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I use to work this way but I feel like it's not my favorite workflow personally. I was exactly working on basketball events with 7 hours of rushes. Method 1 : I was creating IO points, use a shortcut to convert them into duration marker, and another shortcut to tag them (dance, laugh, public, player, shot, dunk etc) and use smart bins to regroup by tag. Method 2 : same thing but with subclip. Method 3 : creating timeline stringouts with a scene number. Scene number by theme replacing the tagging stuff I was doing. Scene 2 = dance, scene 6 = dunk, scene 5 = showcase and so on. I think I found subclips can be messy with lots of rushes but I don't have yet a strict close advice on this.

Dear Joshua, I have two questions for you: 1. my reference monitor is calibrated AdobeRGB. Which setting should I use to work on the timeline? Rec.709? Davinci does not have AdobeRGB setting but only sRGB... 2. if in my pipeline I set rec.709 as output but my work is intended for cinema, is it sufficient to change from rec.709 to DCI-P3 at the time of delivery, or does it create problems? Thanks for any response and compliments for your masterclasses. Giorgio.

This is a great breakdown - a lot of work at the start but certainly worth it down the line

Thanks so much for the info. I have a question: when using your method, how do you know if your grade is being applied to the davinci WG gamut, and not to the rec709 colourspace? I only have experience using CSTs so can control where my final rec709 output is, and can make sure I’m only applying my grades to the Davinci WG gamut that I declare as the first node in my workspace.

Would the theos be great for livestreaming on a c70?

Thanks for this

Great video man. I've been looking for something similar to Final Cut Pro's "Favorites" system when organizing, and I think this may be exactly what I'm looking for. I was creating timelines for selects and it honestly felt so clunky and inefficient.

Bro, your voice eq is just magic!!!! We need a tutorial for this audio edit!

Thank you so much for this very insightful video! 🙏🏼

This was so informative and helpful to see!

Thanks for explaining this process. I'm new to color grading. Most of my work is with timelapses created from still images. I process them in Lightroom and output a video file in LR Timelapse. Can this footage be color managed, and if so, what input color space should I set?

How do i know what my footage is shot with, i use a Gopro with Flat profile and Wide Gammut colorspace with Gopro Labs.

Finally, I got this. Thanks a lot.

it still looks different in vlc or windows

Great video! Thanks for sharing. I have a question. What is the workflow with the audio from the video clips? I do it like this: First I sync the audio that the sound engineer gives me, then in the clip attributes I choose a channel to be able to edit, but then I would like to recover all the channels of the clips that were left in the timeline so I can send them to the sound post in ProTools. That's where I have problems, how do you do it? Thank you very much.

this now works like this in 19

Did you clean up in rx first?

Thanks Man, it's really useful tutorial

Thank you, Joshua

Just started watching this, but I have watched over 100's of videos this last couple of weeks and trying to get my head around what is the proper color management workflow. I work 99%of the time with my own Sony Slog 3 cine clips and just need the basic proper workflow from with in Davinci to do basic color grades. But there are so many dang options and every time a try one or the other I do not get good result. I also would prefer Not to use the CST In and CST out ob my node tree and work between that but seems the only way to not let Davinci take over my color management.. Thank you

Thanks!

What about using in and outs and then doing Markers (based on range) or Keywords instead of Subclips?

Why would you not just Record longer Clips? seems like everey 20-30sec there is a cene you use or atleast want to have recorded. isnt it easyer to only stop recording if you know the next 30 sec wont be a new scene you need? or is it a storage problem?

nice

¡Gracias!

Cool workflow. Divinci is a great program, but FCPX is better for key wording, search, and visualizing large amounts of footage quickly.

u r a beast man amazing

Now I understand. Now I know what to do. Thanks!

Thank's 😎🤙🏼

So I tried this and it worked well. My imaged rendered better but why is this the case? I want to know why rec709-a is better than rec709 gamma 2.4 or gamma 2.2. Why do all colorist teachers say to use gamma 2.4 or 2.2. I understand the uses of 2.4 and 2.2 but if A makes the image look better then why am I now learning this.

I think you deserve more and more subscribers.

Great way to work with fixed node structure. Thanks for your knowledge and wisdom.

Never heard of that before but maaaaaaan. This would have saved me so much trouble in my last Project xD

Amazing work..

Thanks for such a breakdown, but doesn't Davinci's 'native auto align clips by waveform' not do this? 6:10

Davinci should be paying you. This should be the first thread one reads when tackling Color Management. Great job explaining the myriad of choices.

It's so overwhelming, i hope they pay well for this long hard work

nice sharing!

thanks for a great, simple, and thorough description of the how and why re proxy files. Just curious if this method preserves the 6K resolution in editing.....does this process allow zooming etc within the edit to be preserved when the 6K files are swapped back in?

Why you need the Mac mini ? I mean can't the Synology be the host for the PostgresSQL database ?

Well explained. I watched numerous videos to comprehend CSM and CST but I always felt confused. Thank you for your time and effort.

Where do you take such high quality images from ?

This is such a great bit of info!! Funnily enough I was about to film an interview this morning and this showed up just beforehand. I always used to pick one source or occasionally switch sources but this way of aligning and then mixing the two is infinitely better!! Thanks again mate 👌

Your classes always show up just as I seem to need them. Keep these gems coming. Thanks!

Aweome! Thank you!

A real pro tip - thank you. So much to know and learn. Your relaxed, paced style really helps.

Thank you for sharing these simple yet advanced tips!

Would love to see the final edit.

This is fantastic! I had a similar issue with an interview of a couple. Both wore labs and when they spoke together it sounds so phase induced.

Thanks Dad!