I particularly loved this prelude when I first heard it and your orchestration is great! Glad to see you got recognised by Meliton Soupelin as well, that's awesome :)
Thanks for sharing this Kenny. I went and listened to the original piece of piano music. It's really effectively written for piano and your orchestration is really brilliant 🙂
Brilliant orchestration, Kenny! Nice to see you recommended on my home page, hope you've been well! And if you are looking for any other preludes to orchestrate I would humbly throw my hat into the ring haha
Heck yeah, I'd love to! I've always enjoyed your music. Perhaps I'll browse thru your channel next time I have some free time. Nice to hear from you, and thanks for the kind comment.
Love it, totally elevates the material! How’d you decide what to change in the climax? Btw ever listened to Grainger’s “In a Nutshell?” You could compare his own orchestration and piano version
For the climax, I took inspiration from Ravel's tombeau de couperin. The only instrument capable of playing as high as the piano on that figure is the harp, so I preserved the piano figure in the harp and gave as much of the figure as I could to the dovetailed arpeggios in the winds and strings. The rest of the instruments sustain the first chord to simulate the pianos sustain pedal. The horns approximate the left hand part. I love Grainger, grew up playing his works in concert band!
Wonderful. I travel performing a one-man symphonic drama about Charles Wesley. I have arranged 15 of his hymns on Sibelius. I love it, except for the quality of the default instruments. Yours sound great. Which are they, and is there any way I can install them?
@@KennyRegan Sounds amazing. I don't know how to edit sounds in Sibelius, or in Audacity, which I use to record. Several collections of sounds have been recommended, but they are very expensive. Also, I tried Noteperformer and Garritan Sounds, but they didn't sound as good as the Sibelius default instruments. I wish especially Sibelius's brass and strings were more realistic.
@@tomfuller5585 The nice thing about NotePerformer is that it is a lot better at interpreting the midi musically, though the soundfonts are indeed less realistic because it's synthesized rather than sampled. One thing you could try is exporting the individual instruments as audio files for both NotePerformer and the Sibelius sounds and then combining them together in Audacity. Layering the two playback methods together could give you something more effective overall. Add a tiny bit of reverb on top of the whole thing to glue it together
@@RaymondDoerr Sure, the best tip I can offer is just that you can go really far with really simple tools, it doesn't have to be complicated to sound good. 90% of the work is tweaking volume and timing. You can make MIDI instruments sound more realistic by painting in custom volume curves to taper off the releases or shape long chords. You can make articulations sound crisper by doing a little time stretching, and you can also use time stretching to get wonky MIDI samples to line up with the beat better and sync with other instruments. For orchestras, a nice trick is to pan the sections how they would be panned in a real orchestra, and then add slightly less reverb to the instruments that would be closer to the audience and slightly more to the instruments further back to give the illusion of space.
pls go listen to @MelitonSoupelin's original it's fantastic th-cam.com/video/nO3yohsepLY/w-d-xo.html
Oh my goodness! Your work is absolutely amazing! Thank you so much for creating such a masterful rendition of my composition!
And thank you so much for creating such a lovely work, and for allowing me the opportunity to orchestrate it!
@@KennyRegan stuff like this makes me love the internet again. just people building on each others ideas! how its supposed to be!
@@KennyReganI also fell in love with this piece. Thank you for the orchestration. Wonderful.
Omg the internet can be so beautiful. I’m glad I stumbled upon both of these pieces
The wholesomeness is real.
Definitely music can save the world.
Hell yeah
What a fantastic cooperative work
I've found the chain of sincere love!
Beautiful orchestration of a lovely piece, well done !
what a brilliant orchestration, amazing use of harp at the climax👌👌👌👌
I particularly loved this prelude when I first heard it and your orchestration is great! Glad to see you got recognised by Meliton Soupelin as well, that's awesome :)
This is PERFECT !!!
As said by another commenter, this is what makes the internet beautiful, building on other peoples work!!
A wonderful orchestration of a great piece! I can really feel this great mashup of different styles and composers and it works so nicely!
Thanks for sharing this Kenny. I went and listened to the original piece of piano music. It's really effectively written for piano and your orchestration is really brilliant 🙂
Nice work and good orchestration! You have great talent. keep moving forward :>
❤ESTOU AMANDO OUVIR ESTA OBRA, NÃO ME CANSO!
