This is so very good! Particularly the Julia Doyle and Alex Potter duet; but so many other performers are also wonderful. This would be a great performance to use to introduce someone to the joys of Bach.
Wieder eine überaus gelungene Aufnahme in dieser Reihe der J.S. Bachstiftung. Und Alex Potter ist einer der wunderbarsten Altsänger für Bachs Kantaten: mit dieser unangestrengten Ruhe und Leichtigkeit - Natürlichkeit - eine echte Seltenheit. HIer auch im Duett mit der ebenso ausgezeichneten Julia Doyle ganz wunderbar passend. Charles Daniels ist in den höheren Partien ebenfalls ein wunderbar "leichtfüßiger" Tenor mit voller, ducklos glänzender, aber immer dem Genre gemäß unprätentiöser Stimme, die man öfter hören möchte. Peter Harvey ordnet sich in dieses Ensemble sehr souverän, sensibel und organisch ein. Im Ganzen ein Quartett, das man gern öfter zusammen hören würde!
Herzlichen Dank für die Veröffentlichung! Aus Teheran/Iran Mir fehlen wirklich die passenden Worte, um die schönheit zu beschreiben, was ihr erzeugt. Das klingt sehr schön.
Brilliant and joyful! Brilliant, the way that Bach weaves what might have been a perfectly wonderful instrumental ensemble work in and around a wonderfully arranged Lutheran chorale hymn, either of which could have stood well on their own. The same can be said for his other chorale cantatas. Joyful, too, as can be seen on the faces of the conductor and the musicians, especially the concertmistress on the violin. They all are "in the zone," but especially her.
Lebhafte und wunderschöne Aufführung dieser perfekt komponierten Kantate mit gut harmonisierten Stimmen des ausgezeichneten Chors und herrlichen Stimmen vierer genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der intelligente und ebenso geniale Cembalist/Dirigent leitet das ausgezeichnete Ensemble im angemessenen Tempo und mit künstlerisch kontrollierter Dynamik. Alles ist wundervoll!
Un des aspects séduisants de la Fondation Bach est le choix très éclectique des solistes : chanteurs ou instumentistes sont toujours de grand talent et viennent parfois de loin, - comme ici, la merveilleuse Julia Doyle. Une fête pour les oreilles. Bravo, Maestro Lutz.
Schitterende uitvoering !!!! Veel Spielfreude ! Geweldig ! Bedankt dat we dat ook in Nederland mogen zien en horen. Ik hoop nog vele jaren. Bachstiftung Bravo !!!!!!
This inspirational performance and chorus are beyond description , and full of immeasurable admiration and unfathomable emotion , and comfortable to the ear and the mind From Tokyo of the Land of the Rising Sun 🇯🇵
@@daydreamer5910 Your brain is rotten The Rising Sun Flag is Japanese Marine Flag Which is your country？ Are your country poor, inferior, and worst？ You are real stupid and dirt Who are you？
Une superbe cantate avec mon ami Marc Hantaï comme flûtiste. Cela n’est pas indiqué dans les commentaires mais lévite d’être noté car il s’agit d’un grand flûtiste !
Flawless singing and playing. I find it difficult to complement any particular artist, they are all superb. And superbly brought together by maestro Lutz. A shame that few artist details , and no timings, appear on TH-cam, though fortunately they are available on the Bachipedia site. Thank you!
A top-notch cantata, new to me. Many thanks. I thought this was a particularly fine performance, as it was suffused by joy throughout. The sheer beauty of sound in the opening chorus was full of delight. Horrible libretto though; full of fall and inescapable depravity and the need for rescue nothing about our status as Sons. Thank you for the English translation all the same.
@@herrickinman9303 Herrick, yes I can afford it, and many more, for words are free and to collect them is a delight. Also if you fill a glass, the glass itself isn't filled. This is why I say suffused. The whole lot is drenched.
The violin soloist for the tenor aria is recognizable as the eminent Baroque violinist Amandine Beyer. She must have been visiting Switzerland for the session, and should be mentioned prominently in the credits.
