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Joshua J Clarke-Kelsall
United Kingdom
เข้าร่วมเมื่อ 18 มิ.ย. 2018
Let's talk about books! On this channel, I give my thoughts, feelings, and analyses of some of the best (and some of the worst!) literature old and new.
The Vampire Chronicles Ranked
In this video, I rank the Vampire Chronicles novels by Anne Rice.
WHERE TO FIND ME:
Website: www.joshuaclarke-kelsall.com/
Twitter: ClarkeKelsall
www.goodreads.com/user/show/93516626-joshua-clarke-kelsall
Reddit: www.reddit.com/user/JJCKelsall
WHERE TO FIND ME:
Website: www.joshuaclarke-kelsall.com/
Twitter: ClarkeKelsall
www.goodreads.com/user/show/93516626-joshua-clarke-kelsall
Reddit: www.reddit.com/user/JJCKelsall
มุมมอง: 600
วีดีโอ
Camille Paglia's Best Essay? ¦ October Reading Vlog
มุมมอง 219หลายเดือนก่อน
In this vlog I talk about the underrated Barnaby Rudge by Dickens, two Shakepeare Plays (Henry IV Part 2 and Othello), the Royal Shakespeare Company, and Camille Paglia's best, or at least most personal, essay. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
Why AMC's Interview with the Vampire is NOT Anne Rice's Vampire Chronicles
มุมมอง 2.3Kหลายเดือนก่อน
In this video, I unpack the reasons why I believe AMC's "adaptation" of Anne Rice's "Interview with the Vampire" a poor adaptation of her Vampire Chronicles series. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
Giving Lord of the Rings a Second Chance ¦ Sept 2024 Reading Vlog
มุมมอง 322หลายเดือนก่อน
In this reading vlog, I talk about giving Tolkien's Lord of the Rings a second chance, my re-reading of the Vampire Chronicles (and my thoughts on the tv show), Shakespeare's (greatest?) history play, Henry IV, and Dicken's Barnaby Rudge. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit:...
BookTube Questions ¦ Alphabet Tag ¦ M
มุมมอง 2222 หลายเดือนก่อน
(1) M is for… finish the word with your favourite author. (2) M is for Magic System. What are your favourite Magic Systems in literature? (3) M is for Murder Mystery. What murder mystery novels are your favourite? (4) M is for GRR Martin. What do you think of A Song of Ice and Fire. Did you like the TV show? (5) M is for Murdoch. Have you read any novels by Iris Murdoch? Which are your favourit...
The Last Chronicle: Blood Communion ¦ Anne Rice ¦ Review
มุมมอง 4032 หลายเดือนก่อน
After several years, I've finally made my way to the end of Anne Rice's Vampire Chronicles. And I'm glad to say, she ends her series on a high. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
Prince Lestat and the Realms of Atlantis ¦ Anne Rice ¦ Review
มุมมอง 7072 หลายเดือนก่อน
My 2024 review of Prince Lestat and the Realms of Atlantis by Anne Rice, the penultimate book in her Vampire Chronicles series. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
EM Forster Novels Ranked Great to Best
มุมมอง 4262 หลายเดือนก่อน
There's no bad novels here at all, but let's rank them anyway! WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
Let's Discuss ¦ A Passage to India ¦ EM Forster
มุมมอง 4213 หลายเดือนก่อน
My 2024 review and analysis of A Passage to India by EM Forster. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
June 2024 ¦ Reading Vlog
มุมมอง 4904 หลายเดือนก่อน
Let's take a look at the books I've been reading this month, as well as talk future plans for the channel! WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
Seeds of Yesterday ¦ VC Andrews ¦ Review
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My 2024 review of the final book in VC Andrews Dollanganger Series (chronically speaking, that is), Seeds of Yesterday. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
BookTube Questions ¦ Alphabet Tag ¦ L
มุมมอง 3876 หลายเดือนก่อน
(1) L is for… finish the word with your favourite author. (2) L is for Lee. Have you read “To Kill a Mockingbird”?... What did you think of it? And have you read the infamous “sequel”? (3) L is for Le Guin... Have you read any Ursula Le Guin books? Which are your favourites. (4) L is for Lists... What do you think of “greatest book” lists? (5) L is for Lewis... What is your favourite book by CS...
