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looks like you were enjoying this! cool track :)

😂 I have 2 that have been sitting.

“Fluid Glen Fricker” he’d absolutely giggle about that

Hilarious - Allen Holdsworth played an SG for many years...

The reason your SG doesn't have neck dive is because of the added weight of the trim system on it

Thanks for helping to clarify what matters

Great no-nonsense video... much appreciated! I've been through 3 of the Dunlop-style wah's (including a BBE Ben-Wah) and decided to pull the trigger on this Morley wah. I'm done with mashing the switch at the top, wondering if it's actually on, and having them eventually fail. This wah seems like it ticks all the boxes for me and it sounds great!

I agree and good guitarists have their own sound and can also adjust and can play many styles of music because obviously not all music is heavy metal

Nuno, said when he played through EVH amps he was shocked that it sounded like himself and not Ed. The feel/ emotion comes from the individual.. in the hands, heart and soul of the person.😊

Excellent demo & review of this pedal. Thank you

Of course pickups make a huge difference.. I installed the very 1st Seymour Duncan INVADER when they were on the market back in the 80's on my LES PAUL and let me tell you. Plugged into a MARSHALL stack, the bastard Is pure RAW VOLUME .... LUV IT 😛🤘

thank you so much for your review, just found Glenn's channel and he mentioned you on a video. Two great gems!

I'm not entirely sure how I feel about this. On the one hand, I think it's super cool that the technology has advanced to the point where it can be shrunk down to this new size. On the other hand, though, I've been using an older style Bad Horsie 2 for over 20 years now and it's still one of my favorite pedals. I'm so familiar with its operation and feel that I don't think I'd want a smaller one.

I didn't expect that you are agreeing with him in most points. If you have the time, send him some greetings. He is going trough a hard time right now and can't continue his Channel for the next weeks. His wife got a stroke.

The problem Glen Fricker has is that he's literate and assumes everyone else is. As far as Schenkers tech is concerned he was more than likely just verifying that all the signal chains were functioning and didn't play at full volume as an act of respect for the show.

Glenn ... awesome dude

i got an epiphone prophecy sg and damn, neck dive is really an issue, i guess it is because of the modern bod shape and the locking tuners that make the headstock really heavy

YEA YEA YEA YOU'RE A SHOW OFF YOU OWN EVERYTHING! BASTARD LOL JUST KIDDING SO DID I TILL I GOT BURGLED EVEN TOOK MY SOFA AND FUCKING WASHING MACHINE AND IT WAS THE 90S IT WAS FUCKING HEAVY

bOOMERS HAVE EARNT THEIR KNOWLEGE OVER DECADES!

Yeah the high gain stuff is the thing people miss. For non high-gain stuff it all gets more complex (nobody sane would argue for instance that wood doesnt make a difference to an accoustic guitar, but an accoustic guitar is not high gain metal)

I have always heard that Schenkers tone was from his wah being wide open. At least his 70s stuff. I noticed a more modern sound with the save yourself album.

Honestly you kinda showed me the other side of Glenn. cause his media persona annoys the hell outa me, most of the time I cant see that his opinion is very well put together

The 20/20 Morley Wah is not to small for your boots😂👍 this is the real test. My Bad Horsie from 1996 has a problem with the batteri circuit...I never give it away...and my new 20/20 bad horsie arrieved and I love it for ever too...keep on cool guitar sounds🙏

I always wondered why Dunlop didnt make more switchless wahs... That damn switch is hard to smash sometimes

Hey,..."who ever you are",...I've been around the world's block and visited a few "Guitar Centers" for more decades than you. "DOES NOT MAKE ME AN EXPERT!," P.S , (also did a stretch opening for MSG🤪🤛) Sooo, "WHERE'S YOUR CREDENTIALS BITCH?"

