under Anton himself. He felt, however, that he received little from his lessons with Anton as the great pianist, unlike Nikolai, was not able to empathise with pupils and adjust his instruction to suit their technical level. He soon after went on to study with Franz Liszt in his masterclasses in Weimar.

  • @iianneill6013
    @iianneill6013 2 ปีที่แล้ว

    Can you imagine this giant of a pianist playing the Rach 2 or 3? What a revelation that would have been!

  • @j.vonhogen9650
    @j.vonhogen9650 2 ปีที่แล้ว

    Whoever made that "filtered version" did an absolutely horrible job! Restoring audio is a highly specialized job for experts. This 'filtering' is completely pointless, but I do appreciate the quality of the original recording in the first 6 minutes. Thanks for posting that source!

    • @iianneill6013
      @iianneill6013 2 ปีที่แล้ว

      A rude comment that serves no constructive purpose.

    • @j.vonhogen9650
      @j.vonhogen9650 2 ปีที่แล้ว

      @@iianneill6013- I wasn't rude, I was just giving my honest opinion about an audio job gone wrong, but that wasn't even the main point of my comment. The whole point was to be appreciative of the uploader for helping to save our collective musical heritage, which is why I praised the uploader for the addition of the original audio source in his video. I thought that was a very responsible thing to do. FWIW, over the past two decades, I have dedicated quite a lot of my own spare time to the preservation of the musical heritage of the pupils of Franz Liszt. I have (re-)discovered and published a number of manuscripts of lost compositions by Liszt's pupils, and I'm currently working on the publication of all of Moriz Rosenthal's unknown and unpublished musical manuscripts. As an audio expert, I have collected and restored many historical recordings over the years with the sole intention of preserving them for posterity in the most pristine and authentic sound quality possible. I have every right to criticize what I consider to be the destruction of historically significant recordings through careless audio processing by people who don't know what they are doing. Many unique recordings have been damaged and distorted beyond repair exactly because of this, especially since digital audio tools became affordable for amateurs and inexperienced audio engineers. Sadly, many unprofessional or careless audio restoration attempts result in the permanent destruction and/or discarding of the original audio source, which is not only regrettable, but also totally unnecessary. People need to understand that most of the audio processing done in consumer based D.A.W.'s/sequencers is irreversible, unless the source is being preserved along with the processed audio files. I left a complimentary comment under this video, because I care about our collective cultural heritage and I don't want to see it disappear from our history books, our libraries and our archives due to indifference, or as a result of inept handling of the source material. Next time you feel the need to criticize someone on the basis of assumptions and emotions alone, just ask that person to clarify his comment or ask him to elaborate on it, so you can learn a little bit about his intentions and background. You don't have to rush to judgement. Nobody asked you to be the moral arbiter of TH-cam.

  • @tejaswi5119
    @tejaswi5119 2 ปีที่แล้ว

    Alexander Siloti is Franz Liszt’s student and a nephew of Rachmaninoff’s wife

    • @iianneill6013
      @iianneill6013 2 ปีที่แล้ว

      He also studied under Nikolai Rubinstein and, after Nikolai's death, briefly with his brother Anton Rubinstein.

    • @margueriteabatelli7698
      @margueriteabatelli7698 ปีที่แล้ว

      Alexander Siloti was the 1st cousin of Serge Rachmaninoff. He also taught piano to S. R.

  • @lydericmaes6278
    @lydericmaes6278 2 ปีที่แล้ว

    I have never been able to know which version I like better. I think Busoni’s is very heavy and a lot of pianists become nervous playing it. They think playing fast and strong is the way to play Busoni, but they forget about Bach’s spirit. Except for Michelangeli who is pretty close of the idea I have of the Busoni Chaconne, I have never been satisfied with pianists interpretations. I have to learn how to play it but I’m too lazy. Same with Rach 3… However, this Siloti version is really gracious, and James entered my favorite versions the chaconne and I’m VERY picky. One of the best Chaconne, for sure !

  • @taxi503
    @taxi503 2 ปีที่แล้ว

    БАЙ ПОКА СИМОН ЗИЛОТ

  • @taxi503
    @taxi503 2 ปีที่แล้ว

    СМЕРТЬ ЗА СМЕРТЬ ТВОИ СЛОВА

  • @taxi503
    @taxi503 2 ปีที่แล้ว

    ОЛЕГ ЗИЛОТИ ВМ БАХ BARBAGALLO Саша Г.

  • @jinhokim5989
    @jinhokim5989 3 ปีที่แล้ว

    God bless Jim...

  • @user-fu7zf4ck9z
    @user-fu7zf4ck9z 3 ปีที่แล้ว

    You can tell he was inspired by Gilels' interpretation. Excellent performance!

  • @why-zy9bb
    @why-zy9bb 3 ปีที่แล้ว

    Fun fact: Alexander Soloti is actually my great×4 or great×3 grandfather. You probably wont believe but its true.

    • @TheStockwell
      @TheStockwell 3 ปีที่แล้ว

      Considering how your Siloti claims have been called into question on other videos, there's no reason to believe you this time, either. No offense intended.

  • @fulviozanoni8450
    @fulviozanoni8450 4 ปีที่แล้ว

    Un "Sospiro" qui mène à Chopin (Etude "Tristesse") et à Rachmaninoff! Merveilleux.

  • @charlesbarber8166
    @charlesbarber8166 4 ปีที่แล้ว

    The complete recordings of Siloti (acetate, wax, and piano rolls) are held in the Siloti Archive at Stanford, as are all of his extant manuscripts in original or copy form.