Five Storytelling Tropes I Want More Of
มุมมอง 5006 หลายเดือนก่อน
A more positive spin on my "Five Modern Storytelling Tropes I Hate". In this video, I discuss five of the things I want to see more of in storytelling. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
Navigating the House of Leaves ¦ Mark Z. Danielewski
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My 2024 review of Mark Z. Danielewski;s House of Leaves. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
Five Awful Tropes of Modern Storytelling
มุมมอง 1.1K9 หลายเดือนก่อน
Let's talk about the modern tropes that I think have long past their sell by dates. WHERE TO FIND ME: Website: www.joshuaclarke-kelsall.com/ Twitter: ClarkeKelsall www.goodreads.com/user/show/93516626-joshua-clarke-kelsall Reddit: www.reddit.com/user/JJCKelsall
Booktube Questions ¦ Alphabet Tag ¦ K
มุมมอง 3479 หลายเดือนก่อน
Booktube Questions ¦ Alphabet Tag ¦ K
If There Be Thorns ¦ VC Andrews ¦ Review
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If There Be Thorns ¦ VC Andrews ¦ Review
Love, Friendship and God in Brideshead Revisited ¦ Evelyn Waugh ¦ Review
มุมมอง 2.1K10 หลายเดือนก่อน
Love, Friendship and God in Brideshead Revisited ¦ Evelyn Waugh ¦ Review
The Old Curiosity Shop ¦ Charles Dickens ¦ Analysis
มุมมอง 1.1Kปีที่แล้ว
The Old Curiosity Shop ¦ Charles Dickens ¦ Analysis
The Alphabet Tag ¦ J ¦ Booktube Questions
มุมมอง 687ปีที่แล้ว
The Alphabet Tag ¦ J ¦ Booktube Questions
The Secret History ¦ Donna Tartt ¦ Nostalgia Review
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The Secret History ¦ Donna Tartt ¦ Nostalgia Review
Nicholas Nickleby ¦ Charles Dickens ¦ Analysis
มุมมอง 786ปีที่แล้ว
Nicholas Nickleby ¦ Charles Dickens ¦ Analysis
Reading Vlog ¦ August ¦ Dickens, Donna Tartt, & Greek Tragedies
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Reading Vlog ¦ August ¦ Dickens, Donna Tartt, & Greek Tragedies
Best Illustrations? Best Indian, Irish & Italian novels? ¦ The "I" Tag
มุมมอง 407ปีที่แล้ว
Best Illustrations? Best Indian, Irish & Italian novels? ¦ The "I" Tag
I like the way you say the word “sexual.” Say it again.
project moon
13:45 well then you should read ''Against the Grain'' which is the Yellow book refrenced in Picture as his influence and decides Dorians outlook and indirectly actions
Reading out aloud has become a favourite way of absorbing more
hola me gustan muchos los libros de anne y los he leido varias veces pero al tener el derecho de no los editen a veces algunas partes son repetitivas y aburren como en taltos o el principe lestat y los reinos de la atlantida en cuanto a la serie me encanta los actores la manera ingeniosa en reinventar la historia fue genial no me importa si no lo siguen al pie de la letra para eso estan los libros es dificil adaptar libros al medio televisivo y cine y estoy de acuerdo de que talvez su hijo estaba a la altura del desafio como guionista me parece que le dan mucha importancia sino es igual linea x linea y seguire la serie porque haan hecho un trabajo exquisito en detalles en la produccion artistica musica y cinematografia y cumplen para mi enlos puntos principales de la cronicas vampiricas
Also hate that I'm a few years late for this discussion because I've been having such a hard time finding friends to relay all this to.
Its always somewhat disappointing when a writer brings in a new character to further the plot especially when they have never been mentioned prior. With that being said, mona and ancient Eveliyn are interesting characters. I feel like their purpose of the plot is to highlight the mentality the mayfair family must have to uphold the mayfair legacy as a whole. Monas character is uncomfortable, but since i know shes writen by a women its somewhat digestible. Although, women are also subjected to have internalize misogyny which is made apparently in all of AR works (im not judging and im not trying to make a feminist statement) Mona behavior is understandable. Horny 13 year old girls do exists rather we like it or not.😅 but her night with Michael and every other man/boy is a result the lack of supervision. Makes me sick when she discussed the difference between an older man and a youger boy 🤢 but luckly for us Anne Rice has created a works were we can discuss and analyze real life horrors such as in€est and rap3 and i dont believe she glamories these themes at all, but highlights them in away that helps us develop our moral judgment.
Crime and Punishment, as I see it, is a study of a self-centered life vs a God-centered life. One is hell and death, the other is saved life. And it is also the study of a certain type of person who has to follow sin to its ultimate destination in order to have no other place to go but to God. That type of person is under the delusion of self-sufficiency. FYI, the first half of it will induce insane nightmares, while the end of it has the power to restore your faith if you're open to it.