I think Glenn is mostly bang on in his claims in the context he makes them in. My only issue with him, but also many other "realist" youtubers, is their tactic of arguing from a particular easily defended high point of their choice, in his case it's the "modern high gain recorded metal". To someone who's musical interest is quite a bit broader their conclusions are unsatisfactory and often times very clearly wrong, which makes people pissed off I guess -- and that I suspect is quite a deliberate effect used for grabbing attention on the platform. It all feels exactly like that old car commercial where a measly Citroen 2CV is said to be FASTER THAN A FERRARI, with an asterisk explaining "Traveling flat out at 71.5 mph the Citroen 2CV will easily overtake the Ferrari Mondial traveling at 65 mph"

Yeah, folks are NOT "listening" to Glenn when he goes on his rants about PUs and amps and yadiyada. And they forget Glenn is talking about sound in the studio, and super-analyzing the audio going thru the board. Ultimately, his entire pitch is about bang-for-the-buck: do you really think an overpriced Gibson Les Paul is going to "sound" much different from a decent Harley Benton, once you run it thru tons of distortion and amplification, in the studio? Playability, action, finish, etc...those are all different things, and vary by guitar, and at the end of the day, a player's comfort level with Gibby might be better than a Harley Benton, just because they spent years playing one vs. the other (I have this issue all the time)...but thats highly subjective, and he tends to not have quite as harsh opinions about that...but boy, don't question him about high-gain studio sound...its his entire living, and his anger at guitar fanboys who think X or Y guitar is the perfect sounding axe (but lack anything other than subjective evidence for it)...is entirely justified.

I have a 79 sg that I bought brand new...never noticed neck dive with it..I honestly wasn't aware of neck dive until the internet..😂

Well with nothing else changed, the difference I hear with high gain tone between my mayones (seymour duncan) and my kiesel (kiesel lithium PUs) is notable enough to make me choose one or the other depending of the piece I'll play.

Brilliant review. Hello from London.

Clark Colbern you rule!

I guess I don't need to feel so bad about my probably Fake EMG's lol

I don't think Fricker is inaccurate, I think people just don't like him because he tends to shout everything and nobody really likes being shouted at all of the time.

This dude is unbearable. If you, blindfolded, can't hear the difference between a Bill &Beck Lawrence L500 and a Suhr SSH+ on clean, it's your problem not mine. EL84 convey way less lows than EL34. 6L6 and EL34 doesn't give you same results etc ... I have different guitars too with different wood, can hear huge difference. TH-cam is a mess "so called experts" telling you what to think. Even for weightlifting... Omg, I won't even go there.

I can’t stand the guy

Your sound is in your hands.😆

um...duh, when it's cranked so high and distorted with pedals and high gain...none of this gear really matters. That being said I detest. Being yelled and preached to by anyone, so I cannot stand the guy.

The Bigsby counters neck dive. Lots of weight in the back compared to a non-Bigsby. I have an SGS3. 3 pickups and one of those side-trems. No neck dive. I also have an SG with two pickups and no trem and it dives like a penguin.

Hey Clark, thank you so much for this video! As a former roadie, I cannot emphasise enough what you said round the 10.10 mark: before a show, especially when there is a changeover, you (as guitar tech) gotta be swift - so in 99.9% of all cases, you'll grab that guitar, and make sure the signal is consistent and it's plugged in the right way, meaning, the sound engineer get's positive affirmation everything is working as expected. You do not need to turn up that volume knob fully, you do not need to have all the EQ settings up on the FOH: it's only important to get that signal through. Now, you do want to make a quick short-line check, meaning you check if the pedals work and - again - the signal is coming through. I would say, before a show you are more likely to hear 60% of what's it going to sound, than the full experience later on.

In high gain, pickups don't change tone a lot, but they do change the "tightness" of the sound. My Jackson RR7X with Seymour pickups sounds distinctly more mushy compared to my Ibanez RG7420 with stock pickups plugged into the same signal chain.

Glenn can be a bonehead..... His failure to get a good sound out of a Marshall and throwing it off the roof was stupid and all on him. Disappointing dumbass move....

Glen is the type of dude who has never made a female orgasm.

Tone is your end to end signal chain. Technique is in your fingers. That's the hill I will die on :)

Remember him insulting people for not getting the gov injection, I never went back to his channel again.

name drop much wow haha

Nope, he's a complete tool

I hate TH-cam sometimes

Whats funny about this Fricker guy is that he has figured out that mic placement and swapping the speakers makes a big difference in tone. But he hasnt figured out yet that the CABINET WOOD does so as well.

Congratulations for the clickbait.

Aha, ok, so you basically agree with those guys. So where is the controversy your thumbnail and video title are promising? I guess there is none, just another clickbait video. Thanks for nothing. …Btw, I also agree with everything you and those guys say. Shocking!! 🥱🎈