  • @hugofejgielman3132
    @hugofejgielman3132 5 ปีที่แล้ว

    Absolutely brilliant.

  • @musiclassic1
    @musiclassic1 5 ปีที่แล้ว

    Mr Siloti, could I chat with you sometime? A friend and I are extremely interested in the Siloti school of playing, and we would like to learn more about it..

    • @ASiloti
      @ASiloti 5 ปีที่แล้ว

      Sure we can chat, my email is alexsiloti@gmail.com. Contact me by email to discuss it or if you would prefer discussing it by phone

    • @musiclassic1
      @musiclassic1 5 ปีที่แล้ว

      @@ASiloti We could add eachother on Whatsapp, perhaps? My number is - - - When you add me I will remove this comment.

    • @ASiloti
      @ASiloti 5 ปีที่แล้ว

      Not familiar with Whatsapp. I suggest you send me an email (provide email contact) and I can send you what information I know about the subject to start with and then if needed I can figure out how to communicate with Whatsapp.

    • @musiclassic1
      @musiclassic1 5 ปีที่แล้ว

      @@ASiloti I'll send you an email, sure. No need for WhatsApp, I just find that convenient personally. I'll be writing you soon, thanks!

  • @charlesbarber8166
    @charlesbarber8166 5 ปีที่แล้ว

    Had James lived, we would have recorded all of the Bach-Siloti piano transcriptions. These were recorded for Naxos at Fisher Hall in Santa Rosa, Sonoma County, California. James was a joy to work with, and to be with.

  • @e.g.5102
    @e.g.5102 5 ปีที่แล้ว

    Touching melody !

  • @e.g.5102
    @e.g.5102 5 ปีที่แล้ว

    💗💗🌸

  • @philipboghurst4400
    @philipboghurst4400 6 ปีที่แล้ว

    Magnificent performance.

  • @ratarsia
    @ratarsia 6 ปีที่แล้ว

    Ars longa, vita brevis...

  • @liujiatao3825
    @liujiatao3825 6 ปีที่แล้ว

    where can i find the music score? help please!

    • @ASiloti
      @ASiloti 6 ปีที่แล้ว

      Music score can be found in a publication by the publisher Carl Fischer, entitled "The Alexander Siloti Collection". It also contains many other arrangements of Alexander Siloti.

  • @Felix_Li_En
    @Felix_Li_En 6 ปีที่แล้ว

    Although a little too fast, still my favorite interpretation of this beautiful transcription !

  • @xcandomath897
    @xcandomath897 6 ปีที่แล้ว

    Any time I listen to a new Interpretation of SILOTI's Masterpiece , I wonder it is the best ; tonight it's Preston's . Compliments mr. Preston :D :D

  • @martijnthomas6017
    @martijnthomas6017 6 ปีที่แล้ว

    Wow!! So wel done😍

  • @beverlyosowski6529
    @beverlyosowski6529 6 ปีที่แล้ว

    This lady, Mary Alberta Mueller Siloti, was my aunt. When I was a child, she gave many concerts with the New York Symphony, and I enjoyed her playing at her home in upper state New York. My uncle, Levko Siloti, was the son of Alexander Siloti, a piano teacher at Julliard, and also a cousin of Franz Lizst. Rachmaninoff also had a connection with the Siloti family and visited them often. Mary Alberta's brother, Louis Mueller, was my father and we lived in Texas so I didn't get to see Aunt Mary Alberta very often. Wish I had had more contact with her before she passed away. Beverly Grace Mueller Osowski

    • @markgarufi
      @markgarufi ปีที่แล้ว

      Thank you for sharing! Your aunt was an absolutely beautiful player, and I feel she's a rare connection back to the style of Liszt which Alexander Siloti learned and passed on. This is such a gift to hear!

  • @sirdicaudore
    @sirdicaudore 6 ปีที่แล้ว

    2:46 theme of Valentin's aria "Avant de quiter ces lieux" from Gounod's Faust!!!

  • @armarmadillo
    @armarmadillo 7 ปีที่แล้ว

    This is a mystery piece that nobody knows what it is? Just an improvisation by Mr Siloti. Maybe...

  • @guglielmodaniello116
    @guglielmodaniello116 7 ปีที่แล้ว

    So much beautiness. Priceless. Thanks for uploading

  • @alexanderholthoer8972
    @alexanderholthoer8972 7 ปีที่แล้ว

    How beautiful! Both the music and the performance. I have only just been introduced to Finnish composers through my youngest 15y son, who is a developing pianist. Ilmari Hannikainen was an unknown to me and I can only wonder why: such grace and skill. I ask the stupid question: is he recognised internationally?Thank you Mme Siloti.

  • @nicepianoteacher3791
    @nicepianoteacher3791 7 ปีที่แล้ว

    Absolutely gorgeous!

  • @user-vf5ro1vz5z
    @user-vf5ro1vz5z 7 ปีที่แล้ว

    Под эти звуки отдыхает моя душа

  • @lmasson59
    @lmasson59 7 ปีที่แล้ว

    tristesse et émotion .... les mots manquent , il avait tellement de talent

  • @zene1750
    @zene1750 7 ปีที่แล้ว

    WOW!

  • @marte6534
    @marte6534 7 ปีที่แล้ว

    Esprime la vena romantica della trascrizione di Siloti in pieno !

  • @marte6534
    @marte6534 7 ปีที่แล้ว

    Bravissimo !!

  • @EnriqueGiliOrtiz
    @EnriqueGiliOrtiz 7 ปีที่แล้ว

    So beautiful.

  • @lydericmaes6278
    @lydericmaes6278 7 ปีที่แล้ว

    Voicing.... beautiful !