Excellent review. I especially agree with your critique of how Claudia is handled.
I enjoyed your breakdown on Dickeen's very underrated " Ye Olde Curiosity Shop." You have inspired me to reread it again. It's in the queue for my next read. I just finished rereading "Oliver Twist." You mention Oliver as a one-dimensional character, as do many Dickens enthusiasts. In my reread, I found him more rounded and believable than before. We must remember he was an orphan, brought up for 8 years without a mother, unloved, ill-treated, and without nurturing of any sort. Of course, he is emotionally stunted; yes, he cries a lot. I think we all would, don't you? But he also stands up for his mother ( as you mentioned), is brave enough to ask for "more please," stands up to the Beetle, resists becoming a thief on numerous occasions, and is tenacious about finding his benefactor after being stolen away by Nancy and Bill. Considering his age, upbringing, and circumstances, I see Oliver as well-drawn, believable, and sympathetic character Please give Oliver another chance. Again, thank you for your excellent post. Charles Dickins Lives!
Can’t believe I’m the only one here with Limbus brainrot.
Thank you so much for this great explanation
You're welcome! :)
I think Anne Rice was a genius, but she was also crazy
I'm literally inspired by your analysis and the depth you described,now I'm your student and I'll just search for your channel from now on to learn something in depth 😊.Thank you for being here
Thank you, I'm glad that you enjoy the videos and find them interesting! :)
i love your analysis of dracula a lot 💗💗💗💗
Thank you, glad you enjoy them :)
pls, continue ✨
🌹🦇 For your upcoming Q and A : 1. Since more and more people are listening to audio books as opposed to conventional reading, what long term affects if any will be on reading comprehension and analytical thinking as a whole ? The mind is exercised in a different way when we read than when we listen and do you think audio books will eventually replace conventional reading as the standard way to consume literature ? 2. Alot of people are very nervous about AI technology, are you one of those people ? The creative process, especially when it comes to writing and the arts in general could be drastically changed by AI both in the creation process of art/ entertainment along with how the industry is run. What do you think about all this AI anxiety ? 3. This is a non book related topic but you mentioned in the past that you are a fan of Joni Mitchel, what do you think of these other amazing and talented people of music : Annie Lennox, Stevie Nicks, and Siouxsie Sioux ? I love all three of these brilliant icons. THANK YOU JOSHUA for all that you do and I look forward to hearing your answers !
Thank you, I needed some more questions haha!
My favorite modern Gothic is "Let the Right One In", The Scandinavian film of the novel ( with subtitles) is stunning.
Dracula is so much more interesting than Frankenstein because it doesn't have the moralizing quality which infuses Mary Shelley's work.
Thanks for the breakdown! I love Udolpho, and I’m one of the readers who prefer the terror to the horror style. I agree with Radcliffe, terror opens the soul; horror shuts it down. I know Udolpho will be a slog at times. I’m committed to pushing thorough, and getting through some it on audible.
Just being honest: you lost me at that horrid mispronunciation of Miriam Margolyes’ name.
@@etschmitz "Just being honest" = just being rude for no reason. Bye!
Jory is the child of Cathy and Julian. In the book pedals in the wind jory's hair is black like his father's Julian
No music please. It's distracting from your excellent analyses.
Since I've gotten older Persuasion has also taken the #1 spot for me. Emma is probably my least favorite, and I'm always genuinely perplexed when someone says it's their favorite Austen novel! It has a claustrophobic atmosphere for me (I always love it when the characters travel someplace like London, Bath, or Lyme) and it doesn't have the wonderful minor characters that P&P and S&S have. I don't even think it's that funny, aside from some of Mr. Woodhouse's lines. I actually think S&S is her funniest novel, I laugh out loud whenever I reread it!
I respectfully disagree with this review.
I pretty much agree with your ranking. Maybe I would have placed Queen of the Damned higher in the list, but I still have to read the last two books in the series. I would like to re-read them all, but I am a little bit afraid of doing it because I have a lot of memories connected to the series.
