Loved the arrangement and I'll definitely use it, B section is super nice as well! Really great lessons here that are truly a challenge and who doesn't like a challenge?!! 😊🎼🎸👍
@@jazzguitarwithandy Actually I already know the song off a chart so following your chart with your grips is a lot more fun and it sounds better as well! (ツ)
This is a really nice tutorial so thank you! Just curious, is there a reason you play it in F but Ray Charles plays it in G? I've seen a few other versions in F so just curious.
@@jazzguitarwithandy Not familiar with anyone doing it in the key you are here - It's almost always in G major from almost any version I've ever heard. Including Ray Charles.
@@JimRobinson-colors Just checked a few of the classic versions: Hoagy Carmichael (Bb), Louis Armstrong (F), Gene Krupa (Ab), Clark Terry (F), Herb Ellis (F) Oscar Peterson (Ab), Ella F (C). Not sure which versions you refer to, but maybe some of the more pop based versions followed Ray's lead with the key he picked? Either way, the standard key for this at jam sessions will be F and it's always good to be able to play it any key!
@@JimRobinson-colorsYou may not be aware, but most jazz musicians consider F major to be the default key. There are hundreds of recordings in the key of F, the key of G not nearly as much.
Thank you, what a great lesson!
You're very welcome Alan!
Excellent arrangement and lesson. Thanks Andy
Glad you enjoyed it
I enjoyed this lesson very much. It was a clear and concise, with great explanations. Thanks Andy.
You're very welcome!
Thank you. 🙂
You’re welcome 😊
Great Lesson! Thank you for breaking down this classic.
My pleasure!
Excellent. Thanks!!
Thanks for watching Colin.
Great stuff. Thanks
Glad you enjoyed it
Quick and logical, thanks
You're very welcome :)
Muy bueno. Muchas gracias maestro.
Gracias 😎
Fantastic, really fun to play and very well outlined.
Thanks for another good lesson Andy, interesting explanation and something learnt today. Always good.
Thank you Stuart. Yes, it's certainly an interesting one to learn. I love the movements in the bass on this one.
thanks ma man! great lessons!
My pleasure!
Gosh Andy, really great lesson. Many thanks
Thank you Mark.
Thank you for a super helpful lesson. You are a great teacher!!👍👍🎸
Thanks for commenting Robert 👍
great lesson! Thanks a lot
You are welcome!
Bravo mate!
Thank you 🙏
Many thanks!!
You're welcome Paul.
I love this song! Ever since I can remember this song, I've digged! I love the Ella Fitzgerald version with the Nelson Riddle orchestra!
I'm yet to find a recording by Ella I don't like!!!
Loved the arrangement and I'll definitely use it, B section is super nice as well! Really great lessons here that are truly a challenge and who doesn't like a challenge?!! 😊🎼🎸👍
Yes, the B section is super cool on this one. You can always adapt some chords to suit shapes you are more familiar with.
@@jazzguitarwithandy Actually I already know the song off a chart so following your chart with your grips is a lot more fun and it sounds better as well! (ツ)
Thanks for another good lesson, really interesting to hear the move to the relative minor!
Thank you Gilles. Yes, it's a good one for learning about moving to the relative.
Beautifully cohesive lesson.. i like a run through first tho
Thanks!
👏👏👏👏👏 thanks!
You're welcome!
This is a really nice tutorial so thank you! Just curious, is there a reason you play it in F but Ray Charles plays it in G? I've seen a few other versions in F so just curious.
Thanks. F is regarded as the standard key to play it in. I usually do these videos in the key most commonly played at jams.
en sevdiğim django düzenlemesi
Why not do it the key Ray Charles did it. Seems to me that doing it in F - it would be just as impactful in G
I see what you mean, but I often teach the songs in the keys they are most commonly played in.
@@jazzguitarwithandy Not familiar with anyone doing it in the key you are here - It's almost always in G major from almost any version I've ever heard. Including Ray Charles.
@@JimRobinson-colors Just checked a few of the classic versions: Hoagy Carmichael (Bb), Louis Armstrong (F), Gene Krupa (Ab), Clark Terry (F), Herb Ellis (F) Oscar Peterson (Ab), Ella F (C). Not sure which versions you refer to, but maybe some of the more pop based versions followed Ray's lead with the key he picked? Either way, the standard key for this at jam sessions will be F and it's always good to be able to play it any key!
@@JimRobinson-colorsYou may not be aware, but most jazz musicians consider F major to be the default key. There are hundreds of recordings in the key of F, the key of G not nearly as much.