Joshua Kirk
Joshua Kirk
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Phase Aligning Interview Audio with Lav and Boom Microphones
In this video we talk about phase aligning interview audio between a Lav and Boom mic to create a rich, full bodied sound when editing sit down interviews.
⏩ Subscribe to my email list for exclusive editing tools and tips:
joshuakirknz.gumroad.com/subscribe
⏩ Follow on Instagram:
JoshuaKirk.NZ
⏩ Free Filmmaking Assets:
joshuakirknz.gumroad.com/
========== Chapters ==========
00:00 - Phase issues between Lav and Boom mic
03:03 - Listen to result of aligning the phase - Before and After
03:43 - Manual adjustment for Interview footage
04:33 - Mixing Lav and Boom together
06:04 - Auto Align 2 Plugin
06:39 - 2nd Example - Interview 2
09:43 - Summary and recap
========== Links ==========
I get all my music for films and videos here:
www.musicbed.com/invite/HEVgr
I present all my commercial quotes and contracts using QWILR:
qwilr.com/?r=JpKzqTlMH4s
==============================
This description includes affiliate links, which earn a commission to help support my channel at no additional cost to you. I only share products and services that are actually awesome!
มุมมอง: 1 254

วีดีโอ

Video Editing Desk & Computer Setup
มุมมอง 2.4K4 หลายเดือนก่อน
Here is a look at my work desk for editing commercial videos and documentaries. A lot of people (my self included) can get carried away with always having to have the latest gear and equipment. Most of this gear is 4-5 years old now and is still working great for my purposes. This video is not sponsored, and I have purchased each item with my own money. Items talked about: Apple iMac 2019 Synol...
7x key differences between an Amateur and a Pro Filmmaker
มุมมอง 9754 หลายเดือนก่อน
What other things do you guys think seperate out an amateur and a pro filmmaker? ⏩ Subscribe to my email list for exclusive editing tools and tips: joshuakirknz.gumroad.com/subscribe ⏩ Follow on Instagram: JoshuaKirk.NZ ⏩ Free Filmmaking Assets: joshuakirknz.gumroad.com/ Chapters 00:00 - Introduction 00:54 - 1. Competency & Technical Ability 01:50 - 2. Consistency 02:25 - 3. Devel...
5x Productivity Tips for Video Editors and FIlmmakers
มุมมอง 1.1K5 หลายเดือนก่อน
How can we increase our productivity as editor? Here are 5x productivity tips I have learnt the hard way over the years that help me structure my day to be efficient. What do you do to be more productive? ⏩ Subscribe to my email list for exclusive editing tools and tips: joshuakirknz.gumroad.com/subscribe ⏩ Follow on Instagram: JoshuaKirk.NZ ⏩ Free Filmmaking Assets: joshuakirknz....
Developing A Professional Mindset for a Productive Career
มุมมอง 5725 หลายเดือนก่อน
It's easy to get caught up in the hustle of every day work life. I think it is important to take a step back and think about our professional creative career in the long term. How can we go about our creative life in a sustainable way that allows us to produce meaningful work for years to come. ⏩ Subscribe to my email list for exclusive editing tools and tips: joshuakirknz.gumroad.com/subscribe...
Camera Rig and Audio Bag Setup for Documentary Shoots - Orca 332 + Deity Theos
มุมมอง 6K5 หลายเดือนก่อน
This is a high-level run through of our Ursa G2 camera build and Orca 332 Audio Bag with a ZoomF8nPro recorder. We use this setup on our documentary style shoots. We run most of our productions with a really small crew (often just two of us) so this gear breakdown shows how we achieve that. We run all audio into an Orca 332 Audio Bag with the Zoom F8nPro as our main recorder. We use the Deity T...
Davinci Resolve Keyboard Shortcuts for the Edit Page
มุมมอง 1.6K6 หลายเดือนก่อน
Over the years I have made note of all the keyboard shortcuts I use in the edit page of Davinci Resolve to help navigate the software. A lot of these are different to the default shortcuts, so feel free to browse the free download / google doc and adapt these shortcuts to suit your workflow. The google doc lists all the shortcuts to give you an overview of the mappings, and is a central source ...
How to Edit Documentary Scenes and Think like a Pro Editor
มุมมอง 1.7K6 หลายเดือนก่อน
Sometimes it is hard to know how to approach editing a scene for a documentary. The large amount of RAW Broll footage may seem overwhelming. If you view your footage through the lens of the following questions, you will be able to make more impactful scene edits because you will now be editing with intentionality. Here are some helpful questions you can ask yourself when breaking down your foot...
How to Organise Broll Footage like a Pro Editor - Illustrative and Sequential Breakdowns
มุมมอง 1.9K6 หลายเดือนก่อน
With any documentary project it is helpful to identify and breakdown our Broll into two categories. Sequential scenes and Illustrative themes. This helps us deal with the overwhelming amount of footage in a documentary. ⏩ Follow on Instagram: JoshuaKirk.NZ ⏩ Free Filmmaking Assets: joshuakirknz.gumroad.com/ ⏩ Other places to get in touch: linktr.ee/joshuakirk Chapters 00:00 - Deal...
Subclip Editing Workflow in Davinci Resolve - Additive versus Subtractive Editing
มุมมอง 2.9K6 หลายเดือนก่อน