I've only read the first three but I liked Queen of the Damned the most (looooved the short stories and the concert bit) and TVL and IwtV about the same, TVL would have been above if not for that long ass boring Marius chapter though. Probably won't bother with the others though they all seem a little weird lol
Surprisingly I really enjoyed tales of the body thief but memnoch wasn't good
Excellent! I was looking forward to this. I haven't read the series, but I own the first one (and the film). I've heard about the series in passing, but I've never felt drawn to Anne Rice, for some odd reason, which is why I was excited to hear your perspective and about your experience. I am curious about that alien race in 'Atlantis, but I don't know that I'll ever make the time to read past the first one. Time will tell. Thanks for sharing your views, and we'll see you in the next one. Cheers!
It is a lot to read and it does get a bit messy in the middle, but definitely try and give the first book a go. It's a cohesive story all it's own, so you can just read that and leave it there. Hope you enjoy it if you do. :)
I've rea all the novels except Vittorio the Vampire. My ranking would place Merrick and The Queen of the Damned much higher on the list. ...Body Thief would be lower, largely due to the fact that this plot is very similar to one from the 1969 Dark Shadows storyline wherein Quentin Collins and Count Petofi switch bodies in order to escape the revenge of the gypsies. Flaws and all, Rices novels are among my all-time favorite reading.
Interesting, what is it about Merrick that you like?
@@JoshuaJClarkeKelsall A scene which captured the imaginations of myself, and a close friend was the sequence with the wearing of the ancient mask and the things which became visible after the wearing of it. I also welcomed her as a fresh character to the saga.
@@curtjarrell9710 Fair enough, I think I would have welcomed Merrick more if Rice didn't unceremoniously misuse her later, but she is a good character for this book all the same.
I really liked your ranking and your points of view and I will take in consideration your observations as I move forward with the series.I have only read 8 books from Anne Rice but I will rank them anyway: 1.The Vampire Lestat( The Brat Prince talking about his Life, beautifully written, great backstory for the vampires ) 2.Queen of the Damned ( Although It is a mess I was entertained and liked the red head twins back story, Akasha one of the best villians ever) 3.interview with the Vampire ( Beautifully written but way to depressing ) 4.Mayfair Witches : The Witching Hour (Engaging and thorough liked the Family saga and the Talmasca parts in It ) 5.The Wolf Gift( the writing is not the best but the character is likeable and It is fast paced) 6. lasher( entertaning but It could've been shorter) 7.Pandora ( boring and Dull) 8.Servant of the Bones( boring and dull)
Nice that you include her other books. I've only read the Mayfair Witches books of hers aside from these. If that were on my list then Witching Hour would come first. Not read her other works yet, but I might one day
This is a great ranking, I’m actually reading the Vampire Lestat my first time and I’m truly enjoying 😀
very informative review.
I can understand why people dislike too many changes, but honestly i think that remixing the source material and playing around with the ideas is exactly what keeps art fresh and interesting. There is no such a thing as a truly "orignal" peice of art. Could you argue that they should have named it something else and simply have it inspired by Anne? Yeah sure. But in the end of the day i think its really important to not treat any art, no matter how old and beloved, like its a sacred text. Personally, i found the show to be much higher quality than the books. Jacob Anderson deserves all the praise for his immense talent - he made me fall in love with Louis immediately!
I disagree with the idea that the only way to keep something fresh and interesting is by playing around with it. Shakespeare is a pretty good counterexample to this, as are ancient greek plays, and most classic literature really. What makes a story a great work is that it remains fresh and interesting over time. As someone who reads books and watches films that I love over and over, I can attest to always finding new and interesting things in them, even though they are the same. I think the idea that we need to change things just for the sake of it betrays a lack of confidence in source material to continue to inspire. The claim that there is no "truly original" work of art is not quite correct. It's trivial of course that people draw from sources from art and life when they create material, but there are examples of people creating new archetypes, genres, characters, plots, throughout history. These things are original. Joyce's Ulysses is a hugely original piece of work, even if it takes the entirety of western literature within it, it does something completely original with that material. I also disagree with not treated art as sacred. Artists put their heart, soul and craft into their work, often making themselves vulnerable in the process. They create worlds for us to connect with. I think they deserve respect. And I think by sacralising art, you are able to appreciate it more deeply, and connect more deeply to the work and the artist. Sacred values, whether religious or not, provide a great deal of meaning to human life. I'd recommend reading John Dewey's "A Common Faith" for some thoughts on this topic, along with his "Art as Experience." They're excellent books that influenced my thinking about art and secular value a lot. Fair enough if you enjoy the show more than the books of course, I have no issue with that. And I myself do enjoy the show a fair bit, though I don't think it is as deep as the book and I doubt it will have it's staying power, nor do I think it's a very good adaptation... but I've already talked about that :P
@@JoshuaJClarkeKelsall it's not that adaptations are the only way to create new work, but the line between adaptation and original work gets blurred more and more. You could argue most original work nowadays is a Frankenstein of various classics. In general the modern vampire tale is mostly attributed to Anne Rice since she sort of ushered in a new age for gothic literature. And yes, as a writer myself I respect the emotional connection to the art you create. But in the end of the day, it's important to remember as a creator, you kind of lose a lot of control of your art when you publish it. Yo quote Daniel Molloy actual "once you put it out there, they decide what it is". People will interpret, analyze, remix, and adapt your work how they see fit. Over time, that price of art starts to gain a life of its own. Especially now that she's dead, there's not a lot anyone can do to try to "preserve" this work other than continue to publish her novels.