Brilliant orchestration, Kenny! Nice to see you recommended on my home page, hope you've been well! And if you are looking for any other preludes to orchestrate I would humbly throw my hat into the ring haha
Heck yeah, I'd love to! I've always enjoyed your music. Perhaps I'll browse thru your channel next time I have some free time. Nice to hear from you, and thanks for the kind comment.
wow amazing that's so cool so good so delicious very nice
It's amazing !! I need this on Spotify
Nice.
Amazing
Beautiful.
Lmao I was considering doing the exact same thing when I first stumbled across this prelude! Guess you beat me to it 😂
perfect arrangement
❤👏👏LINDÍSSIMO! PARABÉNS.COM ORQUESTRA UM TOQUE ESPECIAL,NÃO TENHO PALAVRAS PARA EXPRESSAR MEUS SENTIMENTOS,VOCÊ É UM GRANDE COMPOSITOR!👏👏💯
Amazinggg
Wonderful
You're a genius.
Love it, totally elevates the material! How’d you decide what to change in the climax? Btw ever listened to Grainger’s “In a Nutshell?” You could compare his own orchestration and piano version
For the climax, I took inspiration from Ravel's tombeau de couperin. The only instrument capable of playing as high as the piano on that figure is the harp, so I preserved the piano figure in the harp and gave as much of the figure as I could to the dovetailed arpeggios in the winds and strings. The rest of the instruments sustain the first chord to simulate the pianos sustain pedal. The horns approximate the left hand part.
I love Grainger, grew up playing his works in concert band!
Great orchestration of a great piece! Especially like the warm strings right before the end. What sound is this? If it's musescore I am very impressed
Thanks for the kind comment Bethany! It is indeed musescore, plus a little extra mixing on my end :)
You 21st century ravel
Wonderful. I travel performing a one-man symphonic drama about Charles Wesley. I have arranged 15 of his hymns on Sibelius. I love it, except for the quality of the default instruments. Yours sound great. Which are they, and is there any way I can install them?
I just did this in MuseScore using the free Muse Sounds, though I did export each instrument's audio and mix separately :)
@@KennyRegan Sounds amazing. I don't know how to edit sounds in Sibelius, or in Audacity, which I use to record. Several collections of sounds have been recommended, but they are very expensive. Also, I tried Noteperformer and Garritan Sounds, but they didn't sound as good as the Sibelius default instruments. I wish especially Sibelius's brass and strings were more realistic.
@@tomfuller5585 The nice thing about NotePerformer is that it is a lot better at interpreting the midi musically, though the soundfonts are indeed less realistic because it's synthesized rather than sampled. One thing you could try is exporting the individual instruments as audio files for both NotePerformer and the Sibelius sounds and then combining them together in Audacity. Layering the two playback methods together could give you something more effective overall. Add a tiny bit of reverb on top of the whole thing to glue it together
can't decide if im awestruck or seething with envy
what are the virtual instruments being used?
Thank you for the kind comment, haha! These are all the free musescore sounds, but I exported and mixed each instrument outside musescore :)
What sample libraries are you using
This is all just from MuseScore's free sound library, and I mixed it separately
❤👏👏REALMENTE A ORQUESTRAÇÃO FICOU PERFEITA PARA ESTA OBRA TÃO PURA E SINGELA! PARABÉNS KENNY REGAN PELA SUA ORQUESTRAÇÃO!
@@KennyRegan do you have any tips and tricks for mixing the music?
@@RaymondDoerr Sure, the best tip I can offer is just that you can go really far with really simple tools, it doesn't have to be complicated to sound good. 90% of the work is tweaking volume and timing. You can make MIDI instruments sound more realistic by painting in custom volume curves to taper off the releases or shape long chords. You can make articulations sound crisper by doing a little time stretching, and you can also use time stretching to get wonky MIDI samples to line up with the beat better and sync with other instruments. For orchestras, a nice trick is to pan the sections how they would be panned in a real orchestra, and then add slightly less reverb to the instruments that would be closer to the audience and slightly more to the instruments further back to give the illusion of space.
@@KennyReganwow thank you so much!!!