In this video we're talking about cutting down Broll footage using Subclips in the source viewer. Rather than a subtractive approach of creating stringouts, subclips are a great way to process footage and keep your project folder structure clean and tidy. ⏩ Follow on Instagram: JoshuaKirk.NZ ⏩ Free Filmmaking Assets: joshuakirknz.gumroad.com/ ⏩ Other places to get in touch: linktr...
Documentary Workflow - How to start processing Interviews in Davinci Resolve
มุมมอง 5K6 หลายเดือนก่อน
Here is a look at one way you could begin setting up your project for a documentary workflow. There are many different workflows you can implement for documentary style edits. In this video we look at syncing your interviews using timecode, creating Multicam clips and breaking down a timeline using transcriptions. ⏩ Follow on Instagram: JoshuaKirk.NZ ⏩ Free Filmmaking Assets: josh...
Delivering Documentary Interview Dailies with Frame.io and Davinci Resolve
มุมมอง 1K6 หลายเดือนก่อน
On every project we deliver interview selects along with transcripts to the director, producer, or agency using Frame.io. This video is a quick look at the process of delivering interview dailies on one of our latest commercial projects. ⏩ Follow on Instagram: JoshuaKirk.NZ ⏩ Free Filmmaking Assets: joshuakirknz.gumroad.com/ ⏩ Other places to get in touch: linktr.ee/joshuakirk Cha...
Sync with Timecode in Davinci Resolve - Creating Time of Day Stringouts
มุมมอง 5K6 หลายเดือนก่อน
At the beginning of any edit project, one of the first steps is to sync your audio and video together. The easiest way to do this is using Timecode on set. This is a short video explaining how I create a Time of Day Stringout at the start of each project to visualise all the assets captured on the day. ⏩ Follow on Instagram: JoshuaKirk.NZ ⏩ Free Filmmaking Assets: joshuakirknz.gum...
My favourite Davinci Resolve feature - Remote Monitoring
มุมมอง 8Kปีที่แล้ว
Remote Monitor in Davinci Resolve Studio allows you to livestream your programme monitor (video window) across the internet to anyone with the Remote Monitor App. This is an awesome way to collaborate with clients and get real time feedback on edits and colour grades. ⏩ Follow on Instagram: JoshuaKirk.NZ ⏩ Free Filmmaking Assets: joshuakirknz.gumroad.com/ ⏩ Other places to get in ...
Documentary Scene Editing | Breaking Down B-Roll & A-Roll | Music & Sound Design
มุมมอง 17Kปีที่แล้ว
In this video we look at a few techniques to breakdown B-Roll footage down and create a documentary scene along with A-Roll sync, Music and Sound Design. ⏩ Follow on Instagram: JoshuaKirk.NZ ⏩ Free Filmmaking Assets: joshuakirknz.gumroad.com/ Chapters 00:00 - Introduction to Scene Editing 00:38 - Project Overview 02:15 - Breaking Down B-Roll - Workflow 10:05 - Decompressing A-Roll...
How to Colour Grade a Commercial - Davinci Resolve Breakdown
มุมมอง 4.5Kปีที่แล้ว
How to Colour Grade a Commercial - Davinci Resolve Breakdown
Free Colour Grading Tools for Davinci Resolve - Custom Curve Powergrades
มุมมอง 6Kปีที่แล้ว
Free Colour Grading Tools for Davinci Resolve - Custom Curve Powergrades
My Video Editing Folder Structure and File Management Template
มุมมอง 22Kปีที่แล้ว
My Video Editing Folder Structure and File Management Template
How to use a Fixed Node Tree in Davinci Resolve like a pro Colourist
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How to use a Fixed Node Tree in Davinci Resolve like a pro Colourist
How I Transfer Large Files and Video Footage online instead of Posting Hard Drives
มุมมอง 3.4Kปีที่แล้ว
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Are you Creatively Burnt Out as a Commercial Filmmaker? - Try this in 2023
มุมมอง 678ปีที่แล้ว
Are you Creatively Burnt Out as a Commercial Filmmaker? - Try this in 2023
Documentary Camera Operating with the EasyRig Vario 5 and Ursa Mini Pro G2 at an Event / Festival
มุมมอง 2.5Kปีที่แล้ว
Documentary Camera Operating with the EasyRig Vario 5 and Ursa Mini Pro G2 at an Event / Festival
Convert More Inquiries with Professional Video Production Proposals & Contracts in Qwilr
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Convert More Inquiries with Professional Video Production Proposals & Contracts in Qwilr
Colour Grading Basics in Davinci Resolve - The one tool you need to master in 2023
มุมมอง 2.9Kปีที่แล้ว
Colour Grading Basics in Davinci Resolve - The one tool you need to master in 2023
Adobe Podcast Speech Enhancement Deep Dive - Is it Any Good?
มุมมอง 5Kปีที่แล้ว
Adobe Podcast Speech Enhancement Deep Dive - Is it Any Good?
Transform your video editing with MacWhisper for FREE!
มุมมอง 2.8Kปีที่แล้ว
Transform your video editing with MacWhisper for FREE!
How to use MacWhisper & ChatGPT for creative video descriptions and YouTube titles!
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How to use MacWhisper & ChatGPT for creative video descriptions and TH-cam titles!
Mastering Color Management in DaVinci Resolve: Input, Working, and Output Color Spaces Explained.
มุมมอง 42Kปีที่แล้ว
Mastering Color Management in DaVinci Resolve: Input, Working, and Output Color Spaces Explained.
How to use ChatGPT3 and A.I to transform your Video Production Business
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How to use ChatGPT3 and A.I to transform your Video Production Business
5x Lessons Learnt - Learning to thrive in the Video Production Business
มุมมอง 654ปีที่แล้ว
5x Lessons Learnt - Learning to thrive in the Video Production Business