@@Yiningwu5622 I'm afraid I still disagree here. I agree with a kernal of your first point about works being a mixture of stuff that came before, but I disagree with the "nothing new under the sun" implications of it. Works always have involved a mixture of past themes, plots, characters, motifs (etc), alongside the present day blend of the authors unique experience of the world. Rather than reducing a work to its parts, which we can declare as being copied from this or that work of the past, I think we should view works as complete entities in their own right. It is the whole which is where originality comes in (although of course, sometimes even the whole can be derivative). The reason why I don't see this tv show in its own right is because it is claiming to be an adaptation of a work, and therefore it invites the comparative kind of interpretation I've done i.e. does the work demonstrate a grasp of the fundamental core of the original story (in my view, no, though it is not bad as an independent entity). That Daniel Malloy line was one of the parts of the show that irked me most. It was clearly a self-insert justification of the writers in deviating from the source material to my mind. Death of the author is useful as a heuristic to remind ourselves that when it comes to interpretation, we shouldn't be too focused on how the author interprets their work, since what the author intends and what they convey in the work are distinct. However, I don't agree with a laissez-faire response that anything goes either when it comes to interpretation. Someone who interpreted Interview with a Vampire as a pastoral comedy, for example, would be doing a serious misreading of the text, though I would have no problem with someone making a pastoral comedy re-imagining of Interview with the Vampire, so long as they are up front about what they are doing. What irritates me about the show is that while good independently of Rice's novels, it is not a good adaptation as it misreads and misrepresents core themes and characters in her work. Moreover, it presents itself in its title and some of its marketing, as a faithful adaptation. Of course, I agree with the descriptive claim that people will and do adapt and remix people's works. I have no problem with this. Nevertheless, it is interesting when someone does this to ask: have they understood the source material? Have they done it justice, even if they have greatly deviated from it? And that is the purpose of this video, to ask these kinds of questions. On the point about preserving, there are many ways to successfully preserve works. By continuing to discuss them, by making other media of them and of course even by adapting them. However, if one's adaptations are poor quality (qua adaptation), or if one doesn't view the source material as in away important within the broader cannon of adaptations/discussions/etc, then I think this can damage a work, rather than preserve it, in the cultural picture. That said, I also take the long view of art that we don't know what's great until a long time has gone by. Many a tepid Victorian reworking of Shakespeare plays to cut the darker elements out and give sentimental endings lay forgotten, but Shakespeare lives on. Who knows if Rice will, but from that perspective, I doubt the show matters much at all. That said, it is still interesting while we are in the present to ask and discuss whether it works as an adaptation. :)
@JoshuaJClarkeKelsall I'm actually going to defend the Daniel dialogue, because I find it to be one of the most fascinating aspects of the show. I thought it was interesting that you perceived his lines to be self insert. Personally I think he exists to help ground Louis and by extension, ground the audience As Louis launches into his flowery monologues about his romance with Lestat, his emotional ups and downs, his love for his family, ect. He clearly (and rightfully so) has a personal attachment to his own story. Daniel is there to remind him that once this gets published, presumably consumed as fiction by the public, they will interpret the story however they see fit, with their own modern lense. When he makes pithy comments about "white master, black student" and other such things, he's reminding Louis he has no control over how others perceive him and his story. They will naturally project assumptions and prejudices. In general, I can understand your perspective on adaptations. I personally abide by the mentality that the books will never go away. I liked the books and found them interesting, and that's never going to change even if I loathe the adaptation with a fiery passion. Sure I might roll my eyes if I feel like it's a bunch of money down the drain, but honestly the adaptations I've hated the most are usually ones that feel uninspired. One thing about the AMC version - you can say what you want, but you can't say that it's uninspired lol. I respect anyone who has a clear vision/imagination for a piece of work.