She may be recognizable to you "as the eminent Baroque violinist Amandine Beyer," but I never heard of her. So how recognizable could she be? I'm joking. Even though I never heard of her, her talent is evident from this performance.
the list of the interpreters is available on the webpage of the Bachstiftung (and indeed she's marked as "special guest", and she also has a dedicated video on her "reflections" on this cantata), and it's customary that only the singers and conductor are indicated in the TH-cam page. Mentioning just Beyer in this occasion just because she's a renowned name would not be a nice gesture towards the other excellent musicians who have played for this series.
Actually she studied at the scuola in Basel where she must have met Herr Lutz as a student plus she now teaches there too so I imagine their musical friendship made her an ideal guest leader. She’s the best baroque violin teacher in Switzerland.
Isn't it the wonderful Amandine Beyer playing the 1st violin ? She has recorded the best version I know so far of Bach's partitas and sonatas for solo violin !
The concert master's name here is Plamena Nikitassova. Amandine Beyer has collaborated with us occasionally. Have a look at this video: th-cam.com/video/6m0d3WtdJ3Q/w-d-xo.html
Bachstiftung cantatas with subtitles: th-cam.com/play/PLk8lf2IHuDQk1fD_JxaROH5TXKtiJ4qvI.html (69) We are fans and admirers of these wonderful voices singing Bach. Cantatas with subtitles and the voice of: Núria Rial (9) th-cam.com/play/PLk8lf2IHuDQmDuEXxQujVe4BgHcG23RGp.html Elvira Bill (8) th-cam.com/play/PLk8lf2IHuDQn6wpEfsfo-NYXiPrKJ_B__.html Miriam Feuesinger (19) th-cam.com/play/PLk8lf2IHuDQma5OtxjN2TXOX-32Wsem1k.html Claude Eichenberger (10) th-cam.com/play/PLk8lf2IHuDQmT0kIaOLxBk1XcO7AFxYV1.html Daniel Johannsen (20) th-cam.com/play/PLk8lf2IHuDQl2avwbPb1Bg0NIUWB4PFu_.html Alex Potter (9) th-cam.com/play/PLk8lf2IHuDQkLKK_zm3ch2r9A2YrWDKE5.html
Wonderful as always but for my taste, "wir waren schon" aria should be a lot slower. It is a depressive setting and has to sink our soul and mood to ground. This rendition stimulates me and bares too much energy.
@@presidentstaatshoofd473 FYI, the Netherlands Bach Society and several other professional early music ensembles that publish their performances on YT also solicit donations. When you post a comment in a public forum, it becomes everyone's business, you fool! I seem to remember your handle from the thread "Sounds like Bach jamming" under a YT video of Menno van Delft's clavichord performance of the Chromatic Fantasy and Fugue.
❤MAESTRO LUTZ❤LO SCRIVO CON LE LETTERE MAIUSCOLE ❤SIETE TUTTI DI GRANDE TALENTO❤❤❤❤❤❤VI ADORO❤❤❤
I wanna live here. Where going to an Early Music Concert is like going to the local bakeshop. ♥
Beautiful violinists, as humans and performers.
I love how the duet puts their souls into the music A perfect melding of music and spirit as it has always been even before time
This is so very good! Particularly the Julia Doyle and Alex Potter duet; but so many other performers are also wonderful. This would be a great performance to use to introduce someone to the joys of Bach.
Wieder eine überaus gelungene Aufnahme in dieser Reihe der J.S. Bachstiftung. Und Alex Potter ist einer der wunderbarsten Altsänger für Bachs Kantaten: mit dieser unangestrengten Ruhe und Leichtigkeit - Natürlichkeit - eine echte Seltenheit. HIer auch im Duett mit der ebenso ausgezeichneten Julia Doyle ganz wunderbar passend. Charles Daniels ist in den höheren Partien ebenfalls ein wunderbar "leichtfüßiger" Tenor mit voller, ducklos glänzender, aber immer dem Genre gemäß unprätentiöser Stimme, die man öfter hören möchte. Peter Harvey ordnet sich in dieses Ensemble sehr souverän, sensibel und organisch ein. Im Ganzen ein Quartett, das man gern öfter zusammen hören würde!
Herzlichen Dank für die Veröffentlichung!