ความคิดเห็น

  • @trevorwild195
    @trevorwild195 วันที่ผ่านมา

    Your explanation clarify so much!

  • @gamesfrancowastaken2368
    @gamesfrancowastaken2368 3 วันที่ผ่านมา

    All the other videos showed them importing the footage based on timecodes but it added mine 1 clip per line. I had to encode my footage which ended up resetting my timecodes. Changed the time codes one by one, copying from the original MXF files that I also dragged in with my encoded media. But you helped a lot. Thanks

  • @llegolaluzrd
    @llegolaluzrd 5 วันที่ผ่านมา

    great videos thanks for all the content you share

  • @StellarDakota
    @StellarDakota 7 วันที่ผ่านมา

    It's beautiful 🎉. God I love my URSA

  • @AFTERHOURS.STUDIOS
    @AFTERHOURS.STUDIOS 8 วันที่ผ่านมา

    Amazing

  • @MoneyMatters2077
    @MoneyMatters2077 10 วันที่ผ่านมา

    @2;46, so that internal ND is just as good as a 500$ ND filter from TIFFEN..., come on then!

  • @Apoucado
    @Apoucado 10 วันที่ผ่านมา

    Instant follow! Thank you. Exactly what I was looking for.

  • @NicholsMediaPress
    @NicholsMediaPress 12 วันที่ผ่านมา

    This is a great video even better that it's davinci. Your channel is really underrated. Subscribed!

  • @steinaragotnes4805
    @steinaragotnes4805 13 วันที่ผ่านมา

    Thank you . What colour space do you use on your monitor when using this process . DCI-P3 , rec 709 , rec 2020 , or something else ?

  • @TheCalvinSkinner
    @TheCalvinSkinner 13 วันที่ผ่านมา

    The algorithm is failing here. I can't believe this video isn't more popular.

  • @gkochanowsky
    @gkochanowsky 15 วันที่ผ่านมา

    Is there any particular reason why you didn't set up your camera/director audio feed to use one tx and two rx? One less item to power and carry in the bag.

  • @softstickssound2904
    @softstickssound2904 15 วันที่ผ่านมา

    "Now I'm not an audio expert..." **proceeds to boom better than any of my operators...**

  • @cameranerdsmedia
    @cameranerdsmedia 15 วันที่ผ่านมา

    Fantastic setup! Great overview

  • @ChrisLaxamana
    @ChrisLaxamana 15 วันที่ผ่านมา

    Brilliant.