@@Yiningwu5622 I think we agree more than we disagree on Daniel. I agree on the level that as a matter of how people will react, that they will choose to project/interpret things as they will. But where I disagree is if we try and make anything normative out of it. I prefer an approach to criticism that is about trying to connect with the work's perspective, rather than imposing my own on it. Of course, doing this is tricky, and impossible to ever do completely, since we can't help but do some amount of projection, but that doesn't mean it can't be an ideal to aspire to, or something that is always fully out of reach. And you are certainly right about AMC's version being inspired. And I do admire the vision they have for the show too, although I wish they would be more frank about the liberties they've taken with the source material in the way the show is named/marketed etc.
Catherine was an extremely unlikable charecter....like fuck you..😅😅😅
It's actually a great read and an intriguing story. Her origin is ancient Rome by the way, not Greece.
@@kevinbate4255 I disagree, f9r the reasons given above but yes you are right about Rome. I often mix those two up when speaking off the cuff as I tend to do in my reviews
The first time I read this (or tried to) I was a teenager expecting a terrifying tale of horror, but my desire for schlock-shocker violence was so dissatisfied with this book, I wrote it off as a boring let-down. The second time I attempted to read it was the time I left a review for it on here: that was right after having been immersed in Nabokov and David Foster Wallace and my brain simply hadn't been in the right mood to appreciate it. Trying to listen to half of it via audio book didn't help either; especially with the thick 19th Century rural Yorkshire dialect of Joseph. Already knowing how the tale played out also meant it just felt like I was reading through treacle in order to cross the finishing line. I didn't give a fair or reasonable review. This time however, I went into 'Wuthering Heights' far better prepared than I had prior to my previous attempts. I had bought a copy of the Penguin Classics edition (which helpfully contains translation notes in the back to enable the Yorkshire parlance to make sense) and I jumped immediately into reading it, after having completed yet another re-read of 'Jane Eyre' which is one of my lifelong favourite titles. Already being in the early Victorian writing mindset, coupled with a good edition providing help with translation, meant that this time I settled into the windswept world of 'Wuthering Heights' with an enthusiastic, avid alacrity. This time the characters really came to life, jumped off the page, and felt fully realised. The reading now felt wonderfully descriptive: Romantic in style (if not romantic in the modern sense of the word) and whilst it was filled with unlikable characters, not all of them felt irredeemable. Heathcliff for example garnered far more empathy and sympathy from me than those whose pampered existences he had been plunged alongside. With almost everyone treating him like a leper from day one, by dint of his social standing...or lack thereof. I almost feel as though many of those whom he got back at, deserved his wrath and unchecked ire. Those younger and more innocent characters who come along later, perhaps not so much. But as the old phrase goes: _"Hurt people', hurt people."_ And that to me was the greatest takeaway from the novel. We may be imbued from birth with certain immutable characteristic and traits that will play a part in shaping who we are, but we are also the products of our raising and our environments. How then was the ignoble orphan - thrust into the claustrophobic confines of two houses up on the moors, and treated by many like some form of vermin - expected to turn out any differently than Heathcliff inevitability did? Those raised to higher-born statuses and positions of social rank; those steeped in more sophisticated tastes and imbued with more genteel sensibilities and manners, SHOULD have been brought up to know better and known the importance of tempering their behaviours with a more civilised, charitable conduct and grace. But if Emily Brontë showed anything with this thoroughly engaging book (which was quite a shocker back when it was first published) it was that no matter our breeding, we are all base beasts of the same species; only some of us are better able to cloak our wretched souls in the superficial trappings that onlookers (often mistakenly) perceive to be indicative of virtue. Now though, having read and truly been able to appreciate how whip-smart, well observed and great 'Wuthering Heights' truly is, I am fain to have once again returned to the book, only better prepared (with a good/helpful edition) and already happily ensconced in Brontë-land (thanks to 'Jane Eyre') with my frame of mind already steeped in the stylings of Victorian literature. This time around I have awarded it a solid 4 stars, and I know I will re-read it again in future. Books often need to come along and share their wit & wisdom with us, at a time when we are best prepared to read them. I buy books faster than I can read them (tsundoku is abundant throughout my house) but it just means that I know I'll have exactly the right book ready to hand, the moment the time is right for me to most benefit from its contents. I'm just really glad that 'Wuthering Heights' registered so deeply with me on that last/most recent attempt. (Third time's the charm, as they say.) I'm now planning to apply this same mindset to a few other books I have previously failed to click with, in hopes of having them also