วีดีโอ

Epique. Dans la salle, la réaction du public ❤

La plus grande Lady Macbeth de tous les temps avec Callas bien sûr, simplement sublime avec la direction magistral de Claudio Abbado avec les forces de la Scala de Milan, tous en état de grâce

Only Callas could do better.

Grande Maffeo

The great Shirley Verrett. She was possessed. WOW

Fantastic!!!

Bravissimo!! MY GOD!

Verrett, great Lady Macbeth !!!!

Brava. ❤

Straordinaria. Ma nessuna mai come la Callas ❤❤❤❤❤

WHY DOES THE COBDUCTOR KEEP PUSHING HER!!IT IS HER ARIA;NOT HIS!!!!

Absolutely magnificent....

This is truly up there with the Callas interpretation, wonderful.

Great as Lady Macbeth Her facial gestures and body language is also very important.I love singers that are able to perform such large tessituras like Simionato. Sometimes they can be a soprano and others a mezzo. I m not surprised about the long ovation.Very good election. And of course,you ll love the part of Macbeth with one of uour favourite baritones... Bright aria JURISMICH.Nice you brought it in.Even the long cape helps makes an impressive mise en scene...

Grande baritono

Sorry the last two comments have two replies that are a continuation of the comment.

Then the magic again . Everyone wants to get Renato and send him to prison.But the king doesn't allow it And before his death Renato seeks his pardon knowing that he was going to be sent away and renouncing the king to Amelia.Then something thrilling.All the cast say goodbye to the king who has called them his children.They make an angelical chorus that would surprise anyone of great beauty.

First of all the preparations for revenge.One of the three gentlemen had to be elected to kill the king.All of them have motives to do it.They ask Amelia to take out one of the papers with the name of whos will do the job.Finally Renato comes out.At this same time more or less Oscar comes in with the invitation yo the Mask Ball.They tell him her that the subject of their costume will be death,MORTE. How modern was Verdi to select a woman to do the task of Oscar,his secretary.Fadcinating.

Dear Jurismich.I m still fascinated with the ending I just saw,but lets go by parts..

❤🎉this shy Giant will be Heard and educated by generations🎉🎉Bravo and bis to his artistry❤🎉

(3/3) "I would love if you listened to Zanasi s interpretation.And also took note of his incredible acting. It s really outrageous. Thank you again my friend for granting me with a new version I didn't know about of my favourite aria.This is one for the keeps.Because there are a few around that I can't stand listening to.I will be commenting your other video any other time with less Internet problems.Thank you again."

(2/3) "My favourite choice would be Mario Zanasi.Tokio1967. His actuation is astonishing. At the end he shivers like an actor from Kabuki Theatre and needs plenty of time to recover.Then he receives a standing ovation. This aria is very important because for me it's clear that Giuseppe Verdi enters in Renato.He becomes him.That s why the baritone needs to be very sensitive towards the whole audition.Verdi was a widower of a very young girl and was always in love with her although being with important women such as Streponi.On the other hand,he most have felt betrayed on several occasions in his long and productive life.That s why this aria allows him to throw away his demons and to make a great masterpiece,so personal and delicate,at the same time."

(1/3) "Dear JURISMICH.Thank you very much for the beautiful aria.I seem to like your baritone. At least he knows where to emphasize and where to stop and almost cry.I also like the fact that VEDOVO COR is correctly translated in French.Sometimes it appears like EMPTY HEART instead of WIDOW HEART,which,as you know,is the correct meaning.Nevertheless,as we talked other times, everyone has their baritone,tenor,soprano... for a certain aria."

Hi JURISMICH, the following comments are on behalf of my aunt María Adriana Fraga Estévez, as she is having problems commenting through her own account:

I cherish the memories of hearing him in the house as Cavaradossi and Canio, '87 and '88.

❤🇻🇦💛✝️💛🇻🇦❤🌿💡💐🎶🌍🍒💛🕊🌿💡🎶🧭🇻🇦🕊🪢💛🌍🍒⛑🌻💐🌸🌿📚🏵✝️🇻🇦🏵📚🧭🪢🏵📚🌸💮🌻🇻🇦⛑🇻🇦💐🌿💡🎶🌍🍒💛🇻🇦💒🇻🇦🧭🕊🪢🌸🙋‍♂️

Today you've made me veritablement hereuse.My favourite opera...In this scene after Renato has been asked by the king to take the lady to her house,without talking to her,appear in the cemetery enemies of the monarch. Renato wants to leave but they are all curious about the identity of the lady.When things get a little bit rough,she unveils herself.And there she is Amelia,Renato s wife. All the gentlemen start singing and laughing which makes an even more tragic effect on poor Renato.The conductor knows that and he wants the notes and laughs to be well placed because it's essential. Renato knows he s been fooled and will take his revenge.At the end he s alone with Amelia After this beauty will come the most adorable aria ever written by Giuseppe Verdi.Once they re at home he sings ERI TÚ,a truly masterpiece.Thank you JURISMICH.You made my day.