Aus Teheran/Iran
Mir fehlen wirklich die passenden Worte, um die schönheit zu beschreiben, was ihr erzeugt. Das klingt sehr schön.
Brilliant and joyful! Brilliant, the way that Bach weaves what might have been a perfectly wonderful instrumental ensemble work in and around a wonderfully arranged Lutheran chorale hymn, either of which could have stood well on their own. The same can be said for his other chorale cantatas. Joyful, too, as can be seen on the faces of the conductor and the musicians, especially the concertmistress on the violin. They all are "in the zone," but especially her.
Lebhafte und wunderschöne Aufführung dieser perfekt komponierten Kantate mit gut harmonisierten Stimmen des ausgezeichneten Chors und herrlichen Stimmen vierer genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der intelligente und ebenso geniale Cembalist/Dirigent leitet das ausgezeichnete Ensemble im angemessenen Tempo und mit künstlerisch kontrollierter Dynamik. Alles ist wundervoll!
Und das Volk sagt:
**AMEN**
Un des aspects séduisants de la Fondation Bach est le choix très éclectique des solistes : chanteurs ou instumentistes sont toujours de grand talent et viennent parfois de loin, - comme ici, la merveilleuse Julia Doyle. Une fête pour les oreilles. Bravo, Maestro Lutz.
Always loved the opening piece, compact, intricate tapestry in orchestra in contrast with simple chorus.
Schitterende uitvoering !!!! Veel Spielfreude ! Geweldig ! Bedankt dat we dat ook in Nederland mogen zien en horen. Ik hoop nog vele jaren.
Bachstiftung Bravo !!!!!!
Sehr schön! Auch die Flöte und die Oboe fügen sich wunderbar in die Kantate ein. Herzlichen Dank aus dem Norden!
This inspirational performance and chorus are beyond description , and full of immeasurable admiration and unfathomable emotion , and comfortable to the ear and the mind
From
Tokyo of the Land of the Rising Sun 🇯🇵
Rising sun=Hakenkreuz
@@daydreamer5910
Your brain is rotten
The Rising Sun Flag is Japanese Marine Flag
Which is your country？
Are your country poor, inferior, and worst？
You are real stupid and dirt
Who are you？
Thank you so much for sharing, dear Maestro Lutz: this one is a *pure marvel.*
It should be noted that the first violin is the French violinist Amandine Beyer
Infinitas gracias. Lo he gozado. Gracias por tanto.
Wonderful performance. Thanks and Congrats!
Voll das g
ute Konzert, und zum Thumbnail ka
nn ich nur sagen, meine Entertaste klemmt auch, Solidarität Brud
i!
eine sehr schöne Aufnahme!
Magnífico en toda su absoluta redondez!
Bellísimo concertato instrumental del primer coro.
Une superbe cantate avec mon ami Marc Hantaï comme flûtiste. Cela n’est pas indiqué dans les commentaires mais lévite d’être noté car il s’agit d’un grand flûtiste !
Wonderful!
❤GRANDE❤ LA VIOLINISTA❤BACH❤E' CONTENTO❤
Very good
Delightful! ❤
Очень красиво.
Wunderbar!
Grandiosa interpretación .La parte vocal y la instrumental perfectamente integradas en esta Cantata. Registro sonoro perfecto.
Flawless singing and playing. I find it difficult to complement any particular artist, they are all superb. And superbly brought together by maestro Lutz. A shame that few artist details , and no timings, appear on TH-cam, though fortunately they are available on the Bachipedia site. Thank you!
Timings are always available above in the show notes...but I think those show notes are harder to access on the phone app (??).
Très belle interprétation!
wunderschönen
A top-notch cantata, new to me. Many thanks. I thought this was a particularly fine performance, as it was suffused by joy throughout. The sheer beauty of sound in the opening chorus was full of delight. Horrible libretto though; full of fall and inescapable depravity and the need for rescue nothing about our status as Sons. Thank you for the English translation all the same.
Suffused with joy, not suffused by joy. You could have just said "filled with joy."
Suffused is a rather pricey word. Can you afford it?
@@herrickinman9303 Herrick, yes I can afford it, and many more, for words are free and to collect them is a delight. Also if you fill a glass, the glass itself isn't filled. This is why I say suffused. The whole lot is drenched.