  • @DirkHagen
    @DirkHagen 18 วันที่ผ่านมา

    Very good! Thank you very much!

  • @AlecKinch
    @AlecKinch 21 วันที่ผ่านมา

    FCPX user here …….frustrated with the ‘Forced’ OS upgrades just to get a magic mask…..so I am looking at resolve. Question I have is after you make your selects, and you mention 2 weeks later, is there a way for Resolve to show you all the selects (and portions of) that have NOT been used? This is something FCP does do, and is critical when working on multiple projects, & you come back later:)

  • @jacquesdupreez2146
    @jacquesdupreez2146 22 วันที่ผ่านมา

    CRAZY DETAIL THAN KYOU!

  • @The-Logician
    @The-Logician 22 วันที่ผ่านมา

    I like your setup on the audio bag, very efficient. I rig my audio bag fairly similarly, just different bits and pieces for the recorder, receivers, but same efficient methodology with a single battery powering up everything in the bag, I do have a couple questions and comments: 1) I find the Rode filmmaker receivers power down automatically when plugged into usb power. Do you experience the same issues? Do you still keep AA batteries in the rode receiver while powering over USB. I moved to Sennheiser G4's with dummy batteries powered off the central power distribution box in the bag and never have issues with them. 2) I would caution about using wireless back to the camera exclusively for scratch audio, or are you still using the in-built microphone on the camera to audio channels 3/4 or 1/2 with the wireless hop back to the camera with the mono signal, into the other camera audio channels etc? If your wireless fails for any reason back to the camera, you still need to be able to record scratch audio for sync without other forms of backup (timecode). I might be more inclined to put the shotgun mic or some other higher quality external mic directly into camera for the scratch audio. I do understand your desire to mix the shotgun into the mix at the bag.

  • @ekphotography
    @ekphotography 27 วันที่ผ่านมา

    This has to be the best video I have ever seen coming from an FCPX user. I searched and have asked for years how I can do something similar to FCPX, which is the fastest way of editing for me. In FCPX I hit I/O F and can blaze through my clips and choose just my favorites. then build my timeline from those favorite selects. I cannot believe after asking for years nobody told me about this way of doing it. SO THANKS!!! I have P as append to end of timeline but will change it to make a sub clip and try your method which seems the best way of doing. The only thing I cannot figure out is When I have them all selected I tried your command to put them into a folder but that does not work. I have to manually make a new folder or bin and drag them there which is not difficult. But did you set up Davinci to make a folder from those selects or is that suppose to be a default DR command bc it does not work for me.

  • @_glc
    @_glc 27 วันที่ผ่านมา

    These videos, Are so helpful man, the amount of time and effort you put into these videos is very much appreciated.

  • @cooperclark5588
    @cooperclark5588 28 วันที่ผ่านมา

    Great video !

  • @joshdiditt
    @joshdiditt 28 วันที่ผ่านมา

    How do you do the color strips on the footage at 4:43?

    • @JustinVK
      @JustinVK 8 วันที่ผ่านมา

      The duplicate clip colors in the timeline or the bins?

  • @ImaginetMedia
    @ImaginetMedia 29 วันที่ผ่านมา

    Excellent info. Thanks for sharing your skill and knowledge.

  • @CedarSpringWolf
    @CedarSpringWolf หลายเดือนก่อน

    This is such a helpful video. I want to design a setup just like this.

  • @DavidDarnaud
    @DavidDarnaud หลายเดือนก่อน

    Thank you men so helpful and clear

  • @yakplateado1923
    @yakplateado1923 หลายเดือนก่อน

    Great explanation, great audio and great style. Thanks a lot!

  • @chieltjuuhh
    @chieltjuuhh หลายเดือนก่อน

    Hi i tried this but i cant get the second camera on another layer on top of video layer one. Is there something i'm missing?

  • @glb6065
    @glb6065 หลายเดือนก่อน

    Excellent set up. I thought I was organised but you've taken to another level and one that I'll definitely take on.

  • @roadrunner400
    @roadrunner400 หลายเดือนก่อน

    What works best with Go Pro footage as input color space ?

  • @ilyamagnes
    @ilyamagnes หลายเดือนก่อน

    Really helpfull. very much appreciated. THanks allot.

  • @ilyamagnes
    @ilyamagnes หลายเดือนก่อน

    תודה!