❤❤❤🎉🎉🎉😊😊😊

You know I love Kraus but Romeo I must confess wasn't for him.Corelli here is impeccable..Bravo Corelli.Any Julliet would fall for you.

Siepi is absolutely fantastic. I wonder why my beloved Donizetti was so obsessed with certain Queens of England.Stuarda, Elizabeth I and Anne Boleyn. For me the BEST was La Superba as Boleyn.She asked to stay for one whole day in the Tower of London to prepare herself for the part. When she came out she felt shivers and had nightmares for days.And I know this because she herself told me. Love you Montse ❤.

You have certainly touched my heart talking about Donizetti and Bellini.One died being fifty and the other only thirty.They are my two favourite composers of them all given that I'm only a fan of Bel Canto. The stories they made up.The magnificent music.Bellini had to write Norma in three months due to agenda problems.And Donizetti wrote L elisir d.amore in TWO WEEKS hand with hand together with the writer of the lyrics. Those were Gods ,not mere composers.

Very beautiful in French too.The only problem as I see it is that Tezier before sung with good artists and now with Jonas Kaufmann.C est domage.Because he's a very good baritone and really respected.

Every aspiring singer should watch this repeatedly and learn from the absolute image of superb technique that can be seen from these three singers. Even with the sound muted the technical aspects of mouth position, breathing, and facial emotion are lessons in themselves.

I'm listening to La Traviata by Maria Callas and Di Stefano right now.To make him justice they blend perfectly together. It's a pity that my favourite aria is Addio del Passato where she sings alone.But they combine well together.

LOVE Richard Stilwell's voice!!!!!

Declaree maudite pour Mephisto et pour son frere. Leaving us blessed by this magnificent actuacion. Excellent acting and wonderful situation of the singers on stage to make the most of their voices.Specially when they stand in triangle.Superb..

erratum: L'opéra ne comporte que 4 actes. Après la nuit de Walpurgis, il s'agit de la dernière scène : la prison.

The difference between Renata Scotto and most other singers was that she actually interpreted the role she was portraying ,not just "singing" it .We have lost one of the last truly unique divas.

Absolutely beautiful;Another legendary singer from the golden years of opera,the 1950's,/60's

The end of the seventies and the beginning of the eighties were definitely the best years of Alfredo Kraus s voice.Yesterday I was listening to a version of La Favorita by Donizetti from1971 but it wasn't quite this level and colour.He was a much too young Fernando.Here he is splendid.Congratulations.

❤❤❤🎉🎉🎉😊😊😊

By the way I believe there are some tenors that suddenly become ideal for a certain opera.Its the case is my beloved Kraus.I listen to him everyday in Tombi dell avi miei.

I met Maria in London.She was an impressive woman in 1973, although with sad eyes. About Di Stefano the player,I know for I'm Spanish.He also was a trainer for Real Madrid. About the singer, I'm sorry but I have other favourites like Del Monaco or ,of course,Corelli.

The best playing La Boheme.And Edgard from Luccia de Lammermoor,great in the representation at the MET in November 1982.

😊😊😊🎉🎉🎉❤❤❤

Gran cantante ligero pero abusa del recurso del falsete que no me gusta, prefiero la interpretación de Kraus.

Magnificent music, great singing… and I see clearly enough! 🌹🌹🌹 Actually, what I see so much better than all the modern staging I simply can‘t warm up to… Thanks for sharing! 🙏🍀

I heard Alfredo Kraus sing Romeo at the Met Opera. I will never forget it. To me he was the best Romeo I ever heard. It not just about the high C that makes him great.

Ici dans cette scène et ce soir là ,je suis impressionné par la façon dont ces trois artistes sont complètement investis dans leurs personnages .Ils donnent tout jusqu'à leurs limites et cela est très émouvant .Ils ne trichent pas ❤❤❤

I had seasons tickets at the Lyric at this time and saw this production. Although this film is very good it simply cannot truly give you the complete sense of what these three singers were like across the entire opera. I have been attending operas for over 50 years and on four continents and this is still one of the most memorable productions I have ever seen.