BRILLIANT! Thank you so much for showing that "rest" example! I would have never thought of that! I will be using that technique a lot I can assure you! I can't wait for the next (Advanced, too interesting to skip!) part of this series!
Thanks Ed! It's great to connect with other musicians who enjoy these synths as much as I do. Thanks for asking the question about "Rests" to begin with!
Hey OZ Amazing info in tis one. Very iseful. Just wondering if you think Moog had these ideas when designing the 960. In other words, thinking about the flexibility in an inflexible system? I create rests by patching the individual outs of each step to a mult and then to the 961. This seems to work pretty well but takes a lot of cableing to accomplish. Cheers and thanks for the great video tutorial. Cheers
I'm sure they went through some of these use cases. I'm certain they saw manual controls and said "We should have a CV or Trigger for this", realizing the power (flexibility) that would be unlocked by doing so. Is it ok if I steal the 961 idea for a video?
@@ozhalljr Thats very interesting about the vision of the designers mind. In this case I wonder how often Bob Moog was surprised by what others came up with to utilize the instrument. Please use the 961 idea. The 961 is the most interesting module in my 35. Timing of gate triggers is really fun. I like to use the - and + outs on the 921 and trigger both sides of the 961 then out to stereo for ping pong effects. The 911's are so snappy and accurate. My system 35 is a really musical sounding box! Thanks and wonderful video plus conversation, Cheers
BRILLIANT! Thank you so much for showing that "rest" example! I would have never thought of that! I will be using that technique a lot I can assure you! I can't wait for the next (Advanced, too interesting to skip!) part of this series!
Thanks Ed! It's great to connect with other musicians who enjoy these synths as much as I do. Thanks for asking the question about "Rests" to begin with!
Great job on these 960 videos O.Z,! The overall pacing and sound is a big improvement from some of your older videos.
Thanks! I’m always trying to find a balance between deliberate, clear speech and boring. Thanks for noticing.
Genius! Greatly appreciated. 🙏
Thanks mate!
Brilliant and very useful! Thanks!
Thanks Rod!
Great tips, thanks O.Z
Thanks Rob! BTW, I live this short drum demo of yours! th-cam.com/video/JTXSg5oDcUE/w-d-xo.htmlsi=zA651yRUEbHfGgGW
@@ozhalljr thanks O.Z
Hey OZ
Amazing info in tis one. Very iseful. Just wondering if you think Moog had these ideas when designing the 960. In other words, thinking about the flexibility in an inflexible system? I create rests by patching the individual outs of each step to a mult and then to the 961. This seems to work pretty well but takes a lot of cableing to accomplish. Cheers and thanks for the great video tutorial. Cheers
I'm sure they went through some of these use cases. I'm certain they saw manual controls and said "We should have a CV or Trigger for this", realizing the power (flexibility) that would be unlocked by doing so.
Is it ok if I steal the 961 idea for a video?
@@ozhalljr Thats very interesting about the vision of the designers mind. In this case I wonder how often Bob Moog was surprised by what others came up with to utilize the instrument.
Please use the 961 idea. The 961 is the most interesting module in my 35. Timing of gate triggers is really fun. I like to use the - and + outs on the 921 and trigger both sides of the 961 then out to stereo for ping pong effects. The 911's are so snappy and accurate. My system 35 is a really musical sounding box! Thanks and wonderful video plus conversation, Cheers