วีดีโอ

Another brilliant tutorial; thanks!

Great explanation ! This will help me a lot ! Thank you 😊

Fantastically clear, verbal explanation with great examples that are straightforward. You packed a lot of good stuff into a short period of time, so thank you very much.‼️

Class tutorial, my favourite mask

Thanks for a really good and helpful tutorial! I really like your posed and to the point explanations! I just subscribed to your channel.

Great tutorial! Thanks!

Thanks.

Thanks again for the clear explanation of focus stacking. Also appreciated very much your explanation of processing with the 22 masks in the last minutes of the video.

Amazing work ..

Hi ... Why did you create a duplicate of the Bird when you could have applied the gradient effect directly .?.. great video ... Thanks

Thank you .. your way and method of teaching is very clear .... subscribed

Your clear explanation of the approach at each step is very helpful. I hadn’t imagined such a fine photograph would result after starting with this unprocessed photo at the beginning of the video. Thank you!

These tips are indeed very useful and clearly explained. Appreciated very much!

Thank you! Been using LR since it first came out and still learning something new every day. Today it was from your video. Thanks!

Thanks for sharing this wonderful technique. You explain very well even I understand. I have to learn more from you and then try it myself.

I loved the masking tips. Thanks from the Western Shore ! Ha

Great tips and great delivery. Thank you for sharing!

learned a lot and subscribed as well

I found the L key actually affected all my monitors as well as lightroom.

the last tip was awesome.

Thank you .Lots of help...

An early Christmas gift for your viewers! I learned some new tips, and you reminded me of a few I had forgotten. Another helpful video, Mickey. Thank you!

Great video! Loved the one about the sky and reflection! Had never seen it done before!

Very helpful - many thanks.

Some really good ideas here! For the reflection, I wonder if you can choose the sky, transform/flip and then "add sky" to the existing mask. It would simplify the edits, because you'd be applying the same edits to both at the same time.... I'll have to play with that.

Thanks for this, i do like how you do everything step by step it's just how i need things.

Some of your tips work perfectly well with Camera RAW aswel. Thank you!

Thanks Micky. Nice to put a face with a voice.

Thank you again Micky

Just a little confused about the overlay works, sometimes you turn it off and other times its turned on. Could please suggest a video that might explain it in simple terms. Other than that, you teach great videos, I sometimes I have to watch over a couple to get it, not much into software but having to learn. Thanks Mickey.

Great demo thanks😊

Thanks! Since then, curves in masks have appeared in the Lightroom. The tool is really strong. But I learned about the difference in the operation of the object adding tool between Lightroom and ACR for the first time. Live and learn forever.

Thank you very much! I learned new nuances of cleaning the mask. Before watching your lessons, I thought I knew Lightroom well. Now, after almost every video, I learn a lot of new things and realize that I know very little about Lightroom. I will continue to look at the old lessons with great interest and wait for new ones.

Thank you for the very good tutorial. I have overlooked a very useful tool in LrC for too long.

Thanks a lot for the helpful tips. I was very pleased with the way the adjustment panel was expanded. I had no idea about this. It is a pity that this technique does not concern the small curve adjustment window in any way. It remains small. Listening to you through the translator, I couldn't hear which key you pressed when you created repeated gradient masks. The translator called the key the word "end". I haven't been able to figure it out yet. Maybe you can write a letter? About noise suppression. Do you think that if I first apply manual noise suppression only to dark places using a brightness mask, and then use intelligent noise suppression, will artificial intelligence take into account or not that noise has already been partially eliminated in the image? Or will it process the original file anyway? Then two noise cancellations will make an even worse result? Shouldn't they be combined? I have understood your method and will try to master it.

Master, thank you very much! I learned a lot of new things from this video. Can you tell me how, while working with masks, you increase and decrease the size of the image? I can't find a keyboard shortcut for such an operation. p.s. I'll add it. With the space bar, I can enlarge the image, but only by one fixed value. And how exactly to the value I need? Well, and reduce it too, in order to go beyond the boundaries of the canvas with a radial mask and see it?

I also didn't really understand why I had to go around in circles to open the processed tiff in LR. I, without logging into PS, from Adobe Bridge using ACR, process with new tools, export to tiff or psd. Then, if necessary, you can export it to LR. Or is the whole trick in the smart object and the ability to return to processing? But so far I haven't seen any difference in saving time. If you explain, I would appreciate it.

Thanks for the lesson, Master! If I may, I will express a couple of thoughts. I am listening to your explanation with the help of an online translator and he translated poorly at the very end. Did I understand correctly that after saving to Ps, tiff or psd will return to Lr? Is it still impossible to return the frames processed with new features processed in raw format in this way? If so, it's a little sad. I will be looking forward to the LR update. I have already experimented quite a lot in ACR with the new noise reduction in different images. I liked it more than the noise reduction in Lr and DxO. Master, maybe you made a reservation that ACR creates a new DNG file after noise reduction? It doesn't work for me. Or did I misunderstand something in your explanation? And you also didn't mention the generative extension that you introduced into ACR. For example, with small perspective corrections and small canvas enlargements, very good results can be obtained directly in ACR. Now you don't have to go to Ps for this. I write with the help of an online translator. If we made mistakes with him or translated poorly, please do not judge us strictly.🙂

Thank you very much, Master! I learned a few new techniques for myself.

Master, thank you so much for a good, clear lesson. Probably the most difficult thing in working with this dot tool is to even out the tone of the face. I repeated your actions in my picture. I have achieved decent results. I timidly assume that it is even better than in your example. But it's always easier to repeat. By the way, face detection worked very well for me. Then, with a semi-transparent brush, he slightly increased the border of the mask. I didn't know about this method myself before. I additionally subtracted eyes, eyebrows, and lips from the face mask. Although they were not marked when determining the mask, it is more reliable this way. When I removed the red spots from my face, I also tried to touch up a little with a brush with a faint orange shade. Like it. It's a pity that you can't choose a flesh color exactly according to the numbers in the tinting block, as in Ps. But you can still use it. Thanks again. See you in your other lessons. Does it look like there is no separate playlist on LR on the channel? Or did I not find it?

How can I start Camera Raw in Windows 10?

I just tried this technique and am getting the message in Camera Raw that "Denoise cannot currently be applied to smart objects". Any ideas?

Excellent. I was wondering what was going on with those two enhancements when I went to PS

Brilliant! Thank you for your time & effort !! 😊

Nicely done, thank you!

👏👏🙌

Great video and easy to follow, thank you👍

Excellent explanation especially on the Intersect mask. My challenge is kids sports photography, specifically hockey. The ice is always 'blaring' and trying to find an effective workflow to lower the luminance of just the ice surface. I look forward to tackling it again utilizing some of your techniques, subtly of course :-) Thank you

Great demonstration ! Thank you 😊

Excellent ! Thank you ! 😊