open up their treasures to me, in subsequent re-reads of their texts. And if anyone else reads this, knowing that they too have a handful of books they have been hitherto incapable of connecting with, or mining any magic from, maybe give them one last _"good old college try"_. Find copies like the Penguin Classics editions (which come complete with interesting introductions, are prefaced with extraneous peripheral information, include biographies, and noted paginations that take the reader to glossaries of terms and translated dialects) rather than opting for a prettier bound edition with fewer added helpful features. For your first proper read go with function over style; you can always get a fancier second copy later, should you fall in love with said book and know that you are going to re-read it time and again in future. (It's also less daunting to pencil in marginalia when using the kind of editions that are used for students to take notes in, whilst studying a text.) And just do everything you can to help you to more easily immerse yourself in the book in question. I know many readers/critics rail against "mood reading"; but when your wish is to tackle books of some greater import - of the 'Classics Canon' - and to feel like you didn't merely understand or appreciate the writing, but actually enjoyed the tales within, then finding little ways to achieve this will make all the difference. Novels are meant to be enjoyed as much as they are designed to educate or inform the reader. So do yourself a favour and make it so that you are in the best possible frame of mind to enjoy whatever it is that you wish to read. I'm now just sad to know that there were no other novels penned by Emily Brontë. But I do at least have a few other titles written by her sisters Charlotte and Anne that I am now very much looking forward to reading. Bex
Catherine is like a Gemini, two sided personality.
Are there any commentaries written by Bram Stoker himself describing the story elements of his book? it would seem he would be the best as a primary source of material of study of this great piece of literature.
If you haven't already seen them, Shakespeare: The Animated Tales from the early 90s did Othello, as well as Hamlet, Julius Caesar, Richard III, and Macbeth. I believe most of them can be found on youtube. Other plays were animated for the series, but the animation style for these is spooky and suitable for this time of year.
I watched the one of Macbeth in primary school as a matter of fact. I saw the other ones some years ago, and remember them being very good. If I remember some were animated but others were done with puppets.
@@JoshuaJClarkeKelsall Yes. Tempest, Winter's Tale, Taming of the Shrew, and Twelfth Night were done with stop-motion puppets. Hamlet and Richard III were done with paint on glass. As You Like It was also paint on glass, but with lighter colors and a more simplified design. The rest used cel animation.
Paglia’s university in Philadelphia imploded during the summer and shut down permanently. It’s been devastating to the academic community in Philadelphia, many school are scrambling to find placements for students. I have not heard what has happened to her, if she was forced into retirement, or if another university has brought her on board. She has been there for nearly four decades or more. It’s just inconceivable that this could happen to such an old and storied university, which Paglia was the jewel in the crown. Just say R&J at the Folger Library in DC, which owns more Shakespeare folios than anywhere else in the world. It was a stunning production, but modern with Juliet’s family being Puerto Rican and many of their lines were done in Spanish. The families were political rivals, perfect for DC and the elections. The actors were fantastic.
Yeah it's a shame that she seems to have disappeared, I wonder if she just decided to retire. Although I remember looking at her website a few weeks ago, which has been updated since the closure of her university, as it mentions how to get in touch with her now that her university is closed, which suggests that hopefully she's not done yet.
I first tried to read The Lord of the Rings when I was about 12 and it was definitely too soon! Tried again a couple of years later and didn't manage to make it to the Prancing Pony Inn because I lost the will to live in the Shire/Old Forest. Managed to read it when I was 16 or 17 and I'm so glad that J did because it has become one of my enduring favourite stories which I've re-read quite often. It's rich storytelling and world-building has inspired me in my own writing and has been a crutch I have leant on in rough periods of my life. I'm so pleased you enjoyed it this time around; audiobooks are fantastic.
I think It is convoluted and badly framed still. Sometimes there are too many layers of "flashbacks". It is understandable, but not very elegant in my opinion. I still believe thay Mr.Lockwood is pointless in the book and Nelly's narration is so prevalent that I don't see how Bronte is inviting us to question her version all that much, specially since most of the other sources back her up and she doesnt really hide her past actions that aren't exactly good. Yes, she biased. But overall, she is a reliable narrator. If there were more narrators (specially if some contradicted Nelly's version a bit more) It would make Mr.Lockwood's presence useful and interesting, but as It is I think It was a either a bad choice or a skill issue from the author.
I recommend octavia butler dawn!
(Melanie here) I just read Wuthering Heights for the first time. Your videos are excellent. I really enjoyed your insights.