Beautiful!
The violin soloist for the tenor aria is recognizable as the eminent Baroque violinist Amandine Beyer. She must have been visiting Switzerland for the session, and should be mentioned prominently in the credits.
She is featured playing the Bach Chaconne on the reflection cut for this cantata.
She may be recognizable to you "as the eminent Baroque violinist Amandine Beyer," but I never heard of her. So how recognizable could she be? I'm joking. Even though I never heard of her, her talent is evident from this performance.
the list of the interpreters is available on the webpage of the Bachstiftung (and indeed she's marked as "special guest", and she also has a dedicated video on her "reflections" on this cantata), and it's customary that only the singers and conductor are indicated in the TH-cam page. Mentioning just Beyer in this occasion just because she's a renowned name would not be a nice gesture towards the other excellent musicians who have played for this series.
Actually she studied at the scuola in Basel where she must have met Herr Lutz as a student plus she now teaches there too so I imagine their musical friendship made her an ideal guest leader. She’s the best baroque violin teacher in Switzerland.
@@herrickinman9303 Recognizable doesn't mean recognized... but perhaps next time she'll be recognized by you :)
Isn't it the wonderful Amandine Beyer playing the 1st violin ? She has recorded the best version I know so far of Bach's partitas and sonatas for solo violin !
The concert master's name here is Plamena Nikitassova. Amandine Beyer has collaborated with us occasionally. Have a look at this video: th-cam.com/video/6m0d3WtdJ3Q/w-d-xo.html
❤️
Amandine !!!! (Violino) 🖐
fantastic! who is the great 1st violinist?
Amandine Beyer.
Leipzig, den 1. August 1734, als wäre es gestern gewesen. Danke Meister Lutz... Was sind diese gelben Dinger: 😊?
7:09 Tenore Charles Daniels
13:00 Duett Sopran - Alt
Bachstiftung cantatas with subtitles:
th-cam.com/play/PLk8lf2IHuDQk1fD_JxaROH5TXKtiJ4qvI.html (69)
We are fans and admirers of these wonderful voices singing Bach.
Cantatas with subtitles and the voice of:
Núria Rial (9) th-cam.com/play/PLk8lf2IHuDQmDuEXxQujVe4BgHcG23RGp.html
Elvira Bill (8) th-cam.com/play/PLk8lf2IHuDQn6wpEfsfo-NYXiPrKJ_B__.html
Miriam Feuesinger (19) th-cam.com/play/PLk8lf2IHuDQma5OtxjN2TXOX-32Wsem1k.html
Claude Eichenberger (10) th-cam.com/play/PLk8lf2IHuDQmT0kIaOLxBk1XcO7AFxYV1.html
Daniel Johannsen (20) th-cam.com/play/PLk8lf2IHuDQl2avwbPb1Bg0NIUWB4PFu_.html
Alex Potter (9) th-cam.com/play/PLk8lf2IHuDQkLKK_zm3ch2r9A2YrWDKE5.html
danza, rigore, patos e raccoglimento. c'è tutto.
siete stelle.
Wonderful as always but for my taste, "wir waren schon" aria should be a lot slower. It is a depressive setting and has to sink our soul and mood to ground. This rendition stimulates me and bares too much energy.
"Es ist das Heil uns kommen her":
th-cam.com/video/Hkydb3CGzIk/w-d-xo.html
La verdad, es desagradable ver y oír a un hombre hacer la voz de contralto
Please don't beg for money, you are not street artists.
You think these artists work for free? Stop being a freeloader. If you don't want to see ads, subscribe to ad-free TH-cam or an ad blocker.
@@herrickinman9303 I was not referring to YT ads. Will you please mind your own bussiness!
@@presidentstaatshoofd473 FYI, the Netherlands Bach Society and several other professional early music ensembles that publish their performances on YT also solicit donations.
When you post a comment in a public forum, it becomes everyone's business, you fool!
I seem to remember your handle from the thread "Sounds like Bach jamming" under a YT video of Menno van Delft's clavichord performance of the Chromatic Fantasy and Fugue.
such an ignorant comment
This is well a *Dutch* way of thinking !! ;-)))