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Ernst von Dohnanyi is often pigeonholed as a Brahms epigone, but he's a raving modernist compared to the Brahmsian Kahn. But who cares about pigeonholes, when the music is so lovely?
Ernst von Dohnanyi is often pigeonholed as a Brahms epigone, but he's a raving modernist compared to the Brahmsian Kahn. But who cares about pigeonholes, when the music is so lovely?