  • @alexandertokar4905
    @alexandertokar4905 หลายเดือนก่อน

    thank you for your advice

  • @shueibdahir
    @shueibdahir หลายเดือนก่อน

    Wow call me impressed

  • @omerbulbul8185
    @omerbulbul8185 หลายเดือนก่อน

    Is there any option for monitoring the scopes on the iPad?

  • @danielnix3284
    @danielnix3284 หลายเดือนก่อน

    I'm following your workflow for a motorsports movie, creating stringouts for b-roll and a-roll. Since the clips are already organized by date, I’m wondering if I should arrange them by specific time, down to the minute. For example, if two b-roll cameras were capturing the same car at the same moment, should I align those clips in precise chronological order in the stringout?

  • @pranavpillai3494
    @pranavpillai3494 หลายเดือนก่อน

    thanks

  • @simpleObserver100
    @simpleObserver100 หลายเดือนก่อน

    Thanks for the vid man! I am in the process of getting more gear for doc style shoots with a small crew as well! have a few questions though...... what matte box is in the video? what happens when you have the directors monitor set up and the sound guys monitor setup... is there a monitor for the camera man? which monitors do you prefer? again, thanks for the vid man!

  • @BuddyQuaid
    @BuddyQuaid หลายเดือนก่อน

    This is one of the coolest features and videos I've seen on this. Great job.

  • @phixpowerbook
    @phixpowerbook หลายเดือนก่อน

    Is it ok to use groups ( pre and post grpoups to collect shots into one group which then applies the space conversion nodes ( pre and post )?

  • @amirjafarmadar93
    @amirjafarmadar93 หลายเดือนก่อน

    😍😍😍😍

  • @itamareyal9356
    @itamareyal9356 หลายเดือนก่อน

    Hey, your editing workflow videos have helped me tremendously! I wanted to ask, on what are you editing documentaries that are more than 8TB of footage? I am thinking of what to buy that will also be portable for editing on the go. I was thinking of the OWC Express 1M2 with 8TB and splitting some of the footage to another SSD or even my MacBook. Or you think it's worth going into the area of enclosures that need to be plugged into the wall. Then, you can have the whole project on one bigger SSD drive that is a bit more portable than a NAS. At home I have everything on an Owc thundarbay 8 (das) but I realized I cannot take this documentary now when I’m abroad outside the office. I would love to know how you think about it.

  • @averyfreeman799
    @averyfreeman799 หลายเดือนก่อน

    Are the nods setup you did needed in order to get the correct color output?

  • @brandongonzales6374
    @brandongonzales6374 หลายเดือนก่อน

    only thing is it looks different on my iphone -_-

  • @alexlandherr
    @alexlandherr หลายเดือนก่อน

    Is there a way to crop video in Resolve but export the video at the resolution of the selected area? E.g. if I’m cropping a 4:3 video to 16:9 and the 4:3 is 1440x1080 I want the exported 16:9 video to have a resolution of 1440x810 without any black bars. I want to avoid scaling up and the artifacts that come with it.

  • @TheCalvinSkinner
    @TheCalvinSkinner หลายเดือนก่อน

    I've noticed so many videos that get this wrong. Is there any way to fix this when there's two people, two lav mics and they're talking at the same time. There is a delay when one voice is being picked up by two mics. All I can think is not letting both people talk at the same time. If you mic A on person A and mic B on person B, is there good way to reduce the signal of person B in mic A?

  • @jonstuyvesant
    @jonstuyvesant 2 หลายเดือนก่อน

    Love this thought process. Thanks for sharing

  • @j5s9cStu
    @j5s9cStu 2 หลายเดือนก่อน

    Looks great, but way too advanced for me.. maybe you could do a video for those of us just learning?

  • @TheFrankJanssens
    @TheFrankJanssens 2 หลายเดือนก่อน

    Love the channel, always great information. Is there really lots difference in color processing between sidecar and Davinci Remote monitor? Some people say because Davinci Remote bypasses computer hardware, its better? Sidecar seems a little smoother with playback so would prefer it..

  • @StreetCultuur
    @StreetCultuur 2 หลายเดือนก่อน

    Living legend indeed! This kinda videos will definitely help us, get unstuck. I’m handling 3 years of footages and still figuring out a way to get to the middle line.. this video gonna take me there.

  • @stephanschmitty
    @stephanschmitty 2 หลายเดือนก่อน

    Thank you so much 🙏 nice work und thanks for share 😎