TBH, the show surpasses the books (an ancient Rice fan) in many ways if one evaluates the narrative tecniques. The books are simply too incoherent to make a cohesive, interesting and masterful TV show. If Anne wanted total personal freedom, she should not have sold the books in the first place or made a clause about her own qualms in the legalities of it all and no one should care about what her son thinks about , as it irrelevant metric to the author's intent, if one's sole aim is to pursue that.Although we should not dwell too much on the author's intent, as every reader has their own understating of the text, and the meaning attained by the reader's response to the text and is never something that the author creates. Your arguments are suggestive like saying "Hamlet" can only be adapted in one perfect way which is funny because, I have seen a few of the most bizzare adaptations that are more true to the essence of the text than many of line to line adaptations. It's the storytelling of the series that makes it so exceptional, it absolutely grips the core of the story and its brilliant it did not go on the "copy-paste" route because it enriches our imagination to see these complex characters in newer ways, it forces us to ask difficult even radical questions that can be quite confronting to conservative minds. And most importantly, the medium of the narrative is changed from the epic format of the novels to a dramatic one, intrinsically leading one to editorialize the the source material which will automatically lead to prioritization of some attribute over the other, thus rendering your arguments as quite fallacious. AMC's show does a marvelous job, probably one of the most nuanced and thought provoking work of art balancing the delicate yet dangerous dance of modifying the source so as it can attain it's full potential as a cinematic experience.
This is basically a summary of all of the talking points of people who don't like the show. It's obviously not the book, but it's good on it's own. I would love more people to be interested in her books because of the series; her universe is too rich, and I'm not going to gatekeep new people appreciating her work.
Nobody is gate keeping anything. I agree that it's good on it's own, but the point of this video is to ask the question whether it's good as an adaptation. And it's also not a summary of other people's talking points, but arguments for my position on that topic. Those arguments may align with what others have said, but it's misleading to describe me as just summarizing what others have said, and reducing arguments to "talking points."
I wonder about Fagin. Did he grow up as a street kid.Did he feel like the kids in his care were family? Did life and poverty create Fagin..Ok so you don't like the book by listening to you but I know Charles Dickens and you I have no clue who you are.
🦇🌹I completely agree with you. I defended this series when season one first appeared, I may have even said positive things about it here in your comment section but after the first season wrapped I thought it just didn't have the correct tone it should and if the writers/ producers intentionally took shots at Rice's writing style and perspectives that alone is a severe problem. The show comes of more silly than sexy and it feels like they just watered it down for the mediocre masses. It also has a YA vibe to it with their interpretation of Claudia which I for one don't appreciate. I refuse to watch any more it. You mentioned "Hannibal" and how great an adaptation it is from the novels and you are spot on ! That is how you do it. Did you know that Bryan Fuller was considered as a potential show runner but he declined despite the fact he is a huge fan of Anne Rice. He probably didn't feel he could add anything to it. Oh Joshua, What could have been ?!!!😂 If you think what AMC did with "Interview with the Vampire" was bad, an even worse travesty is how they handled "The Witching Hour" ! It has all the artistic integrity of a Hallmark movie. "Interview" should have been on Showtime and Neil Jordan should have directed it. He already has past experience with the material and he is accustomed to making episodic stories, just look what he did with "The Borgias". Thank You for listening to me rant. HAPPY HALLOWEEN JOSHUA !!!🎃🐈⬛
Happy Halloween! Yeah, I won't go near The Mayfair Witches adaptation. I was mortified to learn they cut Michael Curry, that's like adapting Lord of the Rings without Frodo or Sam! I watched a bit of it, but I think I made it less than half way through the first episode before I decided that it wasn't an adaptation of the novel I love at all. I wish we could have seen what Bryan Fuller would have done. It wouldn't have been faithful I imagine in a purist sense, but he has talent to make it interesting and unique. And yeah, I totally agree that there is a YA feel to Claudia at times, which is a shame because she could have been much more interesting and I thought the actress, particularly in season 2, was great.
Dear Joshua! I was led astray for a while and you grew a beard. Either way, very fond of you. Long ago, Lord of the Rings meant a lot to me and still does. Frodo lives!
Haha, I occasionally get lazy with the razor, but it's gone now! :P I just finished Fellowship of the Ring, and will talk about it on the channel I think. I don't know why I didn't see before what a great book it is, but I'm glad I do now.
💯 agree. You nailed every point that disappointed me about this series. They had great source material to work with yet decided to butcher it and profit off her name. So disrespectful in my opinion. False advertising.